Mcluhan and the "Toronto School of Communication"
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Lo Que Mcluhan No Predijo
Versión final revisada 1/10/2013 Lo que MacLuhan no predijo Coordinador: Eduardo Andrés Vizer ASAEC (Asoc. Argentina de Estudios Canadienses) 1 INDICE PRESENTACIÓN Eduardo Vizer PRÓLOGO. Una cuestión epistemológica Derrick de Kerckhove McLuhan, indispensable y complejo Octavio Islas 15 La caja de Pandora: tendencias y paradojas de las Tic Eduardo A. Vizer & Helenice Carvalho 32 La Actualidad de McLuhan para Pensar la Comunicación Digital Cosette Castro 48 Sujetos híbridos e historia no-lineal La continuidad de los media por otros medios Luis Baggiolini 56 Medios Sociales. ¿Herramienta de la revolución? André Lemos 65 Habitar. Revisitando el medio mcluhaniano. Sergio Roncallo 76 Twitter como medium mcluhaniano: el proceso de apropiación de los interactuantes en los medios sociales digitales Eugenia M. R. Barichello & Luciana M. Carvalho 87 Marshall McLuhan en el nuevo milenio. Notas para el abordaje de la relación entre cultura, tecnología y comunicación. Ricardo Diviani 97 Tecnologías y cine digital. Repensando a McLuhan en el siglo XXI. Susana Sel 106 Marshall McLuhan: Comentarios para una epistemología de la tecnología Sandra Valdettaro 119 Aproximaciones sobre la cultura libre y el acceso al conocimiento en la era digital Silvia L. Martínez 137 Emancipación digital y desarrollo local en el Brasil Gilson Schwartz 145 La influencia de Sigmund Freud en el pensamiento de Marshall McLuhan Adriana Braga & Robert K. Logan 158 2 McLuhan nunca previó la existencia de las redes sociales Bernard Dagenais 168 El ojo de dios: conectados y vigilados. Los medios como ecología del poder Eduardo A. Vizer & Helenice Carvalho 173 EPÍLOGO McLuhan, El último pensador genial de la era del fuego Hervé Fischer 188 3 PRESENTACIÓN Dada la amplia repercusión y los comentarios sumamente positivos que despertó la primera versión de este libro –en 4 idiomas diferentes-, debemos un reconocimiento especial a la ex editora de la Crujía (Silvia Quel) por insistir en una segunda publicación, totalmente en castellano. -
THE NEW SCIENCE Marshall and Eric Mcluhan
laws of Media THE NEW SCIENCE Marshall and Eric McLUHAN University of Toronto Press Toronto Buffalo London 1 Contents Preface vii Introduction 3 Chapter 1 PROTEUS BOUND: The Genesis of Visual Space 13 PROTEUS BOUND: Visual Space in Use 22 PROTEUS UNBOUND: Pre-Euclidean Acoustic Space 32 PROTEUS UNBOUND: Post-Euclidean Acoustic Space - The Twentieth Century 39 Chapter 2 CULTURE AND COMMUNICATION. The Two Hemi• spheres 67 Chapter 3 LAWS OF MEDIA 93 Chapter 4 TETRADS 129 Chapter 5 MEDIA POETICS 215 Bibliography 241 Index of Tetrads 251 Preface Before you have gone very far in This book, you will have found many familiar themes and topics. Be assured: this is not just a rehashing of old fare dished up between new covers, but is genuinely new food for thought and meditation. This study began when the publisher asked my father to consider revising Understanding Media for a second edition. When he decided to start on a book, my father began by setting up some file folders - a dozen or two - and popping notes into them as fast as observations or discoveries, large or small, occurred to him. Often the notes would be on backs of envelopes or on scraps of paper and in his own special shorthand, sometimes a written or dictated paragraph or two, sometimes an advertisement or press clipping, sometimes just a passage, photocopied from a book, with notes in the margin, or even a copy of a letter just sent off to someone, for he would frequently use the letter as a conversational opportunity to develop or 'talk out' an idea in the hope that his correspon• dent would fire back some further ideas or criticism. -
Eric Mcluhan B
