Starving in the Louvre and Other Stories
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Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
Toni Basil Concerts/Tours/Events
Toni Basil Concerts/Tours/Events: Tina Turner Live 2008/2009 Associate Dir./Choreographer Tour Tina Turner "What's Love Got Choreographer To Do With It" Tour Bette Midler "Divine Co-Director/Choreographer Intervention" Bette Midler "The Showgirl Choreographer Caesars Palace, Las Vegas Must Go On" Bette Midler / Grand Opening Choreographer Harrah's Casino / Hammond, of Harrah's Casino Indiana Bette Midler "Kiss My Brass" Choreographer Tour Bette Midler "Miss Millennium" Dance Dir./Choreographer Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" Tour Bette Midler "Experience the Dance Dir./Choreographer Divine" '93-'94 Tour Bette Midler "Detour" Co-Director/Choreographer Bette Midler "Tour For New Co-Director/Choreographer Depression" Valora at the Troubadour 2010 Choreographer Lee Ann Womack 2002 Tour Director/Choreographer Erv Woolsey Company Enrique Iglesias "Escape" Director/Choreographer Tour Matchbox 20 1998 World Tour Choreographer Menudo "Reencuentro" Tour Choreographer Mi Bondo Toca David Lee Roth 1995 Road Choreographer Show Tour The Manhattan Transfer 1995 Choreographer Multi-Media Interactive Concept Show Shockin' The House at LA Director/Choreographer Festival Frankie Valli Las Vegas Show Choreographer Bolshoi Circus Japanese Tour Director/Choreographer 1993 David Bowie "Glass Spider" Co-Director/Choreographer Tour David Bowie "Diamond Dogs" Co-Director/Choreographer Tour Toni Basil at The Kitchen "A Director/Choreographer Decade in Street Dance" Toni Basil at The Roxy (Dir./Chor./Prod.) Toni Basil at The Fox Venice (Dir./Chor./Prod.) The Lockers at Radio City Director/Choreographer Music Hall Manhattan Transfer 1991 Tour Director/Choreographer Pee-Wee Herman at J.C. Co-Director/Choreographer J.C. Penny Fashion Show Penny Fashion Show Film: House Bunny Choreographer Dir. -
National Health Journal Artifici Spider Bite Abnormal Babies
NATIONAL HEALTH JOURNAL ARTIFICI SPIDER BITE ABNORMAL BABIES the concern about A Gripping New Paperback On Today's Hottest Issue! Itteire A cce.._ eal You may be in for a surprise if you just check the facts! Told in graphic story form the way it is, this book lets you see what drugs can do—and have done—to their users. You'll soon decide that liquor, acid, and pot are not very groovy, and that life offers you some- thing better. ORDER YOUR COPY TODAY only s2.25 each Review and Herald Publishing Assn., Box 4353, Washington, D.C. 20012 July, 1972 LIFE AND HEALTH NATIONAL HEALTH JOURNAL 88th Year of Publication Volume 87, No. 7 FEATUREC Your Right to Good Health 6 M. G. Hardinge, M.D. Will large sums of government money assure everyone of adequate health care? Spider Bite 10 Amil J. Johnson, M.D. Spiders are here to stay. Find out which ones are actually dangerous. • Normal Parents; Abnormal Babies? 13 W R. Centerwall, M.D., MS., M.P.H. How is it that parents who appear normal in every way sometimes have abnormal offspring? Low Blood Sugar 16 Many people feel tired and dragged out most of the time. The trouble could be hypoglycemia. A Hospital's Not for Resting 22 Bertha Kerr If you've ever been a hospital patient, you can probably sympathize with this lady. Artificial Mothers 26 If you feel you don't have time to cuddle your baby, you had r t— better take note. Mervyn G. Hardinge, M.D., Dr. -
GLASS SPIDER a Dance Idea for KS3
GLASS SPIDER A dance idea for KS3 A dance based on the lyrics of the song Glass Spider by David Bowie from the album Never Let me Down on vinyl AMLS 3117, cassette TC AMLS 3117, CDP 7466772 and also on some compilations. Twenty pupils from Years 7 & 8 during an extra-curricular dance club developed the dance during five one-hour sessions. They worked their way through ideas generated by the song, gradually building the dance to performance level. The ideas for the dance came from the pupils. The lyrics are vivid and provide a good stimulus. Glass Spider Up until one century ago there lived in the Zi Duang provence of eastern country A glass-like spider Having devoured its prey it would drape the skeletons over its web In weeks creating a macabre Shrine of remains Its web was also unique in that it had many layers, like the floors of a building At the top of this palace like place, assembled with almost apparent care were tiny Shining objects, glass beads, dew-drops. One could almost call it an altar When the breeze blew thru this construction, it produced sounds of wailing, crying Tiny wails, tiny cries. The baby spiders would get scared and search frantically for their mother But the Glass Spider would have long gone, having known that the babies Would survive somehow on their own Oh – The Glass Spider had blue eyes almost like – a human’s They shed tears at the wintered turn of the centuries. Don’t you hear this wasted cry. -
