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Conservation of Twentieth-Century Outdoor Painted Sculpture Meeting Report June 4–5, 2012 © 2015 J
Meeting Report The Conservation of Twentieth-Century Outdoor Painted Sculpture Metropolitan Museum of Art, New York June 4-5, 2012 Tom Learner and Rachel Rivenc The Conservation of Twentieth- Century Outdoor Painted Sculpture M e e t i n g Re p o r t T h e M e t r o p o l i t a n M u s e u m o f A r t , N e w Yo r k June 4–5, 2012 Tom Learner and Rachel Rivenc THE GETTY CONSERVATION INSTITUTE LOS ANGELES The Conservation of Twentieth-Century Outdoor Painted Sculpture Meeting Report June 4–5, 2012 © 2015 J. Paul Getty Trust The Getty Conservation Institute 1200 Getty Center Drive, Suite 700 Los Angeles, CA 90049-1684 United States Telephone 310 440-7325 Fax 310 440-7711 E-mail [email protected] www.getty.edu/conservation Cover image: Roy Lichtenstein, Three Brushstrokes (1984), Getty Center, 2011 © Roy Lichtenstein Foundation Publication Coordinator: Gary Mattison The Getty Conservation Institute works to advance conservation practice in the visual arts, broadly interpreted to include objects, collections, architecture, and sites. It serves the conservation community through scientifi c research, education and training, model fi eld projects, and the broad dissemination of the results of both its own work and the work of others in the fi eld. And in all its endeavors, it focuses on the creation and dissemination of knowledge that will benefi t professionals and organizations responsible for the conservation of the world’s cultural heritage. The Conservation of Twentieth-Century Outdoor Painted Sculpture Meeting Report June 4–5, 2012 Contents -
Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed up to Defeat SOPA and Save the Internet
Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed Up to Defeat SOPA and Save the Internet EDITED BY DAVID MOON, PATRICK RUFFINI, AND DAVID SEGAL Hacking Politics THE ULTIMATE DOCUMENTATION OF THE ULTIMATE INTERNET KNOCK-DOWN BATTLE! Hacking Politics From Aaron to Zoe—they’re here, detailing what the SOPA/PIPA battle was like, sharing their insights, advice, and personal observations. Hacking How Geeks, Politics includes original contributions by Aaron Swartz, Rep. Zoe Lofgren, Lawrence Lessig, Rep. Ron Paul, Reddit’s Alexis Ohanian, Cory Doctorow, Kim Dotcom and many other technologists, activists, and artists. Progressives, Hacking Politics is the most comprehensive work to date about the SOPA protests and the glorious defeat of that legislation. Here are reflections on why and how the effort worked, but also a blow-by-blow the Tea Party, account of the battle against Washington, Hollywood, and the U.S. Chamber of Commerce that led to the demise of SOPA and PIPA. Gamers, Anarchists DAVID MOON, former COO of the election reform group FairVote, is an attorney and program director for the million-member progressive Internet organization Demand Progress. Moon, Moon, and Suits Teamed Up PATRICK RUFFINI is founder and president at Engage, a leading digital firm in Washington, D.C. During the SOPA fight, he founded “Don’t Censor the to Defeat SOPA and Net” to defeat governmental threats to Internet freedom. Prior to starting Engage, Ruffini led digital campaigns for the Republican Party. Ruffini, Save the Internet DAVID SEGAL, executive director of Demand Progress, is a former Rhode Island state representative. -
Announcement
Announcement 35 articles, 2016-03-26 12:02 1 Attend General Admission Thursday April 14th (VIP Opening Night Preview Party, 4PM–7PM — Open to all attendees) Friday April 15th – Sunday April 17th • Multi-Day Pass: $40.00 each. Valid for entire event: Thursday’s VIP Opening Preview Party and Friday through Sunday... 2016-03-26 12:02 1KB artexponewyork.com 2 A Showcase of Independent Artists Education, Events & Awards A Showcase of Independent Artists offers established and emerging independent artists the opportunity to showcase their work on an international stage in NYC. Over the decades, has become the ultimate venue for independent artists to be discovered—not only by gallery owners and art publishers—but by collectors and enthusiasts... 2016-03-26 12:02 1KB artexponewyork.com 3 lyric speaker it visualizes music and lyrics automatically in harmony via a bluetooth connect smartphone app which accesses a database. 