From Ottoman Empire to Turkish Republic: Learning to Read
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Venice, 9 Venice, 9Th to 11Th June 2016
Grant Agreement No. 627936 Samuele Rampanelli (Università Ca’ Foscari Venezia). Community Framework Programme. Marco Romio Jaurès - Toulouse), (Università Ca’ Foscari Venezia), Intra European Fellowship within the 7th European Christophe Regina (Università Ca’ Foscari Venezia), (Université Jean FAIDA. This research was supported by a Marie Curie Riccardo Drusi Piermario Vescovo (Università Ca’ Foscari Venezia), Lord Smail Stuart Carroll (Harvard University), (University of York), Žiga Oman Daniel Ca’ Foscari Venezia), (University of Maribor), 3484/D, 2nd floor Stefano Crocicchia Tedesco di Studi Veneziani, Venice), (Università Venezia, Palazzo Malcanton Marcorà, Dorsoduro Jeffries Martin Romedio Schmitz-Esser (Duke University), (Centro Aula Consiglio (“grande”), from 9.00 to 13.00 Paolo Broggio John Barcelona), (Università degli Studi Roma Tre), Àngel Casals Martinez Dobrila University of Pula), (Universitat de 11th June ć Tom Johnson Robert Kureli Ljubljana), (University of York), (Juraj Angelika Ergaver Chicago), (Nova revija Institut for Humanities Dorsoduro 3484/D, 2nd floor Gentile Azeta Kola (Università di Parma), (Northwestern University Venezia, Palazzo Malcanton Marcorà, Lucien Faggion Marco Mayıs University), (Aix-Marseille Université), İ Graziani Emrah Safa Gürkan (Université de la Corse), ( stanbul 29 Aula Consiglio (“grande”), from 9.00 to 19.00 Marco Bellabarba Antoine (Università degli Studi di Trento), 10th June Jonathan Davies (Università di Foggia), (University of Warwick), Furio Bianco Patrizia Resta (Università degli -
Venetian Hosts and Ottoman Guests in the Venedik Sarayı in Constantinople (C
Annali di Ca’ Foscari. Serie orientale e-ISSN 2385-3042 Vol. 54 – Giugno 2018 ISSN 1125-3789 Venetian Hosts and Ottoman Guests in the Venedik Sarayı in Constantinople (c. 1670-1681) Maria Pia Pedani (Università Ca’ Foscari Venezia, Italia) Abstract After the end of the Cretan war (1645-1669) and before the starting of the Morean war (1684-1699) Venetian diplomats settled again in Constantinople and in the Venetian Palace (Venedik Sarayı) that had been the embassy of the Republic for centuries. In this period baili and extraordinary ambassadors (ambasciatori straordinari) used to celebrate Venetian or Ottoman civic and religious festivals with dinners and parties. Their guests were above all other European diplomats and middle- ranking Ottoman officials. Some Turks, above all those who lived in the neighbourhood, contributed to the organisation of such events with their gifts and, in exchange, they received money or other presents. This paper aims to study the circulation of objects and commodities between Europe and the Ottoman Empire and, in particular, which kind of items were exchanged before or during official dinners held in the Venetian Palace or in the Venetian summer houses in Arnavutköy and Balta Liman. The Turks brought or sent mostly vegetables, flowers and different kind of food, while Venetians used to give to their guests not only the famous Venetian cloths but also unusual objects such as ivory boxes, gloves, brushes, glass sculptures, mirrors, fans, fake flowers and so on. The sources used for this research are the accounting books of the Venetian embassy for the years 1670-83. Keywords Gift exchange. -
Western Performing Arts in the Late Ottoman Empire: Accommodation and Formation
2020 © Özgecan Karadağlı, Context 46 (2020): 17–33. Western Performing Arts in the Late Ottoman Empire: Accommodation and Formation Özgecan Karadağlı While books such as Larry Wolff’s The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage offer an understanding of the musicological role of Ottoman-Turks in eighteenth-century European operatic traditions and popular culture,1 the musical influence and significance going the other way is often overlooked, minimised, and misunderstood. In the nineteenth century, Ottoman sultans were establishing theatres in their palaces, cities were hosting theatres and opera houses, and an Ottoman was writing the first Ottoman opera (1874). This article will examine this gap in the