The Art of War: Battles Won and Wars Lost
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Reconsidering Division Cavalry Squadrons
Reconsidering Division Cavalry Squadrons Part II: 1st Squadron, 4th Cavalry Regiment, in Vietnam by MAJ Nathan Jennings (Editor’s note: This is the second in a four-part series that describes the problem, history and potential solutions for the U.S. Army’s lack of dedicated division-level ground reconnaissance and security capacity.) Cavalry forces specialize in security efforts designed to protect their higher headquarters’ operations. This tactical task, along with reconnaissance, has endured since antiquity as a primary function of mounted scouts due to their inherent operational reach. For divisions wielding a panoply of maneuver and enabling assets, the requirement for dedicated formations to safeguard and facilitate an increasingly complex order of battle remains a critical function in the 21st Century. As outlined in Division Operations, such scouting elements “provide early and accurate warning” to “provide the force” with “time and maneuver space within which to react to the enemy and to develop the situation.”1 Typical security tasks, as defined by modern U.S. Army doctrine, typically center on observing, reporting and, if need be, neutralizing enemy reconnaissance or blunting adversary incursions during offensive, defensive and stability operations. They may include conducting screen, guard and cover missions where arrayed units provide early warning and fight to allow time and space for higher headquarters to deploy main force battalions and brigades. These operations may also include distributed area security efforts to protect -
The Art of War in the Middle Ages, A.D. 378-1515
Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/artofwarinmiddleOOomanuoft otl^xan: ^rt§e ^ssag 1884 THE ART OF WAR IN THE MIDDLE AGES PRINTED BY HORACE HART, PRINTER TO THE UNIVERSITY THE ART OF WAR [N THE MIDDLE AGES A.D. 37^—15^5 BY C. W. C. OMAN, B.A. FELLOW OF ALL SOULS COLLEGE WITH MAPS AND PLANS OXFORD B. H. BLACKWELL, 50 BROAD STREET LONDON T. FISHER UNWIN, 26 PATERNOSTER SQUARE 1885 [^// rights reserved '\ O/M The Author desires to acknowledge much kind help received in the revision and correction of this Essay from the Rev. H. B. George, of New College, and Mr. F. York Powell, of Christ Church. 6/ 37 05 , — — CONTENTS. PAGE ' Introduction . i CHAPTER 1. The Transition from Roman to Medieval forms in War (a.d. 378-582). Disappearance of the Legion.—Constantine's reorgajiization. The German tribes . — Battle of Adrianople.—Theodosius accepts its teaching.—Vegetius and the army at the end of the fourth century. —The Goths and the Huns. Army of the Eastern Empire.— Cavalry all-important . 3— 14 CHAPTER n. The Early Middle Ages (a.d. 476-1066). Paucity of Data for the period.—The Franks in the sixth cen- tury.—Battle of Tours.—^Armies of Charles the Great. The Franks become horsemen.—The Northman and the Magyar.—Rise of Feudalism.—The Anglo-Saxons and their wars.—The Danes and the Fyrd.—Military importance of the Thegnhood.—The House-Carles.—Battle of Hastings . Battle of Durazzo 15 — 27 W — VI CONTENTS. -
The Art of War: the Protection of Cultural Property During the "Siege" of Sarajevo (1992-95)
DePaul Journal of Art, Technology & Intellectual Property Law Volume 14 Issue 1 Special Section: Art and War, 2004 Article 5 The Art of War: The Protection of Cultural Property during the "Siege" of Sarajevo (1992-95) Megan Kossiakoff Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Megan Kossiakoff, The Art of War: The Protection of Cultural Property during the "Siege" of Sarajevo (1992-95), 14 DePaul J. Art, Tech. & Intell. Prop. L. 109 (2004) Available at: https://via.library.depaul.edu/jatip/vol14/iss1/5 This Case Notes and Comments is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Kossiakoff: The Art of War: TheCOMMENT Protection of Cultural Property during the "S THE ART OF WAR: THE PROTECTION OF CULTURAL PROPERTY DURING THE "SIEGE" OF SARAJEVO (1992-95) I. INTRODUCTION Throughout the night of August 25, 1992, shells from Serb gunners fell on the National and University Library of Bosnia and Herzegovina in Sarajevo. The attack set off a blaze fueled by a collection representing hundreds of years of Bosnian history and culture. Librarians and community members, risking sniper fire, formed a human chain to move books to safety.' Despite emergency efforts, ninety percent of the collection was ash by daybreak.2 Unfortunately, this incident was not unique. The destruction of cultural artifacts during the "Siege" of Sarajevo was a loss not only to Bosnia,3 but also to the heritage of the world which now suffers a gap that cannot be closed. -