Eric McLuhan B. Sc. (Communication: Wisconsin State University, 1972) M. A., Ph. D. (English Literature: University of Dallas, 1980, 1982) An internationally-known lecturer on communication and media, Dr. McLuhan has over 30 years’ teaching experience in subjects ranging from high-speed reading techniques to English literature, media, and communication theory. He has taught at many colleges and universities in both the United States and Canada. He has published articles in magazines and professional journals since 1964 on media, perception, and literature. Editor of and contributor to The Idler. Co-author, with Marshall McLuhan and Kathryn (Hutchon) Kawasaki, of media text, City as Classroom (Irwin, 1977). Assisted Marshall McLuhan with research and writing of The Medium is the Massage, War and Peace in the Global Village, Culture is Our Business, From Cliché to Archetype, and Take Today: The Executive as Drop-Out. Co-author, with Marshall McLuhan, of Laws of Media: The New Science (University of Toronto Press, 1988). Co-editor of Essential McLuhan (Stoddart, 1995), and Who Was Marshall McLuhan? (1994; Stoddart, 1995). Author, The Role of Thunder in Finnegans Wake (University of Toronto Press, 1997), an interpretive study of Joyce’s magnum opus. Author, Electric Language: Understanding the Present (Stoddart, 1998). Editor, The Medium and the Light, a collection of Marshall McLuhan’s writings on religion and media (Stoddart, 1999). Editor of the academic journals, McLuhan Studies, and the Journal of Social and Biological Structures. Consulting editor, Voyager/Southam’s “McLuhan Project,” which produced (1997) a CD on Marshall McLuhan and his work. Editor, Understanding Media, Critical Edition (2003); McLuhan Unbound (2004); The Book of Probes (2004). -
Mcluhan, Marshall (1911-1980) Mcluhan, Eric (1941-)
MS Eric & Marshall McLuhan Papers, Laws of Media Coll 00657 Gift of Eric McLuhan, 2013. Creators: McLuhan, Marshall (1911-1980) McLuhan, Eric (1941-) Dates: [196-] – 1990 Physical extent: 34 boxes (3.7 metres) 2.9 linear metres of documents 38 colour slides 63 reel-to-reel audio tapes 2 audio cassettes 4 audio cds 18 video cassettes 2 16mm film reels, approx. 1 metre, and 75 metres in length Biographical Note: Herbert Marshall McLuhan was born in Edmonton, Alberta on 21 July 1911 to Herbert Ernest McLuhan, a salesman, and Elsie Naomi (Hall) McLuhan, an actress and monologist. The family moved to Winnipeg, where McLuhan attended the University of Manitoba from 1929 to 1934, receiving a Bachelor of Arts and a Master of Arts in English literature. After teaching English at various American universities, McLuhan returned to Canada in 1944 to teach at Assumption College in Windsor. From 1946 until shortly before his death, he taught English at St. Michael's College, University of Toronto. In 1963, McLuhan became the director of the University of Toronto's newly-established Centre for Culture and Technology. The Centre conducted research on questions of sensory perception and other communications-related issues and offered academic courses. McLuhan's books include the following: The Mechanical Bride (1951); The Gutenberg Galaxy: (1962), for which he was awarded the Governor General's prize for critical prose; Understanding Media (1964); The Medium is the Massage (1967, with Quentin Fiore); War and Peace in the Global Village (1968, with Quentin Fiore); Through the Vanishing Point (1968, with Harley Parker); Counterblast (1969, with Harley Parker); Culture is Our Business (1970); From Cliché to Archetype (1970 with Wilfred Watson); Take Today (1972 , with Barrington Nevitt); and The City as Classroom (1977, with Eric McLuhan and Kathryn Hutchon. -
1537793523799 PRIX ITALIA 2018.Pdf
caratteristica del Prix che – fedele alla missione pubblico i brani dedicati a Capri e le circa 700 di Servizio Pubblico della Rai – diventa anche versioni di “O Sole mio” in tutte le lingue. 1948 – 2018: IL 70° PRIX ITALIA quest’anno il luogo per riflettere sul senso della narrazione oggi, in un mondo iper-connesso Altra novità la collaborazione del Prix Italia con il e sempre più diviso tra vero e verosimile, tra Premio Roberto Morrione per il giornalismo La rassegna internazionale promossa dalla Rai torna a Capri manipolazione e rispetto dell’opinione pubblica. investigativo che il 25 settembre alle 14.30 alla dove tutto era cominciato settant’anni fa. Sala Capri del Quisisana presenta in anteprima Dal 25 al 29 settembre cinque giorni di incontri, anteprime, Non a caso a far da Anteprima al Prix - lunedì 24 le 4 inchieste giornalistiche selezionate per settembre alle 14.30 all’Università Federico II di l’edizione 2018. musica e arti per riflettere sul senso della