Domestication, Diversity and Use of Brassica Oleracea L., Based on Ancient Greek and Latin Texts
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Umbria from the Iron Age to the Augustan Era
UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
Ancient Authors 297
T Ancient authors 297 is unknown. His Attic Nights is a speeches for the law courts, collection of essays on a variety political speeches, philosophical ANCIENT AUTHORS of topics, based on his reading of essays, and personal letters to Apicius: (fourth century AD) is the Greek and Roman writers and the friends and family. name traditionally given to the lectures and conversations he had Columella: Lucius Iunius author of a collection of recipes, heard. The title Attic Nights refers Moderatus Columella (wrote c.AD de Re Coquinaria (On the Art of to Attica, the district in Greece 60–65) was born at Gades (modern Cooking). Marcus Gavius Apicius around Athens, where Gellius was Cadiz) in Spain and served in the was a gourmet who lived in the living when he wrote the book. Roman army in Syria. He wrote a early first centuryAD and wrote Cassius Dio (also Dio Cassius): treatise on farming, de Re Rustica about sauces. Seneca says that he Cassius Dio Cocceianus (c.AD (On Farming). claimed to have created a scientia 150–235) was born in Bithynia. He popīnae (snack bar cuisine). Diodorus Siculus: Diodorus had a political career as a consul (wrote c.60–30 BC) was a Greek Appian: Appianos (late first in Rome and governor of the from Sicily who wrote a history of century AD–AD 160s) was born in provinces of Africa and Dalmatia. the world centered on Rome, from Alexandria, in Egypt, and practiced His history of Rome, written in legendary beginnings to 54 BC. as a lawyer in Rome. -
The Development of Marian Doctrine As
INTERNATIONAL MARIAN RESEARCH INSTITUTE UNIVERSITY OF DAYTON, OHIO in affiliation with the PONTIFICAL THEOLOGICAL FACULTY MARIANUM ROME, ITALY By: Elizabeth Marie Farley The Development of Marian Doctrine as Reflected in the Commentaries on the Wedding at Cana (John 2:1-5) by the Latin Fathers and Pastoral Theologians of the Church From the Fourth to the Seventeenth Century A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctorate in Sacred Theology with specialization in Marian Studies Director: Rev. Bertrand Buby, S.M. Marian Library/International Marian Research Institute University of Dayton 300 College Park Dayton, OH 45469-1390 2013 i Copyright © 2013 by Elizabeth M. Farley All rights reserved Printed in the United States of America Nihil obstat: François Rossier, S.M., STD Vidimus et approbamus: Bertrand A. Buby S.M., STD – Director François Rossier, S.M., STD – Examinator Johann G. Roten S.M., PhD, STD – Examinator Thomas A. Thompson S.M., PhD – Examinator Elio M. Peretto, O.S.M. – Revisor Aristide M. Serra, O.S.M. – Revisor Daytonesis (USA), ex aedibus International Marian Research Institute, et Romae, ex aedibus Pontificiae Facultatis Theologicae Marianum, die 22 Augusti 2013. ii Dedication This Dissertation is Dedicated to: Father Bertrand Buby, S.M., The Faculty and Staff at The International Marian Research Institute, Father Jerome Young, O.S.B., Father Rory Pitstick, Joseph Sprug, Jerome Farley, my beloved husband, and All my family and friends iii Table of Contents Prėcis.................................................................................. xvii Guidelines........................................................................... xxiii Abbreviations...................................................................... xxv Chapter One: Purpose, Scope, Structure and Method 1.1 Introduction...................................................... 1 1.2 Purpose............................................................ -
The Wolf in Virgil Lee Fratantuono
The Wolf in Virgil Lee Fratantuono To cite this version: Lee Fratantuono. The Wolf in Virgil. Revue des études anciennes, Revue des études anciennes, Université Bordeaux Montaigne, 2018, 120 (1), pp.101-120. hal-01944509 HAL Id: hal-01944509 https://hal.archives-ouvertes.fr/hal-01944509 Submitted on 23 Sep 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright ISSN 0035-2004 REVUE DES ÉTUDES ANCIENNES TOME 120, 2018 N°1 SOMMAIRE ARTICLES : Milagros NAVARRO CABALLERO, María del Rosario HERNANDO SOBRINO, À l’ombre de Mommsen : retour sur la donation alimentaire de Fabia H[---]la................................................................... 3 Michele BELLOMO, La (pro)dittatura di Quinto Fabio Massimo (217 a.C.): a proposito di alcune ipotesi recenti ................................................................................................................................ 37 Massimo BLASI, La consecratio manquée de L. Cornelius Sulla Felix ......................................... 57 Sophie HULOT, César génocidaire ? Le massacre des -
Pavia HO3 SP, PS and Dialects
