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Eric McLuhan B. Sc. (Communication: Wisconsin State University, 1972) M. A., Ph. D. (English Literature: University of Dallas, 1980, 1982) An internationally-known lecturer on communication and media, Dr. McLuhan has over 30 years’ teaching experience in subjects ranging from high-speed reading techniques to English literature, media, and communication theory. He has taught at many colleges and universities in both the United States and Canada. He has published articles in magazines and professional journals since 1964 on media, perception, and literature. Editor of and contributor to The Idler. Co-author, with Marshall McLuhan and Kathryn (Hutchon) Kawasaki, of media text, City as Classroom (Irwin, 1977). Assisted Marshall McLuhan with research and writing of The Medium is the Massage, War and Peace in the Global Village, Culture is Our Business, From Cliché to Archetype, and Take Today: The Executive as Drop-Out. Co-author, with Marshall McLuhan, of Laws of Media: The New Science (University of Toronto Press, 1988). Co-editor of Essential McLuhan (Stoddart, 1995), and Who Was Marshall McLuhan? (1994; Stoddart, 1995). Author, The Role of Thunder in Finnegans Wake (University of Toronto Press, 1997), an interpretive study of Joyce’s magnum opus. Author, Electric Language: Understanding the Present (Stoddart, 1998). Editor, The Medium and the Light, a collection of Marshall McLuhan’s writings on religion and media (Stoddart, 1999). Editor of the academic journals, McLuhan Studies, and the Journal of Social and Biological Structures. Consulting editor, Voyager/Southam’s “McLuhan Project,” which produced (1997) a CD on Marshall McLuhan and his work. Editor, Understanding Media, Critical Edition (2003); McLuhan Unbound (2004); The Book of Probes (2004). In preparation: Invitation to the Dance, a study of how the ancient Egyptians used animation techniques to bring their “stilted” drawings to life; The Phoenix Playhouse, a study of the renaissance currently underway in Western culture. Currently at the press: Cynic Satire, a study of literary and media satiric modes; Theories of Communication (New York: Peter Lang, 2010); Media and Formal Cause (NeoPoesis Press, 2010)..

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Lo Que Mcluhan No Predijo
Versión final revisada 1/10/2013 Lo que MacLuhan no predijo Coordinador: Eduardo Andrés Vizer ASAEC (Asoc. Argentina de Estudios Canadienses) 1 INDICE PRESENTACIÓN Eduardo Vizer PRÓLOGO. Una cuestión epistemológica Derrick de Kerckhove McLuhan, indispensable y complejo Octavio Islas 15 La caja de Pandora: tendencias y paradojas de las Tic Eduardo A. Vizer & Helenice Carvalho 32 La Actualidad de McLuhan para Pensar la Comunicación Digital Cosette Castro 48 Sujetos híbridos e historia no-lineal La continuidad de los media por otros medios Luis Baggiolini 56 Medios Sociales. ¿Herramienta de la revolución? André Lemos 65 Habitar. Revisitando el medio mcluhaniano. Sergio Roncallo 76 Twitter como medium mcluhaniano: el proceso de apropiación de los interactuantes en los medios sociales digitales Eugenia M. R. Barichello & Luciana M. Carvalho 87 Marshall McLuhan en el nuevo milenio. Notas para el abordaje de la relación entre cultura, tecnología y comunicación. Ricardo Diviani 97 Tecnologías y cine digital. Repensando a McLuhan en el siglo XXI. Susana Sel 106 Marshall McLuhan: Comentarios para una epistemología de la tecnología Sandra Valdettaro 119 Aproximaciones sobre la cultura libre y el acceso al conocimiento en la era digital Silvia L. Martínez 137 Emancipación digital y desarrollo local en el Brasil Gilson Schwartz 145 La influencia de Sigmund Freud en el pensamiento de Marshall McLuhan Adriana Braga & Robert K. Logan 158 2 McLuhan nunca previó la existencia de las redes sociales Bernard Dagenais 168 El ojo de dios: conectados y vigilados. Los medios como ecología del poder Eduardo A. Vizer & Helenice Carvalho 173 EPÍLOGO McLuhan, El último pensador genial de la era del fuego Hervé Fischer 188 3 PRESENTACIÓN Dada la amplia repercusión y los comentarios sumamente positivos que despertó la primera versión de este libro –en 4 idiomas diferentes-, debemos un reconocimiento especial a la ex editora de la Crujía (Silvia Quel) por insistir en una segunda publicación, totalmente en castellano.
