FIGURE 3: Basquiat Price Results at Auction: Price Descending

Total Page:16

File Type:pdf, Size:1020Kb

FIGURE 3: Basquiat Price Results at Auction: Price Descending 5/8/2017 Artnet 1 Jean­Michel Basquiat Title Untitled Description Jean­Michel Basquiat (1960­1988)Untitledsigned and dated 'Jean­Michel Basquiat M Medium acrylic on canvas Year of Work 1982 Size Height 94 in.; Width 197 in. / Height 238.7 cm.; Width 500.4 cm. Misc. Signed Sale of Christie's New York: Tuesday, May 10, 2016 [Lot 0036B] Post­War and Contemporary Art Evening Sale Estimate No Estimate Received Sold For 57,285,000 USD Premium 2 Jean­Michel Basquiat Title Dustheads Description signed, titled and dated 'DUSTHEADS Jean­Michel Basquiat 82' (on the reverse)acrylic, Medium acrylic, oilstick, spray enamel and metallic paint on canvas Year of Work 1982 Size Height 72 in.; Width 84 in. / Height 182.8 cm.; Width 213.3 cm. Misc. Signed, Inscribed Sale of Christie's New York: Wednesday, May 15, 2013 [Lot 00010] Post­War & Contemporary Evening Sale Estimate 25,000,000 ­ 35,000,000 USD Sold For 48,843,752 USD Premium 3 Jean­Michel Basquiat Title The Field Next to the Other Road Description Jean­Michel Basquiat (1960­1988)The Field Next to the Other Roadsigned and inscr Medium acrylic, enamel spray paint, oilstick, metallic paint and ink on canvas Year of Work 1981 Size Height 87 in.; Width 158 in. / Height 220.9 cm.; Width 401.3 cm. Misc. Signed, Inscribed Sale of Christie's New York: Wednesday, May 13, 2015 [Lot 0055B] Post­War and Contemporary Art Evening Sale Estimate 25,000,000 ­ 35,000,000 USD Sold For 37,125,000 USD Premium 1/10 5/8/2017 Artnet 4 Jean­Michel Basquiat Title Untitled Description acrylic, oilstick and metallic spray enamel on canvas68 x 103 in. (172.7 x 261.6 cm.) Medium acrylic, oilstick and metallic spray enamel on canvas Year of Work 1981 Size Height 68 in.; Width 103 in. / Height 172.7 cm.; Width 261.6 cm. Misc. Signed, Inscribed Sale of Christie's New York: Tuesday, May 13, 2014 [Lot 00036] Post­War and Contemporary Evening Sale Estimate 20,000,000 ­ 30,000,000 USD Sold For 34,885,000 USD Premium 5 Jean­Michel Basquiat Title Untitled Description acrylic and oilstick on wood panel72 x 48 in. (182.8 x 121.9 cm.)Painted in 1982.< Medium acrylic and oilstick on woodpanel Year of Work 1982 Size Height 72 in.; Width 48 in. / Height 182.8 cm.; Width 121.9 cm. Sale of Christie's New York: Tuesday, November 12, 2013 [Lot 00015] Post­War and Contemporary Evening Sale Estimate 25,000,000 ­ 35,000,000 USD Sold For 29,285,000 USD Premium 6 Jean­Michel Basquiat Title Untitled (diptych) Description signed and dated 'JEAN­MICHEL 82' (on the reverse of the left panel); signed and dated 'JE Medium diptych­acrylic and oilstick on panel Year of Work 1982 Size Height 72 in.; Width 96.1 in. / Height 182.8 cm.; Width 244 cm. Misc. Signed Sale of Christie's London: Tuesday, June 25, 2013 [Lot 00025] Post­War and Contemporary Art Evening Auction Estimate No Estimate Received Sold For 18,765,876 GBP Premium (28,928,434 USD) 2/10 5/8/2017 Artnet 7 Jean­Michel Basquiat Title Untitled Description Jean­Michel Basquiat (1960­1988)Untitledoilstick, acrylic and spray enamel on canv Medium oilstick, acrylic and spray enamel on canvas Year of Work 1981 Size Height 78 in.; Width 68 in. / Height 198.1 cm.; Width 172.7 cm. Sale of Christie's New York: Wednesday, November 14, 2012 [Lot 00042] Post­War & Contemporary Evening Sale Estimate No Estimate Received Sold For 26,402,500 USD Premium 8 Jean­Michel Basquiat Title Untitled (Yellow tar and feathers) Description acrylic, oilstick, crayon, paper collage and feathers on joined wood panels96 1/2 x 90 Medium acrylic, oilstick, crayon, paper collage and feathers on woodpanel Year of Work 1982 Size Height 96.5 in.; Width 90.2 in. / Height 245.1 cm.; Width 229.2 cm. Sale of Sotheby's New York: Wednesday, November 13, 2013 [Lot 00010] Contemporary Art Evening Auction Estimate 15,000,000 ­ 20,000,000 USD Sold For 25,925,000 USD Premium 9 Jean­Michel Basquiat Title Undiscovered genius of the Mississippi Delta Description estimate upon requesttitledacrylic, oilstick and paper collage on five joined canv Medium acrylic, oilstick and paper collage on joined canvases Year of Work 1983 Size Height 49 in.; Width 185.5 in. / Height 124.5 cm.; Width 471.2 cm. Misc. Inscribed Sale of Sotheby's New York: Wednesday, May 14, 2014 [Lot 00020] Contemporary Art Evening Auction Estimate No Estimate Received Sold For 23,685,000 USD Premium 3/10 5/8/2017 Artnet 10 Jean­Michel Basquiat Title Untitled Description Jean­Michel Basquiat (1960­1988)Untitledacrylic, oilstick and spray paint on canva Medium acrylic, oilstick and spray paint on canvas Year of Work 1981 Size Height 78.5 in.; Width 72 in. / Height 199.5 cm.; Width 182.9 cm. Sale of Christie's London: Wednesday, June 27, 2012 [Lot 00031] Post­War and Contemporary Art Evening Auction Estimate No Estimate Received Sold For 12,921,250 GBP Premium (20,092,132 USD) 11 Jean­Michel Basquiat Title BROTHER'S SAUSAGE Description acrylic, oilstick and paper collage on canvas48 by 187 1/2 in. 121.9 by 476.2 cm. Medium acrylic, oilstick and paper collage on canvas Year of Work 1983 Size Height 48 in.; Width 187.5 in. / Height 121.9 cm.; Width 476.2 cm. Sale of Sotheby's New York: Thursday, November 17, 2016 [Lot 00036] Contemporary Art Evening Auction Estimate 15,000,000 ­ 20,000,000 USD Sold For 18,650,000 USD Premium 12 Jean­Michel Basquiat Title Untitled Description acrylic, oilstick, and spray paint on wood73 1/4 x 49 1/4 in. (186.1 x 125.1 cm)Si Medium acrylic, oilstick and spray paint on wood Year of Work 1981 Size Height 73.3 in.; Width 49.3 in. / Height 186.1 cm.; Width 125.1 cm. Misc. Signed, Inscribed Sale of Phillips de Pury & Company New York: Thursday, May 10, 2012 [Lot 00006] Contemporary Art Evening Sale Estimate 8,000,000 ­ 12,000,000 USD Sold For 16,322,500 USD Premium 13 Jean­Michel Basquiat Title Untitled Medium acrylic, oilstick and spray paint on canvas Year of Work 1981 Size Height 78.5 in.; Width 72 in. / Height 199.5 cm.; Width 182.9 cm. Sale of Sotheby's New York: Tuesday, May 15, 2007 [Lot 00015] 4/10 5/8/2017 Artnet Contemporary Art Evening Sale Estimate 6,000,000 ­ 8,000,000 USD Sold For 14,600,000 USD Premium 5/10 5/8/2017 Artnet 14 