Significance of Conical and Polyhedral Domes in Persia And
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
INFORMATION to USERS the Most Advanced Technology Has Been Used to Photo Graph and Reproduce This Manuscript from the Microfilm Master
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and w h itephotographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing the World'sUMI Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 8824569 The architecture of Firuz Shah Tughluq McKibben, William Jeffrey, Ph.D. The Ohio State University, 1988 Copyright ©1988 by McKibben, William Jeflfrey. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
The Seljuks of Anatolia: an Epigraphic Study
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2017 The Seljuks of Anatolia: An epigraphic study Salma Moustafa Azzam Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Azzam, S. (2017).The Seljuks of Anatolia: An epigraphic study [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/656 MLA Citation Azzam, Salma Moustafa. The Seljuks of Anatolia: An epigraphic study. 2017. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/656 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The Seljuks of Anatolia: An Epigraphic Study Abstract This is a study of the monumental epigraphy of the Anatolian Seljuk Sultanate, also known as the Sultanate of Rum, which emerged in Anatolia following the Great Seljuk victory in Manzikert against the Byzantine Empire in the year 1071.It was heavily weakened in the Battle of Köse Dağ in 1243 against the Mongols but lasted until the end of the thirteenth century. The history of this sultanate which survived many wars, the Crusades and the Mongol invasion is analyzed through their epigraphy with regard to the influence of political and cultural shifts. The identity of the sultanate and its sultans is examined with the use of their titles in their monumental inscriptions with an emphasis on the use of the language and vocabulary, and with the purpose of assessing their strength during different periods of their realm. -
Download Download
International Journal of Human Sciences ISSN:2458-9489 Volume 17 Issue 1 Year: 2020 The conservation and restoration performances under Seljuk Architectural Patronage Tülay Karadayı Yenice1 Abstract The aim of this study is to expose the similarities between the restoration, conservation, and also reparation works focused on the monumental and public building under the Architectural Patronage of Seljuk Sultans in Anatolia. Reparations and present restoration approach through the protection – reparation examples they made in their periods. The research method is based on a comparative analysis of the approaches followed in the restoration and restoration of monumental structures built by previous civilizations in the territories dominated by the Seljuk state of Anatolia. In the scope of the study Aspendos Theatre, Aksaray Sultan Caravanserai and Sultan Alaaddin Bridge will be taken up it will be tried to understand the principles in the restoration efforts of the Anatolian Seljuks and light the way for the present restoration studies with the achieved accumulation and experience. As a result of the research, the findings indicate that the modern Seljuk state era has been applied to the repair-conservation of monumental monuments very close to the contemporary principles of contemporary restoration. Keywords: Architecture, conservation, culture, renovation. Reparation. Introduction Conservation phenomenon – a historical house, a monument, a city or a cultural landscape– they produce complex network of meanings and their symbolic strength contributes to their recognition as relevant cultural properties. Contemporary approaches to conservation consider that cultural heritage is preserved not because of the values, functions or meanings they had in the past, but for the messages and symbolism they communicate in the present time and for the future generations (Pereira, 2007). -
MEVLANA JALALUDDİN RUMİ and SUFISM