history of Western music, including opera, in the Ottoman period, and the slow amalgamation of Western and Ottoman musical elements that arose during the Ottoman Empire. This will enable the reader to gauge the developments that eventually marked the break between the Ottoman era and early twentieth-century modern Turkey. Because even the words ‘Ottoman Empire’ are enough to create a typical orientalist image, it is important to build a cultural context and address critical blind spots. It is an oft- repeated misunderstanding that Western music was introduced into modern-day Turkey after 1 Larry Wolff, The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage (Stanford: Stanford University Press, 2016). 17 18 Context 46 (2020): Karadağlı the proclamation of the Republic in 1923.2 As this article will demonstrate, the intercultural interaction gave rise to institutional support, and as Western music became a popular and accepted genre in the Ottoman Empire of the nineteenth century,3 it influenced political and creative aspirations through the generation of new nationalist music for the Turkish Republic.4 Intercultural Interaction: Pre-Tanzimat and İstibdat Periods, 1828–1908 Although Western music arrived in the Empire in the sixteenth century,5 it took almost two and a half centuries to become established. -
Issue Full File
THE JOURNAL OF SOUTH- EASTERN EUROPEAN STUDIES HAKEMLİ DERGİ | SAYI /ISSUE 28 | YIL /YEAR 2015-2 “RUSYA VE BALKANLAR” ANKARA - 2018 Güney-Doğu Avrupa Araştırmaları Dergisi = The Journal for South-Eastern European Studies.--İstanbul : İstanbul Üniversitesi Edebiyat Fakültesi, 1972- c.: resim, harita, tablo; 24 cm. Yılda iki sayı. ISSN 0378-3863 Elektronik ortamda da yayınlanmaktadır: http://dergipark.gov.tr/iugaad 1. TARİH – AVRUPA – SÜRELİ YAYINLAR. 2. DIŞ SİYASET – AVRUPA. 3. BALKANLAR. Telif Hakları Kanunu çerçevesinde makale İLETİŞİM | CORRESPONDENCE sahipleri ve Yayın Kurulu’nun izni olmaksızın Prof. Dr. Mustafa H. SAYAR hiçbir şekilde kopyalanamaz, çoğaltılamaz. İstanbul Üniversitesi Edebiyat Fakültesi Yazıların bilim, dil ve hukuk açısından Tarih Bölümü sorumluluğu yazarlarına aittir. POSTA ADRESİ | POSTAL ADDRESS The contents of the journal are copyrighted and may not be copied or reproduced without İstanbul Üniversitesi Edebiyat Fakültesi the permission of the publisher. The authors Güney-Doğu Avrupa Araştırmaları Dergisi bear responsibility for the statements or Ordu Cad. No: 196, 34459 Laleli/İstanbul opinions of their published articles. E-POSTA | E-MAIL [email protected] İstanbul Üniversitesi Edebiyat Fakültesi Tarih Bölümü 34459 Beyazıt, İstanbul BASKI-CILT İstanbul Üniversitesi Rektörlüğü Hamdioğulları İç ve Dış Tic. A. Ş. Sağlık Kültür ve Spor Daire Başkanlığı www.hamdiogullari.com tarafından bastırılmıştır. Sertifika No: 35188 Hakemli Dergi / Peer-Reviewed Journal YAYIN KURULU | EDITORIAL BOARD Prof. Dr. İdris BOSTAN Prof. Dr. Mustafa Hamdi SAYAR (Sorumlu) Prof. Dr. Mahir AYDIN Prof. Dr. Arzu TERZİ Prof. Dr. Ebru ALTAN Prof. Dr. Birsel KÜÇÜKSİPAHİOĞLU THE JOURNAL OF SOUTH- Dr. Öğr. Üyesi Neriman E. HACISALİHOĞLU EASTERN EUROPEAN STUDIES Dr. Öğr. Üyesi Metin ÜNVER Dr. Öğr. -
The Hungarian Historical Review
Hungarian Historical Review 3, no. 3 (2014): 494–528 Antal Molnár A Forgotten Bridgehead between Rome, Venice, and the Ottoman Empire: Cattaro and the Balkan Missions in the Sixteenth and Seventeenth Centuries A key element in the history of the missions that departed from Rome as of the middle of the sixteenth century is the functioning of the mediating structures that ensured the maintenance of the relationship between Rome as the center of the Holy Roman Empire and the territories where the missionaries did their work. On the Dalmatian coast of the Adriatic Sea, Ragusa, which today is the city of Dubrovnik, was the most important bridgehead, but Cattaro, today Kotor, also played a significant role as a point of mediation between Rome and the Ottoman Empire. My intention in this essay is to present the many roles of Cattaro in the region, focusing in particular on its role in the maintenance of communication between Rome and missions to the Balkans. Cattaro never lost its Balkan orientation, even following the weakening of economic ties and the loss of its episcopal jurisdiction, which had extended over parishes in Serbia in the Middle Ages. Rather, in the sixteenth century it grew with the addition of a completely new element. From 1535 to 1786 Cattaro was the most important center of the postal service between Venice and Istanbul. As of 1578, the management of the Istanbul post became the responsibility of the Bolizza family. Thus the family came to establish a wide network of connections in the Balkans. I examine these connections and then offer an analysis of the plans concerning the settlement of the Jesuits in Cattaro. -
