Ideologies and Protests of Redstockings, New York Radical Feminists, and Cell 16
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1 GOV 1029 Feminist Political Thought TIMES to BE CONFIRMED
GOV 1029 Feminist Political Thought TIMES TO BE CONFIRMED: provisionally, Tuesday 1:30-2:45, Thursday TBC Fall Semester 2020 Professor Katrina Forrester Office Hours: TBC E-mail: [email protected] Teaching Fellows: Celia Eckert, Soren Dudley, Kierstan Carter, Eve O’Connor Course Description: What is feminism? What is patriarchy? What and who is a woman? How does gender relate to sexuality, and to class and race? Should housework be waged, should sex be for sale, and should feminists trust the state? This course is an introduction to feminist political thought since the mid-twentieth century. It introduces students to classic texts of late twentieth-century feminism, explores the key arguments that have preoccupied radical, socialist, liberal, Black, postcolonial and queer feminists, examines how these arguments have changed over time, and asks how debates about equality, work, and identity matter today. We will proceed chronologically, reading texts mostly written during feminism’s so-called ‘second wave’, by a range of influential thinkers including Simone de Beauvoir, Shulamith Firestone, bell hooks and Catharine MacKinnon. We will examine how feminists theorized patriarchy, capitalism, labor, property and the state; the relationship of claims of sex, gender, race, and class; the development of contemporary ideas about sexuality, identity, and gender; and how and whether these ideas change how fundamental problems in political theory are understood. 1 Course Requirements: Undergraduate students: 1. Participation (25%): a. Class Participation (15%) Class Participation is an essential part of making a section work. Participation means more than just attendance. You are expected to come to each class ready to discuss the assigned material. -
Remarks by Redstockings Speaker Marisa Figueiredo Shulamith Firestone Memorial September 23, 2012
Remarks by Redstockings speaker Marisa Figueiredo Shulamith Firestone Memorial September 23, 2012 In 1978, at the age of 16, while In high school, I lived in Akron, Ohio. I went to to the public library on weekends and on one shelf were three books in a row that changed my life forever and are the reason I am here today: Simone de Beauvoir's The Second Sex, Shulamith Firestone's The Dialectic of Sex The Case for Feminist Revolution, and Redstockings' Feminist Revolution. With my consciousness raised to the point of passionately identifying myself as a radical feminist in the tradition each book represented, I ardently wanted to connect with Shulamith Firestone and Redstockings , so I wrote to both. I heard back from Redstockings, not Shulamith, and since 1984, I have been active in Redstockings. On May Day in 1986, Redstockings organized a Memorial for Simone de Beauvoir and I felt deeply honored when asked by Kathie Sarachild to read Shulamith's Firestone's tribute she had sent to the Memorial. It was several sentences in Shulamith's beautiful handwriting saying that Simone de Beauvoir had fired her youthful ambitions at age 16 and my heart was pounding as I read it, because Shulamith had fired my youthful ambitions at age 16, too! In the early 1990s, Kathie Sarachild introduced me to Shulamith Firestone, and I remember immediately feeling Shulamith's intensity of observation and perception of details unnoticed by others. All this despite her physical vulnerability that overwhelmed me, which I soon learned from her, resulted from side effects of her medication and a recent hospitalization. -
The Literacy Practices of Feminist Consciousness- Raising: an Argument for Remembering and Recitation
