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The Short Courses
MILANO FIRENZE PARIS LONDON MUMBAI SHANGHAI SHENZHEN MIAMI The Short Courses istitutomarangoni is y life THE THEATRE OF DREAMS Living fashion as protagonists, being the new authors of contemporary art and design, making their mark through the free and conscious artistic expression of their creative self: this is the ambition of more than 4,000 participants from over 100 different countries, who, every year, step through the front door of one of the ten Istituto Marangoni schools across the world, eager to prepare for their future and to live a dream often harboured by the enthusiasm of a veritable vocation. A heterogeneous, dynamic, demanding learning community, facing the scenarios outlined by a future ever more globalized and rich of new professional opportunities. Fashion, design, and art are tied by mutual and complex influences. To allow participant’s knowledge and full comprehension is the mission that Istituto Marangoni has been successfully pursuing since 1935, thanks to the ability to adapt the educational model to the evolving society; while remaining firm on the institute’s founding values, such as its proud Italian identity, expressed through the enhancement of the cultural, artistic and entrepreneurial traditions forming the core of Made in Italy. This identity co-exists with a strong international vocation, allowing the school to extend its formative experience through a strategic network located in the heart of the fashion, art and design capitals of today and of tomorrow. At the same time, it is the ambition and curiosity of the participants, the real protagonists of life at Istituto Marangoni, that encourages the modern, compelling educational approach of the institute. -
Evolución, Tendencias Y Perspectivas De Futuro De La Publicidad De Moda En Revistas Especializadas
Trabajo Fin de Máster Evolución, tendencias y perspectivas de futuro de la publicidad de moda en revistas especializadas Alyona Dvornikova Tutor: Dr. Juan Miguel Monserrat Gauchi Máster Universitario en Comunicación e Industrias Creativas Junio de 2014 comincrea* Trabajo Fin de Máster COMINCREA* 2013 - 2014 Este documento es parte de mi trabajo para la obtención del título de Máster Universitario en Comunicación e Industrias Creativas de la Universidad de Alicante y no ha sido utilizado previamente (o simultáneamente) para la obtención de cualquier otro título o superación de asignaturas. Se trata de un trabajo original e inédito, producto de una investigación genuina, con indicación rigurosa de las fuentes que he utilizado, tanto bibliográficas como documentales o de otra naturaleza, en papel o en soporte digital. Doy mi consentimiento para que se archive este trabajo en la biblioteca universitaria del centro, donde se puede facilitar su consulta. Trabajo Fin de Máster COMINCREA* 2013 - 2014 A mi familia, Ucrania y a él, que amo tanto Quisiera agradecer a mi familia que me inspira, apoya y nunca pierde la fe en mí. Gracias a las dos Anas, a mis dos hermanas que llenan mi vida y me ayudan a sentirla con cada célula de mi cuerpo. Gracias a mi tierra natal, Ucrania, que me hizo así como soy ahora, que me ayuda siempre ir adelante hacia mis objetivos y nunca redirme. Gracias a él, una persona especial de mi vida, que me ayudó a encontrar mi punto de apoyo y con él ahora sé exactamente que un día moveré el mundo. Le agradezco muchísimo a mi quierido tutor, Juan Monserrat Gauchi. -
Gillian Laub CV 2021
Gillian Laub (b.1975, Chappaqua, New York) is a photographer and filmmaker based in New York. She graduated from the University of Wisconsin-Madison with a degree in comparative literature before studying photography at the International Center of Photography, where her love of visual storytelling and family narratives began. Laub’s first monograph, Testimony (Aperture 2007), began as a response to the media coverage during the second Intifada in the Middle East, and a desire to create a dialogue between apparent enemies. This work is comprised of portraits and testimonies from Israeli Jews, Israeli Arabs, Lebanese, and Palestinians all directly and indirectly affected by the complicated geopolitical context in which they lived. Laub