Jean­Michel Basquiat Title UNTITLED (ONE EYED MAN OR XEROX FACE) Description signed, dated 82 and inscribed NYC on the reverseacrylic, spray paint, oilstick and X Medium acrylic, spray paint, oilstick and Xerox collage on panel Year of Work 1982 Size Height 72 in.; Width 48 in. / Height 182.9 cm.; Width 121.9 cm. Misc. Signed, Inscribed Sale of Sotheby's London: Wednesday, March 8, 2017 [Lot 00013] Contemporary Art Evening Auction Estimate 14,000,000 ­ 18,000,000 GBP (17,010,936 ­ 21,871,202 USD) Sold For 11,971,250 GBP Premium (14,545,869 USD) 15 Jean­Michel Basquiat Title Museum Security (Broadway Meltdown) Description Jean­Michel Basquiat (1960­1988)Museum Security (Broadway Meltdown)acrylic, oilsti Medium acrylic, oilstick and paper collage on canvas Year of Work 1983 Size Height 84 in.; Width 84 in. / Height 213.4 cm.; Width 213.4 cm. Sale of Christie's London: Wednesday, February 13, 2013 [Lot 00030] Post­War and Contemporary Art (Evening Auction) Estimate 7,000,000 ­ 9,000,000 GBP (10,878,011 ­ 13,986,014 USD) Sold For 9,337,250 GBP Premium (14,510,101 USD) 16 Jean­Michel Basquiat Title Untitled Description Jean­Michel Basquiat (1960­1988)Untitledoilstick and ink on paper42 3/4 x 3 Medium oilstick and ink on paper Year of Work 1982 Size Height 42.8 in.; Width 30.4 in. / Height 108.6 cm.; Width 77.2 cm. Sale of Christie's New York: Monday, May 11, 2015 [Lot 0027A] Looking Forward to the Past Estimate 9,000,000 ­ 12,000,000 USD Sold For 13,605,000 USD Premium 6/10 5/8/2017 Artnet 17 Jean­Michel Basquiat Title Untitled, boxer Description Jean­Michel Basquiat (1960­1988)Untitled (Boxer)signed 'Jean Michel Basquiat' (on Medium acrylic and oil paintstick on linen Year of Work 1982 Size Height 76 in.; Width 94.1 in. / Height 193 cm.; Width 239 cm. Misc. Signed Sale of Christie's New York: Wednesday, November 12, 2008 [Lot 00019] PostWar & Contemporary Evening Sale Estimate No Estimate Received Sold For 13,522,500 USD Premium 18 Jean­Michel Basquiat Title HANNIBAL Description titled twiceacrylic, oilstick and paper collage on canvas mounted on tied wooden supp Medium acrylic, oilstick and paper collage on canvas mounted on tied wooden supports Year of Work 1982 Size Height 60 in.; Width 60 in. / Height 152.4 cm.; Width 152.4 cm. Misc. Inscribed Sale of Sotheby's London: Friday, October 7, 2016 [Lot 00025] Contemporary Art Evening Auction Estimate 3,500,000 ­ 4,500,000 GBP (4,348,366 ­ 5,590,756 USD) Sold For 10,565,000 GBP Premium (13,125,854 USD) 19 Jean­Michel Basquiat Title Palm Springs jump Medium acrylic, oilstick and gold paint on canvas Year of Work 1982 Size Height 72 in.; Width 84.1 in. / Height 183 cm.; Width 213.5 cm. Misc. Signed, Inscribed Sale of Christie's London: Wednesday, February 6, 2008 [Lot 00009] Post­War and Contemporary Art (evening sale) Estimate No Estimate Received Sold For 6,516,500 GBP Premium (12,802,554 USD) 7/10 5/8/2017 Artnet 20 Jean­Michel Basquiat Title Irony of Negro Policeman Description acrylic and oilstick on wood182.9 x 121.9 cm (72 x 48 in)Signed and dated ‘Jean Mi Medium acrylic and oilstick on wood Year of Work 1981 Size Height 72 in.; Width 48 in.
