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NEWSLETTER 1/2005 ES LÄSST 47.NORDISCHE FILMTAGE LÜBECK SIE NICHT 3.-6. NOVEMBER ’05 MEHR LOS filmtage.luebeck.de Landesregierung Schleswig-Holstein Lübeck lädt ein Eröffnung mit Per Flys „Der Totschlag“ Hunde, Katzen, Fußballhelden zum großen Familientreffen des nordischen Nach Die Bank (2000) über die Unterschicht Schon jetzt zeichnet sich eine bunte Palette von Films. Wer in den Filmen der letzten Jahre mit- und Das Erbe (2003) über die Oberschicht – Kinder- und Jugendfilmen ab. Aus Estland kommt verfolgt hat, wie intensiv in den Familien mitein- beide Filme übrigens mit dem NDR-Filmpreis Der magische Kater, der mit seinen erstaun- ander gerungen, aber auch gefeiert wird, der ausgezeichnet – schließt Per Fly seine dänische lichen Fähigkeiten den 10jährigen Martin unter- wird dies als Kompliment verstehen. Und so Gesellschaftstrilogie mit einem Spielfilm ab, der stützt. In Freunde fürs Leben von Olsenbanden- erwarten wir wieder rund 800 Branchen- und im Mittelklassenmilieu angesiedelt ist: Der Regisseur Arne Lindtner Næss braucht der 12- Pressevertreter zu umfangreichen Filmsich- Totschlag (Drabet). Jesper Christensen, Beate jährige Petter die Hilfe der jungen Inderin Nila tungen, intensiven Gesprächen und fröhlichem Bille und Pernilla August spielen die Hauptrollen und ihres Bullen Samson, um einen Hund zu ret- Beisammensein. Alles für Norwegen zeigt die in diesem packenden Drama um einen politisch ten. Fußballfans werden We Are the Champions Retrospektive des Festivals zum 100. Geburtstag engagierten Gymnasiallehrer, der mit seiner aus Dänemark genießen: Davids Vater Torben des Landes. Aber auch die neuen Produktionen eigenen Lehre konfrontiert und an den Rand des entdeckt neue Qualitäten in sich und seinem und die der Nachbarn zeigen, dass der Norden seelischen Ruins gebracht wird, als seine junge Sohn auf dem Fußballplatz. Zwei Debütfilme weit mehr ist als Frozen Land und dass man sich Freundin bei einer politischen Aktion einen wenden sich an etwas ältere Zuschauer: Im im Kino durchaus Wie im Himmel fühlen kann. Todesfall verursacht. Nach der Galapremiere in schwedischen Film Sandor slash Ida von Henrik Mag es auch auf der Leinwand mitunter frostig Kopenhagen gaben Kritiker der führenden däni- Georgsson tauschen zwei Jugendliche ihre zugehen, so können wir uns aufheizen beim schen Zeitungen dem Film jeweils 5 bzw. 6 von 6 Träume im Internet-Chat aus. In Tommys Inferno filmFEST, das wir am Samstagabend in der möglichen Sternen. Der Totschlag, mittlerweile von Ove Raymond Gyldenås aus Norwegen geht’s Musik- und Kongresshalle feiern. Und, wer weiß, ein großer Kinohit in Dänemark, wird die um Sex, Glaube, Revolte und Liebe – eine freche, vielleicht finden wir ja Freunde fürs Leben! Nordischen Filmtage Lübeck 2005 eröffnen. flotte, coole High-School-Komödie! Linde Fröhlich Manslaughter Finding Friends (above) Tommy’s Inferno (below) Lübeck invites you Festival Opens with “Manslaughter” Sex, Dreams and Plenty of Action to a big family reunion of Nordic film. Anyone After The Bench (NFL 2000) about the lower With selection still going on, there is already a familiar with the intensive family confrontations, classes and Inheritance (NFL 2003) about the colourful array of children’s and youth films. For but also the celebrations in the films of the past upper classes – both films won the NDR Film example, the amazingly talented Mat the Cat few years will jump at the occasion. And so we are Prize, by the way – Per Fly rounds off his trilogy from Estonia comes to the aid of 10-year-old again expecting around 800 representatives of on Danish society with a feature film set in the Martin. In Finding Friends by Arne Lindtner industry and press to join us at the extensive middle-class milieu, Manslaughter (Drabet). Næss (Junior Olsen Band Rocks It, NFL 2004), screenings, intensive conversations and pleasant Jesper Christensen, Beate Bille and Pernilla 12-year-old Petter needs the help of the Indian social get-togethers. It’s hardly possible to get August play the main roles in this gripping drama girl Nila and the bull Samson to save a dog. Too Much Norway at the festival’s retrospective about a politically committed high school tea- Football fans will want to see We Are the on the country’s 100th birthday. But the new pro- cher who is confronted with his own teachings Champions from Denmark: David’s father Torben ductions and those of the Next Door neighbours and driven to the edge of emotional collapse discovers new qualities in himself and his son on show that the North is much more than a Frozen when his young girlfriend causes a death during the playing field. Two debut films are aimed at Land and that in the cinema you can feel very a political action. After the gala premiere in slightly older viewers. In Henrik Georgsson’s much As It Is in Heaven. But even if it happens Copenhagen critics from leading Danish news- Swedish film Sandor slash Ida the two teen- to be a bit frosty on the big screen, we can warm papers gave the film five or six stars out of a pos- agers exchange their dreams while chatting