narrazione in un Napoli – è l’incontro con il sociologo e giornalista mondo iperconnesso. Derrick de Kerckhove, già assistente di Marshall Prosegue, inoltre, l’attività di YLAB, la piattaforma McLuhan, su un tema chiave: “Public Mind: la educativa aperta dal Prix Italia agli studenti costruzione dell’opinione pubblica nell’era della città che ospita il concorso. Protagonisti, dell’algoritmo”. Tra gli altri appuntamenti, il quest’anno, gli studenti delle Università e dei workshop di giovedì 27 settembre alle 11.30 alla Master di Napoli, con brevi racconti multimediali Sala Capri del Grand Hotel Quisisana “Il servizio che vengono proposti sul sito Rai del Prix Italia e pubblico e la produzione crossmediale” presentati durante la manifestazione. -
UNDERSTANDING MCLUHAN: the TIMES and RELEVANCE Asif Khan Sr
International Journal of Knowledge Management and Practices 8 (1) 2020, 41-44 http://publishingindia.com/ijkmp/ UNDERSTANDING MCLUHAN: THE TIMES AND RELEVANCE Asif Khan Sr. Assistant Professor, Department of Convergent Journalism, School of Media Studies, Central University of Kashmir, Jammu & Kashmir, India. Email: [email protected] Abstract Marshall Herbert McLuhan (1911–1980) was a Canadian writer and communication expert. He was quite famous for a lot of quotes and aphorisms, and, in 1960s, was celebrated for his catchphrase “the medium is the message.”McLuhan’s reasoning about the medium that the information it carries or disseminates can influence or control society was much debated, discussed and criticised as well. His work is referred to be the cornerstone of media theory and his term “global village” lived its fame and is still transcending. This paper attempts to study the relevance and influence of McLuhan’s philosophy and tries to correlate the significance of his various aphorisms, i.e., the terms he used. His contribution as a theorist and media/communication expert as well as an influential advocate of media determinism, remains ever persuasive. Essentially, his key concepts provide a revised outlook as proven by the time and technology we see today. Nothing truly could push him aside and this outwardly pop-cult-scientist-cum-metaphysician seems ever accurate and relevant in the times we live in. Keywords: Communication, Medium, Message, Hot Media, Cold Media, Technological Determinism, Global Village Introduction interplay of people and events, the development of forms, the multileveled interrelationships between and In 1950s, no one could have imagined the future of science among such arbitrarily segregated subjects as biology, and technology, as it is vivid today. -
Final List of Participants (Prepcom 3)
Final list of participants (PrepCom 3) 1) STATES AND EUROPEAN COMMUNITY Algeria Representatives: H.E. Mr Idriss JAZAIRY, Ambassadeur/Représentant Permanent, Delegation Of Algeria, [email protected] Mr Said CHABANI, Representative, Delegation of Algeria, - Ms Amina MESDOUA, Representative, Delegation of Algeria, - Mr Mahieddine OUHADJ, Directeur, Ministère de la poste et des technologies de l'information et de la communication, mission.algerie@mission- algerie.ch Mr Boualem SEDKI, Ministre Plénipotentiaire, Delegation Of Algeria, [email protected] Andorra Representatives: Ms Cristina RICO, Desk Officer, Delegation Of Andorra, [email protected] Angola Representatives: H.E. Mr Arcanjo DO NASCIEMENTO, Ambassador, Delegation of Angola, - H.E. Mr Licino RIBEIRO, Representative, Delegation of Angola, - H.E. Mr Pedro Sebastião TETA, Vice-ministre de la Science et Technologie, Ministère de la Science et Technologie Mr Viera BEMBO, Representative, Delegation of Angola, - Mr Joaquim PEDRO, Chef de la Section de Relations Publiques du MCT, Ministère des Postes et Télécommunications, E-mail not provided Mr Aristide SAFECA, Directeur National des Télécommunications, Ministère des Postes et Télécommunications, E-mail not provided Mr Pedro SALES, Representative, Delegation of Angola, - Mr José Manuel BEIRÃO, Directeur Général de l'Institut National de Communications, INACOM-MCT, Institut National de Communications, INACOM-MCT, - Dr António Pedro BENGE, Director do Gabinete de Intercambio Internacional, Delegation -
Cultures on Screen
