January 1, 2010–December 31, 2010 Kurt Siehr*
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Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh. -
The Last Prisoners of World War II
Pace International Law Review Volume 9 Issue 1 Summer 1997 Article 14 June 1997 The Last Prisoners of World War II Margaret M. Mastroberardino Follow this and additional works at: https://digitalcommons.pace.edu/pilr Recommended Citation Margaret M. Mastroberardino, The Last Prisoners of World War II, 9 Pace Int'l L. Rev. 315 (1997) Available at: https://digitalcommons.pace.edu/pilr/vol9/iss1/14 This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace International Law Review by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. COMMENT THE LAST PRISONERS OF WORLD WAR Ill Margaret M. Mastroberardino I. INTRODUCTION "To the victor belong the spoils of the enemy."2 The Ro- mans exhibited treasures captured from their prisoners; Napo- 3 leon did the same almost two thousand years later. Throughout world history, looting treasures belonging to ene- mies in times of war has been a constant.4 Looting occurred as recently as the Persian Gulf War, where Saddam Hussein re- moved collections of cultural property from Kuwait. At the end of the 19th century, an idea emerged that cultural objects should be protected from armed, military conflict.5 As a result, the Hague Conventions of 1899 and 1907 included provisions designed to "protect cultural institutions, historical monuments and works of art from premeditated seizure, destruction, or damage."6 During World War II, Adolph Hitler and his Nazi soldiers wrought havoc on Europe. In their quest to establish a superior 1 "They are the last prisoners of World War II, about to emerge from the dark rooms where they were locked away 50 years ago." Jack Kelly, The Spoils of War/ Show Ignites Debate Over Ownership, USA TODAY, March 3, 1995 at 1D. -
Martin Krummholz, Antonio Porta and Seventeenth-Century Central
RIHA Journal 0118 | 23 March 2015 Antonio Porta and Seventeenth-Century Central European Architecture Martin Krummholz Originally published as: "Antonio Porta a středoevro ská architektura 1#$ %tolet&'" in( Martin M"dl )ed$*' Barokní nástěnná malba v českých zemích. Tencalla I' Praha 2012' $ 251+2,5$ ranslation initiated by: Pavla Machal&kov"' Institute o- Art History o- the /0ech Acade1y o- %ciences' Pra2ue Abstract The text places the work of Antonio Porta (1631/32-1702) in the broader context of !"ropean architect"re# It e%phasises the close connections between Porta's architect"re an the work of 'rancesco (aratti an )ean *aptiste +athe,- an the co%%on startin.- point for these artists, which was the /iennese architect"re of 'iliberto 0"cchese an 1io2anni Pietro Tencalla# The architect"re of the Tro3a chateau of (o"nt 4ternber. can also be interprete in this context5 it raws on the analo.o"s sub"rban su%%er resi ences in /ienna (Lusthäuser)# There were also si.nificant connections between %i - 17th cent"r, (entral !"ropean architect"re an the Pie %ont %etropolis of T"rin- which was bein. e2elope on a .ran scale at that ti%e# 6n the one han there were %an, artists fro% the 0".ano re.ion acti2e in T"rin who later went on to work in (entral !"rope- an on the other n"%ero"s (entral !"ropean aristocrats sta,e for a while in T"rin as part of their .ran to"r# It was 2ia T"rin that the infl"ences of 'rench architect"re were reflecte in the *ohe%ian an (entral !"ropean %ilie"s. -
Impressionism and Post-Impressionism
09.10.2010 ART IN THE SECOND HALF OF THE NINETEENTH CENTURY: IMPRESSIONISM AND POST-IMPRESSIONISM Week 2 WORLD HISTORY ART HISTORY ARCHITECTURAL HISTORY Marx and Engels issue Communist Manifesto, 1848 Smirke finished British Museum Gold discovered in California 1849 The Stone Broker, Courbet 1850 Bibliotheque Sainte-Genevieve (Neo- Renaissance) 1852 The Third Class Carriage by Daumier Houses of Parliment, London (Neo-Gothic) 1854 Crystal Palace, First cast-iron and glass structure 1855 Courbet’s Pavillion of Realism Flaubert writes Madame Bovary 1856-1857 Mendel begins genetic experiments 1857 REALISM First oil well drilled, 1859-60 Red House by Philip Webb (Arts &Crafts) Darwin publishes Origin of Spaces Steel developed 1860 Snapshot photography developed U.S. Civil War breaks out 1861 Corot Painted Orpheus Leading Eurydice 1862 Garnier built Paris Opera (Neo-Baraque) Lincoln abolishes slavery 1863 Manet painted Luncheon on the Grass Suez Canal built 1869 Prussians besiege Paris 1871 1873 First color photos appear IMPRESSIONISM 1874 Impressionists hold first group show Custer defeated at Little Big Horn, 1876 Bell patents telephone Edison invents electric light 1879 1880 VanGogh begins painting career Population of Paris hits 2,200,000 1881 1882 Manet painted A Bar at the Folies-Bergère 1883 Monet settles at Giverny First motorcar built 1885 First Chicago Skyscraper built 1886 Impressionists hold last group show 1888 Portable Kodak camera perfected Hitler born 1889 Eiffel Tower built 1901 1902 1903 POSTIMPRESSIONISM 1905 1 09.10.2010 REALISM VALUES: Real , Fair, Objective INSPIRATION: The Machine Age, Marx and Engel’s Communist Manifesto, Photography, Renaissance art TONE: Calm, rational, economy of line and color SUBJECTS: Facts of the modern world, as the artist experienced them; Peasants and the urban working class; landcape; Serious scenes from ordinary life, mankind. -
