The Loft Cinema Film Guide March 2020
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THE JOURNAL of BUSINESS RESEARCH and DEVELOPMENT Volume II, No
THE JOURNAL OF BUSINESS RESEARCH AND DEVELOPMENT Volume II, No. 2 (2016) THE JOURNAL OF BUSINESS RESEARCH AND DEVELOPMENT SAN BEDA COLLEGE GRADUATE SCHOOL OF BUSINESS Academic Year 2015-2016 Volume II, No. 2 i San Beda College Graduate School of Business THE JOURNAL OF BUSINESS RESEARCH AND DEVELOPMENT Volume II, No. 2 (2016) ADVISORY EDITORIAL BOARD Atty. Hope Tancinco University of Newcastle, Australia Dr. Divina Edralin De La Salle University, Manila, Philippines Dr. Benito Teehankee De La Salle University, Manila, Philippines Dr. Ramon Posadas University of Santo Tomas, Manila, Philippines Dr. Robert Galindez St. Robert’s International Academy, Iloilo, Philippines Dr. Cesar Mansibang San Beda College, Manila, Philippines Dr. Aniceto Fontanilla San Beda College, Manila, Philippines Dr. Enrico Torres University of Santo Tomas, Manila, Philippines Dr. Ronald Pastrana La Consolacion College, Manila, Philippines Dr. Joffre Alajar San Beda College, Manila, Philippines Prof. Jet Magsaysay Ateneo de Manila University, Quezon City, Philippines San Beda College Graduate School of Business ii iii THE JOURNAL OF BUSINESS RESEARCH AND DEVELOPMENT Volume II, No. 2 (2016) San Beda College GRADUATE SCHOOL OF BUSINESS THE JOURNAL OF BUSINESS RESEARCH AND DEVELOPMENT Academic Year 2015 - 2016 Volume II, No. 2 EDITORIAL BOARD CHAIRMAN Dr. Ramon Ricardo A. Roque, CESO I, Diplomate Dean, Graduate School of Business Trustee, San Beda College EDITOR IN CHIEF Prof. Jobe B. Viernes, MPA, DPA (Cand.) MANAGING EDITOR Mr. John Dave A. Pablo, MBA ASSOCIATE EDITOR Mr. Lorenzo A. Mallari ii iii San Beda College Graduate School of Business THE JOURNAL OF BUSINESS RESEARCH AND DEVELOPMENT Volume II, No. 2 (2016) The JOURNAL OF BUSINESS RESEARCH AND DEVELOPMENT is a refereed journal published by the Graduate School of Business, San Beda College, Mendiola, San Miguel, Manila, Philippines. -
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema. -
Realist Cinema As World Cinema Non-Cinema, Intermedial Passages, Total Cinema Lúcia Nagib Realist Cinema As World Cinema
FILM CULTURE IN TRANSITION Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema lúcia nagib Realist Cinema as World Cinema Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema Lúcia Nagib Amsterdam University Press Cover illustration: Photo by Mateo Contreras Gallego, for the film Birds of Passages (Pájaros de Verano, Cristina Gallego and Ciro Guerra, 2018), courtesy of the authors. Cover design: Kok Korpershoek Lay-out: Crius Group, Hulshout isbn 978 94 6298 751 7 e-isbn 978 90 4853 921 5 doi 10.5117/9789462987517 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) L. Nagib / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents List of Illustrations 7 Acknowledgements 11 Introduction 15 Part I Non-cinema 1 The Death of (a) Cinema 41 The State of Things 2 Jafar Panahi’s Forbidden Tetralogy 63 This Is Not a Film, Closed Curtain, Taxi Tehran, Three Faces 3 Film as Death 87 The Act of Killing 4 The Blind Spot of History 107 Colonialism in Tabu Part II -
Más Sobre Under the Silver Lake
Ysidro Más sobre Under the Silver Lake: relato de Eduardo unaEl propósito polarización principal anunciada del siguiente texto es continuarGarcía la discusión sobre la película Under thePlenamar Silver Lake. De entrada, este escrito se compone de tres breves partes que abordarán: (i) las vicisitudes de distribución que sufrió la película después de su presentación ante la crítica especializada; (ii) el estado actual de la industria del cine con relación a los guiones originales; y, (iii) mi crítica al filme. Entiendo que exponer los dos primeros puntos permitirán una mejor comprensión de esta excepcional obra cinematográfica. Mientras más lo pienso, necesito escribir de ella. Para empezar, había mucha expectativa con el nuevo proyecto del director y guionista norteamericano David Robert Mitchell (Michigan, Estados Unidos, 1974). Cuando presentó su película de horror It Follows (2015), fue la mejor valorada de su género en la última década1. Pero