Brigandage on the Ragusan Frontier During the Morean War (1684-1699)
V.Dubrovnik MioviÊ-PeriÊ, Annals Brigandage 3 (1999): 41-54 on the Ragusan Frontier during the Morean War 41 Original paper UDC 949.75DUB:323.269.6≈1684/1699« BRIGANDAGE ON THE RAGUSAN FRONTIER DURING THE MOREAN WAR (1684-1699) VESNA MIOVIΔ-PERIΔ ABSTRACT: The exhausting Ottoman wars waged in the vicinity of the Dubrovnik Republic were marked by disorder and anarchy. The bordering villages of the Republic’s counties (Konavle, Æupa, and Primorje) became the victims of a mob law that spread from Herzegovina like a disease. The Re- public’s frontiersmen thus polarized into brigands and non-brigands, their mutual hatred being particularly strong. Life in this area was characterized by constant ravages, plunder, famine, and plague. The population was unable to use the pastures and fields in Herzegovina. Small-scale trade across the bor- der was hampered, contributing further to the unbearable conditions in the area. A number of wars against the Ottoman Empire, strongly characterized by brigandage, took place in the vicinity of the Dubrovnik Republic. Although the Ragusan government claimed to be neutral in these wars, many Ragusan subjects, mostly inhabitants of the border villages in the regions of Primorje, Æupa and Konavle, were involved, either as brigands (Turk. haydut) or brig- and victims. This phenomenon was most prominent during the second half Vesna MioviÊ-PeriÊ, member of the Institute for Historical Sciences of the Croatian Academy of Sciences and Arts in Dubrovnik. Address: Zavod za povijesne znanosti HAZU, Lapadska obala 6, 20000 Dubrovnik, Croatia. A longer version of this article has already been published in Croatian under the following title: ≈Svakodnevnica dubrovaËkih pograniËnih sela u doba hajduËije (Morejski rat 1684.-1699.).« Anali Zavoda za povijesne znanosti HAZU u Dubrovniku 35 (1997): pp. -
Ozpetek, Ferzan (B
Ozpetek, Ferzan (b. 1959) by Luca Prono Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2011 glbtq, Inc. Ferzan Ozpetek in 2010. Reprinted from http://www.glbtq.com Photograph by Mark Rifkin. Image appears under the Thanks to the critical and box-office success of most of his films, the Turkish-born Creative Commons Italian director Ferzan Ozpetek has helped make the portrayal of gay lives acceptable Attribution 2.0 Generic and even commercially desirable in Italian cinema. Openly gay himself, Ozpetek has license. challenged the celluloid closet that silenced or, at best, marginalized queerness in Italian film. As Elliott Stein concluded in 2008, Ozpetek's "oeuvre has been marked by a masterful handling of actors, often in densely populated ensemble stories involving characters from different backgrounds and sexual preferences." Ozpetek was born in Istanbul on February 3, 1959. He traveled to Italy to attend college in 1976 and has made his home there ever since. Ozpetek completed a university degree in film history at Rome's Sapienza University. Subsequently, he studied art history and costume design at the Navona Academy and then qualified as a director at the Accademia di Arte Drammatica "Silvio D'Amico." After a short collaboration with Julian Beck's Living Theatre, Ozpetek began his career as an assistant director in the early 1980s, working with important Italian directors including Massimo Troisi and Marco Risi. In 1996, Ozpetek directed his first movie, The Turkish Bath (Hamam; also released as Steam) which received excellent reviews at the Cannes Film Festival and became an immediate, unexpected hit. It was distributed in more than 20 countries. -