LEUSCHEN, KATHLEEN T., Ph.D. The Literacy Practices of Feminist Consciousness- Raising: An Argument for Remembering and Recitation. (2016) Directed by Dr. Nancy Myers. 169 pp. Protesting the 1968 Miss America Pageant in Atlantic City, NJ, second-wave feminists targeted racism, militarism, excessive consumerism, and sexism. Yet nearly fifty years after this protest, popular memory recalls these activists as bra-burners— employing a widespread, derogatory image of feminist activists as trivial and laughably misguided. Contemporary academics, too, have critiqued second-wave feminism as a largely white, middle-class, and essentialist movement, dismissing second-wave practices in favor of more recent, more “progressive” waves of feminism. Following recent rhetorical scholarly investigations into public acts of remembering and forgetting, my dissertation project contests the derogatory characterizations of second-wave feminist activism. I use archival research on consciousness-raising groups to challenge the pejorative representations of these activists within academic and popular memory, and ultimately, to critique telic narratives of feminist progress. In my dissertation, I analyze a rich collection of archival documents— promotional materials, consciousness-raising guidelines, photographs, newsletters, and reflective essays—to demonstrate that consciousness-raising groups were collectives of women engaging in literacy practices—reading, writing, speaking, and listening—to make personal and political material and discursive change, between and across differences among women. As I demonstrate, consciousness-raising, the central practice of second-wave feminism across the 1960s and 1970s, developed out of a collective rhetorical theory that not only linked personal identity to political discourses, but also 1 linked the emotional to the rational in the production of knowledge. -
The Radical Feminist Manifesto As Generic Appropriation: Gender, Genre, and Second Wave Resistance
Southern Journal of Communication ISSN: 1041-794X (Print) 1930-3203 (Online) Journal homepage: http://www.tandfonline.com/loi/rsjc20 The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance Kimber Charles Pearce To cite this article: Kimber Charles Pearce (1999) The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance, Southern Journal of Communication, 64:4, 307-315, DOI: 10.1080/10417949909373145 To link to this article: https://doi.org/10.1080/10417949909373145 Published online: 01 Apr 2009. Submit your article to this journal Article views: 578 View related articles Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsjc20 The Radical Feminist Manifesto as Generic Appropriation: Gender, Genre, And Second Wave Resistance Kimber Charles Pearce n June of 1968, self-styled feminist revolutionary Valerie Solanis discovered herself at the heart of a media spectacle after she shot pop artist Andy Warhol, whom she I accused of plagiarizing her ideas. While incarcerated for the attack, she penned the "S.C.U.M. Manifesto"—"The Society for Cutting Up Men." By doing so, Solanis appropriated the traditionally masculine manifesto genre, which had evolved from sov- ereign proclamations of the 1600s into a form of radical protest of the 1960s. Feminist appropriation of the manifesto genre can be traced as far back as the 1848 Seneca Falls Woman's Rights Convention, at which suffragists Elizabeth Cady Stanton, Lucretia Coffin Mott, Martha Coffin, and Mary Ann McClintock parodied the Declara- tion of Independence with their "Declaration of Sentiments" (Campbell, 1989). -
Carol Hanisch, June 1, 2006
Reflections on the 1960s Women's Liberation Movement as "racist," post by Carol Hanisch, June 1, 2006 An exerpt from: Carol Hanisch, “The Personal is Political”, Attacking Women, Carnival of Feminists 17, and What the Heck Posted by Heart ⋅ June 22, 2006 ⋅ 22 Comments http://womensspace.wordpress.com/ I came across a really interesting and recent feminist forum on the subject of the political being personal entitled, Hanisch Forum on the Personal is Political held from May 26 through June 11, 2006, and described as follows: From May 26 through June 11, 2006, "The 'Second Wave' and Beyond" hosted a special forum among scholars and activists led by Carol Hanish and inspired by her article "The Personal is Political" and the new introduction published below. Please read the discussion in the archives (with comments by Carol Hanisch, Judith Ezekiel, Chude [Pam] Allen, Ariel Dougherty, [Margaret] Rivka Polatnick, Kimberly Springer, Stephanie Gilmore, and Cathy Cade). Here is an example of one of Hanisch's comments in the forum, dated June 1, 2006 (note: "WL" and "WLM" are acronyms for "Women's Liberation" and "Women's Liberation Movement"): I have to admit to being a bit flabbergasted by the direction of this discussion of "The Personal Is Political" as racist and/or excluding Black women. I have been aware of many attacks on the what is called "Second Wave Feminism" by the ensuing "Waves" (particularly in Women's Studies) as white and middle class, but I wasn't aware that it was now going after some of the cornerstone ideas of our movement. -