Air Base Defense Rethinking Army and Air Force Roles and Functions for More Information on This Publication, Visit
C O R P O R A T I O N ALAN J. VICK, SEAN M. ZEIGLER, JULIA BRACKUP, JOHN SPEED MEYERS Air Base Defense Rethinking Army and Air Force Roles and Functions For more information on this publication, visit www.rand.org/t/RR4368 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0500-5 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2020 RAND Corporation R® is a registered trademark. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface The growing cruise and ballistic missile threat to U.S. Air Force bases in Europe has led Headquarters U.S. -
A Study of Sun Tzu's Art of War and Clausewitz's On
features 68 A Study of Sun Tzu’s Art of War and Clausewitz’s On War by LTC Ong Cher Howe Abstract: Sun Tzu and Clausewitz are both known to be most recognised and proficient writers on the subject of war and strategies. Although they wrote in different times and were from different backgrounds, their philosophies on war and strategy are still proven to be extremely helpful and effective in current times. This essay serves to compare both Sun Tzu and Clausewitz’s famous texts written on the subject of war: Art of War and On War, as well as prove how both works are not extremely different even when they were written in a divergent, historical, cultural and technological context. Instead, what both Sun Tzu and Clausewitz tried to express were not diametrically opposed. Hence, any contradiction arises from their own slightly unique points of analysis. While both of them defined war as means to rational policy ends, they were both well aware of the power of moral influence and the paradoxical trinity. This essay also studies how both their works can be applied to today’s military applications despite the advanced technology of the modern era. Keywords: Government, People, Philosophy, Technology, Doctrine, Law INTRODUCTION ‘different sides of the same coin.’ Instead of diametrically opposed, they advanced largely similar Sun Tzu’s Art of War and Clausewitz’s On War are the ideas that operate within degrees of contradiction. most studied philosophies on war and strategy. These Those apparent degrees of contradiction are the result two texts were written in eras more than 2,000 years of their different starting point of analysis. -
Operation Junction City, Vietnam, 1967
z> /- (' ~/197 OPERATION JUNCTION CITY VIETNAM 1967 BATTLE BOOK PREPARED FOR ADVANCED BATTLE ANALYSIS S U. S. ARMY COMMAND AND GENERAL STAFF COLLEGE 1983 DTO SEc-rEl MAR 2 9 1984 Pj40 , A .......... ...... ...... SECURITY CLASSIFICATION OP THIiS PAGE (Whm, bets BIntrdM_____________ IN~STRUCTIONS REPORT DOCUMENTATION PAGE 1 BEI -. COMhP~LETING FORK I.FEPORT .UM lEf IL GOVT ACCESSION NO- 3. NaCIP" CATALOG HUMWER 4. TITLE (und SubtitS.) S. TYPE of RZEPORT & PVMoD COVERED G. PaRPORMING ORO. REPORT NUNGER 7. AU Memo) 0. CONNTRACT Oft GRANT NUMUErP-( Fetraeus, CIT I.A. S-tuart, i'AJ B.L. Critter~den, ?'AJ D.P. Ceorge 3. PERFORMING ORGANIZATION NAME AND ADDRESS 10. PROGRAM ZLENMENT. PROJECT, TASK Conhat Studies Institute, 1.SACGSC AREA & WORKC UNIT NUMBERS ATZ!- -S-I 1ct. Leavenworth, YS 66027 It. C*NY ROL.IN@ OFFPICE NAMER AND ADDRESS IL REPORT DATE Con'Sat Studies Institute, 1ISACCSC 3 J6une 195' ATZI,-S 7I 12. pIIMeve OF PAGES F~t. Leavenwerth, FS 66027 v 9ý 4& mMOiTORINGAGELNCY NAME & ADDRELSSWi dSUffeaI fr CU.nIV1d OffiI*) IS. SECURITY CLASS. (*I WelS repet) Unclass-!fled I" DECk S PicA^TioNlrowNORAOIMG 6s. DISTRIBUTION STATERMENT (of Akio R*PaW) 17. DISTRIBUTION STATEMENT (*I I%. ababasi ml angod In 81&4k 20. It diffe.,ot be. RpmW IL. SUPPLEMENTARY NOTES !art of the ?attle Analysis series rrepared by students of the !'S Arr'y Cor~rard and Ceneral Staff Colle~e under the murerviaion of Com~ba~t Studies Ir~stitute. IS. KEY WORDMS (CMthmsg.o roel sde it mmee..w med IdsnUlj' by 650ek inmbW) Fistorry, C^a.ze Studies, 'ilitary Cperatione, Tactical Analysis, Battles, Yllitaznv Tactics, Tactical l-arfare, Airborne, Airr'obile Cperations, Arnor, Artillery, Cavalry, Infantry, Limited 7varh're, Tactical Air Support, Tarn's (Con'bat Vehicles). -
Principles of War and Their Application to Strategy and Tactics G
