Stand by 351012.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
National Historic Landmark Nomination Ryman Auditorium
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Fall 2018 the WESTERN WAY CONTENTS FEATURES Tales of the West 27 6 Jim Wilson in the Crosshairs Sons of the Pioneers
Founder From e President... Bill Wiley Ocers Marvin O’Dell, Someone told me recently that they don’t join or get President involved with the IWMA because the same people win the Jerry Hall, Executive V.P. Robert Fee, awards year aer year. It’s not the rst time I’ve heard this, V.P. General Counsel but I thought this time I would check to see if that is, in fact, Yvonne Mayer, Secretary true. Here’s what I discovered (you can see these same results Diana Raven, Treasurer at the IWMA Web site): Executive Director In the Male Performer of the Year category, there have Marsha Short been six dierent winners in the last ten years; the female Board of Directors counterpart in that category has had six dierent winners in John Bergstrom Richard Dollarhide Marvin O’Dell the last eleven years. Ok, there’s a little room to gripe there, Robert Fee but not much. It’s certainly not the same winner every year. Juni Fisher IWMA President Belinda Gail In the Songwriter of the Year category there have been Jerry Hall eight dierent winners in the last ten years, and the Song of the Year category shows 14 Judy James Robert Lorbeer dierent winners in the last 16 years. Yvonne Mayer e Traditional Duo/Group category has had 10 dierent winners in the last eleven years. Marvin O’Dell Theresa O’Dell Western Swing Album of the Year? Nine dierent winners in the past ten years. Instrumentalist of the Year? Eight dierent players have taken home the award in the past 2018 Board Interns 10 years. -
Porter Wagoners Tent
Nov. 15, 1992---- The Grand Ole Opry is the country's longest-running live music and variety radio program. It's fitting that one of country music's longest-running live wires will represent the Opry when it is inducted into the Radio Hall of Fame on Sunday at the Museum of Broadcast Communications in Chicago. Country singer Porter Wagoner will make a rare stop in Chicago to accept the honors from special guests the Oak Ridge Boys, along with new inductees Don Ameche, "Top 40 Countdown" poobah Casey Kasem, Detroit morning personality J.P. McCarthy and ABC broadcast legend Leonard Goldenson. The program will be broadcast live on WGN-AM and be beamed back to Nashville on WSM-AM, where the Grand Ole Opry was born on Nov. 28, 1925, as "The WSM Barn Dance." Wagoner is from a different era of country music. He first appeared at the Opry in 1957, when he sang his hit "Satisfied Mind" at the old Ryman Auditorium in downtown Nashville. Country music was characterized by a spunky self-reliance, found in the topical breadth of its songs as well as the colorful showmanship of its singers. Few were as colorful as Porter Wagoner: He was one of the first country artists to exploit the broadcast industry. As early as 1951, he appeared on radio with "The Ozark Jubilee," broadcast from KWTO-AM in Springfield, Mo. While at KWTO, Wagoner met Radio Hall of Famer Paul Harvey, who will host Sunday's ceremony. And from 1960 to 1980, Wagoner reached a television audience of up to 45 million with his syndicated "Porter Wagoner Show." One of Wagoner's key sponsors was the Chattanooga Medicine Co., a pharmaceutical outfit that sold Soltice heat rubs, hygenic supplies and Black Draught laxative, promoted as "the fastest-moving product in the South." The permanently pompadoured Wagoner introduced the rhinestone Nudie suit. -
“I Want to Be a Cowboy's Sweetheart”—Patsy Montana (1935)