Recommended publications
  • Damien Hirst E Il Mercato Dell'arte Contemporanea: La Carriera Di Un Young British Artist
    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle attività culturali Tesi di Laurea DAMIEN HIRST E IL MERCATO DELL'ARTE CONTEMPORANEA: LA CARRIERA DI UN YOUNG BRITISH ARTIST Relatore Prof. Stefania Portinari Laureanda Martina Pellizzer Matricola 816581 Anno Accademico 2012 / 2013 1 INDICE INTRODUZIONE p. 3 CAPITOLO 1 ALCUNE RIFLESSIONI SUL MERCATO DELL'ARTE CONTEMPORANEA: ISTITUZIONI E STRUTTURE DI PROMOZIONE E VENDITA 1 L'Evoluzione del sistema delle gallerie e della figura del gallerista p. 3 2. Il ruolo dei musei p. 19 3 Il ruolo dei collezionisti p. 28 4 Le case d'asta p. 36 CAPITOLO 2 DAMIEN HIRST: DA A THOUSAND YEARS (1990) A FOR THE LOVE OF GOD (2007) 1 Il sistema dell'arte inglese negli anni Novanta: gli Young British Artist …........p. 41 2 Damien Hirst una carriera in ascesa, da “Frezze” alla retrospettiva presso la Tate Modern p. 47 3 I galleristi di Damien Hirst p. 67 CAPITOLO 3 IL RUOLO DEL MERCATO DELL'ARTE NELLA CARRIERA DI DAMIEN HIRST 1 L'asta di Sotheby's: “Beautiful inside my head forever” p. 78 2 Rapporto tra esposizione e valore delle opere dal 2009 al 2012..............................p. 97 CONCLUSIONI p. 117 APPENDICE p. 120 BIBLIOGRAFIA p. 137 2 INTRODUZIONE Questa tesi di laurea magistrale si pone come obiettivo di analizzare la carriera dell'artista inglese Damien Hirst mettendo in evidenza il ruolo che il mercato dell'arte ha avuto nella sua carriera. Il primo capitolo, dal titolo “Alcuni riflessioni sul mercato dell'arte contemporanea”, propone una breve disanima sul funzionamento del mercato dell'arte contemporanea, analizzando in particolar modo il ruolo di collezionisti, galleristi, istituzioni museali e case d'asta, tutti soggetti in grado di influenzare notevolmente la carriera di un artista, anche se in maniera differente.
    [Show full text]
  • Jeanmichel Basquiat: an Analysis of Nine Paintings
    Jean­Michel Basquiat: An Analysis of Nine Paintings By Michael Dragovic This paper was written for History 397: History, Memory, Representation. The course was taught by Professor Akiko Takenaka in Winter 2009. Jean‐Michel Basquiat’s incendiary career and rise to fame during the 1980s was unprecedented in the world of art. Even more exceptional, he is the only black painter to have achieved such mystic celebrity status. The former graffiti sprayer whose art is inextricable from the backdrop of New York City streets penetrated the global art scene with unparalleled quickness. His work arrested the attention of big‐ shot art dealers such as Bruno Bischofberger, Mary Boone, and Anina Nosei, while captivating a vast audience ranging from vagabonds to high society. His paintings are often compared to primitive tribal drawings and to kindergarten scribbles, but these comparisons are meant to underscore the works’ raw innocence and tone of authenticity akin to the primitivism of Henri Matisse, Pablo Picasso, Cy Twombly or, perhaps, even that of the infant mind. Be that as it may, there is nothing juvenile about the communicative power of Basquiat’s work. His paintings depict the physical and the abstract to express themes as varied as drug abuse, bigotry, jazz, capitalism, and mortality. What seem to be the most pervasive throughout his paintings are themes of racial and socioeconomic inequality and the degradation of life that accompanies this. After examining several key paintings from Basquiat’s brief but illustrious career, the emphasis on specific visual and textual imagery within and among these paintings coalesces as a marked—and often scathing— social commentary.
    [Show full text]
  • Post-War and Contemporary Art Evening Sale New York
    P o s t - War and Contemporary Art Evening Sale New York, 10 May 2016, Sale #12152 [All sold prices include buyer’s premium] Lots sold: 52 Total:$318,388,000 / £220,796,117 /€279,600,000 87% sold by lot Lots offered: 60 £0.69= $1 / €0.88=$1 91% sold by value Lot Description Estimate ($) Price Realized $57,285,000 Jean-Michel Basquiat (1960-1988), Untitled, acrylic on 36B canvas, Painted in 1982 Estimate on Request £39,726,075 €50,213,758 $32,645,000 Mark Rothko (1903-1970), No. 17, oil on canvas, Painted in $30,000,000 - 17B £22,638,696 1957 $40,000,000 €28,615,312 $28,165,000 Clyfford Still (1904-1980), PH-234, oil on canvas, Painted in $25,000,000 - 28B £19,531,900 1948 $35,000,000 €24,688,321 $13,605,000 Christopher Wool (B. 1955), And If You, enamel on $12,000,000 - 5B aluminum, Painted in 1992 $18,000,000 £9,434,813 €11,925,603 $10,693,000 Agnes Martin (1912-2004), Orange Grove, oil and graphite $6,500,000 - 25B £7,415,395 on canvas, Painted in 1965 $8,500,000 €9,373,060 $9,797,036 Joan Mitchell (1925-1992), Noon, oil on canvas, Painted in $5,000,000 - 18B £6,794,036 1969 $7,000,000 €8,587,661 $9,685,000 Richard Prince (B. 1949), Runaway Nurse, inkjet and $7,000,000 - 38B £6,716,366 acrylic on canvas, Painted in 2007 $10,000,000 €8,489,487 $9,349,00 Robert Ryman (B.