spent over a decade working in Georgia exploring issues of lingering racism in the American South. This work became Laub’s first feature length, directed and produced, documentary film, Southern Rites that premiered on HBO in May 2015. Her monograph, Southern Rites (Damiani, 2015) and travelling exhibition by the same title came out in conjunction with the film and are being used for an educational outreach campaign, in schools and institutions across the country. Southern Rites was named one of the best photo books of 2015 by TIME, Smithsonian, Vogue, LensCulture, and American Photo. It was also nominated for a Lucie award and Humanitas award. "Riveting...In a calm, understated tone, Southern Rites digs deep to expose the roots that have made segregated proms and other affronts possible. Southern Rites is a portrait of the inequities that lead to disaster on the streets of cities like Baltimore and Ferguson, Mo.” - The New York Times Laub has been interviewed on NPR, CNN, MSNBC, Good Morning America, Times Talks and numerous others. -
Women's Studies
Women’s Studies proquest.com To talk to the sales department, contact us at 1-800-779-0137 or [email protected]. “Women’s history” is not confined to a discrete subdiscipline. Rather, every branch of history, from political and social to local and international, is also the history of women. But the roles and perspectives of women are frequently overlooked in the past struggles and triumphs that shape our modern lives. This can make it difficult for students and scholars to discover resources that illuminate these connections and permit fresh insights. Women’s history databases from ProQuest are thoughtfully curated by experts to overcome this challenge. Suffrage, reproductive rights, economic issues, intersectionality, sexual discrimination – these are just some of the many topics that can be explored in depth with ProQuest’s extensive, carefully selected Women’s History collections. The experiences, influences, and observations of women over time and around the world are brought to the forefront of interdisciplinary research and learning through materials such as organizational documents, domestic records, personal correspondence, books, videos, historical periodicals, newspapers, dissertations as well as literature and fashion publications. Table of Contents PRIMARY SOURCES........................................................................................... 3 ProQuest History Vault ........................................................................................................ 3 Women and Social Movements Library ......................................................................... -
International Study Centre
MILANO FIRENZE PARIS LONDON MUMBAI SHANGHAI SHENZHEN International Study Centre The professionals of today for those of tomorrow: a well-known historic test bed laboratory of artistic and visual culture with an international imprint. Excellent relations with the industry in Europe and all over the world, to teach the new professionals and introduce them to the world of work. Here students and individuals from around the world meet and engage with one another, in a continuous exchange of stimuli, ideas, projects and visions that have as their common denominator the evolution of the language of aesthetics. INDEX 04 Seven Capitals at the Centre of Style 06 Create Your Future 08 London • the Energising Melting Pot 10 Foundation Year 12 Progression degrees 14 Meet Our Students 16 Maps istitutomarangoni is y life 18 How to Apply Milano SEVEN CAPITALS TO ALWAYS BE AT THE Firenze Paris CENTRE OF STYLE 7 Being always at the centre of the action is one of Istituto Marangoni’s distinctive teaching methods. Milano*, Firenze, Paris, London, Mumbai, Shanghai* London Mumbai and Shenzhen The cities hosting the locations of Istituto Marangoni are among the world’s most vibrant capitals of fashion, design and fine arts, where the trends of today and tomorrow come to light every day. That is why they are able to provide an exciting, highly inspiring environment to the participants who choose to attend the school. At the same time, these cities inspire the educational programmes of each location. Indeed, besides the disciplines that have made the history of Istituto Marangoni, others are specifically chosen to reflect the social, cultural and economic environment surrounding them, thus promoting a lively interaction between the school, its participants, and the reality of the market in which they strive. -