The Nobles of the Czech Lands in European Diplomacy Project Proposal
THE NOBLES OF THE CZECH LANDS IN EUROPEAN DIPLOMACY project proposal Šlechta českých zemí v evropské diplomacii M návrh projektu 1 the project The Nobles of the Czech Lands in European Diplomacy is part of the long-term programme of the Czech National Heritage Institute entitled In the Footsteps of Noble Families. The aim of this programme is to research and present the cultural historical heritage of the noble families whose former residences fall under the care of the National Heritage Institute. Annually, the project focuses on either a particular family (for example, the Rosenbergs in 2011; the Lords of Kunštát in 2014), or reflects a certain theme associated with nobles (Year of the Renaissance Aristocracy, 2017). 2 The Nobles of the Czech Lands in European Diplomacy / project proposal 1. 2 3 4 5 In the year of 2018 the project is to focus on the theme of nobles within diplomacy, and for three essential reasons: 1. Due to their privileged social position nobles have naturally participated in diplomacy since as far back as the middle ages and important aristocrats have worked in the diplomatic service even in the era of civic society beginning in the 19th century including the period of the Czechoslovak Republic after 1918. 2. The National Heritage Institute has in its care an exceptionally valuable and extensive collection of artefacts, documents, and other materials associated with the diplomatic activities of nobles. 3. The diplomatic activities of nobles have left an indelible footprint in European and world history, and so represent an exceptionally appropriate theme for 2018, the European Year of Cultural Heritage, as announced by the European Commission. -
Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice
Institute of Historical Sciences Faculty of Arts and Philosophy University of Pardubice Theatrum historiae 19 2016 Pardubice 2016 The cover image was taken from Státní oblastní archiv [State Regional Archive] Plzeň, the section in Klášter, Rodinný archiv Windischgrätzů [the Windischgrätz Family Archive], inv. No. 1428, sign. 128, Kart. 197, Kayserlicher Hof- und Ehren-Calender / Auff das Jahr nach unsers Seeligmachers JEsu Christi Geburt 1711..., Wien: bey Joh. Jacob Koll, Buchbinder, am Stock in Eysen 1711. It is a product of Austrian Habsburg propaganda. Casa d´Austria manifests its right to rule the Spanish monarchy with all its states and colonies. This issue results from the solution of the standard grant project Nr 13–12939S Bohemian and Moravian Nobility in the Diplomatic Service of the Austrian Habsburgs (1640–1740) and its publication was supported by the Grant Agency of the Czech Republic. © University of Pardubice, 2017 Registration number MK ČR E 19534 ISSN 1802–2502 Contents Jiří HRBEK Acting on behalf of the Bohemian King: Ferdinand Ernst von Waldstein’s Journey to Westphalia (1645–1647) 9 Zsuzsanna CZIRÁKI Language Students and Interpreters at the Mid-seventeenth-century Habsburg Embassy in Constantinople 27 Monika KONRÁDOVÁ – Rostislav SMÍŠEK The Illusion of Power or Relentless Reality? Ceremonial and Ritual Practices at the Court of Moscow in the Middle of the 17th Century through the Eyes of the Imperial Diplomats 45 Martin BAKEŠ Shaping the Danish and Imperial Legation Chapels in Vienna and Copenhagen during the Period after the Thirty Years’ War 73 Laura OLIVÁN SANTALIESTRA Judith Rebecca von Wrbna and Maria Sophia von Dietrichstein: Two Imperial Ambassadresses from the Kingdom of Bohemia at the Court of Madrid (1653–1674) 95 Lenka MARŠÁLKOVÁ Dominik Andreas von Kaunitz during the 80’s and the early 90’s of the 17th Century. -
November 2009 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 26, No. 2 www.hnanews.org November 2009 Willem van Haecht, Apelles Painting Campaspe, c. 1630. Royal Picture Gallery Mauritshuis, The Hague. On view at the Rubenshuis, Antwerp, November 28, 2009 – February 28, 2010. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone/Fax: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents HNA News ............................................................................1 Board Members Obituary.................................................................................. 2 Personalia ............................................................................... 3 Ann Jensen Adams Exhibitions ............................................................................ 4 Dagmar Eichberger Exhibition Review .................................................................8 Wayne Franits Matt Kavaler Museum News ..................................................................... -