desde su estreno en el Festival de Cannes de 2018, Under the Silver Lake empezó un largo y accidentado camino para su distribución comercial. La recepción de la crítica fue polarizada2. La compañía A24, distribuidora de películas independientes y nicho de directores emergentes (como Ari Aster con Midsommar, 2019; Robert Eggers con The Lighthouse, 2019; los hermanos Safdie con Uncut Gems, 2019), pospuso su estreno dos veces. En primer lugar, estuvo pautado para junio de 2018 y cambió a diciembre del mismo año. Al final, la estrenaron en abril de 20193. Supuestamente, las razones de estas decisiones corporativas estaban ligadas a la intransigencia creativa de David Robert Mitchell. Según los rumores, los ejecutivos de A24 exigían trabajos de edición al metraje de la película (que es de alrededor de 2 horas y 20 minutos) y éste se negaba. -
2-1-18 Transcript Bulletin
County drill team performances throughout the year See A10 TOOELETRANSCRIPT S T C BULLETIN S THURSDAY February 1, 2018 www.TooeleOnline.com Vol. 124 No. 71 $1.00 Tooele County Median Home Sales Price 2008-2017 $250,000 County home prices take $225,000 $200,000 another big jump in 2017 TIM GILLIE That marks the sixth con- agent with Equity Real Estate. turn in the number of homes $175,000 STAFF WRITER secutive year home sales prices “The inventory of homes sold throughout the county in The median price of a have increased in the county. for sale is still low,” she said. 2017, according to Barnes. home sold in Tooele County The demand for homes still “We have more buyers than “We can’t sell homes if we $150,000 reached $227,000 in 2017, exceeds the supply in Tooele homes.” don’t have them to sell,” she a 10.7-percent increase from County, driving prices up, While the low inventory of said. 2016, according to data from according to Mindy Barnes, homes has caused prices to The number of home sold $125,000 the Wasatch Front Regional president of the Tooele County go up, the lack of inventory 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 Multiple Listing Service. Association of Realtors and an is to blame for a slight down- SEE HOME PAGE A5 ® IN GRANTSVILLE: Can city council really do much about allegations? Municipal code limits ability to restrict power of mayor or other elected offi cials STEVE HOWE STAFF WRITER The Grantsville City Council held a special meeting with a closed door session on Jan. -
Update: Corona Und Die Filmindustrie Nach Wie Vor Bestimmt Das Coronavirus Die Internationalen Schlagzeilen Und Macht Auch Vor Den Kulturbranchen Nicht Halt
Filmnewsletter April Liebe Filmfreunde, ich bin David und werde, wie Rafael schon erwähnt hat, in Zukunft den Filmnewsletter weiterführen. An dieser Stelle nochmal einen herzlichen Dank für Rafaels tolle Arbeit. Kurz zu mir: ich studiere im Bachelor Ostasienwissenschaften bzw. Sinologie und bin schon länger sehr interessiert am ostasiatischen Film. Trotz des sehr besonderen Semesterstarts freue ich mich darauf, euch in den nächsten Monaten über das ostasiatische Kino zu berichten und hoffe, dass wir uns mithilfe von spannenden Filmen die Zeit verkürzen können. Allerdings gibt es bessere Zeiten für Filminteressierte, denn durch das Coronavirus ist nicht nur der Uni-Alltag eingeschränkt, sondern auch die Filmindustrie ist stark limitiert. Rafael hat hierauf bereits im Februar aufmerksam gemacht, aufgrund der rasanten Veränderungen will ich aber nochmals ein Update über die Situation geben. Zudem ist am 10. April traurigerweise der japanische Regisseur Nobuhiko Obayashi (⼤林 宣彦) gestorben, auf dessen Leben und Werk ich daher zurückblicken möchte. Update: Corona und die Filmindustrie Nach wie vor bestimmt das Coronavirus die internationalen Schlagzeilen und macht auch vor den Kulturbranchen nicht halt. Viele Künstler haben Probleme, ihre Werke zu zeigen und zu verkaufen und auch Filmproduktionen mussten pausiert werden und Kinos wurden geschlossen. Dies gilt ebenso für die 1/4 ostasiatische Filmindustrie. Zwar wurden in China kurzzeitig wieder viele Kinos geöffnet, doch wurde dies inzwischen wieder zurückgenommen, um größere Menschenansammlungen dort zu vermeiden. Dies führt allmählich bei Kinobetreibern zu deutlichen Einbußen, die sich vor allem für kleinere Betreiber empfindlich auswirken. So haben allein in China bisher etwa 5000 TV- und Film-Unternehmen ihre Registrierung zurückgezogen, mehr als doppelt so viele wie im ganzen letzten Jahr. -