2016-03-26 04:15 1KB www.designboom.com 4 GG loop showcases modular ever-changing furniture during milan design week 2016 the pieces are conceived to be transformed over time, according to the evolving needs of the user. 2016-03-26 01:30 3KB www.designboom.com 5 How Hot Reggae and a Fiery Pepper Made Johnny Rotten Cool: Photographer Dennis Morris Show in London How Hot Reggae and a Fiery Pepper Made Johnny Rotten Cool: Photographer Dennis Morris interviewed by Mark Beech about his London ICA show 2016-03-25 23:13 5KB www.blouinartinfo.com 6 Laurie Anderson at the Fitzgerald Theater: Danny Sigelman on The Language of the Future To spark discussion, the Walker invites Twin Cities artists and critics to write overnight reviews of our performances. -
Untroubled Irving Penn Works from the Pinault
Untroubled Irving Penn Works from the Pinault Collection 17 January - 28 April 2019 opening on January 16, 5 - 9 PM Curated by Matthieu Humery At Mina Image Centre In collaboration with the Pinault Collection Sponsored by: Banque Libano-Française On January 16, 2019 Mina Image centre will be launching its first exhibition “Untroubled” curated by Matthieu Humery and dedicated to one of the major photographers in the 20th century, Irving Penn, whose work will show for the first time in the Arab World. The exhibition will run till April 28, 2019. A press conference will be held at Mina Image Centre on Tuesday, January 15th at 11:00 a.m. The Curator of the exhibition Matthieu Humery and Mina's director Manal Khader will be available to answer all your questions. “Untroubled” draws from “Resonance”, an exhibition organized by the Pinault Collection at Palazzo Grassi in Venice in 2014, and includes 50 images combining platinum prints, gelatin silver prints, dye transfer prints. The show is not a retrospective and does not follow a chronological order, but aims to underline the development of styles, interests and techniques used by Irving Penn by focusing on the main themes tackled by the artist during his entire career: Small Trades, Corner Portraits, Still Life, Hands of Miles Davis, Icons, Decomposition, Vanities/ Memento Mori, Cranium Architecture, World Societies, thereby revealing the diversity in Irving Penn’s work, which is in itself an invaluable legacy to the world of photography. Penn subjects appear at first glance to be quite disparate: celebrities (Pablo Picasso, Alfred Hitchcock, Salvador Dali, Georgia O’Keeffe…), skulls, and cigarette butts… But to Penn, “It is all one thing”. -
Vogue Living Debuts New Furniture Collections
VOGUE LIVING DEBUTS NEW FURNITURE COLLECTIONS Condé Nast and Dorya to debut two new collections at High Point Market NEW YORK – April 10, 2018 – The Vogue Living collection, consisting of 65 pieces divided into two separate collections, Mayfair and Wiltshire, will be shown at High Point Market on April 14-18, 2018. The Wiltshire Collection, through warm tones of cherry and chestnut with pale velvets and florals, evokes a bucolic sensibility with pieces ideally suited for the country home that values comfort as highly as aesthetics. The Mayfair Collection is designed for the modern elegance of a city home, featuring strong statement pieces that draw inspiration from classic designs reinvented for today. ”We are pleased to partner with Dorya on the premier Vogue Living brand. Each piece is handmade and conveys the quality and luxury that Vogue stands for,” said Cathy Glosser, SVP of Licensing, Condé Nast. “The Vogue Living collections tap into a vast array of unique designs, supreme finishes, and stunning details to deliver unmatched craftsmanship,” says F. Doruk Yorgancioglu, president and chief executive officer, Dorya. “We wanted to achieve timelessness while staying relevant for today’s consumer.” The line is currently available through the trade and at vogueliving.dorya.com. Pictures from the line are available here. About Condé Nast: Condé Nast is a premier media company renowned for producing the highest quality content for the world's most influential audiences. Attracting more than 120 million consumers across its industry-leading print, digital and video brands, the company’s portfolio includes some of the most iconic titles in media: Vogue, Vanity Fair, Glamour, Brides, GQ, GQ Style, The New Yorker, Condé Nast Traveler, Allure, Architectural Digest, Bon Appétit, Epicurious, Wired, W, Golf Digest, Golf World, Teen Vogue, Ars Technica, The Scene, them, Pitchfork and Backchannel. -