The Black Widow Spider and Its Varieties in the United States
BULLETIN OF THE UNIVERSITY OF UTAH Volume 25 June, 1935 No. 8 The Black Widow Spider and Its Varieties in the United States BY RALPH V. CHAMBERLIN and WILTON IVIE BIOLOGICAL SERIES, Vol. Ill, No. I PUBLISHED BY THE UNIVERSITY OF UTAH SALT LAKE CITY THE UNIVERSITY PRESS UNIVERSITY OF UTAH SALT LAKE CITY The Black Widow Spider and its Varieties in the United States B y R a l p h V. C h a m b e r l i n a n d W i l t o n I v i e The spiders of the genus Latrodectus, a member of the family Ther- idiidae, popularly known as the line-weavers or comb-footed spiders, are of world-wide distribution in tropical and sub-tropical latitudes. The genus “comprises those very interesting spiders which, under var ious local names, have been notorious in all ages and in all regions of the world where they occur on account of the reputed deadly nature of their bite.” During several years past in this country they have re ceived widespread attention under the popular name “Black Widow Spider” proposed some years ago by Prof. Comstock. Older popular names sometimes still applied to the form are “Hour-glass Spider,” given in reference to the shape of the bright red spot under the ab domen, and “ Shoe-button Spider,” given in reference to the shining black upper surface of the globular abdomen of the female. The recent interest in this spider has been due chiefly, it would seem, to numerous newspaper articles and reports which have unduly alarmed great numbers of people and have unfortunately brought all manner of spiders under an undeserved suspicion, for spiders in general are among man’s best friends. -
ITALIAN BOWIE Tutto Di David Bowie in Italia E Visto Dall'italia INTRODUZIONE
Davide Riccio ITALIAN BOWIE Tutto di David Bowie in Italia e visto dall'Italia INTRODUZIONE Bowie ascoltava la musica italiana? Ogni nazione avrebbe voluto avere i propri Elvis, i propri Beatles, i propri Rolling Stones, il proprio Bob Dylan o il proprio "dio del rock" David Bowie, giusto per fare qualche nome: fare cioè propri i più grandi tra i grandi della storia del rock. O incoronarne in patria un degno corrispettivo. I paesi che non siano britannici o statunitensi perciò di loro lingua franca mondiale sono tuttavia fuori dal gioco: il rock è innanzi tutto un fatto di lingua inglese. Non basta evidentemente cantare in inglese senza essere inglesi, irlandesi o statunitensi et similia per uguagliare in popolarità internazionale gli originari o gli oriundi ed entrare di diritto nella storia internazionale del rock. A volte poi, pur appartenendo alla stessa lingua inglese, il cercarne o crearne un corrispettivo è operazione comunque inutile ai fini del fare o non fare la storia del rock, oltre che un fatto assai discutibile, così come avvenne a esempio negli States in piena Beatlemania con i Monkees, giusto per citare un gruppo nel quale cantava un certo David o Davy Jones, lo stesso che - per evitare omonimia e confusione - portò David Robert Jones, ispirandosi al soldato Jim Bowie e al suo particolare coltello, il cosiddetto Bowie knife, ad attribuirsi un nome d'arte: David Bowie. I Monkees nacquero nel 1965 su idea del produttore discografico Don Kirshner per essere la risposta rivale (anzitutto commerciale) americana ai Beatles, quindi i Beatles americani o gli anti-Beatles. -
Late Style, Disability, and the Temporality of Illness in Popular Music