Pyramid Volume 3 in These Issues (A Compilation of Tables of Contents and in This Issue Sections) Contents Name # Month Tools Of
Pyramid Volume 3 In These Issues (A compilation of tables of contents and In This Issue sections) Contents Name # Month Name # Month Tools of the Trade: Wizards 1 2008-11 Noir 42 2012-04 Looks Like a Job for… Superheroes 2 2008-12 Thaumatology III 43 2012-05 Venturing into the Badlands: Post- Alternate GURPS II 44 2012-06 3 2009-01 Apocalypse Monsters 45 2012-07 Magic on the Battlefield 4 2009-02 Weird Science 46 2012-08 Horror & Spies 5 2009-03 The Rogue's Life 47 2012-09 Space Colony Alpha 6 2009-04 Secret Magic 48 2012-10 Urban Fantasy [I] 7 2009-05 World-Hopping 49 2012-11 Cliffhangers 8 2009-06 Dungeon Fantasy II 50 2012-12 Space Opera 9 2009-07 Tech and Toys III 51 2013-01 Crime and Grime 10 2009-08 Low-Tech II 52 2013-02 Cinematic Locations 11 2009-09 Action [I] 53 2013-03 Tech and Toys [I] 12 2009-10 Social Engineering 54 2013-04 Thaumatology [I] 13 2009-11 Military Sci-Fi 55 2013-05 Martial Arts 14 2009-12 Prehistory 56 2013-06 Transhuman Space [I] 15 2010-01 Gunplay 57 2013-07 Historical Exploration 16 2010-02 Urban Fantasy II 58 2013-08 Modern Exploration 17 2010-03 Conspiracies 59 2013-09 Space Exploration 18 2010-04 Dungeon Fantasy III 60 2013-10 Tools of the Trade: Clerics 19 2010-05 Way of the Warrior 61 2013-11 Infinite Worlds [I] 20 2010-06 Transhuman Space II 62 2013-12 Cyberpunk 21 2010-07 Infinite Worlds II 63 2014-01 Banestorm 22 2010-08 Pirates and Swashbucklers 64 2014-02 Action Adventures 23 2010-09 Alternate GURPS III 65 2014-03 Bio-Tech 24 2010-10 The Laws of Magic 66 2014-04 Epic Magic 25 2010-11 Tools of the -
Du 9 Octobre 2019 Au 12 Novembre 2019 N°
Du 9 octobre 2019 Cinéma Art Et Essai au 12 novembre 2019 Jeune Public N° 169 Patrimoine CINÉMA BIARRITZ Recherche À l'affiche Entre nous SORTIES NATIONALES Chambre 212 4 Papicha 4 Tout est possible (The biggest little farm) 4 Mon chien stupide 5 Matthias et Maxime 5 Hors normes 5 Adults in the Room 6 J’ai perdu mon corps 6 Le Traître 7 Sorry We Missed You 7 Camille 8 «Place aux jeunes en quelque sorte... » ÉVÉNEMENTS - AVANT PREMIÈRES Mariage de Verida 8 Le Festival Amérique Latine à peine terminé, nous accueillons deux The bra 9 festivals : L’Invitation aux voyages et le Txiki Festival. Du 17 au 20 Jacob et les chiens qui parlent 9 octobre, L’Invitation aux voyages a choisi pour sa 4ème édition le thème Maya 10 "En reportage" et organise son ouverture au Royal avec la projection, le Le Gouffre aux chimères 10 16 octobre, de Camille un film de Boris Lojkine consacré à Camille Le sel de la terre 11 Lepage, cette jeune photo-reporter assassinée en République Sympathie pour le Diable 11 centrafricaine le 12 mai 2014. Du 30 octobre au 2 novembre la 7ème J'accuse 12 édition du Txiki Festival sera consacrée à "la terre". Sujet vaste et surtout Don't Give a Fox 12 d’une actualité brulante quand la jeunesse du monde affiche sa détermination à sauver notre planète ! Pour ce qui est de l’enjeu plus PATRIMOINE modeste du cinéma, il est évident, depuis des années, que la survie du 7ème Art passe par la reconquête du public jeune, « le cœur de cible » The Kid 13 du Txiki Festival. -
The Wandering Caveman
TTHHEE MMYYSSTTEERRYY OOFF TTHHEE WWAANNDDEERRIINNGG CCAAVVEEMMAANN M. V. Carey 1 | P a g e Chapter 1 The Stranger in the Fog “ARE YOU ALL RIGHT ?” said a woman’s voice. Jupiter Jones stood still and listened. The afternoon was thick with fog. Fog muffled the noise of the traffic on the Pacific Coast Highway. It hung like a curtain between The Jones Salvage Yard and the houses across the street. It seemed to press in on Jupe. He felt cold and lonely, as if he were the only person in all the world. But someone had spoken, and now there were footsteps. Outside, just beyond the gates of the salvage yard, someone was walking. Then a man spoke, and two people appeared, moving like shadows in