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THE NEW SCIENCE Marshall and Eric Mcluhan
laws of Media THE NEW SCIENCE Marshall and Eric McLUHAN University of Toronto Press Toronto Buffalo London 1 Contents Preface vii Introduction 3 Chapter 1 PROTEUS BOUND: The Genesis of Visual Space 13 PROTEUS BOUND: Visual Space in Use 22 PROTEUS UNBOUND: Pre-Euclidean Acoustic Space 32 PROTEUS UNBOUND: Post-Euclidean Acoustic Space - The Twentieth Century 39 Chapter 2 CULTURE AND COMMUNICATION. The Two Hemi• spheres 67 Chapter 3 LAWS OF MEDIA 93 Chapter 4 TETRADS 129 Chapter 5 MEDIA POETICS 215 Bibliography 241 Index of Tetrads 251 Preface Before you have gone very far in This book, you will have found many familiar themes and topics. Be assured: this is not just a rehashing of old fare dished up between new covers, but is genuinely new food for thought and meditation. This study began when the publisher asked my father to consider revising Understanding Media for a second edition. When he decided to start on a book, my father began by setting up some file folders - a dozen or two - and popping notes into them as fast as observations or discoveries, large or small, occurred to him. Often the notes would be on backs of envelopes or on scraps of paper and in his own special shorthand, sometimes a written or dictated paragraph or two, sometimes an advertisement or press clipping, sometimes just a passage, photocopied from a book, with notes in the margin, or even a copy of a letter just sent off to someone, for he would frequently use the letter as a conversational opportunity to develop or 'talk out' an idea in the hope that his correspon• dent would fire back some further ideas or criticism.
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Mcluhan, Marshall (1911-1980) Mcluhan, Eric (1941-)
MS Eric & Marshall McLuhan Papers, Laws of Media Coll 00657 Gift of Eric McLuhan, 2013. Creators: McLuhan, Marshall (1911-1980) McLuhan, Eric (1941-) Dates: [196-] – 1990 Physical extent: 34 boxes (3.7 metres) 2.9 linear metres of documents 38 colour slides 63 reel-to-reel audio tapes 2 audio cassettes 4 audio cds 18 video cassettes 2 16mm film reels, approx. 1 metre, and 75 metres in length Biographical Note: Herbert Marshall McLuhan was born in Edmonton, Alberta on 21 July 1911 to Herbert Ernest McLuhan, a salesman, and Elsie Naomi (Hall) McLuhan, an actress and monologist. The family moved to Winnipeg, where McLuhan attended the University of Manitoba from 1929 to 1934, receiving a Bachelor of Arts and a Master of Arts in English literature. After teaching English at various American universities, McLuhan returned to Canada in 1944 to teach at Assumption College in Windsor. From 1946 until shortly before his death, he taught English at St. Michael's College, University of Toronto. In 1963, McLuhan became the director of the University of Toronto's newly-established Centre for Culture and Technology. The Centre conducted research on questions of sensory perception and other communications-related issues and offered academic courses. McLuhan's books include the following: The Mechanical Bride (1951); The Gutenberg Galaxy: (1962), for which he was awarded the Governor General's prize for critical prose; Understanding Media (1964); The Medium is the Massage (1967, with Quentin Fiore); War and Peace in the Global Village (1968, with Quentin Fiore); Through the Vanishing Point (1968, with Harley Parker); Counterblast (1969, with Harley Parker); Culture is Our Business (1970); From Cliché to Archetype (1970 with Wilfred Watson); Take Today (1972 , with Barrington Nevitt); and The City as Classroom (1977, with Eric McLuhan and Kathryn Hutchon.