Cultures on Screen Dialogue with the creative community Looking at 27 years of Catholics working in cinema (1979-2004) Let me start my presentation by quoting three opinions. The first one is an old one. It was expressed around 1920 by Msgr. Charost, bishop of Lille, in France. I found it published in a compilation of a series of documents issued by the Churches about media. I used it in a booklet I wrote about Catholics and Cinema. That compilation was prepared by a group called “Mediatech” linked to the Catholic University of Lyon, under the title: "Les médias.Textes des Eglises" (Centurion, Paris, 1990). That group does not exist anymore. On page 34, one could read the following: (I translate it from the French) "Ce peuple de Flandre… aime à suivre, "These people of Flanders like to follow, passif et réceptif, des fictions lumineuses passive and susceptible, fictions made plus irréelles par leurs combinaisons more unreal by their utter flimsiness than fantaisistes que par leur inconsistance by their fantastic creations. Fascinatio impalpable. Fascinatio nugacitatis nugacitatis obscurat bona. And by a obscurat bona. Et par un changement change so pitiful, its imagination, up to tout aussi déplorable, son imagination, here so simple and quiet, becomes jusqu'ici simple et tranquille, devient aflame through the undefined shock of ardente sous le choc indéfini des images the images rendered, by the magic of the rendues, par la magie de la lumière et par light and by the romantic situations, more les situations romanesques, plus seductive -
The Market at the End of History: Literary Structuralism and Canadian Infrastructural
The Market at the End of History: Literary Structuralism and Canadian Infrastructural Aesthetics By Adam Carlson A thesis submitted in partial fulfillment of the degree of Doctor of Philosophy in English Department of English and Film Studies, University of Alberta © Adam Carlson, 2020 ii Abstract Two well-worn ideas were resurrected in the months leading up the 2019 federal election: the first was the resurgence of what‘s been called ―Western alienation.‖ The second was imagined as a means by which such alienation and regional division would be both literally and metaphorically fixed—what Andrew Scheer called ―a national energy corridor.‖ Scheer identified Canada‘s national purpose with the exploitation of resources the corridor would make possible: ―Often we say that the world needs more Canadian energy; I believe that‘s true, but I believe Canada needs more Canadian energy, and we will work to make sure that is a reality.‖1 My dissertation examines the origins and trajectories of both ideas, looking first at the historical and material roots of Western alienation as it pertains to both resource development and to the alienation of—the transportation and selling off of—resources outside of the national space. I analyze Western organic intellectual production to foreground how the form of value characteristic of Canada‘s extractive staples economy structures political claims and infrastructure alike. In Part One, I look at the work of the so-called Calgary School of political science, the academic-/activist-/think-tank-ideologues who engineered the rise of both the Reform Party and of Stephen Harper, and who have helped to steer the way Canadian politics have been understood and performed for the last several decades. -
Media Ecology Through Assemblage Theory Razón Y Palabra, Vol
Razón y Palabra ISSN: 1605-4806 [email protected] Universidad de los Hemisferios Ecuador Ralón, Laureano Beyond the organicist metaphor: Media ecology through assemblage theory Razón y Palabra, vol. 21, núm. 96, enero-marzo, 2017, pp. 511-539 Universidad de los Hemisferios Quito, Ecuador Available in: http://www.redalyc.org/articulo.oa?id=199551160027 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative RAZÓN Y PALABRA Primera Revista Electrónica en Iberoamérica Especializada en Comunicación http://revistas.comunicacionudlh.edu.ec/index.php/ryp Beyond the organicist metaphor: Media ecology through assemblage theory Além da metáfora organicista: ecologia da mídia através da teoria assemblage Más allá de la metáfora organicista: Ecología de los medios a través de la teoría del ensamblaje Laureano Ralón Figure/Ground (Argentina) [email protected] Fecha de recepción: 