“I Want to Be a Cowboy’s Sweetheart”—Patsy Montana (1935) Added to the National Registry: 2011 Essay by Cary O’Dell Patsy Montana Early label Modern country music is usually considered to have three queens, each easily identifiable by just one name: Loretta, Tammy and Dolly. But as impressive as this trinity is, one has to wonder where that leaves some other notable musical ladies of the open plains such as Patsy Cline, Kitty Wells, and Emmylou Harris. Similarly, certainly, the great Patsy Montana is no pretender to any throne. Too often dismissed as a “one hit wonder,” due to her most famous tune, the self-penned “I Want to Be a Cowboy’s Sweetheart,” Patsy Montana actually contributed numerous songs to the country and western lexicon: “My Song of the West,” “Back on Montana Plains,” “Rodeo Sweetheart,” “When the Flowers of Montana Were Blooming,” “I Love My Daddy Too,” “That Silver-Haired Daddy of Mine,” and “I Want to Be a Cowboy's Dream,” among others. But it is her “Cowboy’s Sweetheart” for which she’s most renowned. It is believed to be country music’s first million-selling single by a female artist. A product of Hot Springs, Arkansas, the only girl of 11 children, Patsy Montana (nee Ruby Rebecca Blevins; b. 1912) started singing early and often. She also early on mastered the violin, organ and guitar. Near college age, she left Arkansas for California where enrolled in the University of the West (later renamed UCLA). Quickly though, her musical gifts began to pay dividends—she won an area talent contest and it quickly lead to regular radio appearances singing as part of an ad-hoc girl trio, the Montana Cowgirls. -
SODBUSTERS Howard Black- Reggie Cross-Rusty Gill Eight Years Ago, Howard Black Went Accepted
THE HOOSIER SODBUSTERS Howard Black- Reggie Cross-Rusty Gill Eight years ago, Howard Black went accepted. Christened the "Hoosier Sod - Reggie Cross, a true harmonica vir- to town, literally. He needed some busters," this new duo made their tuoso, has one of the largest collections chicken wire for his farm; so he went radio debut playing the same number of mouth harps in the world. His 500 to the general store to get it. As he that had brought them together, "St. instruments are valued at over $1000, waited for the salesman to measure Louis Blues." vary in price from 50c to $300 and in off the wire, Howard wandered about size from one inch to over four feet. the store. Another young man wan- Today, the Hoosier Sodbusters, as a The giant $300 harmonica is four feet dered in to buy a harmonica. He looked trio, is one of the favorite acts on nine inches long and about four inches over the store's somewhat limited as- WLS and appear regularly on the WLS wide. When using it, both Howard and sortment and finally selected one for Barn Dance. The Sodbusters have had Reggie play on the same instrument. a tryout. He swung into "St. Louis several lucky third members of their It weighs over 16 pounds, and takes Blues." trio, with the third moving on up the both them A third young man was fooling of to handle it. around inexpertly with a guitar and ladder of success as a soloist. tried to accompany the harmonica. It was built by Reggie's uncle and is reported to be the largest in the Howard Black walked over and said: The present third part of the act, Reggie his harmonica "Let me try that guitar." Howard's Rusty Gill, has already found great fav- world. -
Development of the Country Music Radio Format
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/developmentofcouOOstoc THE DEVELOPMENT OF THE COUNTRY MUSIC RADIO FORMAT by RICHARD PRICE STOCKDELL B.S., Northwest Missouri State University, 1973 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Radio and Television Department of Journalism and Mass Communication KANSAS STATE UNIVERSITY Manhattan,;tan, Kansas 1979 Approved by: Major Professor 31 TABLE OF CONTENTS Chapter One . INTRODUCTION 1 A Search of the Literature and the Contribution of this Thesis 2 Methodology » 5 Two . EARLY COUNTRY MUSIC ON RADIO 10 Barn Dances 12 National Barn Dance 13 The Grand Ole Opry 16 The WWVA Jamboree 19 Renf ro Valley Barn Dance 21 Other Barn Dances 22 Refinement of the Music and the Medium 25 Country Music on Records 25 Music Licensing 27 Country Music on Radio 28 Population Migration 29 Country Radio and the War 29 The Disc Jockey 31 Radio Formats Rather Than Programs 32 Three. THE BIRTH OF A FORMAT 34 Why Country Music? 35 Country Disc Jockeys Unite 37 The All-Country Radio Station Ifl David Pinkston and KDAV 47 The Day Country Music Nearly Died 50 Programming the Early Country Stations 55 The Country Music Association 59 ii iii Four. THE ACCEPTANCE AND SUCCESS OF THE FORMAT 63 Refinement of the Format 63 The Marriage of Country and Top /*0 66 Adoption of the Modern Country Format 71 Explosion of the Format „ 76 Advertiser Resistance 78 Bucking the Resistance 81 Audience Loyalty 86 The Final Step 87 Five. -