    [Show full text]
  • $495 Million Highest Total in Auction History
    PRESS RELEASE | N E W Y O R K FOR IMMEDIATE RELEASE | 1 5 M A Y 2 0 1 3 MAY 2013 POST-WAR AND CONTEMPORARY ART EVENING SALE ACHIEVED $495 MILLION HIGHEST TOTAL IN AUCTION HISTORY Christie’s auctioneer Jussi Pylkkanen, hammers down Jackson Pollock’s Number 19, 1948, which achieved the highest price for the artist at $58.3 million POLLOCK’S NUMBER 19, 1948, SOLD FOR $58M (£38.5M / €45.5M) A WORLD AUCTION RECORD FOR THE ARTIST LICHTENSTEIN’S WOMAN WITH FLOWERED HAT REALIZED $56M (£37M / €43M) A WORLD AUCTION RECORD FOR THE ARTIST DUSTHEADS FETCHED $48.8M (£32M / €38M), SETTING A NEW WORLD AUCTION RECORD FOR BASQUIAT GUSTON’S TO FELLINI, ACHIEVED $25.8 (£17M / €20) WORLD AUCTION RECORD FOR THE ARTIST STRONG INTERNATIONAL DEMAND FOR MASTERPIECES AND WORKS FROM PRESTIGIOUS PROVENANCE 16 NEW ARTIST RECORDS SET 3 WORKS SOLD ABOVE $40 MILLION, 9 ABOVE $10 MILLION, AND 59 ABOVE $1 MILLION New York – On May 15th Christie’s Post-War and Contemporary Art evening sale achieved a staggering $495,021,500 (£326,714,190/ €386,116,770), with a remarkably strong sell-through rate of 94% by value and by lot. Bidders from around the world competed for an exceptional array of Abstract Expressionist, Pop and Contemporary works from some of the century’s most inspiring and influential artists, including Jackson Pollock, Roy Lichtenstein and Jean-Michel Basquiat. The sale featured a range of superlative works from distinguished private collections and institutions, such as the Collection of Celeste and Armand Bartos and the Estate of Andy Williams.
    [Show full text]
  • Contemporary Art Market 2011/2012 Le Rapport Annuel Artprice Le Marché De L'art Contemporain the Artprice Annual Report
    CONTEMPORARY ART MARKET 2011/2012 LE RAPPORT ANNUEL ARTPRICE LE MARCHÉ DE L'ART CONTEMPORAIN THE ARTPRICE ANNUAL REPORT LES DERNIÈRES TENDANCES - THE LATEST TRENDS / L’ÉLITE DE L’A RT - THE ART ELITE / ART URBAIN : LA RELÈVE - URBAN ART: THE NEXT GENERATION / TOP 500 DES ARTISTES ACTUELS LES PLUS COTÉS - THE TOP-SELLING 500 ARTISTS WORLDWIDE CONTEMPORARY ART MARKET 2011/2012 LE RAPPORT ANNUEL ARTPRICE LE MARCHÉ DE L'ART CONTEMPORAIN THE ARTPRICE ANNUAL REPORT SOMMAIRE SUMMARY THE CONTEMPORARY ART MARKET 2011/2012 Foreword . page 9 THE LATEST TRENDS How well did Contemporary art sell this year? . page 11 Relative global market shares : Asia/Europe/USA . page 12 Competition between Beijing and Hong Kong . page 14 Europe offers both quantity and quality . page 15 Top 10 auction results in Europe . page 16 France: a counter-productive market . page 17 Paris - New York . page 19 Paris-London . .. page 20 Paris-Cannes . page 21 THE ART ELITE The year’s records: stepping up by the millions . page 25 China: a crowded elite . page 26 New records in painting: Top 3 . page 28 The Basquiat myth . page 28 Glenn Brown, art about art . page 29 Christopher Wool revolutionises abstract painting . page 30 New records in photography . page 31 Jeff Wall: genealogy of a record . page 32 Polemical works promoted as emblems . .. page 34 New records in sculpture & installation . page 36 Cady Noland: € 4 .2 m for Oozewald . page 36 Antony Gormley: new top price for Angel of the North at £ 3 4. m . .. page 36 Peter Norton’s records on 8 and 9 November 2011 .
