Sample Pages

Total Page:16

File Type:pdf, Size:1020Kb

Sample Pages EL-HI TEXTBOOKS & SERIALS IN PRINTÒ A Volume 1 Subject Index Art for All the Children: Approaches to Art Therapy for Children with ArtTalk: Reproducible Lesson Plans. Ragans. 2005. s.p. 28.50 A Disabilities. 2nd ed. Frances E. Anderson. (Illus.). 398p. 1992. 72.95 (978-0-07-860003-6(0)) Glencoe/McGraw-Hill. (978-0-398-05797-8(4)); pap. 48.95 (978-0-398-06007-7(X)) Thomas, Charles Arttalk: Reteaching Activities. 2000. s.p. 26.97 (978-0-02-662453-4(2)) C. Pub., Ltd. Glencoe/McGraw-Hill. ART (TEACHERS’ PROFESSIONAL BOOKS) Art for the Fun of It: A Guide for Teaching Young Children. Peggy Jenkins. ArtTalk: Teacher Classroom Resources. 4th ed. Ragans. 2005. s.p. 269.97 1980. pap. s.p. 5.56 (04723-3) Prentice Hall (Schl. Div.). (978-0-07-830601-3(9)) Glencoe/McGraw-Hill. Aesthetics: Issues & Inquiry. E. Louis Lankford. (Point of View Ser.). 106p. Art for Young Children. Donna Mussain. Leslie Britt, ed. (Kids’ Stuff Ser.). 1992. pap. 18.00 (978-0-937652-60-2(1), 214) National Art Education Assn. ArtTalk: Teacher Wraparound Edition. 4th ed. Ragans. 2005. s.p. 68.97 (Illus.). 80p. 1995. (gr. -1-k). pap. 9.95 (978-0-86530-309-6(6), IP 309-6) (978-0-07-830600-6(0)) Glencoe/McGraw-Hill. Architecture in Education: A Resource of Imaginative Ideas & Tested Incentive Pubns., Inc. Activities. Marcy Abhau, ed. (EIH) (gr. k-12). pap., tchr. ed. 25.00 resource Basic Technical Drawing: Instructor Resource Guide. 8th ed. Spencer, et al. bk. (9670-F3, Zephyr Pr.) Chicago Review Pr., Inc. Art, Grade 1: Teacher Resource Book. 3rd ed. Harcourt School Publishers 2004. (gr. 6-12). s.p. 70.98 (978-0-07-845750-0(5)) Glencoe/McGraw-Hill. Staff. (Harcourt School Publishers Art Everywhere Ser.). (ENG., Illus.). 96p. Art Activities for Children. George Hardiman & Theodore Zernich. 1981. s.p. Best of the Mailbox Arts & Crafts: Grades 2-3. The Mailbox Books Staff. 112p. 2003. (gr. 1-1). pap., tchr. ed. 44.55 (978-0-15-339496-6(X)) Harcourt Schl. 15.96 (04663-1) Prentice Hall (Schl. Div.). 2007. (gr. 2-3). 16.95 (978-1-56234-758-1(6), Mailbox Bks., The) Education Pubs. Art & the Child: An Integrated Art Curriculum, 7 vols., Set. Mary Lonergan. Ctr., Inc. 100 pgs. ea. vol. 1995. (E) (gr. k-6). Set pap., tchr. ed. 500.00 Art, Grade 4: Teacher Resource Book. 3rd ed. Harcourt School Publishers Book/Movie/Art Reviews S-X. Benchmark Education Company, LLC Staff, (978-0-9648575-0-6(2)) Lonergan, Mary. Staff. (Harcourt School Publishers Art Everywhere Ser.). (ENG., Illus.). 96p. compiled by. (Readers’ & Writers’ Genre Workshop Ser.). 2011. 195.00 Vol. 1. (978-0-9648575-1-3(0)) 2003. (gr. 4-4). pap., tchr. ed. 44.55 (978-0-15-339499-7(4)) Harcourt Schl. (978-1-4509-2913-4(3)) Benchmark Education Co. Pubs. Vol. 2. (gr. 1). (978-0-9648575-2-0(9)) Briefing Papers. 5.00 50 copies. (403) National Art Education Assn. Vol. 3. (gr. 2). (978-0-9648575-3-7(7)) Art History: A Contextual Inquiry Course. Virginia L. Fitzpatrick. (Point of View Cartooning 101: 6 Pack. Katherine Scraper, et al. (Early Connections Ser.). Vol. 4. (gr. 3). (978-0-9648575-4-4(5)) Ser.). 