on up at the filmFEST which we will be celebrating sible six. Manslaughter, meanwhile a box-office the Internet. Tommy’s Inferno by Ove Raymond on Saturday in the MuK. And who knows, maybe hit in Denmark, will open the Nordic Film Days Gyldenås is all about sex, faith, revolt and love – we’ll even end up Finding Friends! Lübeck 2005 on Thursday evening. a fresh, fast, cool high school comedy. Dokumentarfilme: Reiche Ausbeute Das Beste aus Schleswig-Holstein Dokumentarfilm-Fans profitieren in diesem Jahr des Landes – von Sigur Rós über Björk bis Hilmar Eine faszinierende Mischung aus Spiel-, von einer reichen Ernte. Hier eine kleine Örn. Aus Norwegen stammt das faszinierende Dokumentar- und Experimentalfilmen zeigt das Auswahl: Can You Die in Heaven? zeigt den Porträt einer Schülergruppe nach den „Dogu- diesjährige Filmforum Schleswig-Holstein. Zwei schwierigen Heilungsprozess einer dänischen mentar“-Regeln: Raw Youth von Margreth Olin. Beispiele: Till Franzens Debüt-Spielfilm Die Familie, deren Vater Selbstmord begeht und Eine lehrreiche Reise durch die Geschichte des blaue Grenze, mit Hanna Schygulla, Dominik deren elfjähriger Sohn kurz darauf an Krebs Landes ermöglicht R. Langlos und S. Endresens Horwitz und der Dänin Beate Bille (die auch in erkrankt. Regisseur Erlend E. Moe (Welcome to Alles für Norwegen. Ein Highlight ist Riot On! Per Flys Der Totschlag spielt) sehr prominent Denmark, NFL 2003) verzichtet beim schwieri- aus Finnland: Kim Finn erzählt von einer Gruppe besetzt, lässt sich nicht auf ein Genre festlegen gen Thema nicht auf Humor. Ebenfalls aus von Nobodys, die ein millionenschweres Unter- und überrascht durch immer neue Wendungen. Dänemark kommt Lars Johanssons The German nehmen aus dem Boden stampfen und alles ver- Der an der deutsch-dänischen Grenze angesie- Secret, der die aufreibende Suche einer im spielen. Auch Schweden sorgt für Höhepunkte: delte Film führt seine Protagonisten durch teil- Nachkriegschaos geborenen Frau nach ihrem The Armwrestler from Solitude über die Welt- weise skurrile Situationen und verzichtet dabei Vater beschreibt. Und Karen Blixen – Jenseits meisterin im Armdrücken ist einer der schönsten auch nicht auf die Unterstützung aus dem dieser Welt ist eine anrührende Dokumentation Dokumentarfilme aus Schweden. Und schließ- Jenseits. Im Dokumentarfilmprogramm stellt über das Leben der Erfolgsautorin – kommen- lich kommen auch Ingmar Bergman-Fans nicht uns Thorsten Jeß den außergewöhnlichen tiert u.a. von Blixen-Darstellerin Meryl Streep. zu kurz: Für Bergman und ... hat Marie Nyreröd Musiker Albert Mangelsdorff vor. In Die Posaune Skurriles kommt wie gewohnt aus Island mit den Meister drei Stunden lang über sein des Jazz nähert er sich behutsam seinem Screaming Masterpiece: Ari Alexander Ergis Verhältnis zum Kino, zum Theater und seiner Protagonisten und zeigt wie dieser nicht nur den Magnusson zeigt uns die schillernde Musikszene Insel Fårö interviewt. deutschen Jazz beeinflusste. Ingmar Bergman Complete (above) Screaming Masterpiece (above) Die blaue Grenze (above) Riot On! (below) Raw Youth (below) Die Posaune des Jazz (below) Food for Documentary Fans A Quiet Trombone Documentary film fans can profit from a rich har- Iceland – from Sigur Rós and Björk to Hilmar Örn. This year’s Filmforum Schleswig-Holstein is show- vest this year. Can You Die in Heaven? shows the From Norway comes Raw Youth, a fascinating por- ing a fascinating mixture of feature films, docu- difficult healing process of a Danish family whose trait of a group of high school students, made by mentaries and short films. Two examples: Till father commits suicide and whose 11-year-old son Margreth Olin in “Dogumentary” style. In Too Franzen’s debut A Quiet Love, with a highly pro- develops cancer shortly thereafter. Director Much Norway, which accompanies the retrospec- minent cast including Hanna Schygulla, Dominik Erlend E. Moe (Welcome to Denmark, NFL 2003) tive, Rune Denstad Langlo and Sigve Endresen take Horwitz and Danish actress Beate Bille, who also is even able to find a little humour in this difficult us on an informative journey through the history of plays in Per Fly’s Manslaughter, cannot be nar- topic. Also from Denmark is Lars Johansson’s Norway. Shockingly funny is Riot On! from Fin- rowed down to any single genre and is full of The German Secret, which describes the search land: Kim Finn tells of an enterprise worth millions twists and turns. Set on the Danish-German bor- for her true father of a woman born amidst the that was created out of nothing by a group of no- der, it takes its protagonists through some highly post-war chaos. And Karen Blixen – Out of this bodies and then lost again. Sweden also contrib- bizarre situations and doesn’t even refuse the World by Marcus Mandal and Ann von Lowzow is utes highlights: The Armwrestler from Solitude support offered from the world beyond. In the a moving documentary about the life of the about the women’s world champion in armwrest- documentary section Thorsten Jess introduces us famous Danish author – with extensive contribu- ling is one of the finest Swedish documentaries.