Naval War College Review Volume 3 Article 3 Number 8 October 1950 Principles of War and Their Application to Strategy and Tactics G. K. Carmichael U.S. Navy Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation Carmichael, G. K. (1950) "Principles of War and Their Application to Strategy and Tactics," Naval War College Review: Vol. 3 : No. 8 , Article 3. Available at: https://digital-commons.usnwc.edu/nwc-review/vol3/iss8/3 This Article is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Carmichael: Principles of War and Their Application to Strategy and Tactics RESTRICTED PRINCIPLES OF WAR AND THEIR APPLICATION TO STRATEGY AND TACTICS A lecture delivered by Captain G. K. Carmichael, USN at the Naval War College. August 17, 1950 The task of the Naval War College mission is to further an understanding of the fundamentals of warfare, with. emphasis on their application to future naval warfare. Accordingly, it is my purpose this morning to examine some of the fundamental truths of war and to indicate how these so-called principles of war are ap plicable to strategy and tactics. Although exact definitions of the fields of war-strategy, tac tics, and logistics-are difficult to arrive at, and may create futile discussion as to semantic distinctions, some definitions are desirable as a basis for study and discussion. -
Courtesy of the National Archives and Records Service Lyndon Baines Johnson Library Association for Diplomatic Studies and Train
Courtesy of the National Archives and Records Service Lyndon Baines Johnson Library Association for Diplomatic Studies and Training oreign Affairs Oral History Pro$ect RUFUS PHILLIPS Interviewed by: Ted Gittinger Initial interview date: March 4, 1982 TABLE OF CONTENTS Background University of Virginia Law School Served briefly with CIA US Army, Korean ,ar, Vietnam ,ar Vietnam ,ar 1.5011.52 Saigon 3ilitary 3ission North Vietnamese Catholics Colonel Lansdale Use of rench language Joe Ban4on Soc Trang Province Hanh Diem 3agsaysay Ambassador 5eneral Lawton Collins 6retired7 Liaison Officer Ca 3au operation Operation Brotherhood ilipinos Reoccupation of 8one 5 rench Operation Atlante 5eneral 3ike O9Daniel Colonel Kim Training Relations Instruction 3ission 6TRI37 Viet 3inh evacuation rench1Diem relations Resentment of Viet 3inh 3AA5 Binh :uyen Central Intelligence Agency 6CIA7 1 Vietnamese psywar school Setting up 515 staff Kieu Cong Cung Civil Action Pro$ect AID 3ission Re1organi4ation of Vietnamese army Viet 3inh preparations for resurgence in South Pre1Ho Chi 3inh Trail Civil 5uard Colonel Lansdale Tran Trung Dung 3ontagnards Destabili4ing Viet 3inh regime Almanac incidents Bui An Tuan Vietnam ;uoc Dan Dang 6VN;DD7 Truong Chinh Political Program for Vietnam 5eneral O1Daniel Ambassador Collins/CIA relations Land Reform ,olf Lade$isky Saigon racketeering operations rench anti1US operations Saigon bombing US facilities Howie Simpson Bay Vien rench 5eneral Ely Trinh 3inh Thé Vietnamese/ rench relations Romaine De osse rench deal with Ho Chi -
The Weaponized Narrative, Sun Tzu, and the Essence of War
Nine Links in the Chain: The Weaponized Narrative, Sun Tzu, and the Essence of War Jon Herrmann (/the-bridge/?author=59734f28c534a5ea5dcaaf14) · July 27, 2017 (/the- bridge/2017/7/27/nine-links-in-the-chain-the-weaponized-narrative-sun-tzu-and-the-essence-of- war) INTRODUCTION Decades ago, the unprecedented power of nuclear weapons required new adaptations of strategy. Now, the unprecedented power of weaponized narrative requires new adaptation of strategy. No one should mistake natural anthrax for weaponized anthrax designed for speed of transmission, virulence and exploitation of vulnerabilities in the body to destroy the ability to fight. Likewise, no one should mistake natural narrative for weaponized narrative designed for speed of transmission, virulence, and exploitation of vulnerabilities in the mind to destroy the will. Sadly, we often do mistake the deliberate and dangerous as the accidental but contagious; that must change. That all war is a conflict of narratives is a premise worth considering. Each side claims to be more powerful or morally better than the other, and military action is both an extension of politics by other means and an extension of “propaganda of the deed.”[1] Narratives around a conflict solidify when the winners get to write history.[2] Further, when a war is not won outright, both narratives survive. Sometimes, the losing side’s narrative dies off. Other times, it persists or regenerates to spark a new conflict.[3] To explain this premise, let us begin with some concepts. First, the concept of threat is generally understood to be comprised of intent and capability. War is ostensibly intended to counter perceived threats. -
Naval Doctrine Publication 1: Naval Warfare