Marzanna Jagiełło-Kołaczyk* Dwarfs and Other Curiosities in The
Dwarfs and other curiosities in the european gardens 23 Marzanna Jagiełło-Kołaczyk* Dwarfs and other curiosities in the european gardens Introduction1 Over the last few years the interest in the phe- many gardens today [2], [3], [11], [17], [18], [23], nomenon of garden gnomes has been evidently [29], [33]. growing. Their older brothers – stone dwarfs – are in The monographs on residential complexes with their a way put aside on the margin of these elaborate sculptures of dwarfs proved much more helpful to us. deliberations. So far, however, no monograph has These works brought factual information necessary for been presented which would comprehensively ana- further research [5], [8], [12], [16], [19], [20], [26], [32], lyze all aspects connected with the role played by [34]. stone dwarf figures in the European gardens. The The publications specifically on stone dwarfs regard- monographic studies regarding the subject focused ing a few garden designs such as the one on the dwarf on their historical as well as cultural and anthropo- theater in the Mirabell Gardens, the first known group logical aspects, treating stone dwarfs as a stage lead- of this kind of sculptures in the European gardens, ing to the main subject of the deliberations – ceram- proved definitely most helpful for further deliberations ic, colorful figures wearing red hats which are put in [2]. Dwarfs in antiquity The contradiction regarding placing an adult person Bes2. He was a very popular household deity revered in in a small child’s body caused by a twist of fate has fas- small chapels who protected Egyptians against misfor- cinated people since antiquity. -
Federalist Politics and Noble Identity in Bohemia During the Early Constitutional Period
FEDERALIST POLITICS AND NOBLE IDENTITY IN BOHEMIA DURING THE EARLY CONSTITUTIONAL PERIOD Ute Hofmann University of Chemnitz (Germany) Rezumat: Folosind exemplul aristocraţiei boemiene federaliste din cel de-al şaselea deceniu al secolului al XIX-lea, articolul încearcă să ilustreze impactul introducerii sistemului constituţional asupra identităţii nobilimii. Cum aplicarea prevederilor constituţionale a constituit o adevărată provocare pentru nobilime – ca şi clasă conducătoare – aceasta a trebuit să găsească noi strategii pentru a-şi asigura poziţia de elită. Nobilimea boemiană a înţeles imperativul momentului şi a acţionat în consecinţă. Iată de ce, relaţia sa cu elita naţionalistă cehă în ascensiune a dobândit o importanţă particulară. Cu toate că nobilimea federalistă şi naţionaliştii cehi s-au aliat, ocazional, în lupta pentru dobândirea unei autonomii extinse a Boemiei în cadrul Imperiului Habsburgic, nobilii boemieni nu şi-au dezvoltat propria identitate: identitatea naţională. Strategia lor politică s-a axat pe aceleaşi coordonate conservatoare, specifice identităţii tradiţionale corporative. The 1860s depict a crucial time regarding the political and social development of the Habsburg monarchy which became a constitutional state during that period. This new order had an impact on the political activities of the nobility1, as well as on their identity which still was traditional and corporative. A basis of noble identity was their self-perception and self-definition as the ruling estate. This self- definition was challenged by the introduction of a constitutional system which allowed non-nobles to acquire more political influence. Another important effect of creation of a modern diet was the formation of two political camps among the nobles who had been used to act as one corporation. -
Hermann Jakob Czernin Von Chudenitz' Diplomatic Mission In
171 Jiří KUBEŠ Hermann Jakob Czernin von Chudenitz’ Diplomatic Mission in Warsaw in 1695. A Contribution towards the Travel Arrangements of Imperial Diplomats1 Abstract: This paper examines the previously unknown diplomatic mission of Hermann Jakob Count Czernin von Chudenitz in Warsaw in 1695. Neither Polish nor Czech nor Austrian historians paid any attention to it. Based on this, however, it is possible to demonstrate perfectly how tense the relations between Emperor Leopold I and the Polish King John III Sobieski, who, at the end of their lives, were officially allies in the Holy League. The author first briefly introduces this mission and then, using it as an example, attempts to show how the travels of the imperial