MEVLANA JALALUDDİN RUMİ and SUFISM (A Dervish’s Logbook) Mim Kemâl ÖKE 1 Dr. Mim Kemâl ÖKE Mim Kemal Öke was born in Istanbul in 1955 to a family with Central Asian Uygur heritage. Öke attended Şişli Terakki Lyceum for grade school and Robert College for high school. After graduating from Robert College in 1973, he went to England to complete his higher education in the fields of economics and history at Cambridge University. He also specialized in political science and international relations at Sussex, Cambridge, and Istanbul universities. In 1979 he went to work at the United Nation’s Palestine Office. He returned to Turkey in 1980 to focus on his academic career. He soon became an assistant professor at Boğaziçi University in 1984 and a professor in 1990. In 1983, TRT (Turkish Radio and Television Corporation) brought Öke on as a general consulting manager for various documentaries, including “Voyage from Cadiz to Samarkand in the Age of Tamerlane.” Up until 2006 he was involved in game shows, talk shows, news programs and discussion forums on TRT, as well as on privately owned channels. He also expressed his evaluations on foreign policy in a weekly syndicated column, “Mim Noktası” (Point of Mim). Though he manages to avoid administrative duties, he has participated in official meetings abroad on behalf of the Turkish Foreign Ministry. Throughout his academic career, Öke has always prioritized research. Of his more than twenty works published in Turkish, English, Urdu and Arabic, his writings on the issues of Palestine, Armenia, Mosul, and the Caliphate as they relate to the history of Ottoman and Turkish foreign policy are considered foundational resources. -
Elixir of Love in the School of Ramanuja and Mawlana
Journal of Religion and Theology Volume 2, Issue 3, 2018, PP 28-33 ISSN 2637-5907 Elixir of Love in the school of Ramanuja and Mawlana Ali Reza Khajegir1, Mohammad Reza Afroogh2 1PhD (Comparative religions and Mysticism) in Islamic Azad University- Najaf Abad branch, Iran 2PhD student. Islamic Azad University- Najaf Abad branch, Iran *Corresponding Author: Dr Ali Reza Khajegir, PhD in comparative religions and mysticism, shahrekord university, Iran ABSTRACT In the mystical worldview, the word “love” has a broad and multi-layered concept. Most of the mystics of different nations regard love as one of the basic principles and teachings in the world of mysticism. Many of them have pledged underlying conditions in the path of conduct and achievement to the position of knowledge and certainty of majesty of God to elixir of love. In the school of Mowlana, love has a high status, and human perfection is possible in recognizing the Imam or leader by the combination of love. On the other hand, most of the Indian schools were influenced by “Bhakti Marga” and it was more prominently displayed in the Ramanuja School, as it grew in the works of South India and Tamil, and in the “New Age” movement continued. Therefore, in this article, we are going to examine the comparative approach of this concept based on Rumi’s poems and the teachings of Ramanuja. In fact, our aim is to analyze the common and different views of both mystics on love and its nature. Keywords. love, bhakti, Mawlana, Ramanuja , emergence, manifestation, reason. INTRODUCTION even fiqhic issues. -
Mosque Are Appointed by Diyanet
DIYANET CENTER OF AMERICA Our Principles Diyanet Center of America, Is committed to prividing religious services, away from the realm of politics. Relies on true knowledge based on the Qur’an and authentic traditions of the Prophet and takes into consideration various religious interpretations, tendencies and traditions and evalu- ates them in the light of mainstream understanding and rational approach. Is committed to protect the Muslims’ religious and cultural roots WHO WE ARE in the face of assimilationist policies. Aims to preserve all the differences in belief and culture in an The Diyanet Center of America (DCA) is an operating name of atmosphere of freedom and mutual respect. the Turkish American Community Center (TACC), a non-profit Conceives the preservation of the historical and cultural heritage organization (501(c)(3) status) located in Lanham, Maryland. of the other religions as well as the preservation of the religious The community center was established in 1993 by a group of and cultural diversity respecting values from the past, all prereq- Turkish-Americans to provide religious, social and educational uisites for the exalted tolerance of Islam. services to Turkish immigrants and Muslims living in the United Supports freedom of religion and freedom of expression. States of America. As an umbrella organization, DCA has 22 lo- Condemns all types of violence and terror, regardless of the per- cal chapters with affiliations across America and works in full patrator and its victims. DCA regards all terrorist acts as a crime coordination with the Religious Affairs Division of the Repub- against humanity. lic of Turkey (Diyanet). -
Brick Muqarnas on Rūm Saljuq Buildings