Media Release
media release Contact Media: Communications Office 212.857.0045 or [email protected] Event: Samantha Mascali at 212.857.0032 or [email protected] International Center of Photography Announces 2011 Infinity Award Winners Elliott Erwitt Recognized for Lifetime Achievement; Ruth Gruber Receives Cornell Capa Award New York, NY (February 7, 2011) - The International Center of Photography (ICP) is proud to announce the recipients of the 27th Annual Infinity Awards. Recognized around the world, the awards are widely respected as the leading honor for excellence in the field of photography. The 2011 honorees will be celebrated at a gala event on Tuesday, May 10, at Pier Sixty, Chelsea Piers, in New York City. “Infinity Award recipients are dedicated to exploring photography’s cultural influence and how it opens new opportunities for communication and personal expression,” states ICP Ehrenkranz Director Willis E. Hartshorn. “This year’s recipients capture the importance of how photography shapes our sense of history in an ever more image-conscious world. We are pleased to recognize their achievements.” Each year ICP acknowledges the work of those whose powerful images and words excite, engage, and enliven us. Since 1985, the annual ICP Infinity Awards recognize major contributions and emerging talent in the fields of photojournalism, art, fashion photography, publishing, and writing. More than 700 prominent individuals from the business, fashion, philanthropy, art, entertainment and photography worlds are present to celebrate the world’s leading photography professionals and demonstrate their commitment to creative expression and artistic achievement. The full range of ICP’s programs, including exhibitions, education, collections, and community outreach benefit from funds raised by the Infinity Awards. -
Shifting Momentum: Abstract Art from the Noyes Collection
Education Guide April 5 – June 6, 2018 Shifting Momentum: Abstract Art from the Noyes Collection Free Opening Reception: Second Friday, April 13, 2018 6:00 – 8:00 pm Curator’s Talk by Chung-Fan Chang: 6:00pm This show features abstract works by Dimitri Petrov, Lucy Glick, Robert Natkin, Jim Leuders, W.D. Bannard, Robert Motherwell, Frieda Dzubas, Alexander Liberman, David Johnston, Hulda Robbins, Wolf Kahn, Deborah Enight, Oscar Magnan, and Katinka Mann. Lucy Glick, Quiet Landing, oil on linen, 1986 Dimitri Petrov was born in Philadelphia in 1919, grew up in an anarchist colony in New Jersey and spent much of his career in Philadelphia. In 1977, he moved to Mount Washington, Massachusetts. Petrov later attended the Pennsylvania Academy of Fine Arts and studied printmaking with Stanley Hayter at the Atelier 17 Workshop. He was a member of the Dada movement and a Surrealist painter and printmaker. He was also the editor of a surrealist newspaper, Instead, a member of the Woodstock Artists Association, and editor/publisher of publications including the “Prospero” series of poet-artist books "Letter Edged in Black". Lucy Glick, an artist whose vividly colored paintings were known for their bold lines and sense of movement was born in Philadelphia. Glick attended the Philadelphia College of Art from 1941 to 1943 and the Pennsylvania Academy of the Fine Arts from 1958 to 1962. Her paintings were a vehicle for expressing her emotions, usually with strong lines, energetic brush strokes and a luminous quality. Robert Natkin was born in Chicago in 1930 into a large Russian-Jewish immigrant family. -
Weeklies with Local Cartoons Are 'Truly Blessed'
Weeklies with local cartoons are ‘truly blessed’ By Marcia Martinek . Pages 1-3 Funding of journalism remains the Holy Grail By Anthony Longden . Pages 4-6 Fighting spirit: Competing hyperlocal sites outmatch regional newspaper’s community coverage By Barbara Selvin . Page 7-11 Extension journalism: Teaching students the real world and bringing a new type of journalism to a small town By Al Cross . Pages 12-18 Shared views: Social capital, community ties and Instagram By Leslie-Jean Thornton . Page 19-26 The EMT of multimedia: How to revive your newspaper’s future By Teri Finneman . Pages 27-32 volume 54, no. 3-4 • fall/winter 2013 grassroots editor • fall-winter 2013 Weeklies with local Editor: Dr. Chad Stebbins Graphic Designer: Liz Ford Grassroots Editor