Op in Vogue Elena Galleani D'agliano 2020
OP IN VOGUE ELENA GALLEANIELENA D’AGLIANO 2020 Op in Vogue Elena Galleani d’Agliano Op in Vogue Master Thesis by Elena Galleani d’Agliano Supervised by Jérémie Cerman Printed at Progetto Immagine, Torino MA Space and Communication HEAD Genève October 2019 Vorrei ringraziare il mio tutor Jérémie per avermi seguito in questi mesi, Sébastien e Laurence per il loro indispensabile aiuto al Musée des Arts Décoratifs, Oliver and Anna per avermi dato una mano con l’inglese, Alexandra e gli altri tutor per i loro incoraggiamenti e la mia famiglia per il loro instancabile supporto. 5 10 18 34 43 87 108 88 A glimse of the Sixties 90 The Optical Woman Portfolio 91 The diffusion of Architectural 64 prêt a porter Defining Op 44 The Guy visions in Mulas 18 92 Economic impli- fashion Bourdin’s elegance 67 Who are you, 34 Fashion pho- cations 11 Definition of The relation- 48 The youth quake William Klein? 21 tography in the 96 Basis for further Op Art according to Bailey Franco Rubar- ship with the Sixties 70 experimentations: 13 The influen- source 52 The female telli, the storyteller 36 Defining Op the Space Age Style ces Op art and emancipation throu- 74 Swinging with 27 photography 102 The heritage 108 Epilogue 14 Exhibitions its representation gh the lens of Hel- Ronald Traeger 83 Advertising mut Newton today 111 Bibliography and diffusion on Vogue 78 Others 57 Monumentality in Irving Penn 60 In the search of other worlds with Henry Clarke Prologue The Op Op Fashion Sociological Epilogue fashion photography implications 7 8 9 Prologue early sixty years ago, mum diffusion, 1965 and 1966. -
The Politics of Vision, Visibility, and Visuality in Vogue
Race as Aesthetic: The Politics of Vision, Visibility, and Visuality in Vogue Italia’s “A Black Issue” Character count (with spaces): 66,505 Character count (without spaces): 56,391 Introduction In July 2008, Vogue Italia, the least commercial of all Vogue editions, released “A Black Issue” (ABI) exclusively featuring black models as well as commentary on topics that would seemingly interest a black American audience (e.g., profiles of First Lady Michelle Obama, Spike Lee’s film Miracle at St. Anna, and pieces about Ebony and Essence magazines). All of the images were photographed in the United States yet represented a global production of black beauty, using models from the United States, Europe, and Latin America; American and European photographers; and an Italian magazine using English headings and Italian text. ABI quickly became the highest grossing issue of Vogue Italia. The first run of the July 2008 issue sold out in the United States and Britain, which led Vogue Italia to reprint several thousand copies for American and British audiences–it did not sell particularly well in Italy. This was the first time a Condé Nast magazine was reprinted to satisfy high demand. The issue provoked multiple conversations online and in print on the topic of race and racism in the fashion industry. Those who celebrated the issue praised its focus on positive representations in a world that so easily attaches to negative and stereotypical depictions of black women. In particular, the 1 magazine was heralded for shining a spotlight on the notion that beauty comes in various colors, shapes, and sizes.1 ABI also sparked controversy among detractors who spoke against the issue’s tokenism, which could be seen as a way to overlook the lack of diversity in the high fashion industry. -
Interweaving Dressmaking and Placemaking