3 de octubre de 2016 Fecha de recepción evaluador: 15 de diciembre de 2017 Fecha de recepción corrección: 1 de febrero de 2017 Abstract This article conducts a speculative analysis of the media ecology framework and, in particular, of Marshall McLuhan’s media philosophy, through the prism of assemblage theory – a Deleuzian-inspired philosophy of multiplicities systematized over the last decade by Mexican-born thinker Manuel DeLanda. Through an interventionist approach seeking to push McLuhanism beyond its very limits, the article is concerned with a certain dimension of its conceptual body which cannot be accommodated by its own parameters. -
Program in Culture and Technology, University of Toronto
The Fifteenth Annual Convention of the Media Ecology Association June 19 – 22, 2014 Ryerson University Toronto, Canada Creativity and the Creative Industries in Global Perspective !"#$%"&'"()*+,-.++ •! /0)+1&'2343)+"5+6)&)(78+$)97&2:'+ •! /0)+;73)(0"4')+<79=8-+1&'2343)+ •! 6=&>?"+@()''+ •! 1&3)88):3+A3*B+ •! C&=D)('=3-+"5+/"("&3"+@()''+ •! E=887&"D7+C&=D)('=3-+ ! 1 | Page CALL FOR PAPERS for “Making Sense” through Time-Binding Sponsored by the Institute of General Semantics Co-Sponsored by the New York Society for General Semantics Media Ecology Association Friends of the Institute of Noetic Sciences October 24-26, 2014 Princeton Club 15 West 43 Street New York, New York Featuring the 62nd Annual Alfred Korzybski Memorial Lecture to be delivered by Jack El-Hai The General-Semantics Psychiatrist and the Nazi Send papers, proposals, and inquiries by August 31, 2014 to [email protected] or contact Martin H. Levinson, President of the Institute of General Semantics c/o Institute of General Semantics, 72-11 Austin Street #233 Forest Hills, New York 11375 212.729.7973 (voice) / 718.793.2527 (fax) 2 | Page THE 15th ANNUAL CONVENTION OF THE MEDIA ECOLOGY ASSOCIATION CONFRONTING TECHNOPOLY: CREATIVITY AND THE CREATIVE INDUSTRIES IN GLOBAL PERSPECTIVE RYERSON UNIVERSITY JUNE 19-22, 2014 SPECIAL THANKS TO: Gerd Hauck, Dean, Faculty of Communication and Design, Ryerson Donald J. Gillies, Professor Emeritus, School of Image Arts, Ryerson The Canadian Communication Association ACKNOWLEDGEMENTS: Thom Gencarelli, Sheena Hyndman, Paul Soukup, Ainsley Moore, Corey Anton, Valerie Peterson, Lance Strate, Natasha Flora, Alex Kuskis, Julie Frahar, Mark Lipton, Barbara Boraks, Ed Tywoniak, Karen Lollar, Philip Savage, Marilyn and Sheldon Richmond, Bob Logan, Dominique Sheffel-Dunand, John Oswald, Shirley Lewchuk, Barry Liss, Brett Lunceford, Arthur W. -
Mobility, Intercultural Competence, Cultural Cooperation in the Age of Digital Space Networking and Virtual Networking As a Learning Experience
Mobility, intercultural competence, cultural cooperation in the age of digital space Networking and virtual networking as a learning experience Training session conceived and held by Corina Suteu on behalf of On-The-Move/IETM/ENCATC READER A compilation of documents as background for the training of trainers session Helsinki, ENCATC Academy, September 2005 Bucharest, OTM/ECUMEST, November 2005 This initiative forms part of the G2CC (Gateway to Cultural Collaboration) project, supported by the European Union - Directorate General for Education and Culture (Dec2004-Dec2006) and is run in an active partnership with the four G2CC co-organisers: ERICarts Institute www.ericarts.org, European Cultural Foundation/Laboratory of European Cultural Cooperation www.eurocult.org, Fitzcarraldo Foundation www.fitzcarraldo.it/en, and On-the-move Association www.on-the-move.org The reader was compiled by the ECUMEST Association in Bucharest www.ecumest.ro. Contents Part 1: Interactive culture (culture in the virtual space) 1.1 Corina SUTEU: The meaning of culture 1.2 Corina SUTEU: Are there collectively held values in learning which are recognised in and shared by several cultures while remaining respectful of cultural distinctiveness? 1.3 Christophe GÉNIN: "Culture numérique": une contradiction dans les termes? 1.4 Don FORESTA: The New Renaissance - an Interactive Paradigm 1.5 Pierre LÉVY: The open networks of collective intelligence 1.6 Pierre LÉVY, Derrick De KERCKHOVE: "Two philosophers debate. Collective intelligence and connective intelligence: some