    [Show full text]
  • Dark Side of the Boom
    dark side of the boom The Excesses of the Art Market in the Twenty-first Century Georgina Adam dark side of the boom First published in 2017 by Lund Humphries Office 3, 261a City Road London ec1v 1jx UK www.lundhumphries.com Copyright © 2017 Georgina Adam isbn Paperback: 978-1-84822-220-5 isbn eBook (PDF): 978-1-84822-221-2 isbn eBook (ePUB): 978-1-84822-222-9 isbn eBook (ePUB Mobi): 978-1-84822-223-6 A Cataloguing-in-Publication record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or otherwise, without first seeking the permission of the copyright owners and publishers. Every effort has been made to seek permission to reproduce the images in this book. Any omissions are entirely unintentional, and details should be addressed to the publishers. Georgina Adam has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as the Author of this Work. Designed by Crow Books Printed and bound in Slovenia Cover: artwork entitled $ made from reflector caps, lamps and an electronic sequencer, by Tim Noble and Sue Webster and One Dollar Bills, 1962 and Two Dollar Bills by Andy Warhol, hang on a wall at Sotheby’s in London on June 8, 2015. Photo: Adrian Dennis/AFP/Getty Images. For Amelia, Audrey, Isabella, Matthew, Aaron and Lucy Contents Introduction 9 Prologue: Le Freeport, Luxembourg 17 PART I: Sustaining the Big Bucks market 25 1 Supply 27 2 Demand: China Wakes 51 Part II: A Fortune on your Wall? 69 3 What’s the Price? 71 4 The Problems with Authentication 89 5 A Tsunami of Forgery 107 Part IiI: Money, Money, Money 127 6 Investment 129 7 Speculation 149 8 The Dark Side 165 Postscript 193 Appendix 197 Notes 199 Bibliography 223 Index 225 introduction When my first book, Big Bucks, the Explosion of the Art Market in the 21st Century, was published in 2014 the art market was riding high.
    [Show full text]
  • Recovering Stolen Art and Antiquities Under the Forfeiture Laws: Who Is Entitled to Property When There Are Conflicting Claims
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of North Carolina School of Law NORTH CAROLINA JOURNAL OF INTERNATIONAL LAW Volume 45 Number 2 Article 5 4-1-2020 Recovering Stolen Art and Antiquities Under the Forfeiture Laws: Who is Entitled to Property When there are Conflicting Claims Stefan D. Cassella Follow this and additional works at: https://scholarship.law.unc.edu/ncilj Part of the Law Commons Recommended Citation Stefan D. Cassella, Recovering Stolen Art and Antiquities Under the Forfeiture Laws: Who is Entitled to Property When there are Conflicting Claims, 45 N.C. J. INT'L L. & COM. REG. 393 (2020). Available at: https://scholarship.law.unc.edu/ncilj/vol45/iss2/5 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of International Law by an authorized editor of Carolina Law Scholarship Repository. For more information, please contact [email protected]. Recovering Stolen Art and Antiquities Under the Forfeiture Laws: Who is Entitled to the Property When There are Conflicting Claims By Stefan D. Cassella†1 I. Introduction ............................................................... 394 II. Overview of Forfeiture Law ...................................... 396 A. What is the Government’s Interest? .................... 396 B. Criminal and Civil Forfeiture ............................. 397 1. Criminal forfeiture ......................................... 398 2. Civil forfeiture ............................................... 399 3. The innocent owner defense .......................... 401 4. Parallel civil and criminal proceedings .......... 402 III. Theories of Forfeiture ................................................ 403 A. The Cultural Property Implementation Act (CPIA)… ............................................................. 403 1. Eighteenth Century Peruvian Oil on Canvas . 404 2.