ITALIC / KWT DAY 3: Sabellian II Pavia International Summer School of Indo-European Linguistics September 2015 Karin W. Tikkanen South Picene, Pre-Samnite and the Dialects South Picene The ”dialects” Pre-Samnite The Foundations of Latin, Philip Baldi (1991) SOUTH PICENE The oldest Sabellian texts originate from the provinces along the mid-Adriatic coast. According to the ancient sources, this region was inhabited by a tribe called Picentini (Strabo 5,4,3; Fest. p.150 (Li); Dion. Hal. 1,16; Plin. nat. 3,18,110). Inscriptions from the area however fall into two distinct groups, who are labelled according to their geographical location: South Picene (Indo-European language, part of the Sabellian language group), !1 (!8) ITALIC / KWT DAY 3: Sabellian II attested in 23 inscriptions, and North Picene, or Novilara (non-Indo-European), attested in only one. 1. South Picene orthography South Picene is written in a South Picene national alphabet, derived from the southern Etruscan signary, with similar Greek influence as the Oscan and Umbrian alphabets. The alphabet is transcribed: a b g d e v h i j k l m n o p q r s t u f í ú There are no preserved South Picene abecedaria, and the order of the signs is therefore hypothetical. ”New” signs are traditionally placed at the end of the alphabetic row. Note the presence of signs for voiced stops /b/, /g/ and /d/; the to vowel signs <í> and <ú> for middle front and back vowels (see comments in Phonology handout). Inscriptions in South Picene have the simple sign <8> for /f/. -
Giuseppe Arcimboldo's Composite Portraits and The
Giuseppe Arcimboldo’s Composite Portraits and the Alchemical Universe of the Early Modern Habsburg Court (1546-1612) By Rosalie Anne Nardelli A thesis submitted to the Graduate Program in Art History in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada July, 2014 Copyright © Rosalie Anne Nardelli, 2014 Abstract At the Renaissance noble court, particularly in the principalities of the Holy Roman Empire, alchemical pursuits were wildly popular and encouraged. By the reign of Rudolf II in the late sixteenth century, Prague had become synonymous with the study of alchemy, as the emperor, renowned for his interest in natural magic, welcomed numerous influential alchemists from across Europe to his imperial residence and private laboratory. Given the prevalence of alchemical activities and the ubiquity of the occult at the Habsburg court, it seems plausible that the art growing out of this context would have been shaped by this unique intellectual climate. In 1562, Giuseppe Arcimboldo, a previously little-known designer of windows and frescoes from Milan, was summoned across the Alps by Ferdinand I to fulfil the role of court portraitist in Vienna. Over the span of a quarter-century, Arcimboldo continued to serve faithfully the Habsburg family, working in various capacities for Maximilian II and later for his successor, Rudolf II, in Prague. As Arcimboldo developed artistically at the Habsburg court, he gained tremendous recognition for his composite portraits, artworks for which he is most well- known today. Through a focused investigation of his Four Seasons, Four Elements, and Vertumnus, a portrait of Rudolf II under the guise of the god of seasons and transformation, an attempt will be made to reveal the alchemical undercurrents present in Arcimboldo’s work. -
Edited by Giovanni Lattanzi -.:: Camera Di Commercio Di Chieti
edited by Giovanni Lattanzi index introduction 5 craft in Abruzzo, a long history 6 craftmen, instructions for use 12 province of Chieti, capitals of craft Guardiagrele 16 Lanciano 22 Chieti 28 Vasto 36 province of Chieti, routes for the craft workshops the stone masters 42 the goldsmith’s masters 48 the glass masters 56 the ceramics masters 60 the iron and copper masters 68 the paper and decorations masters 74 the leather, textiles and embroidery masters 80 the wood masters 86 introduction his work, that I have the pleasure of presenting, moves out of the normal schemes that distinguish it from guides on Tartistic craft to offer the keen traveler a cross-section of the territory of our province indicating some tourist itineraries that include, apart from the artistic and environment beauties, what this province can offer, also an index of craft workshops representing various sectors. The guide to the itineraries to artistic craft wishes to tell of the magic spell of our villages and of people’s passion that animate these places through their work with the awareness that it is possible to hand down the memory only by drawing visitors close to this priceless heritage. The Chieti province, with its peculiarity of environment and traditions, is the ideal place to satisfy the curiosity of the attentive tourist. The four chosen itineraries are just a small part of what this territory has to offer. This guide is testimony to the interest the Chamber of Commerce of Chieti nurtures for this sector, so important because it is evidence of a civilization that proposes itself in such an evident way. -
The Ancient People of Italy Before the Rise of Rome, Italy Was a Patchwork
The Ancient People of Italy Before the rise of Rome, Italy was a patchwork of different cultures. Eventually they were all subsumed into Roman culture, but the cultural uniformity of Roman Italy erased what had once been a vast array of different peoples, cultures, languages, and civilizations. All these cultures existed before the Roman conquest of the Italian Peninsula, and unfortunately we know little about any of them before they caught the attention of Greek and Roman historians. Aside from a few inscriptions, most of what we know about the native people of Italy comes from Greek and Roman sources. Still, this information, combined with archaeological and linguistic information, gives us some idea about the peoples that once populated the Italian Peninsula. Italy was not isolated from the outside world, and neighboring people had much impact on its population. There were several foreign invasions of Italy during the period leading up to the Roman conquest that had important effects on the people of Italy. First there was the invasion of Alexander I of Epirus in 334 BC, which was followed by that of Pyrrhus of Epirus in 280 BC. Hannibal of Carthage invaded Italy during the Second Punic War (218–203 BC) with the express purpose of convincing Rome’s allies to abandon her. After the war, Rome rearranged its relations with many of the native people of Italy, much influenced by which peoples had remained loyal and which had supported their Carthaginian enemies. The sides different peoples took in these wars had major impacts on their destinies. In 91 BC, many of the peoples of Italy rebelled against Rome in the Social War. -