78p. 1992. pap. 18.00 (978-0-937652-59-6(8), 213) National Art 2011. 46.00 (978-1-4509-3205-9(3)) Benchmark Education Co. Vol. 5. (gr. 4). (978-0-9648575-5-1(3)) Education Assn. CEOE OSAT Art Sample Test Field 02. Sharon Wynne. XamOnline Staff, ed. Vol. 6. (gr. 5). (978-0-9648575-6-8(1)) Art in Story: Teaching Art History to Elementary School Children. Marianne (Xam Osat Ser.). (ENG.). 76p. 2006. per. 16.50 (978-1-58197-775-2(1)) Pub: Vol. 7. (gr. 6). (978-0-9648575-7-5(X)) Saccardi. (Illus.). xi, 313p. 1997. pap. 35.00 (978-0-208-02431-2(X), Library XAMonline, Inc. Dist(s): Ingram Publisher Services Art As a Basic: The Reformation in Art Education. W. Dwaine Greer. 137p. Professional Pubns.) Shoe String Pr., Inc. Child Development in Art. Anna Kindler, ed. 1997. pap. 22.00 1997. pap. 30.00 (978-0-87367-497-3(9), AB) Phi Delta Kappa Educational Art in the Classroom Series, 3 bks. suppl. ed. 4.95 ea. blackline masters. (978-0-937652-77-0(6), 221) National Art Education Assn. Foundation. Hayes Schl. Publishing Co., Inc. ChildArts: Integrating Curriculum Through the Arts. J. Garritson. 1979. (PE) Art, Books & Children: Art Activities Based on Children’s Literature. Joan Art Projects for Every Week of the School Year. 64p. (E) gr. k-3. 6.95 (gr. -1-2). s.p. 12.60 (978-0-201-02874-4(3)) Addison-Wesley Longman, Inc. Frost. (Illus.). 88p. 1984. (E) (gr. 1-6). spiral bd. 17.95 (978-0-938594-03-1(6)) (0-88313-897-2, H-AB825R) Child’s Right to the Expressive Arts. Mary R. Jalongo. 1990. 2.50 Special Literature Pr. Fifty Ready-to-Use Art Activities. 48p. (EI) (0-88313-866-2, H-AB823R) (978-0-87173-120-3(7), 229) Assn. for Childhood Education International. Art Connections. Kimberly B. Thompson & Diana S. Loftus. (Illus.). 176p. 1994. Three-Dimensional Art Projects for Holidays and Seasons. 48p. (E) gr. Claude Monet, Edward Degas, Mary Cassatt, Vincent van Gogh Teacher’s (EI) (gr. 4-8). pap. 17.95 (978-0-673-36080-9(6)) Good Year Bks. k-3. (0-88313-894-8, H-AB824R) Guide. Benchmark Education Company, LLC Staff. (Reader’s & Writer’s Art Connections: Teacher Support Materials, 6 levels. (E) (gr. k-5). 41.00 ea. Art Lessons for the Middle School: A Dbae Curriculum. Mary Walkup Genre Workshop Ser.). 2011. (978-1-4509-3051-2(4)) Benchmark Education Artist Profile Bk.; Grades k-5, Animals Through History Time Line. 10.00 Reynolds. (Illus.). 73p. 1992. (EI) (gr. 6-8). RL. 8 tchr. ed., per. 15.95 Co. (978-0-02-688374-0(0)); suppl. ed. 113.50 ea. large prints (12).; suppl. ed. (978-0-8251-2143-2(4), 0-21434) Walch Education. Collaboration in Art Education. Albert Hurwitz. (Illus.). 58p. 1993. pap. 18.00 51.50 ea.; stu. ed. 26.00 ea.; tchr. ed. 51.50; suppl. ed. 228.00 ea. Big Bk.; Art of Public Speaking: Instructor Annotated Edition. 8th ed. Lucas. 