Sexual Controversies in the Women's and Lesbian/Gay Liberation Movements
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1985 Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements. Lisa J. Orlando University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Orlando, Lisa J., "Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements." (1985). Masters Theses 1911 - February 2014. 2489. Retrieved from https://scholarworks.umass.edu/theses/2489 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. POLITICS AND PLEASURES: SEXUAL CONTROVERSIES IN THE WOMEN'S AND LESBIAN/GAY LIBERATION MOVEMENTS A Thesis Presented By LISA J. ORLANDO Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1985 Political Science Department Politics and Pleasures: Sexual Controversies in the Uomen's and Lesbian/Gay Liberation Movements" A MASTERS THESIS by Lisa J. Orlando Approved by: Sheldon Goldman, Member Philosophy \ hi (UV .CVvAj June 21, 19S4 Dean Alfange, Jj' Graduate P ogram Department of Political Science Lisa J. Orlando © 1982, 1983, 1984, 1985 All Rights Reserved iii ACKNOWLEDGEMENTS I would like to thank the following friends who, in long and often difficult discussion, helped me to work through the ideas presented in this thesis: John Levin, Sheila Walsh, Christine Di Stefano, Tom Keenan, Judy Butler, Adela Pinch, Gayle Rubin, Betsy Duren, Ellen Willis, Ellen Cantarow, and Pam Mitchell. -
Lesbian Jurisprudence?
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY School of Law 1990 Lesbian Jurisprudence? Ruthann Robson CUNY School of Law How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cl_pubs/324 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Lesbian Jurisprudence? Ruthann Robson* 'The inquiry is lesbian jurisprudence. Does it exist? Can it exist? How is it different from recent "attempts" at feminist juris- prudence,' if at all? How is it different from jurisprudential at- tempts to ground homosexuality, 2 if at all? And if lesbian jurisprudence exists, what are its characteristics, its concerns, its methodologies? And if lesbian jurisprudence is being created, what should be its characteristics, its concerns, its methodologies? This article poses the question of lesbian jurisprudence. In order to understand the complexity of the question, this article first offers some preliminary definitions for lesbianism as well as a brief explication of jurisprudence. Combining lesbian and juris- prudence into a question, this article limits the question by re- jecting two possible answers: that lesbian jurisprudence is feminist jurisprudence and that lesbian jurisprudence is a paradigm capable of universal application. The article then seeks to give present im- aginative content to the question by drawing upon mythical meta- phors from our collective past and by surveying science fiction conceptions of the future. The mythical metaphors serve a pur- pose similar to that served by the common embodiment of justice as a woman blindfolded and holding a scale. -
Excerpt from “Outlaw Woman: a Memoir of the War Years 1960-1975”