The-Grand-Ole-Opry-K
céCountry Music Library INTRODUCING COUNTRY MUSIC THE CARTER FAMILY COMEDIANS OF COUNTRY MUSIC THE GRAND OLE OPRY HANK WILLIAMS JIMMIE RODGERS LORETTA LYNN THE NEW BREED WESTERN STARS OF COUNTRY MUSIC MORE NEW BREED STARS DOLLY PARTON COUNTRY MUSIC IS HERE TO STAY. Its roots are in the past, but today this honest, fun-loving, and often moving form of music has earned its place in the world of modern musical entertainment. The Country IVIusic Library takes a look at some of the varied aspects of country music—its greatest hits and top stars. its rich past and promising future. Prepared under the supervision of Robert K. Krishef. former editor and publisher of Country & Western News-Scene, the series provides a fasci- nating introduction to the world of country music. "A kind of junior encyclopedia of country music.... Offers straightforward accounts of the entertainers' lives without fictionalization or adulation (and) gives a ground level familiarity with important names, places. and events..., for new fans of a longstanding, ever more popular art form that's t - gaining historical stature." —Booklist .n o z 1405-2 d4Country Music Library ROBERT K. KRISHEF Lerner Publications Company a Minneapolis ACKNOWLEDGMENTS: The illustrations are reproduced through the courtesy of: pp. 4. 6, 19, 20, 22, 24, 27, 34, 37. 46, 66, Country Music Association Library and Media Center: p. 8, WSB Radio; pp. 11, 32, 51, 54, 56, 58, 61, Opryland Public Relations: pp. 12, 60, Department of Tourist Development, State of Tennessee: P. 17. Les Leverett; p. 29, National Life and Accident Insurance Company; p. -
Shapes, Sound Holes, and Strings: a Few Stringed Instruments and the Sounds They Make Teacher’S Guide
Shapes, Sound Holes, and Strings: A Few Stringed Instruments and the Sounds They Make TeacHer’S Guide This teacher’s guide contains classroom lessons on the Tennessee state curriculum standards and designed to help teachers introduce their students can be used as interdisciplinary teaching tools. to some traditional instruments featured in Teacher Tips, included in some of the lessons, country music and to the sounds they create. provide more detailed instructions or suggestions These lessons are complemented by a tour of the for ways teachers can adapt lessons to the museum’s exhibits and a hands-on experience particular needs and backgrounds of their with the instruments themselves. The lessons students. The lessons may be taught over several address specific curriculum objectives in language weeks, or condensed into several class periods. arts, math, music, social studies, and science for Each lesson lists an estimated preparation time grades K-8. All curricular connections are based and teach time. 1 Table of conTenTS: Creating Musical Instrument Books 2 Lesson Six: The Fiddle 11 Lesson One: What Do You Already Know? 3 Lesson Seven: The Mandolin 13 Lesson Two: What is Sound? 4 Lesson Eight: All Together Now! 15 Lesson Three: The Voice—Our Personal Musical Instrument 6 Lesson Nine: Who Plays? 16 Lesson Four: The Guitar 7 Lesson Ten: What Did You Learn? 18 Lesson Five: The Banjo 9 Songs on the Accompanying CD 19 Helpful Resources 19 SHapeS, Sound HoleS, a n d STrinGS create Musical instrument books: As part of this unit, students are encouraged & to create their own books about the musical instruments. -
THE WLS RANGERS T He Re D- Ead E D Bluebi D