2004. (978-0-937652-67-1(9), 212) National Art Education Assn. suppl. ed. 172.50 Art Manipulatives Kit. (978-0-02-674357-0(4)); suppl. ed. (gr. 6-12). tchr. ed. s.p. 82.75 (978-0-07-293168-6(X)) Glencoe/McGraw-Hill. Crafts of Many Cultures: Thirty Authentic Craft Projects from Around the 3.18 student portfolios. (978-0-02-688375-7(9)) SRA/McGraw-Hill. Art of Public Speaking: Instructor CD-ROM (Testbank, PowerPoint(r)) 8th ed. World. Aurelia Gomez. (Instructor Bks.). (ENG.). 112p. 1992. (E) (gr. 1-6). Art Connections: Teacher Support Materials. (gr. 1-18). 49.77 Artist Profile Lucas. 2004. (gr. 6-12). cd-rom s.p. 15.00 (978-0-07-256413-6(X)) pap. 14.95 (978-0-590-49182-2(2)) Scholastic, Inc. Bk. (978-0-02-688339-9(2)); suppl. ed. 144.69 large prints. Glencoe/McGraw-Hill. Creating & Understanding Drawings: Teacher’s Resource Binder. Gene A. (978-0-02-688345-0(7)); suppl. ed. (978-0-02-688351-1(1));stu.ed. Art Projects by Design: A Guide for the Classroom, 1 vol. Del Klaustermeier. Mittler & James D. Howze. 2001. s.p. 168.45 (978-0-02-662234-9(3)) (978-0-02-688315-3(5)); tchr. ed. (978-0-02-687813-5(5)); suppl. ed. Big (Illus.). 199p. 1997. (EI) (gr. k-8). pap., tchr. ed. 28.00 (978-1-56308-441-6(4), Glencoe/McGraw-Hill. Bk. (978-0-02-688312-2(0)) LU4414, Libraries Unlimited) ABC-CLIO, LLC. Creating Curriculum in Art. Phillip C. Dunn. 96p. 1995. 18.00 Write Direction. Sharon Sicinski-Skeans. 1997. (gr. 4-18). 49.77 Artist Art Projects Made Easy: Recipes for Fun, 1 vol. Linda J. Arons. (Illus.). 165p. (978-0-937652-88-6(1), 256) National Art Education Assn. Profile Bk. (978-0-02-688342-9(2)); suppl. ed. 144.69 large prints. 1995. (E) (gr. 1-6). pap. 21.00 (978-1-56308-342-6(6), LU3426, Libraries Creative Responses: Art Ideas & Techniques to Use Across the Curriculum. (978-0-02-688348-1(1)); suppl. ed. (978-0-02-688354-2(6));stu.ed. Unlimited) ABC-CLIO, LLC. Sherryl Compston, et al. 96p. pap. 21.00 (978-0-7901-0925-1(5)) (978-0-02-688318-4(X)); tchr. ed. (978-0-02-687816-6(X)) arte de hacer tarjetas y regalos (Teacher Guide) Benchmark Education. Heinemann-Raintree. Write Direction. Sharon Sicinski-Skeans. 1997. (gr. 5-18). 49.77 Artist (Navigators Ser.). (SPA.). 2004. (gr. 4). instr.’s gde. ed. 3.00 Design Standards for School Art Facilities. 2nd ed. Mac A. Goodwin, ed. 34p. Profile Bk. (978-0-02-688343-6(0)); suppl. ed. 144.69 large prints. (978-1-4108-1997-0(3)) Benchmark Education Co. 1993. pap. 14.00 (978-0-937652-66-4(0), 204) National Art Education Assn. (978-0-02-688349-8(X)); suppl. ed. (978-0-02-688355-9(4));stu.ed. Arte Del Renacimiento Teacher’s Guide. Benchmark Education Company, LLC Designing Assessment in Art. Carmen L. Armstrong. 216p. 1994. pap. 25.00 (978-0-02-688319-1(8)); tchr. ed. (978-0-02-687817-3(8)) Staff. (Navigators Ser.). (SPA.). 2012. (gr. 6). (978-1-4509-6754-9(X)) (978-0-937652-71-8(7), 203) National Art Education Assn.
Recommended publications
  • Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
    Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate.