Metamorphoses: a Play by Mary Zimmerman
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2002 Metamorphoses: A Play by Mary Zimmerman Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation Farrell, J. (2002). Metamorphoses: A Play by Mary Zimmerman. The American Journal of Philology, 123 (4), 623-627. http://dx.doi.org/10.1353/ajp.2003.0005 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/122 For more information, please contact [email protected]. Metamorphoses: A Play by Mary Zimmerman Abstract I cannot remember a time when scholarly interest in a particular classical author was equaled, and maybe exceeded, by a popular enthusiasm measured in weeks on the best-seller lists, boffo box office, andony T awards. But this seems now to have happened with Ovid. Latinists for some time have been taking Ovid much more seriously than they had done, making his poetry a vehicle for new directions in their work. Over roughly the same period, we have seen Ovidian novels by David Malouf, Christoph Ransmayr, and Jane Alison; fresh translations and ambitious reworkings by Ted Hughes and other poets; and now a remarkable new play by the extraordinary Mary Zimmerman (Circle in the Square, New York, N.Y., from 4 March 2002). Disciplines Arts and Humanities | Classics This journal article is available at ScholarlyCommons: https://repository.upenn.edu/classics_papers/122 METAMORPHOSES 623 BRIEF MENTION METAMORPHOSES: A PLAY BY MARY ZIMMERMAN JOSEPH FARRELL I CANNOT REMEMBER A TIME when scholarly interest in a particular classical author was equaled, and maybe exceeded, by a popular enthusi- asm measured in weeks on the best-seller lists, boffo box office, and Tony awards. -
An Examination of Cavità 254 in Orvieto, Italy, and Its Primary Usage As an Etruscan Quarry
An Examination of Cavità 254 in Orvieto, Italy, and its Primary Usage as an Etruscan Quarry Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Professor Ann Olga Koloski-Ostrow, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Kelsey Latsha May 2018 Copyright by Kelsey Latsha © 2018 ACKNOWLEDGEMENTS This Project is the culmination of years of work on the excavation of Cavità 254 under the direction of Professor David George and Claudio Bizzarri. I would like to thank Professor George for the opportunity to work on the site of Cavità 254 and for introducing me to the world of the Etruscans during my time at Saint Anselm College. I am forever grateful for Professor George’s mentorship that motivated me to pursue a graduate degree in Ancient Greek and Roman Studies at Brandeis University. I would also like to thank Doctor Paolo Binaco a fantastic teacher, friend, and archaeologist. Paolo has guided me in the right direction, while simultaneously sparking excitement in asking new questions about our unique site. Thank you, Paolo, for the unforgettable adventures to see Orvieto’s “pyramids” and for teaching me everything Etruscan. This thesis would not be possible without the immense support of the Department of Classical Studies at Brandeis. I especially would like to thank my Advisor Professor Ann Olga Koloski-Ostrow for her enthusiastic support of my project from its early beginnings and always pushing me to better my writing and research. -
Early Rome: from Aeneas to Romulus
Latin 411 Spring 2018, MW 4-5:15 pm, Phelps 310 Kyle Khellaf ([email protected]) Office Hours: MW 5:15-6:15 pm, and by appointment Early Rome: From Aeneas to Romulus How did the Romans imagine the founding of their city, nation, and eventual sprawling empire? These were events to which they attached the greatest significance. Yet they possessed very little reliable information about these early moments in their history. In fact, they had only a collection of legends with only a few material remains (e.g. the lapis niger) to support the veracity of these fables. The purpose of this course is to attempt to answer how the Romans imagined their early civic history, and how the mythologies they created for this proto-Rome provided them with a powerful ideological framework for their later imperial ambitions and “manifest destiny.” Each text we read will be examined from two points of view: the idea of early Rome generated within the text, as well as its relation to the underlying sociopolitical concerns of authors who lived and wrote these texts during the Late Republic and Augustan periods. Key themes will include founding myths of hybridity, intersectionality, migration, and exile; empire and imperial ideologies; nationalism; religious ritual; and the various Augustan reforms. We will read works in the original Latin by Virgil, Livy, Ovid, Propertius, Sallust, and Cicero— different literary genres, in both prose and verse. Since this is a second semester intermediate Latin course, we will also dwell on matters like vocabulary and syntax, meter and style, and touch upon the rudiments of Roman literary history.