cartoons are ‘truly blessed’ (USPS 227-040, ISSN 0017-3541) is published quarterly for $25 per year by By Marcia Martinek the International Society of Weekly Newspaper Editors, Institute of International Studies, Missouri Southern When an 8-year-old girl saw an illustration in the Altamont (New York) Enterprise depict- State University, 3950 East Newman Road, ing her church, which was being closed by the Albany Diocese, she became upset. Forest Byrd, Joplin, MO 64801-1595. Periodicals post- then the illustrator for the newspaper, had drawn the church with a tilting steeple, being age paid at Joplin, Mo., and at strangled with vines as a symbol of what was happening in the diocese. additional mailing offices. The girl wrote to the newspaper, and Editor Melissa Hale-Spencer responded to her, explaining the role of cartoons in a newspaper along with affirming the girl’s action in writing POSTMASTER: Send address changes the letter. -
Review of Service Composition Interfaces
Sanna Kotkaluoto, Juha Leino, Antti Oulasvirta, Peter Peltonen, Kari‐Jouko Räihä and Seppo Törmä Review of Service Composition Interfaces DEPARTMENT OF COMPUTER SCIENCES UNIVERSITY OF TAMPERE D‐2009‐7 TAMPERE 2009 UNIVERSITY OF TAMPERE DEPARTMENT OF COMPUTER SCIENCES SERIES OF PUBLICATIONS D – NET PUBLICATIONS D‐2009‐7, OCTOBER 2009 Sanna Kotkaluoto, Juha Leino, Antti Oulasvirta, Peter Peltonen, Kari‐Jouko Räihä and Seppo Törmä Review of Service Composition Interfaces DEPARTMENT OF COMPUTER SCIENCES FIN‐33014 UNIVERSITY OF TAMPERE ISBN 978‐951‐44‐7896‐3 ISSN 1795‐4274 Preface This report was produced in the LUCRE project. LUCRE stands for Local and User-Created Services. The project is part of the Flexible Services research programme, one of the programmes of the Strategic Centre for Science, Technology and Innovation in the ICT field (TIVIT) and funded by Tekes (the Finnish Funding Agency for Technology and Innovation) and the participating organizations. The Flexible Service Programme creates service business activity for global markets. The programme has the aim of creating a Web of Services. The programme creates new types of ecosystems, in which the producers of services, the people that convey the service and the users all work together in unison. As part of such ecosystems, LUCRE will develop an easy-to-use, visual service creation platform to support the creation of context aware mobile services. The goal is to support user-driven open innovation: the end- users (people, local businesses, communities) will be provided with tools to compose new services or to modify existing ones. The service creation platform will build on the technology of existing mashup tools, widget frameworks, and publish/subscribe mechanisms. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
PANAHI-.Pdf (1.237Mb)
© Copyright by Hesam Panahi, 2010 USER-GENERATED CONTENT AND REVOLUTIONS: TOWARDS A THEORIZATION OF WEB 2.0 A Dissertation Presented to The Faculty of the C.T. Bauer College of Business University of Houston In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By Hesam Panahi December, 2010 Introduction ............................................................................................................ 1 Dissertationʼs Research Objective ..................................................................... 2 Dissertationʼs Research Methodology ................................................................ 3 References ......................................................................................................... 5 Paper One: A Critical Study of Social Computing and Web 2.0: The Case of Digg ............................................................................................................................... 6 Introduction ........................................................................................................ 7 Theoretical Background ..................................................................................... 9 Critical Studies of IS ....................................................................................... 9 A Critical Framework for Studying Social Computing ................................... 10 Research Methods ........................................................................................... 15 Why an Interpretive Approach .....................................................................