1 Roxanne Dunbar-Ortiz Excerpt from Chapter 4: 1968 pp. 109-156) of Outlaw Woman: A Memoir of the War Years, 1960-1975, (New edition, University of Oklahoma Press, 2014) Presented as part of "A Revolutionary Moment: Women's Liberation in the late 1960s and early 1970s," a conference organized by the Women's, Gender, & Sexuality Studies Program at Boston University, March 27-29, 2014. “SUPER-WOMAN POWER ADVOCATE SHOOTS . .” That news headline propelled me to action. On Tuesday, June 4, 1968, I sat in Sanborn’s restaurant in México City across from the beautiful Bellas Artes building. As the original Sanborn's, the walls are lined with sepia photographs of Emiliano Zapata and Pancho Villa and their soldiers celebrating their revolutionary victory in that very place in 1914. Jean-Louis wanted me to meet his old friend Arturo. Arturo was a Mexican poet and anarchist intensively involved in organizing against the Olympics. I was sullen and angry because Jean-Louis had introduced me as mi esposa, his wife. Screaming fights between us had become normal, and I was trying to devise another way to go to Cuba. I suspected that the purpose of the meeting with Arturo was to dissuade me from going to Cuba. Arturo called Fidel Castro a statist who was wedded to 2 “Soviet imperialism,” and he complained that Cuba had agreed to participate in the Olympics. Arturo was smart, intense, and angry, his personality similar to that of Jean-Louis. When he spoke, he hit the palm of his left hand with the rolled-up tabloid in his right hand. -
De Vuelta a "El Mito Del Orgasmo Vaginal": El
De vuelta a "El mito del orgasmo vaginal" : el orgasmo femenino en el pensamiento sexual estadounidense y el feminismo de la segunda ola* Jane Gerhard** n 1968, Anne Koedt publicó "El mito del orgasmo vaginal" en Notes from the First Year (Notas del primer año), una revista mimeografiada de veintinueve páginas publicada por New York RadicalE Women . I Para cuando apareció una versión más extensa en Notes from the Second Year (Notas del segundo año), el artículo de Koedt ya se había convertido en un clásico del feminismo .' Koedt planteó lo que serían preocupaciones fundamentales para el movimiento emer- gente: el significado de la libertad sexual, el significado político del placer sexual y las raíces psicológicas de la dominación masculina y la subordinación femenina .' El orgasmo vaginal, alcanzado exclusiva- » Este artículo se publicó originalmente en FEMINIST STUDIES, vol . 26, núm . 2 (verano 2000) . Se reproduce con el permiso de la editorial, FEMINIST STUDIES, Inc . ** La autora agradece a Ruth Feldstein, Elizabeth Francis, Melanie McAlister, Donna Penn y Jessica Shulbow la invaluable ayuda que le prestaron para la escritura de este artículo . I Anne Koedt, "The Myth of the Vaginal Orgasm", Notes from the First Year, New York Radical Feminists, Nueva York, 1968, p . 11 . 2 Anne Koedt, "The Myth of the Vaginal Orgasm", Notes from the Second Year, New York Radical Feminists, Nueva York, 1970, pp . 37-41 . El artículo de Koedt tam- bién apareció en Radical Feminism, eds . Anne Koedt, Ellen Levine y Anita Rapone, Quadrangle Books, Nueva York, 1973, pp . 198-207 . Las citas que aparecen a continua- ción pertenecen a la versión publicada en Radical Feminism. -
Shulamith Firestone 1945–2012 2
Shulamith Firestone 1945–2012 2 Photograph courtesy of Lori Hiris. New York, 1997. Memorial for Shulamith Firestone St. Mark’s Church in the Bowery, Parish Hall September 23, 2012 Program 4:00–6:00 pm Laya Firestone Seghi Eileen Myles Kathie Sarachild Jo Freeman Ti-Grace Atkinson Marisa Figueiredo Tributes from: Anne Koedt Peggy Dobbins Bev Grant singing May the Work That I Have Done Speak For Me Kate Millett Linda Klein Roxanne Dunbar Robert Roth 3 Open floor for remembrances Lori Hiris singing Hallelujah Photograph courtesy of Lori Hiris. New York, 1997. Reception 6:00–6:30 4 Shulamith Firestone Achievements & Education Writer: 1997 Published Airless Spaces. Semiotexte Press 1997. 1970–1993 Published The Dialectic of Sex, Wm. Morrow, 1970, Bantam paperback, 1971. – Translated into over a dozen languages, including Japanese. – Reprinted over a dozen times up through Quill trade edition, 1993. – Contributed to numerous anthologies here and abroad. Editor: Edited the first feminist magazine in the U.S.: 1968 Notes from the First Year: Women’s Liberation 1969 Notes from the Second Year: Women’s Liberation 1970 Consulting Editor: Notes from the Third Year: WL Organizer: 1961–3 Activist in early Civil Rights Movement, notably St. Louis c.o.r.e. (Congress on Racial Equality) 1967–70 Founder-member of Women’s Liberation Movement, notably New York Radical Women, Redstockings, and New York Radical Feminists. Visual Artist: 1978–80 As an artist for the Cultural Council Foundation’s c.e.t.a. Artists’ Project (the first government funded arts project since w.p.a.): – Taught art workshops at Arthur Kill State Prison For Men – Designed and executed solo-outdoor mural on the Lower East Side for City Arts Workshop – As artist-in-residence at Tompkins Square branch of the New York Public Library, developed visual history of the East Village in a historical mural project. -