APRIL - 1941 TEN CENTS THE WLS RANGERS T he Re d- ead e d Bluebi d DICK TODD D ICK TODD is one singer whose He attended public school at Canada. theme song might well be MacDonald College where he Thera he organized his own five "South Of The Border". A native engaged in football, hockey, piece instrumental combination, Canadian, he has gained well basketball and boxing, continuing with himself as the vocal "front". deserved fame as one of the best his education at McGill University made records, radio and personal radio vocalists in the United where he interspersed sports with appearances t h r 0 ugh 0 u t the States as well as one of its top his flair for music. Just about Dominion. Canada sat up and recording artists. this time he was bitten by the took. notice of the carrot-topped He began singing August 5 of the travel bug and left for a "short" caroller with his new style of same year. "Of course, I didn't cruise to the West Indies. After singing. and soon word seeped get much melody" he qualifies, two years of traveling through the down to New York where RCA but I sure gave the neighborhood Indies and England. France. Italy. Victor officials decided to launch cats a whale of a contest". SWitzerland. Todd returned to him on a record career. Page 2 RADIO VARIE'I1ES - APRIL In New York, he began to record for Blue bird, then handled the vocal assignments with Larry Clinton's band during the summer of 1938. -
"Holly" Swanson
Anderson Family History Issue 46 ● January 2017 Cousin Tilford – Arthur “Holly” Swanson According to Grandma Mabel’s journal, the first television in the Glenn and Violet Anderson household was installed on 11 Oct 1951. It was a table-top black and white set. We felt fortunate that we were within range of so many television broadcast towers in the Chicago area. For many years, we received five channels—three major networks (ABC, CBS, and NBC), plus independent WGN and our educational channel WTTW. Grandpa Glenn appeared on WTTW for a few minutes in 1956, when he was local fund-raising chair to support our educational TV station. Imagine—no sports channels, no news channels, no movie channels, no home improvement channels, no weather channels, and no cable TV! However, we had more channels than most of our rural cousins. More important, we could watch our favorite TV series and specials—Mickey Mouse Club; Bozo’s Circus; Howdy Doody; Kukla, Fran, and Ollie; Captain Kangaroo; Hopalong Cassidy; Roy Rogers and Dale Evans; Lone Ranger; Cisco Kid; and Wonderful World of Disney. Before going outside to play on Saturday mornings, we usually took time for a cartoon or two—Mickey and Minnie Mouse, Donald Duck, Goofy and Pluto, Bugs Bunny, Daffy Duck, Porky Pig, Sylvester the Cat, Wile E. Coyote, Popeye, Rocky and Bullwinkle, Woody Woodpecker, Tom and Jerry, Mighty Mouse, or Yogi Bear. We occasionally enjoyed What’s My Line, I’ve Got a Secret, Honeymooners, I Love Lucy, Sid Caesar’s Show of Shows, Jack Benny, Ed Sullivan, Hootenanny, and others. -
Stand by 351214.Pdf
SHOOT 'EM ALL .A,l SUNRISE A Modest Proposal passes, the children slip Stand By in Paging Ezra to the house and never lay it down I am a farmer and I have been until they are. all through. We do I am seven years old. I like all the laid up for some time with a broken not see how so much information can stars and would like to see Uncle leg. During that time I have listened be printed in that size magazine. We Ezra as he really looks on the cover to radio a lot--about 15 hours a day are a family of 10 and we all enjoy of Stand By . .. Virginia Sample, -and I have heard a lot of different it . ..Mrs. C. R. Bousineau, Centralia, Jacksonville, Ill. programs, some good, some bad. I Ill. (We understand Uncle Ezra has got a wallop out of the letters by had some brand new pictures taken some farm people published in Radio -at least he promised us he would. Guide in regard to hayseed programs • • • We plan to have a picture of the for farm people. I think these letters Ole Jenny Wren on the cover before were fine; but much too mild. They 72 Degrees! Brrrr! long.-Ed.J did not crack down hard enough. I We listen every morning to the suggest that every guitar-playing son Smile A While program and enjoy it of-a-gun of a cowboy or hill billy immensely. As we live in the far • • • Singer, all the mouth organ players North and have very severe weather and every old-time fiddler on the during the long winter months, we radiO be shot at sunrise tomorrow.