Transkulturelle Perspektiven 3/2014 - 1 - و Richard Piran McClary Brick Muqarnas on R ūūūm Saljuq buildings - The introduction of an Iranian decorative technique into the architecture of Anatolia The aim of this paper is to examine the form, function decorative brick bonds found in the Islamic architec- and decoration of the small and poorly understood ture of Iran. This indicates that it was non-indigenous corpus of brick muqarnas that survive from the early craftsmen, probably from Iran, 4 that were responsible stage of R ūm Saljuq architecture in Anatolia. These for the construction of the few surviving examples of date from the period between the last quarter of the the art of brick decoration in Anatolia. The brief pro- sixth/ twelfth century to the first quarter of the sev- cess of efflorescence that starts in the late sixth/ enth/ thirteenth centuries. The original source of the twelfth century is followed by almost complete abey- muqarnas form has been much debated by scholars, ance after the mid-seventh/ thirteenth century. with opinions as to its origin ranging from North Africa to Baghdad and Eastern Iran. 1 It is clear that The basic building blocks of brick muqarnas composi- muqarnas cells came to be integrated into the archi- tions consist of cells used singly, or in combination tectural aesthetic of Islamic Anatolia from the mid to with one or two others. They have the appearance of late sixth/ twelfth century onwards. 2 By the middle of a rectangular panel with a triangle above that has had the seventh/ thirteenth century almost all but the the tip bent forward 90° giving the cell a triangular western coast and part of the northern coast of plan (fig. -
An Overview of the Educational Practices of Sufis in Iran from the Beginning Until 1301 Nahid Jiani(M.A)
International Journal of Academic Research in Business and Social Sciences July 2013, Vol. 3, No. 7 ISSN: 2222-6990 An Overview of the Educational Practices of Sufis in Iran from the Beginning Until 1301 Nahid Jiani(M.A) Nahid Jiani (M.A) Graduate, Religion and Mysticism, Islamic Azad University, Zanjan Branch ,Iran . DOI: 10.6007/IJARBSS/v3-i7/52 URL: http://dx.doi.org/10.6007/IJARBSS/v3-i7/52 Abstract Mysticism and Sufism is one of the notable issues regarding culture and civilization of Islamic Iran. Theosophy and mysticism and educational activities of this group have been considered by some scholars of East and West; it has been shown that Sufis in their education have provided a special knowledge of the God, human and his characteristics, achieving the man’s perfect place, and understanding the world and its various attractions; and they have attracted many God lovers towards this direction. Using descriptive methodology and library and archival method of data collection in this research, primary and secondary sources of Sufi’s educational textbooks have been studied and information have been provided on their customs and activities. It seems the purpose of the Sufis educational system is the understanding of human about their true position in the universe so that they would find the best way for living. Keywords: Education, Sufism, Islam, Iran. Introduction Sufism is one important issue often challenges Iranian Islamic theosophy and mysticism. This means that many Sufism critics believe Sufis and mystics remove their followers from community and social life for Sufism teachings and bring up them as secluded, indulgence, and lazy persons Such that they leave work and career and family and become dependent on others for livelihood. -
The Seljuk Face of Anatolia: Aspects of the Social and Intellectual History of Seljuk Architecture
The Seljuk Face of Anatolia: Aspects of the Social and Intellectual History of Seljuk Architecture IMPORTANT NOTICE: Author: Emeritus Prof. Semra Ogel Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: January, 2008 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 842 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2008 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. -
The Effect of Iran's Architecture on Mortuary Buildings of Rome's