the grey light. The man was bent over, and as he walked his feet made slow, scuffling noises on the pavement. The woman was girlish and thin, with long, fair hair that hung straight about her face. “Here’s a bench,” she said, and she guided the man to a seat near the office. “You rest a minute. You should have let me drive. It was too much for you.” “Can I help?” Jupe moved closer to the pair. The man put a hand to his head and looked around in a dazed fashion. “We’re looking for . for . .” He caught at the young woman’s hand. “You do it,” he said. “Find out where we . where we . .” “Harbourview Lane,” said the young woman to Jupe. “We have to go to Harbour- view Lane.” “It’s down the highway and off Sunset,” said Jupe. -
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DREW BROWN america’s tastiest driveTM Bu alo’s corner taverns have been perfecting the chicken wing since it was invented at the legendary Anchor Bar in 1964. Secret recipes, historic charm and Bu alo-style hospitality make the new BUFFALO WING TRAIL an experience to be savored. Come to Buffalo this summer to taste the delicious dozen. The wet naps are on us. buffalowingtrail.com @buffalowingtrail #WingBUF #NeverRanch © NYSDED DREW BROWN CONTENTS From the Editors The only local voice for news, arts, and culture. Roaring, Rewriting, and Editors-in-Chief: May 22, 2019 Brian Graham & Adam Welsh Roving for Restaurants Managing Editor: Breathing Difficulties – 5 Nick Warren inter is over. Just like Game of Thrones, all things must Copy Editor: The need for better air quality monitors in Matt Swanseger the wake of Erie Coke’s ongoing violations Wcome to an end. As many of us know very Contributing Editors: well, however, not everything goes quite the way we Ben Speggen Missing the mark – 7 want it to. Prior to the show’s series finale, over one Jim Wertz million fans signed an online petition on Change.org, Contributors: Why the EDDC’s game plan for North Park asking for showrunners David Benioff and D.B. Weiss Mary Birdsong Row needs adjustment to remake the entire last season. It’s a new level of Charles Brown community involvement in the face of what they feel Jonathan Burdick Katie Chriest Pithole City – 11 to be poor decisions. Back in the north(west) of Penn- Symoné Crockett sylvania, there’s an oddly similar feeling happening. -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
Chicken Soup for the Soul Entertainment Announces New Programming for Crackle for September
Chicken Soup for the Soul Entertainment Announces New Programming for Crackle for September August 31, 2021 Mix of Hollywood Blockbusters, Award-Winning Indies, Classic TV and Hand-Picked Exclusive and Original Content Includes Crackle AVOD Exclusive Feature ‘The Jesus Rolls’ and the Crackle AVOD Exclusive Series ‘Taboo’ and ‘The Machine’ COS COB, Conn., Aug. 31, 2021 (GLOBE NEWSWIRE) -- Chicken Soup for the Soul Entertainment Inc. (Nasdaq: CSSE), one of the largest operators of streaming advertising-supported video-on-demand (AVOD) networks, today announced the upcoming content releases for Crackle for September. The three primary Crackle Plus networks, Crackle, Popcornflix, and Chicken Soup for the Soul, are rolling out to new distribution touch points on up to 41 platforms on an ongoing basis as either AVOD or FAST channels. The Crackle Plus networks are currently distributed through 50 touch points in the U.S. with announced plans to expand to over 64 touch points including Amazon FireTV, RokuTV, Apple TV, Smart TVs (Samsung, LG, Vizio), gaming consoles (PS4 and XBoxOne), Plex, iOS and Android mobile devices and on desktops at Crackle.com. Crackle is also available in approximately 500,000 hotel rooms in the Marriott Bonvoy chain. New Crackle AVOD Exclusives The Machine (September 1st), “The Machine” tells the story of the 2017 Long Beach Poly Jackrabbits (named “Sports School of the Century” by Sports Illustrated), and their journey to carry on the tradition of the Poly football legends who have come before them. Coached by Super Bowl champion Antonio Pierce, the one-time powerhouse program is still one of the top producers of NFL talent but has become a perennial underdog.