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UNDERSTANDING MCLUHAN: the TIMES and RELEVANCE Asif Khan Sr
International Journal of Knowledge Management and Practices 8 (1) 2020, 41-44 http://publishingindia.com/ijkmp/ UNDERSTANDING MCLUHAN: THE TIMES AND RELEVANCE Asif Khan Sr. Assistant Professor, Department of Convergent Journalism, School of Media Studies, Central University of Kashmir, Jammu & Kashmir, India. Email: [email protected] Abstract Marshall Herbert McLuhan (1911–1980) was a Canadian writer and communication expert. He was quite famous for a lot of quotes and aphorisms, and, in 1960s, was celebrated for his catchphrase “the medium is the message.”McLuhan’s reasoning about the medium that the information it carries or disseminates can influence or control society was much debated, discussed and criticised as well. His work is referred to be the cornerstone of media theory and his term “global village” lived its fame and is still transcending. This paper attempts to study the relevance and influence of McLuhan’s philosophy and tries to correlate the significance of his various aphorisms, i.e., the terms he used. His contribution as a theorist and media/communication expert as well as an influential advocate of media determinism, remains ever persuasive. Essentially, his key concepts provide a revised outlook as proven by the time and technology we see today. Nothing truly could push him aside and this outwardly pop-cult-scientist-cum-metaphysician seems ever accurate and relevant in the times we live in. Keywords: Communication, Medium, Message, Hot Media, Cold Media, Technological Determinism, Global Village Introduction interplay of people and events, the development of forms, the multileveled interrelationships between and In 1950s, no one could have imagined the future of science among such arbitrarily segregated subjects as biology, and technology, as it is vivid today.
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The Market at the End of History: Literary Structuralism and Canadian Infrastructural
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Media Ecology Through Assemblage Theory Razón Y Palabra, Vol
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An Academic Obituary of Eric Mcluhan
philosophies Obituary An Academic Obituary of Eric McLuhan Robert K. Logan ID Department of Physics, University of Toronto, 60 St. George, Toronto, ON M5S 1A7, Canada; [email protected] Received: 12 June 2018; Accepted: 12 June 2018; Published: 13 June 2018 B.Sc.—Communications, Wisconsin State University, 1972 M.A., Ph.D.—English Lit., University of Dallas, 1980, 1982 Eric McLuhan, a Canadian scholar, public intellectual and a much sought-after speaker, was born on 19 January 1942 and passed away on 18 May 2018 in Bogota, Columbia, the day after he gave a commencement address at the Universidad de la Sabana. A funeral was held in Bogata on 19 May and a memorial mass was held at St. Gregory the Great, Roman Catholic Church, Picton, Ontario on 25 May. Eric will be deeply missed by his wife Sabina, and his three children Emily, Anna and Andrew. He will also be missed by the entire media ecology community that was inspired by his deep insights into the effects of media. Eric was a proliﬁc writer having written 18 books and over 100 articles. He was a close collaborator of (his father) Marshall McLuhan. His accomplishments as a scholar were manifold, but here I concentrate on four of them: • First, there was the collaboration with his father including his co-authorship with Marshall McLuhan and Kathryn Hutchon (later Kawasaki) of City as Classroom. • Secondly, there was the way he rescued the work of his father after Marshall’s passing in 1980. He did this by mining the archives of his father’s papers and co-authoring with his father (posthumously) the following four books: • Laws of Media: The New Science • The Lost Tetrads of Marshall McLuhan • Media and Formal Cause • Theories of Communication.