Naval Doctrine Publication 1 Naval Warfare April 2020 It follows then as certain as night succeeds the day, that without a decisive naval force we can do nothing defi nitive, and with it everything honorable and glorious. George Washington Foreword The United States Navy, the United States Marine Corps, and the United States Coast Guard collectively form the nation’s Naval Service. We have worked, fought, and sacrifi ced side by side since the earliest days of our Republic to defend and protect our national interests. Our people, Active and Reserve, and the civilians who support them, are our greatest resource. Together we provide integrated, complementary, and unique capabilities to protect America from attack, promote American prosperity, and preserve America’s strategic infl uence. Naval Doctrine Publication (NDP) 1, Naval Warfare, provides the doctrinal foundation governing our pursuit of excellence in the art and science of naval warfare. It provides our philosophy of warfi ghting to guide our activities in the preparation for, and execution of, naval warfare. Based on experience and history, it is designed to be an enduring publication that guides how we organize and employ integrated forces as part of a joint or combined force. The intent of this publication is to provide for mutual understanding and alignment within the Naval Service, institutionally and individually. Institutionally, it forms the doctrinal foundation for subordinate publications, subject to more frequent revision, that provide specifi c details regarding various aspects of naval operations. Individually, it informs all naval personnel about the distinctiveness of operations in the maritime domain and the unique roles they fulfi ll as part of the Naval Service. -
Principles of War for Cyberspace
AIR WAR COLLEGE AIR UNIVERSITY PRINCIPLES OF WAR FOR CYBERSPACE by Steven E. Cahanin, Lt Col, USAF A Research Report Submitted to the Faculty In Partial Fulfillment of the Graduation Requirements 15 January 2011 ii DISCLAIMER The views expressed in this academic research paper are those of the author and do not reflect the official policy or position of the US government or the Department of Defense. In accordance with Air Force Instruction 51-303, it is not copyrighted, but is the property of the United States government. i Contents Disclaimer……………………………………………………………………………………….....i Contents…………………………………………………………………………………………...ii Biography………………………………………………………………..……………………….iii Introduction…………………………………………………………………………………….….1 Assumptions………………………………………………..………..…....…………………….…3 Cultures of Strategy in Cyberspace………...……………………….………….…………............4 Clausewitzian Cyberthink………………….………………..….………………………....4 Sun Tzu Cyberthink……………………………………………………………………….6 Yin and Yang in Cyberspace……………………………...……….……………………………...7 Cyber Yin……………..…………………………….………………………………….….8 Cyber Yang……………...………………………………………………………….....…11 Recommendations………………………….……………………………………………….……13 ClauseTzu Cyberspace Doctrine…………………………………………………………14 Cyberspace Education……………………………………………………………………15 Conclusion………………………………………………………………………………...……..16 Bibliography……………………………………………………………...……………………...18 ii Biography Lieutenant Colonel Cahanin entered the Air Force in 1982 as an Airman Basic, Lackland AFB, Texas. While enlisted, he was an Avionics Technician on both analog and digital -
Interviews with Andre Sauvageot
Faculty Development Grant Final Report The Other Warrior: Interviews with Andre Sauvageot Submitted by Jeff Woods Associate Professor of History Arkansas Tech University September 7, 2010 Restatement of Project Goals I was awarded $4767 for a research trip to Vietnam. The research will be used for a book about the so-called “other war” in Vietnam, the mostly civilian-led U.S. and South Vietnamese attempts to defeat the Vietcong using counterinsurgency, pacification, and nation-building. The book will take a biographical approach, focusing on the lives of 6 principal characters: Tran Ngoc Chau, Edward Lansdale, William Colby, Frank Scotton, Douglas Ramsey, and Jean Sauvageot. This trip focused mainly on Andre Sauvageot. Sauvageot was an American Army Special Forces officer who conducted secret, solo pacification operations in the Mekong Delta in the 1960s. He currently lives in Hanoi during the summer months and agreed to several days of interviews in and around Saigon where he used to work. He allowed me to record those interviews on digital video tape. I filmed Sauvageot as he retraced his steps through South Vietnam. We also spent a few days interviewing locals who were affected by the “other war.” The recordings will have a secondary benefit in providing the base material for a short documentary film that can be edited using ADHI equipment and distributed on the ADHI website. Review of Procedure I spent four days in late July and early August 2009 with Jean “Andre” Sauvageot, interviewing him on film at locations in Saigon and in nearby provinces. I also spent three additional days filming local people in various places that were affected the “other war” and Sauvageot’s work.