An English Architect in the 19Th Century Istanbul: William James Smith and Taşkışla1
ITU A|Z • Vol 12 No 2 • July 2015 • 93-101 An English architect in the 19th century Istanbul: William James Smith and Taşkışla1 Aygül AĞIR1, Affe BATUR2, V. Gül CEPHANECİGİL3, Seda KULA SAY4, Mine TOPÇUBAŞI ÇİLİNGİROĞLU5, A. Hilal UĞURLU6 1 [email protected] • Department of Architecture, Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey 2 [email protected] • Department of Architecture, Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey 3 [email protected] • Department of Architecture, Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey 4 [email protected] • Department of Architecture, Faculty of Architecture, Gebze Technical University, Kocaeli, Turkey 5 [email protected] • Department of Architecture, Faculty of Architecture, Fatih Sultan Mehmet University, Istanbul, Turkey 6 [email protected] • Department of Architecture, Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey Received: January 2015 Final Acceptance: April 2015 Abstract An English architect William James Smith had worked in Istanbul from 1842 to 1856, a most politically infuential period for the British Empire. Smith, afer his appointment to the prestigious project for the new Istanbul Embassy Building of United Kingdom, whose conceptual design was probably by renowned architect Sir Charles Barry, had attained the interest and trust of Ottoman statesmen. Consequently he was assigned to realise a number of important architectural projects contributing to the modernization of Ottoman Architecture. Some of the Smith’s important works for the Ottoman Porte are: A military hospital [Gümüşsuyu Askeri Hastanesi], a naval hospital, a school of medicine later known as Mecidiye Kışlası then Taşkışla, a part of the Selimiye Barracks, a Glass Pavilion in Dolmabahçe Palace and Tophane Imperial Kiosk [Tophane Kasrı] for Sultan Abdülmecid; a building for the Board of Trade, renovation of the Naum Teatre. -
Tracing the Islamic Influences on the Garden Design of Nineteenth- Century Cairene Gardens
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 6-1-2018 Tracing the Islamic influences on the garden design of nineteenth- century Cairene gardens Radwa M. Elfardy Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Elfardy, R. (2018).Tracing the Islamic influences on the garden design of nineteenth-century Cairene gardens [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/488 MLA Citation Elfardy, Radwa M.. Tracing the Islamic influences on the garden design of nineteenth-century Cairene gardens. 2018. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/488 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Humanities and Social Sciences Tracing the Islamic Influences on the Garden Design of Nineteenth Century Cairene Gardens A Thesis Submitted to The Department of Arab and Islamic Civilizations In Partial Fulfillment of the Requirements For the Degree of Master of Arts By Radwa M. Elfardy Under the supervision of Prof. Dr. Bernard O’Kane 1 The American University in Cairo Tracing the Islamic Influences on the Garden Design of Nineteenth Century Cairene Gardens A Thesis Submitted by Radwa M. Elfardy To the Department of Arab and Islamic Civilizations In partial fulfillment of the requirements for The degree of Master of Arts Has been approved by Prof. -
Violence, Protection and Commerce
This file is to be used only for a purpose specified by Palgrave Macmillan, such as checking proofs, preparing an index, reviewing, endorsing or planning coursework/other institutional needs. You may store and print the file and share it with others helping you with the specified purpose, but under no circumstances may the file be distributed or otherwise made accessible to any other third parties without the express prior permission of Palgrave Macmillan. Please contact [email protected] if you have any queries regarding use of the file. Proof 1 2 3 3 4 Violence, Protection and 5 6 Commerce 7 8 Corsairing and ars piratica in the Early Modern 9 Mediterranean 10 11 Wolfgang Kaiser and Guillaume Calafat 12 13 14 15 Like other maritime spaces, and indeed even large oceans such as the 16 Indian Ocean, the Mediterranean was not at all a ‘no man’s sea’ – as 17 the sea in