UNIVERSITY OF CALIFORNIA Los Angeles Singing at Death’s Door: Late Style, Disability, and the Temporality of Illness in Popular Music A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Tiffany Naiman 2017 © Copyright by Tiffany Naiman 2017 ABSTRACT OF THE DISSERTATION Singing at Death’s Door: Late Style, Disability, and the Temporality of Illness in Popular Music by Tiffany Naiman Doctor of Philosophy in Musicology University of California, Los Angeles, 2017 Professor Robert W. Fink, Co-Chair Professor Raymond L. Knapp, Co-Chair This dissertation investigates musical expressions of temporal alterities in works created by popular music artists, identifying their aesthetic responses as their bodies become ill, disabled, and they become more aware of mortality. I propose a critical, hermeneutic, and theoretical method drawn from Edward Said’s appropriation of Adorno’s expression “late style” that I have designated ill style, a form of creativity within a temporality of illness. Late style is discernable in works produced, paradigmatically, at the end of one’s career in “old age,” but late style may also be understood as an influence on artistic output at any stage of life if the subject is experiencing untimeliness and a disruption in access to the communal understanding of futurity and time, a possible consequence of factors other than age. I contend that late style, accelerated by illness, disrupts Western cultural attempts at ignoring precarious and finite nature of existence; the resulting expressions of lateness ask audiences to do the same. I offer a way in which to think more critically about what scholars consider late style, how it functions in popular ii music studies and society, and how it intersects with the fields of disability, gender, queer, and critical race studies, and the social sciences. -
D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor. -
DAVID BOWIE SPÉCIAL Live
L’estimaTION DE VOS VINYLES 33 T / 45 T Estim’Vinyl® STUDIO - LIVE - SINGLES - CD DAVID BOWIE SPÉCIAL LIVE N°13 DAVID édito BOWIE Estim'Vinyl® N° 00013 Le casse tête Mind puzzle EN LIVE ... LIVE ... Bonne prise de tête pour cette bro- Good take of head for this bro- chure et certainement du même chure and certainly of the same acabit pour les autres à venir. skill for the others to come. Entre les albums identiques de par Between albums identical by the le contenu, la pochette et le nom contents, the cover and the name de l'album, nous avons du mal à of the album, we find it difficult to retrouver nos petits surtout qu'au find our little ones especially that niveau des lives, un nombre incal- at the level of the lives, an incal- culable de pirates ou non officiels culable number of pirates or unof- ont été édités. ficial ones have been published. Mais c'est une autre histoire qui se But it is another story that will be règlera dans une autre brochure. settled in another brochure. REF DB13-4 Z Des cotes intéressantes pour les Interesting odds for the owners of CLIQUEZ SUR LE BOUTON - MERCI possesseurs de ces petites mer- these little wonders to discover in veilles à découvrir dans les pages the pages that follow. qui suivent. Cordialement cordially Yehl Yehl 2 SPÉCIAL DAVID BOWIE 13 SPÉCIAL DAVID BOWIE 13 3 DAVID CODE TRADUCTION ÉTAT COUVERTURE ÉTAT VINYLE S Neuf Le disque est encore sous son Le disque est encore sous son BOWIE (scellé) emballage d’origine. -
Bullet Proof Breath at the Fabric Workshop and Museum in Philadelphia in 1999 That an Exhibition Began to Take Shape
PROOF BREATH CHRISTINE BORLAND Art Gallery of York University v ............. Contents Foreword - Loretta Yarlow ‘Vulnerable’ - Michael Tarantino Exhibited Works Notes Spider Texts Appendix List of Works Foreword In the 1997 Münster Sculpture Project I saw Christine Borland's remarkable work The Loretta Yarlow Dead Teach the Living, consisting of seven Director/Curator luminous plastic heads mounted on plinths, situated like a memorial in an outdoor garden. The haunting presence of these reconstructed portrayals of anonymous beings remained with me. Although I had known Christine’s work through exhibitions at the Sean Kelly Gallery in New York and the Lisson Gallery in London, it was the sight of this impressive work that prompted me to invite her to Toronto for a solo exhibition at the Art Gallery of York University. Christine was happy to consider a future exhibition here, but it was not until she began work on Bullet Proof Breath at the Fabric Workshop and Museum in Philadelphia in 1999 that an exhibition began to take shape. We