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  • WIFF-2019-Program-FULL-1.Pdf

    WIFF-2019-Program-FULL-1.Pdf

    HOW TO WIFF 2 TICKET INFO 3 WHERE TO WIFF 4 WIFF VILLAGE/WIFF ALLEY 5 WHO WE ARE 6-7 SALUTE TO OUR SPONSORS 8-21 SPECIAL THANKS 22 A MESSAGE FROM VINCENT 23 A MESSAGE FROM LYNNE 24 A MESSAGE FROM THE MAYOR 25 FESTIVAL FACTS 26-27 MIDNIGHT MADNESS 28 SPECIAL SCREENINGS 29 WIFF PRIZE IN CANADIAN FILM 30 MARK BOSCARIOL 48-HOUR FLICKFEST 31 WIFF LOCAL 32 WOMEN OF WIFF 33 HOTDOCS SHOWCASE 34 SPOTLIGHT ON ARCHITECTURE 35 LES FILMS FRANCOPHONES 36 IN CELEBRATION OF MUSIC 37 TRIXIE MATTEL 38 LGBTQ2+ 39 SPOTLIGHT AWARD 40 TAKE IT FROM VINCENT 41 OPENING NIGHT FILM 42 CLOSING NIGHT FILM 43 FILM SYNOPSES 44-127 SCREENING CALENDAR 128-137 INDEX BY COUNTRY 138-139 1. PICK YOUR FILMS Films and showtimes can be found online at windsorfilmfestival.com, in the program book or at the box office. Film synopses are listed by title in alphabetical order, with their countries of origin noted. 2. TYPES OF TICKETS If you plan on seeing several films, consider a festival pass for an unlimited movie experience. Show your valid student card for discounted single tickets or festival passes. If you want to catch a show with a large group of 20+, our group sales packages will help you save. If tickets are sold out in advance a limited number of standby tickets will be available at the venue just before showtime. 3. BUY YOUR TICKETS Online – Purchase through your phone or computer by visiting our website. Print them off at home or bring them up on your mobile device.
  • Woody Allen Loves Ingmar Bergman Peter Cochran

    Woody Allen Loves Ingmar Bergman Peter Cochran

    1 Woody Allen loves Ingmar Bergman Peter Cochran Somewhere near the start of Annie Hall , Diane Keaton turns up late for a date at the cinema with Woody Allen, and they miss the credits. He says that, being anal, he has to see a film right through from the very start to the final finish, so it’s no go for that movie – why don’t they go see The Sorrow and the Pity down the road? She objects that the credits would be in Swedish and therefore incomprehensible, but he remains obdurate, so off they go, even though The Sorrow and the Pity is, at over four hours, twice the length of the film they would have seen. The film they would have seen is Ingmar Bergman’s Face to Face , with Liv Ullmann as the mentally-disturbed psychiatrist – you see the poster behind them as they argue. The whole scene is a gesture. Your attention is being drawn to an influence even while that influence is being denied: for, though I don’t believe Bergman has seen too much Allen, Allen has watched all the Bergman there is, several times over. As an example: you don’t often hear Allen’s early comedy Bananas being referred to as Bergman-influenced: but not only does its deranged Fidel Castro-figure proclaim that from now on the official language of the revolutionised country will be Swedish, but in the first reel there’s a straight Bergman parody. We all remember the dream in Wild Strawberries where Isak Borg sees his own funeral on a deserted Swedish street: in Bananas, Allen dreams 2 his own crucifixion on a deserted Manhattan Street.