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The Mechanical Bride: Folklore of Industrial Man
The mechanical bride: folklore of industrial man The mechanical bride: folklore of industrial man; 1951; Vanguard Press, 1951; 157 pages; Marshall McLuhan Download Pdf Here http://contentin.org/.rmrRvXw.pdf Forward Through the Rearview Mirror; 207 pages; Biography & Autobiography; 1997; Paul Benedetti, Nancy DeHart; ISBN:9780262522335; Reflections on and by Marshall McLuhan; Hailed by Tom Wolfe as "the most important thinker since Newton, Darwin, Freud, Einstein, and Pavlov", sixties media theorist Marshall McLuhan was the first person to grasp the Laws of Media; Marshall McLuhan has been described as Canada's most exciting and original thinker, a member of the small company of intellectual geniuses this country has produced. Works such; Social Science; The New Science; Marshall McLuhan, Eric McLuhan; ISBN:0802077153; 1992; 252 pages The Gutenberg Galaxy; 293 pages; 1962; Marshall McLuhan; Social Science; A history of western society and print technology from a media perspective; The Making of Typographic Man; ISBN:0802060412 Understanding Me; Lectures and Interviews; Marshall McLuhan, Stephanie McLuhan, David Staines, Tom Wolfe; ISBN:0262633175; Literary Collections; 2005; Brings together nineteen lectures by and interviews with Marshall McLuhan, the world-renowned communications theorist who coined phrases such as "the medium is the message" and; 317 pages Hasn't anyone in science or industry ever distinguished himself by drinking whiskey?â 1024 â¢ The Famous DuBarry Success Course: An ad for beauty creams 314 Marshall McLuhan By Marshall McLuhan â¢ 1951 The Mechanical Bride: Folklore of Industrial Man; 1st Ed.:. Enzensberger, HM (1974). The consciousness industry. New York, NY: Seabury Press. Geddes, P. (1904). Boston, MA: Beacon Press.
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Marshall Mcluhan: a Prophet Before His Global Mirror Pedro Gelabert
McLuhan Galaxy Conference Understanding Media, Today Barcelona, May, 23rd-25th CONFERENCE PROCEEDINGS Edited by Matteo Ciastellardi, Cristina Miranda de Almeida, Carlos A. Scolari McLuhan Galaxy Conference Understanding Media, Today Conference Proceedings First Edition in English: May 2011 Collection Sehen, Editorial Universidad Oberta de Catalunya, Barcelona, España Printing: Book-Print S.L ISBN: 978-84-9388021-7 Legal Deposit B: Edited by Matteo Ciastellardi, Cristina Miranda de Almeida, Carlos A. Scolari Cover Image: Daniela Seminara Cover Layout: Mikel Azpiri Landa The full paper can be published in the proceedings and in any other scientific/ academic publications derived from McLuhan Galaxy Conference, according the Creative Commons Attribution Non-Commercial License. McLuhan Galaxy Conference Understanding Media, Today Barcelona, May, 23rd-25th CONFERENCE PROCEEDINGS Edited by Matteo Ciastellardi, Cristina Miranda de Almeida, Carlos A. Scolari McLuhan Galaxy Conference 4 Index Forewords Derrick de Kerckhove and Carlos A. Scolari . 10 I. General Framework of the Conference by Matteo Ciastellardi, Carlos A. Scolari and Cristina Miranda de Almeida. .12 II. Conference’s credits . 15 Organizers 15 Co-funding 15 Scientific Committee 15 UPF and IN3/ UOC Board Committee 15 CCCB-Lab Board Committee 16 Institutional Conference Partners 16 Opening Ceremony Participants 16 Keynote Speakers 16 Round Table Chairs and Speakers 17 Special Proposals on Video Wall Project 17 Parallel Session Chairs 17 Peer Reviewers 18 Press Support 19 Graphic Design 19 Management Support 19 Other Collaborations 19 III. Short Curricula keynote speakers and round table participants 3 1 Keynote Speakers’ curricula 20 3 2 Round Table participants’ curricula 24 5 Index IV. Papers (Content-based not in alphabetical order).