    [Show full text]
  • Mulaifi to Resign After Shaddadiya Accident
    SUBSCRIPTION WEDNESDAY, MAY 14, 2014 RAJAB 15, 1435 AH www.kuwaittimes.net Pedophile A future of UN talks Djokovic US teacher thirst: Water take aim wins in Rome abused scores, crisis lies on at ‘killer on return clues14 missed the15 horizon robots’27 from20 injury Mulaifi to resign after Max 35º Min 22º Shaddadiya accident High Tide 11:08 Low Tide Two workers killed at university construction site 05:22 & 18:12 40 PAGES NO: 16165 150 FILS By A Saleh & Hanan Al-Saadoun KUWAIT: Two Egyptian workers were killed at a mega Local camel herders take no precautions university construction site yesterday, and Education Minister Ahmad Al-Mulaifi is expected to resign follow- By Nawara Fattahova ing the incident. The incident happened at Kuwait University’s Shaddadiya site where at least two workers KUWAIT: Despite warnings from neighboring were buried in an 8-m deep hole after a landslide. The Saudi Arabia about the link between camels and victims were identified as Majdi Faraj Salem Al-Sayed cases of the coronavirus known as MERS (Middle and Mohammad Rabeia Ahmad Hassan. Meanwhile, a East Respiratory Syndrome), no camel breeders or search was ongoing for a potential third worker who herders in Kuwait are taking precautions to protect could have been buried under the sand as well, accord- themselves against potential transmission. On ing to unconfirmed Sunday, Riyadh warned anyone working with reports. camels to take extra precautions and to wear Shortly after news gloves and masks. But in Kuwait yesterday at the about the incident camel market in Kabd, workers and breeders were broke, reports suggest- freely mixing with the camels, feeding and caring ed that Mulaifi is plan- for the desert animal without masks, gloves or oth- ning to resign in order er precautions.
    [Show full text]
  • The Innovators Issue Table of Contents
    In partnership with 51 Trailblazers, Dreamers, and Pioneers Transforming the Art Industry The Swift, Cruel, Incredible Rise of Amoako Boafo How COVID-19 Forced Auction Houses to Reinvent Themselves The Innovators Issue Table of Contents 4 57 81 Marketplace What Does a Post- Data Dive COVID Auction by Julia Halperin • What sold at the height of the House Look Like? COVID-19 shutdown? by Eileen Kinsella • Which country’s art • 3 top collectors on what they market was hardest hit? buy (and why) The global shutdown threw • What price points proved the live auction business into • The top 10 lots of 2020 (so far) most resilient? disarray, depleting traditional in every major category houses of expected revenue. • Who are today’s most Here’s how they’re evolving to bankable artists? 25 survive. The Innovators List 65 91 At a time of unprecedented How Amoako Art Is an Asset. change, we scoured the globe Boafo Became the Here’s How to to bring you 51 people who are Breakout Star of Make Sure It changing the way the art market Works for You functions—and will play a big a Pandemic Year role in shaping its future. In partnership with the by Nate Freeman ART Resources Team at Morgan Stanley The Ghanaian painter has become the art industry’s • A guide to how the art market newest obsession. Now, he’s relates to financial markets committed to seizing control of his own market. • Morgan Stanley’s ART Resources Team on how to integrate art into your portfolio 2 Editors’ Letter The COVID-19 pandemic has forced the art world to reckon with quite a few
    [Show full text]
  • The Japanese Collector Recently Set the Auction Record for Jean-Michel Basquiat—Twice
    AiA Art News-service MARKET THE 200 TOP COLLECTORS Maezawa’s World: The Japanese Collector Recently Set the Auction Record for Jean-Michel Basquiat—Twice BY Nate Freeman POSTED 09/11/17 11:50 PM 241 150 1 407 Yusaku Maezawa photographed in his home in Tokyo, 2017. ©KOHEY KANNO It was just after 8 p.m. on May 18, 2017, when a painting by Jean-Michel Basquiat sold for more than $110 million at Sotheby’s, blasting past the pre-sale estimate of $60 million. It set a new auction record for the artist and became the sixth most expensive artwork ever to sell at auction. The initial reaction in the salesroom was a collective gasp, followed by wild applause—and then, perhaps, some quick mental tabulations in the minds of collectors with Basquiats on their walls. Next, everyone started to wonder: who bought the damn thing? All was revealed within minutes, when Japanese collector Yusaku Maezawa posted an image to his lively Instagram account of himself standing in front of the untitled black-on-blue skull from 1982. “I am happy to announce that I just won this masterpiece,” he wrote in the caption. The purchase capped Maezawa’s lightning-fast shoot to the front of the global collecting rat race, and the folk story of the sky-high total soon became a crossover sensation. Once again, the world was talking about the American artist who died of a heroin overdose on Great Jones Street in 1988, when he was only 27 years old. An illustration of Yusaku Maezawa’s infamous Instagram post by Alexandra Compain-Tissier.