ambassadors of that time were organised and also unveils other additional aspects of the diplomatic service. Above all he reconstructed the court of Count Czernin, who was surrounded by over 80 people, and also located the place of his accommodation in Warsaw and showed which apartment the Count possessed as an ambassador. Finally, he examined the question of the financial costs of this stay, and documented the fact that the ambassador had to pay many expenses from his own pocket, and that this mission had cost him cca. 50,000 guldens. Keywords: diplomacy – 17th Century – Poland – Leopold I – John III Sobieski – Hermann Jakob Czernin von Chudenitz p till now neither in the Czech nor in the Polish nor in the Austrian historiography has any work in regard to the diplomatic mission of Hermann Jakob Czernin von Chudenitz to Poland in 1695 originated. In the Czech environment this is Unot surprising, because until recently almost no one there was actually dealing with the diplomacy of the early modern period and this situation has only improved during the last five years by the publication of the results of the systematic research work that was carried 1 This study originated as a part of the solution of the GA ČR’s standard project No. -
State of the Art Archives
ZADIK, basis wien, Institut für moderne Kunst (Eds. / Hrsg.) Proceedings of the Conference International Conference on Archives Documenting Modern and Contemporary Art State of the Art Archives Internationale Konferenz für Archive zur Dokumentation moderner und zeitgenössischer Kunst Tagungsband zur Konferenz State of the Art Archives Edited by / Herausgegeben von ZADIK, basis wien, Institut für moderne Kunst Proceedings of the Conference International Conference on Archives Documenting Modern and Contemporary Art State of the Art Archives Internationale Konferenz für Archive zur Dokumentation moderner und zeitgenössischer Kunst Tagungsband zur Konferenz Diese Publikation erscheint anlässlich von: State of the Art Archives. Internationale Konferenz für Archive zur Dokumentation moderner und zeitgenössischer Kunst, Berlin, Stiftung Branden burger Tor, Max Liebermann Haus, 21.–23.9.2017. Published on the occasion of: State of the Art Archives. International Conference on Archives Documenting Modern and Contemporary Art, Berlin, Stiftung Brandenburger Tor, Max Lieber mann Haus, 21.–23.9.2017. Redaktion: Kathrin Mayer, Sophia Rösch Übersetzungen: Kelly Bescherer, Ciara Brophy, Jan Junglas, Lukas Valtin Transkriptionen: Sigrid Schüßler Cover: Jasmin Trabichler Fotos: Hannu Aaltonen, Andrea Avezzù, David Campos, Robert Gruber, Dóra Halasi, Markus Hoffmann, Markus Krottendorfer, Jan Kuntoš, Kitmin Lee, Laurie Lembrecht, Alexey Narodnitzkiy, Erhard Och, Hervé Véronèse www.stateoftheartarchives.com Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. This book is published under the Creative Commons Attribution 4.0 License (CC-BY-SA 4.0). The cover is subject to the Creative Commons License CC-BY-ND 4.0. -
Martin Krummholz, Antonio Porta and Seventeenth-Century Central
RIHA Journal 0118 | 23 March 2015 Antonio Porta and Seventeenth-Century Central European Architecture Martin Krummholz Originally published as: "Antonio Porta a středoevropská architektura 17. Století," in: Martin Mádl (ed.), Barokní nástěnná malba v českých zemích. Tencalla I, Praha 2012, pp. 251-265. Translation initiated by: Pavla Machalíková, Institute of Art History of the Czech Academy of Sciences, Prague Abstract The text places the work of Antonio Porta (1631/32-1702) in the broader context of European architecture. It emphasises the close connections between Porta's architecture and the work of Francesco Caratti and Jean Baptiste Mathey, and the common starting- point for these artists, which was the Viennese architecture of Filiberto Lucchese and Giovanni Pietro Tencalla. The architecture of the Troja chateau of Count Sternberg can also be interpreted in this context; it draws on the analogous suburban summer residences in Vienna (Lusthäuser). There were also significant connections between mid-17th century Central European architecture and the Piedmont metropolis of Turin, which was being developed on a grand scale at that time. On the one hand there were many artists from the Lugano region active in Turin who later went on to work in Central Europe, and on the other numerous Central European aristocrats stayed for a while in Turin as part of their grand tour. It was via Turin that the influences of French architecture were reflected in the Bohemian and Central European milieus. Contents Roudnice nad Labem Turin Troja, Jean Baptiste Mathey, and Viennese architecture [1] A number of buildings decorated by paintings by Giacomo Tencalla are attributed to the architect Antonio Porta, who – like both Tencallas – came from the Lake Lugano region.