originally began discussions about a collaborative exhibition with Michael Tarantino, during his tenure at the Museum of Modern Art in Oxford, England. Now, as an independent curator based in Brussels, Michael helped bring this project to fruition as guest essayist. I am extremely grateful to him for his very personal and insightful text. We agreed to assist the artist in re fabricating Spirit Collection: Hippocrates, a major installation first shown at Dundee Contemporary Arts in 1 999. Three York students committed themselves to working with the artist at the university science laboratory during the summer of 2001, bleaching almost one-hundred plane tree leaves that Christine sent to us from Scotland. -
A Videografia De David Bowie (1969-2017)
MESTRADO HISTÓRIA DA ARTE, PATRIMÓNIO E CULTURA VISUAL «Sound and Vision»: a videografia de David Bowie (1969-2017). Contributos para o estudo do videoclipe. Volume II Andréa Michelle dos Santos Diogo M 2018 Andréa Michelle dos Santos Diogo «Sound and Vision»: a videografia de David Bowie (1969-2017). Contributos para o estudo do videoclipe Volume II – Apêndices Dissertação realizada no âmbito do Mestrado em História da Arte, Património e Cultura Visual, orientada pelo Professor Doutor Hugo Daniel da Silva Barreira e coorientada pelo Professor Doutor Nuno Miguel de Resende Jorge Mendes Faculdade de Letras da Universidade do Porto setembro de 2018 Índice Índice .......................................................................................................................................... 3 Nota introdutória ........................................................................................................................ 6 APÊNDICES – A ....................................................................................................................... 8 1. Levantamento da produção discográfica de David Bowie (1964-2017) ............................ 8 2. Levantamento da videografia de David Bowie (1969-2017) ........................................... 16 3. Levantamento da filmografia de David Bowie e respetivas personagens interpretadas .. 19 APÊNDICES – B ..................................................................................................................... 20 1. Tabela geral do corpus de estudo .................................................................................... -
Where Wal-Mart with Its Girth to Change
Fashion. Beauty. Business. FANTASY FOOTBALLS JAN 2016 Designers create fashion No. 2 footballs to mark the Super Bowl’s 50th. Features, p. 52 BOARDROOM FAMOUS The new celebrity/ entrepreneur looks to turn high–profile into high profit. Features, p. 48 PASSING ICONS Fashion loses two creative forces, André Courrèges and David Bowie. p. 28, p. 62 Milan’s Next Andrea Pompilio, Massimo Giorgetti, Damir Doma and Andrea Incontri represent the next crop of designers Wave bringing a new energy to Milan. US $9.99 JAPAN ¥1500 CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 EUROPE € 11 INDIA 800 AN INCREDIBLE REBIRTH FOR DRY HAIR IN JUST ONE WASH BECAUSE YOU’RE WORTH IT.™ THE POWER OF 6 OIL COMPLEX Coconut Argan Chamomile Amla Soja Sunfl ower NEW EXTRAORDINARY OIL NOURISHING SHAMPOO SYSTEM TAILOR-MADE WITH LUSCIOUS LIGHTWEIGHT OILS DEEPLY NOURISHES WITHOUT THE WEIGHT INCREDIBLY LUSTROUS, TOUCHABLY SOFT THE POWER OF BEAUTIFUL HAIR. EVERY DAY. DISCOVERDISCOVER ANAN ENDEND TOTO DDRY HAIR AT EXTRAORDINARYOIL.COM Blake Lively ©2016 L’Oréal USA, Inc. Edward Nardoza EDITOR IN CHIEF Pete Born EXECUTIVE EDITOR, BEAUTY Bridget Foley EXECUTIVE EDITOR James Fallon EDITOR Miles Socha EXECUTIVE EDITOR, EUROPE Robb Rice GROUP DESIGN DIRECTOR John B. Fairchild 1927 — 2015 MANAGING EDITOR Peter Sadera MANAGING EDITOR, Dianne M. Pogoda FASHION/SPECIAL REPORTS MANAGING EDITOR, OPERATIONS Diana Benbasset DEPUTY MANAGING EDITOR Evan Clark NEWS DIRECTOR Lisa Lockwood DEPUTY EDITOR, DATA AND ANALYSIS Arthur Zaczkiewicz SITTINGS DIRECTOR Alex Badia SENIOR EDITOR, RETAIL David Moin SENIOR EDITOR, SPECIAL PROJECTS, Arthur Friedman TEXTILES & TRADE SENIOR EDITOR, FINANCIAL Vicki M. Young BUREAU CHIEF, LONDON Samantha Conti BUREAU CHIEF, MILAN Luisa Zargani BUREAU CHIEF, LOS ANGELES Marcy Medina ASIAN EDITOR Amanda Kaiser BUREAU CHIEF, WASHINGTON Kristi Ellis ASSOCIATE EDITOR Jenny B.