RE (DIS) COVERING FASHION DESIGNERS Interweaving Dressmaking and Placemaking NAMKYU CHUN RE(DIS)COVERING FASHION DESIGNERS INTERWEAVING DRESSMAKING AND PLACEMAKING SUPERVISING PROFESSOR KIRSI NIINIMÄKI THESIS ADVISORS OLGA GUROVA, KIRSI NIINIMÄKI PRELIMINARY EXAMINERS MARILYN DELONG, PAMMI SINHA RE OPPONENT PAMMI SINHA (DIS) COVERING AALTO UNIVERSITY PUBLICATION SERIES DOCTORAL DISSERTATIONS 180/2018 FASHION AALTO UNIVERSITY SCHOOL OF ARTS, DESIGN AND ARCHITECTURE DEPARTMENT OF DESIGN AALTO ARTS BOOKS ESPOO, FINLAND SHOP.AALTO.FI DESIGNERS ©Namkyu Chun, 2018 Interweaving Dressmaking and Placemaking Graphic design: Patrícia Rezende Materials: Scandia Natural 115 g, Invercote Creato 300 g ISBN 978-952-60- 8188-5 (printed) ISBN 978-952-60- 8189-2 (pdf) ISSN 1799-4934 ISSN 1799-4942 (electronic) NAMKYU CHUN Unigrafia Helsinki 2018 4 5 For the people who have been singing ‘Bread and Roses’ 6 7 TABLE OF CONTENTS Acknowledgements 13 3. Weaving Narratives in Helsinki 61 Abstract 16 3.1. Two Inquiries and 62 Methodological Challenges 1. Introduction 18 3.2. The Context of Helsinki 67 2. Call for Rethinking the 25 Role of Fashion Designers 3.3. Substudy 1: Grounded Theory Strategy 75 2.1. The Condition of the Contemporary 28 3.3.1. Types of Grounded Theory 75 Fashion System 3.3.2. Implications of Grounded Theory 79 2.1.1. Contextualizing Fashion Design 29 3.3.3. Theoretical Sampling and Data Collection 80 2.1.2. Conceptualizing Fashion Designers 33 3.3.4. Coding Phases 85 2.2. Recovering the Meaning of 35 Fashion Design Profession 3.4. Substudy 2: Case Study Strategy 92 2.2.1. The Rise of the Design Profession 35 3.4.1. -
Marangoni /Life Mutation Start /The Real Transformation
SHORT COURSES & STUDY ABROAD SEMESTER COURSES MARANGONI /LIFE MUTATION START /THE REAL TRANSFORMATION 2 3 /INDEX 7 MARANGONI 36 INTERIOR /LIFE MUTATION /DESIGN 9 THE INTERNATIONAL COLLECTION 37 INTERIOR DESIGN /OF HIGH-END, PRESTIGIOUSLY /FOR PROFESSIONALS LOCATED, MULTICULTURAL SCHOOLS 38 PRODUCT 11 A HISTORY /DESIGN /IN FASHION, DESIGN & ART 39 DIGITAL 13 MARANGONI /GRAPHIC DESIGN /DNA 40 ART IN /FASHION 15 EIGHT CAPITALS /ALWAYS AT THE CENTRE OF STYLE 41 FASHION /PHOTOGRAPHY 17 THE FIRST STEP TO EXPERTISE /A SHORT COURSE 42 FASHION & /THE CITIES 18 FASHION /DESIGN 44 STUDY ABROAD /Undergraduate Semester Courses 19 INTERIOR & /PRODUCT DESIGN 45 FASHION /DESIGN Semester 20 STYLING PHOTOGRAPHY /FOR SOCIAL MEDIA 46 FASHION DESIGN & /WOMENSWEAR Semester 21 STYLE YOURSELF /MY FASHION PROFILE 47 FASHION DESIGN & /ACCESSORIES Semester 22 T-SHIRT DESIGN /AN ARTWORK 48 FASHION STYLING & /CREATIVE DIRECTION Semester 23 THE MADE IN ITALY /MIX OF FASHION, 49 FASHION STYLING & DESIGN & ART /VISUAL MERCHANDISING Semester FASHION 24 DISCOVER THE 50 /HAUTE COUTURE /BUSINESS Semester CAPITAL OF FASHION 51 FASHION BUSINESS & /BUYING Semester 25 EXPLORE TRENDS /FROM STREET TO LUXURY 52 FASHION BUSINESS /COMMUNICATION & MEDIA Semester 26 ACCESSORIES /DESIGN 53 INTERIOR /DESIGN Semester 27 TREND /FORECASTING 54 PRODUCT FASHION VISUAL /DESIGN Semester 28 /MERCHANDISING 55 VISUAL /DESIGN Semester 29 FASHION /DESIGN 56 MULTIMEDIA /ARTS Semester 30 FASHION IMAGE & /STYLING 57 ART HISTORY & /CULTURE Semester 31 FASHION /BUSINESS 58 STUDY ABROAD /Postgraduate (Graduate) Semester Courses 32 FASHION IMAGE & /BUSINESS 59 FASHION BUYING & /MERCHANDISING Semester 33 FASHION FOLLOWERS /SOCIAL MEDIA & BLOGGING 60 FASHION BUSINESS & /MARKETING Semester 34 FASHION /BUYING 61 ADVANCED /INTERIOR DESIGN Semester 35 MARKETING /FOR LUXURY 62 CONTACTS & /CREDITS 4 5 MARANGONI /LIFE MUTATION There are some experiences in life that lead to a radical transformation, a life mutation, where what comes after is lightyears ahead of what preceded it. -
GQ Italia Compie 15 ANNI
GQ Italia compie 15 ANNI Milano 7 ottobre - Con il numero 181, in edicola mercoledì 8, GQ Italia compie 15 anni. Come nell'ottobre del 1999 in copertina c'erano due delle popstar più celebri del momento, Sting e Madonna, così oggi - in due cover speciali distinte - ci sono i protagonisti di due delle serie tv di maggior successo degli ultimi, uno dei nuovi fenomeni più diffusi della cultura pop: Bryan Cranston, il Walter White di "Breaking Bad", e Kevin Spacey, il perfido Frank Underwood di "House of Cards". Molte cose sono accadute in questi 15 anni, intorno a GQ, e molte altre ne accadranno. GQ ha chiesto di raccontarle a scienziati, economisti, esperti di tecnologia e di politica internazionale. A questo numero hanno collaborato grandi firme come: Luigi Zingales, Stefano Boeri, Francesco Merlo, Federico Rampini, Roberto Cingolani, Niccolò Ammaniti, Marco Gregoretti, Giorgio Terruzzi, Darwin Pastorin. E