The Effect of Iran’s Architecture ISSN: 2008-5079 / EISSN: 2538-2365 on Mortuary Buildings DOI: 10.22034/AAUD.2019.92429 Page Numbers: 11-23 11 The Effect of Iran’s Architecture on Mortuary Buildings of Rome’s Seljuk Era* Neda Belaniana- Hossein Soltanzadehb**- Shervin Mirshahzadehc a Ph.D. of Architecture, Faculty of Architecture and Urban Planning, Islamic Azad University of Central Tehran Branch, BTehran, Iran. b Associate Professor of Architecture, Faculty of Architecture and Urban Planning, Islamic Azad University of Central BTehran Branch, Tehran, Iran (Corresponding Author). c Assistant Professor of Architecture, Faculty of Architecture and Urban Planning, Islamic Azad University of Central BTehran Branch, Tehran, Iran. Received 07 December 2015; Revised 03 April 2016; Accepted 08 June 2016; Available Online 22 September 2019 ABSTRACT In the course of Islam’s history and, especially, Seljuks Era, Iran has always been one of the primary loci of Islamic Art. On the other hand, ottomans have taken long leaps in the area of architecture through being inspired by Iranian and Byzantine Art. Due to Iran and ottoman adjacency as well as their cultural exchanges and the common governmental aspects, the art and architecture of these two territories have borrowed ideas from one another and share similarities. The goal of the present article is the comparative investigation of the architectural indices and elements of the memorial and mortuary buildings constructed during Seleucid Era in Rome and inspired by the mortuary and mosque buildings of Iran. The study theoretical framework is laid on the foundation of the perspective that the past architectural spaces are influenced by the cultural phenomena and the cultural exchanges have played roles in their formation. -
Reflection of Technology on the Inherited Conceptual Design of Mosques
Ain Shams University Faculty of Engineering Department of Architecture REFLECTION OF TECHNOLOGY ON THE INHERITED CONCEPTUAL DESIGN OF MOSQUES A thesis submitted to the Faculty of Engineering - Ain Shams University in partial fulfillment of the requirements for Master of Science Degree in Architecture By Radwa Ahmed Omar Abuel Seoud B.Sc. Architecture-Ain Shams University, 2006 Under the supervision of Prof. Dr. Khaled Dewidar Professor - Department of Architecture Faculty of Engineering - Ain Shams University Prof. Dr. Shaimaa Kamel Professor - Department of Architecture Faculty of Engineering - Ain Shams University Dr. Somaya Bahy Eldin Lecturer - Department of Architecture Faculty of Engineering - Ain Shams University 2013 Statement I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name: Radwa Ahmed Omar Abuel Seoud Signature: Date: Ain Shams University Faculty of Engineering Department of Architecture Submitted by: Radwa Ahmed Omar Abuel Seoud Thesis Title: Reflection of Technology on the Inherited Conceptual Design of Mosques Supervising Committee: Signature Prof. Dr. Khaled Dewidar Professor - Department of Architecture Faculty of Engineering - Ain Shams University Prof. Dr. Shaimaa Kamel Professor - Department of Architecture Faculty of Engineering - Ain Shams University Dr. Somaya Bahy -
THE MAIN FEATURES of the SELJUK, the BEYLIK and the OTTOMAN BRIDGES of the TURKISH ANATOLIAN ARCHITECTURE from the XII Th to the XVI Th CENTURIES*
THE MAIN FEATURES OF THE SELJUK, THE BEYLIK AND THE OTTOMAN BRIDGES OF THE TURKISH ANATOLIAN ARCHITECTURE FROM THE XII th TO THE XVI th CENTURIES* FÜGEN ~ LTER The period from the XII th to the XIV th centuries is generally ac- cepted to the period of the Turkish settlement in Anatolia. In which ever field they appear, the artistic products of this era should be evaluated in the light of various factors such as the social necessities, the diverse reli- gious and cultural infiuences, the existing artistic traditions and the artists responsible for the works themselves. The Turks had already adopted the Islamic culture and traditions when they started the settlement of Anatolia; here, they came across the well established centers of the Christian culture. The resulting interaction with the Byzantine and Armenian civilization had inevitable effects on the formation of the Turkish Anatolian art and led to a continual exchange of artists and artistic ideas. The political unity of Anatolia was not achieved in the sense we understand today during the early Turkish Anatolian period, which covers the time until the Ottoman domination. The Turkish culture was effective in an extensive geographical area extending from Iran, Iraq, Sy- da, Caucaus, Turkestan and even to India. Ali the new artistic products in Anatolia were infiuenced and enriched by the old Turkish and Islamic traditions, as well as by the local cultures. This extensive region was largerly under the dominion of the Seljuk empire; although some independant or semi-dependant political entities were also present, the characteristics of t ~ e art and culture were defined by a shared civilization with common beliefs and aims.