general appears, opposed to territorial conquest and occupa- 18 tion of land, in a prominent way in Carl Schmitt’s opposition between 19 a terrestrian and a ‘free maritime’ spatial order.1 Large oceanic spaces 20 such as the Indian Ocean and smaller ones such as the Mediterranean 21 were both culturally highly saturated and legally regulated spaces.2 22 The Inner Sea has even been considered as a matrix of the legal and 23 political scenario of imposition of the Roman ‘policy of the sea’ that 24 had efficiently guaranteed free circulation and trade by eliminating 25 the pirates – Cicero’s ‘enemy of mankind’ 3– who formerly had infected the 26 Mediterranean. -
The Ottoman-Venetian Border (15Th-18Th Centuries)
Hilâl. Studi turchi e ottomani 5 — The Ottoman-Venetian Border (15th-18th Centuries) Maria Pia Pedani Edizioni Ca’Foscari The Ottoman-Venetian Border (15th-18th Centuries) Hilâl Studi turchi e ottomani Collana diretta da Maria Pia Pedani Elisabetta Ragagnin 5 Edizioni Ca’Foscari Hilâl Studi turchi e ottomani Direttori | General editors Maria Pia Pedani (Università Ca’ Foscari Venezia, Italia) Elisabetta Ragagnin (Freie Universität, Berlin) Comitato scientifico | Advisory board Bülent Arı (TBMM Milli Saraylar, Müzecilik ve Tanıtım BaŞkanı, İstanbul, Türkiye) Önder Bayır (TC BaŞbakanlık Devlet ArŞivi Daire Başkanlığı, Osmanlı Arşivi Daire Başkanlığı, İstanbul, Türkiye) Dejanirah Couto (École Pratique des Hautes Études «EPHE», Paris, France) Mehmet Yavuz Erler (Ondokuz Mayıs Üniversitesi, Samsun, Türkiye) Fabio Grassi ( «La Sapienza» Università di Roma, Italia) Figen Güner Dilek (Gazi Üniversitesi, Ankara, Türkiye) Stefan Hanß (University of Cambridge, UK) Baiarma Khabtagaeva (Szegedi Tudományegyetem, Magyarország) Nicola Melis (Università degli Studi di Cagliari, Italia) Melek Özyetgin (Yildiz Üniversitesi, İstanbul, Türkiye) Cristina Tonghini (Università Ca’ Foscari Venezia, Italia) Direzione e redazione Università Ca’ Foscari Venezia Dipartimento di Studi sull’Asia sull’Africa mediterranea Sezione Asia Orientale e Antropologia Palazzo Vendramin dei Carmini Dorsoduro 3462 30123 Venezia http://edizionicafoscari.unive.it/it/edizioni/collane/hilal/ The Ottoman-Venetian Border (15th-18th Centuries) Maria Pia Pedani translated by Mariateresa Sala Venezia Edizioni Ca’ Foscari - Digital Publishing 2017 The Ottoman-Venetian Border (15th-18th Centuries) Maria Pia Pedani © 2017 Maria Pia Pedani for the text © 2017 Mariateresa Sala for the translation © 2017 Edizioni Ca’ Foscari - Digital Publishing for the present edition Qualunque parte di questa pubblicazione può essere riprodotta, memorizzata in un sistema di recupero dati o trasmessa in qualsiasi forma o con qualsiasi mezzo, elettronico o meccanico, senza autorizzazione, a condizione che se ne citi la fonte. -
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U L A Ş D U Y G U A Y ELECTRIFICATION OF ISTANBUL (1878-1923) S A L C İ N A Ph.D. Dissertation E L E C T R I F I C A T I O N O F by I S T ULAŞ DUYGU AYSAL Cİ N A N B U L ( 1 8 7 8 - 1 9 2 3 ) B i l k e n t U n i v e r s Department of History i t y 2 İhsan Doğramacı Bilkent University 0 1 9 Ankara January 2019 ELECTRIFICATION OF ISTANBUL (1878-1923) The Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by ULAŞ DUYGU AYSAL C İN In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HISTORY THE DEPARTMENT OF HISTORY İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA January 2019 ABSTRACT ELECTRIFICATION OF ISTANBUL (1878-1923) Aysal Cin , Ulaş Duygu Ph.D., Department of History Supervisor: Asst. Prof. Dr. Mehmet Akif K ireçci January 2019 This dissertation focuses on the history of introduction and development of electrical technology in Ottoman Istanbul with a special focus on the 1910 concession, and its implementation, which was held to construct the first power plant in Istanbul, the Si lahtarağa Power Plant. The concession became the arena for international competition, and revealed the critical roles of multinational companies, consortiums, and the international banking in the electrification business of Istanbul, along with the various diplomatic maneuvers of European and American states, which depicted the diffusion of foreign capital into the Ottoman lands.