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ECOLOGÍA DE LOS MEDIOS Entornos, Evoluciones E Interpretaciones
ECOLOGÍA DE LOS MEDIOS Entornos, evoluciones e interpretaciones Carlos A. Scolari (Ed.) Edición No Venal. Editorial Gedisa 22/01/2015eco_medios.indd 5 22/01/15 10:36 © Carlos A. Scolari (ed.), 2015 © Jesús Octavio Elizondo Martínez, Thom Gencarelli, Indrek Ibrus, Paul Levinson, Robert K. Logan, Diego Mazorra, Neil Postman, Denis Renó, Sergio Roncallo Dow, Lance Strate © De la traducción de los textos en inglés, Xavier Gaillard Pla, 2015 Idea de cubierta: Carlos A. Scolari Primera edición: febrero de 2015, Barcelona Derechos reservados para todas las ediciones en castellano © Editorial Gedisa, S.A. Avenida del Tibidabo, 12 (3º) 08022 Barcelona, España Tel. (+34) 93 253 09 04 [email protected] www.gedisa.com IBIC: GTC ISBN: 978-84-9784-826-8 e-ISBN: 978-84-9784-827-5 Depósito legal: B.538-2015 Impreso por: Romanyà Valls, S.A. Impreso en España Printed in Spain Queda prohibida la reproducción total o parcial por cualquier medio de impresión, en for- ma idéntica, extractada o modificada, en español o en cualquier otro idioma. Edición No Venal. Editorial Gedisa 22/01/2015eco_medios.indd 6 22/01/15 10:36 Todos los modelos científicos occidentales de la comunica- ción son, como el modelo de Shannon-Weaver, lineales, ló- gicos y secuenciales de acuerdo con la pauta de la causalidad eficiente. M. McLuhan – E. McLuhan Law of Media (1988) Edición No Venal. Editorial Gedisa 22/01/2015eco_medios.indd 7 22/01/15 10:36 Índice Introducción Ecología de los medios: de la metáfora a la teoría (y más allá) Carlos A. Scolari ........................................15 PRIMERA PARTE. LOS PADRES FUNDADORES La entrevista de Playboy: Marshall McLuhan Marshall McLuhan - Eric Norden ...........................45 El humanismo de la ecología de los medios Neil Postman ...........................................97 McLuhan y la Escuela de Comunicación de Toronto Jesús Octavio Elizondo Martínez ..........................109 La ecología de los medios y la educación de los medios en los Estados Unidos Thom Gencarelli ........................................133 SEGUNDA PARTE.
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Marshall Mcluhan and Higher Music Education Glen Carruthers
Document generated on 09/27/2021 5:34 p.m. Intersections Canadian Journal of Music Revue canadienne de musique --> See the erratum for this article Marshall Mcluhan and Higher Music Education Glen Carruthers Volume 36, Number 2, 2016 Article abstract The way in which Marshall McLuhan’s theories relate to teaching and learning URI: https://id.erudit.org/iderudit/1051593ar broadly has garnered scholarly attention. It is surprising, though, given his DOI: https://doi.org/10.7202/1051593ar impact on Schafer and others, that there is scant critical commentary on the implications of McLuhan’s theories for either mass music or higher music See table of contents education. The present study is a step towards redressing this gap. The study concludes that McLuhan’s iconoclastic views have direct bearing on formal learning environments, like music schools, that struggle with notions of Publisher(s) inclusivity and exclusivity, community music and concert music, improvisation and textual interpretation, even as they embrace timely and Canadian University Music Society / Société de musique des universités sweeping curricular reform. canadiennes ISSN 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Carruthers, G. (2016). Marshall Mcluhan and Higher Music Education. Intersections, 36(2), 3–11. https://doi.org/10.7202/1051593ar Copyright © Canadian University Music Society / Société de musique des This document is protected by copyright law. Use of the services of Érudit universités canadiennes, 2018 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit.
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Eric Mcluhan, “The Fordham Experiment”
Proceedings of the Media Ecology Association, Volume 1, 2000 23 The Fordham Experiment Eric McLuhan 1 URING THE “Fordham year” Harley Parker and I undertook to teach a course on The Ef- fects of Television. After just two or three weeks with the students, we realized that we Dwere meeting some serious resistance to our approach. These students had in previous semesters taken all the conventional courses in media; they knew the right (sociological) ap- proach to radio, television, film, etc., and we clearly did not. Whereas they were expecting some- thing that would fit into the scheme that they had spent years perfecting, we were providing a quite alien approach from the standpoint of the senses and of perceptual response. Harley and I decided to surprise the group by making them the subjects in an experiment designed to test just one of many differences between the two media, film and TV. (At the time, nothing like today’s rigorous guidelines about experimentation on human subjects had been developed, so we had con- siderable freedom as regards approach and no permissions to get or papers to sign.) We ran the experiment the next week, and the following week we announced the results to the class. Thereaf- ter, we encountered considerably less resistance, and the course ended amicably. A brief time after running the experiment, I wrote it up for a Canadian publication, Monday Morning. What follows is a slightly edited version of that article. FEW WEEKS AGO a small experiment was carried out involving some sixty or so university students in a seminar devoted to investigating the effects of television.
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