    [Show full text]
  • El Mercado Del Arte En 2012
    EL MERCADO DEL ARTE EN 2012 Diálogo entre el este y el oeste EL MERCADO DEL ARTE EN 2012 Diálogo entre el este y el oeste RESUMEN Editorial . página 5 Introducción . página 7 Interpretación de un período transitorio . página 8 Capítulo I – El mercado del arte en Occidento por Artprice.com . página 10 ¿A qué precio vender? . página 11 Los distintos mercados . página 12 Los segmentos más rentables . página 16 Londres y Nueva York: los momentos fuertes del año . página 19 Top 10 - Los artistas occidentales en 2012 . página 27 Capítulo II - El mercado del arte en China . página 34 Aspectos cuantitativos: primer frenazo después de tres años de crecimiento vertiginoso; reestructuración más racional de la distribución de las transacciones . página 34 Aspectos cualitativos: particularidades de la colección de arte en China; exploración de nuevas vías en la búsqueda de segmentos lucrativos . página 37 Beneficios y comportamiento cultural: una perspectiva a largo plazo para la caligrafía, más breve en el caso de la pintura . página 47 Actividades: un mercado en fase de ajuste y objeto de todas las codicias . Armonización con el fin de lograr el reconocimiento internacional . página 50 Análisis regional: crecimiento en el delta del Yangtsé y en el del Río de las Perlas; caída importante en la región de Pekín y Tianjin . página 53 Previsiones de los mercados: balance de las actividades tras el desplome, recuperación prometedora para el segundo semestre de 2013 . página 55 El Top 10 de los artistas chinos en 2012 . página 60 Entre el particularismo cultural y el mestizaje . página 63 Lo que se vende en China .
    [Show full text]
  • Reading Jean-Michel Basquiat
    Art & Art History Faculty Works Art & Art History Fall 2005 Reading Jean-Michel Basquiat Damon Willick Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/artarhs_fac Part of the Art and Design Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Willick, Damon. "Reading Jean-Michel Basquiat," X-TRA Contemporary Art Quarterly 8.2 (Fall 2005): 48-51. This Article is brought to you for free and open access by the Art & Art History at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Art & Art History Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. REVIEW Damon Willick Reading Jean-Michael Basquiat Jean-Michel Basquiat Basquiat Museum of Contemporary Art, Los Angeles July 17–October 10, 2005 Organized by the Brooklyn Museum of Art March 11–June 5, 2005 Museum of Fine Arts, Houston November 18, 2005–February 12, 2006 Some of the largest crowds at the Jean- Michel Basquiat retrospective at Los Angeles’s Museum of Contemporary Art can be found in the museum’s basement reading room viewing Tamra Davis’s previously unreleased interview A Conversation with Jean- Michel Basquiat. The twenty- minute video is mesmerizing. Basquiat is charismatic, intelligent, and coy as he speaks on such issues as his childhood, feelings of alienation, and current art world success. Yet, when one listens closely to the interview, Basquiat deliberately obfuscates and exaggerates. As the artist admits at the outset of the interview, “I don’t think its good to be honest in interviews.
    [Show full text]