grandi fotografi come Norman Jean Roy, Patrick Demarchelier, Terry Richardson, Peter Lindbergh e Paolo Pellegrin. "Quindici anni sono passati dall'uscita nelle edicole italiane del primo numero di GQ. E' un compleanno leggero leggero. Siamo ancora adolescenti, in fondo. E con questo tipo di sguardo puro abbiamo guardato al periodo storico tra il 1999 e il 2014, coinvolgendo analisti e penne eccellenti. Oltre a molti storici collaboratori della testata. Questo tempo a cavallo tra due secoli è stato un momento storico straordinario, che ha portato a una ridefinizione totale e progressiva della percezione del mondo, della vita quotidiana, delle emozioni e delle relazioni. E ha trasformato per sempre l'uomo, il maschio". Così Carlo Antonelli, direttore di GQ. -
Expel Foreign Troops
stripes.com Volume 78, No. 186 ©SS 2020 MONDAY, JANUARY 6, 2020 50¢/Free to Deployed Areas KENYA Iraqi Parliament: Expel foreign troops Key base BY QASSIM ABDUL-ZAHRA INSIDE ton sent troops more than four years ment, Prime Minister Adel Abdul- AND BASSEM MROUE ago to help fight ISIS. The bill is non- Mahdi said that after the killing of Associated Press President binding and subject to approval by the Soleimani, the government has two Iraqi government but has the backing choices: End the presence of foreign used by BAGHDAD — Iraq’s Parliament issues online of the departing prime minister. troops in Iraq or restrict their mission called for the expulsion of U.S. forces But the vote was another sign of the to training Iraqi forces. from the country in reaction to the warning to blowback from the U.S. airstrike Fri- “As a prime minister and supreme American drone attack that killed a day that killed Iranian Gen. Qassem commander of the armed forces, I call top Iranian general, raising the pros- Soleimani and a number of top Iraqi US forces Iran against for adopting the first choice,” Abdul- pect of a troop withdrawal that could officials at the Baghdad airport. Solei- Mahdi said. cripple the battle against the Islamic retaliation for mani was the architect of Iran’s proxy Abdul-Mahdi resigned last year in State and allow a resurgence of the airstrike on wars across the Mideast and was response to the anti-government pro- extremists. blamed for the deaths of hundreds of overrun tests that have engulfed Baghdad and Lawmakers approved a resolution Soleimani Americans in roadside bombings and the mostly Shiite southern provinces. -
Understanding Fashion a Qualitative Content Analysis of the Audience Reactions to the Covers of British Vogue April 2021
Understanding Fashion A Qualitative Content Analysis of the audience reactions to the covers of British Vogue April 2021 Piotr Talarek Media and Communication Studies – Culture, Collaborative Media, and Creative Industries One-year master 15 credits Spring/Summer 2021 Supervisor: Temi Odumosu Word count: 16 102 Abstract This thesis aims to examine different independent fashion audience reactions to the covers of UK Vogue April 2021, which featured four upcoming models of color: Mona Tougaard, Janaye Furman, Achenrin Madit, and Precious Lee. The study focuses on responses gathered from two fashion sources: The Instagram account Diet Prada, and a fashion forum called The Fashion Spot. In addition, the design has been extended by The Fashion Spot fashion crowd’s reactions to the Vogue Italia July 2008 also known as “The Black Issue”. The thesis intends to associate the main research problem with the magazine industry and digital world of fashion, media producers and advertisers, the issue of power and female models diversity on the covers of Vogue. The study employs a method of qualitative content analysis. Additionally, Stuart Hall’s encoding and decoding model has been implemented to define the message displayed on the fashion magazine covers and to examine the readers' reactions based on the collected data. The findings show that even though the UK Vogue April 2021 covers met with positive reactions and approval from independent industry voices, some concerns have appeared. While British Vogue has been praised for its decision to feature four black models on the covers, it has been mentioned that other international editions of Vogue did not decide to follow this idea.