Susan Faludi How Shulamith Firestone Shaped Feminism The
AMERICAN CHRONICLES DEATH OF A REVOLUTIONARY Shulamith Firestone helped to create a new society. But she couldn’t live in it. by Susan Faludi APRIL 15, 2013 Print More Share Close Reddit Linked In Email StumbleUpon hen Shulamith Firestone’s body was found Wlate last August, in her studio apartment on the fifth floor of a tenement walkup on East Tenth Street, she had been dead for some days. She was sixtyseven, and she had battled schizophrenia for decades, surviving on public assistance. There was no food in the apartment, and one theory is that Firestone starved, though no autopsy was conducted, by preference of her Orthodox Jewish family. Such a solitary demise would have been unimaginable to anyone who knew Firestone in the late nineteensixties, when she was at the epicenter of the radicalfeminist movement, Firestone, top left, in 1970, at the beach, surrounded by some of the same women who, a reading “The Second Sex”; center left, with month after her death, gathered in St. Mark’s Gloria Steinem, in 2000; and bottom right, Church IntheBowery, to pay their respects. in 1997. Best known for her writings, Firestone also launched the first major The memorial service verged on radical radicalfeminist groups in the country, feminist revival. Women distributed flyers on which made headlines in the late nineteen consciousnessraising, and displayed copies of sixties and early seventies with confrontational protests and street theatre. texts published by the Redstockings, a New York group that Firestone cofounded. The WBAI radio host Fran Luck called for the Tenth Street studio to be named the Shulamith Firestone Memorial Apartment, and rented “in perpetuity” to “an older and meaningful feminist.” Kathie Sarachild, who had pioneered consciousnessraising and coined the slogan “Sisterhood Is Powerful,” in 1968, proposed convening a Shulamith Firestone Women’s Liberation Memorial Conference on What Is to Be Done. -
Mainstream Feminism
Feminist movements and ideologies This collection of feminist buttons from a women's museum shows some messages from feminist movements. A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought. Groupings Judith Lorber distinguishes between three broad kinds of feminist discourses: gender reform feminisms, gender resistant feminisms, and gender revolution feminisms. In her typology, gender reform feminisms are rooted in the political philosophy of liberalism with its emphasis on individual rights. Gender resistant feminisms focus on specific behaviors and group dynamics through which women are kept in a subordinate position, even in subcultures which claim to support gender equality. Gender revolution feminisms seek to disrupt the social order through deconstructing its concepts and categories and analyzing the cultural reproduction of inequalities.[1] Movements and ideologies Mainstream feminism … "Mainstream feminism" as a general term identifies feminist ideologies and movements which do not fall into either the socialist or radical feminist camps. The mainstream feminist movement traditionally focused on political and legal reform, and has its roots in first- wave feminism and in the historical liberal feminism of the 19th and early- 20th centuries. In 2017, Angela Davis referred to mainstream feminism as "bourgeois feminism".[2] The term is today often used by essayists[3] and cultural analysts[4] in reference to a movement made palatable to a general audience by celebrity supporters like Taylor Swift.[5] Mainstream feminism is often derisively referred to as "white feminism,"[6] a term implying that mainstream feminists don't fight for intersectionality with race, class, and sexuality.