    [Show full text]
  • September 2007 Caa News
    NEWSLETTER OF THE COLLEGE ART ASSOCIATION VOLUME 32 NUMBER 5 SEPTEMBER 2007 CAA NEWS Cultural Heritage in Iraq SEPTEMBER 2007 CAA NEWS 2 CONTENTS FEATURES 3 Donny George Is Dallas–Fort Worth Convocation Speaker FEATURES 4 Cultural Heritage in Iraq: A Conversation with Donny George 7 Exhibitions in Dallas and Fort Worth: Kimbell Art Museum 8 Assessment in Art History 13 Art-History Survey and Art- Appreciation Courses 13 Lucy Oakley Appointed caa.reviews Editor-in-Chief 17 The Bookshelf NEW IN THE NEWS 18 Closing of CAA Department Christopher Howard 19 National Career-Development Workshops for Artists FROM THE CAA NEWS EDITOR 19 MFA and PhD Fellowships Christopher Howard is editor of CAA News. 21 Mentors Needed for Career Fair 22 Participating in Mentoring Sessions With this issue, CAA begins the not-so-long road to the next 22 Projectionists and Room Monitors Needed Annual Conference, held February 20–23, 2008, in Dallas and 24 Exhibit Your Work at the Dallas–Fort Fort Worth, Texas. The annual Conference Registration and Worth Conference Information booklet, to be mailed to you later this month, 24 Annual Conference Update contains full registration details, information on special tours, workshops, and events at area museums, Career Fair instruc- CURRENTS tions, and much more. This publication, as well as additional 26 Publications updates, will be posted to http://conference.collegeart.org/ 27 Advocacy Update 2008 in early October. Be sure to bookmark that webpage! 27 Capwiz E-Advocacy This and forthcoming issues of CAA News will also con- tain crucial conference information. On the next page, we 28 CAA News announce Donny George as our Convocation speaker.
    [Show full text]
  • Patrick Olliffe Interview & Demo Al Williamson the Man & His Work Remembered by Torres, Blevins, Schultz, Yeates, Ross, and Veitch
    #23 SUMMER 2012 $7.95 In The US THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS AND CARTOONING PATRICK OLLIFFE INTERVIEW & DEMO AL WILLIAMSON THE MAN & HIS WORK REMEMBERED BY TORRES, BLEVINS, SCHULTZ, YEATES, ROSS, AND VEITCH ROUGH STUFF’s BOB McLEOD CRITIQUES A Spider-Man TM Spider-Man & ©2012 Marvel Characters, Inc. NEWCOMER’S WORK PLUS: MIKE MANLEY AND BRET BLEVINS’ Contains nudity for demonstration of figure drawing • Mature Readers Only 0 2 1 82658 27764 2 THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS & CARTOONING WWW.DRAW-MAGAZINE.BLOGSPOT.COM SUMMER 2012 TABLE OF CONTENTS VOL. 1, NO. 23 Editor-in-Chief • Michael Manley Designer • Eric Nolen-Weathington PAT OLLIFFE Publisher • John Morrow Mike Manley interviews the artist about his career and working with Al Williamson Logo Design • John Costanza 3 Copy-Editing • Eric Nolen- Weathington Front Cover • Pat Olliffe DRAW! Summer 2012, Vol. 1, No. 23 was produced by Action Planet, Inc. and published by TwoMorrows Publishing. ROUGH CRITIQUE Michael Manley, Editor. John Morrow, Publisher. Bob McLeod gives practical advice and Editorial address: DRAW! Magazine, c/o Michael Manley, 430 Spruce Ave., Upper Darby, PA 19082. 22 tips on how to improve your work Subscription Address: TwoMorrows Publishing, 10407 Bedfordtown Dr., Raleigh, NC 27614. DRAW! and its logo are trademarks of Action Planet, Inc. All contributions herein are copyright 2012 by their respective contributors. Action Planet, Inc. and TwoMorrows Publishing accept no responsibility for unsolicited submissions. All artwork herein is copyright the year of produc- THE CRUSTY CRITIC tion, its creator (if work-for-hire, the entity which Jamar Nicholas reviews the tools of the trade.
    [Show full text]
  • Artist's Proposal
    Gabbert Artist’s Proposal 14th Street Roundabout Page 434 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor Ladies and Gentlemen, Thank you for this opportunity. For your consideration I propose a work tentatively titled “Flame”. I believe it to be simple-yet- compelling, symbolic, and appropriate to this setting. Dimensions will be 20 feet high by 14.5 feet wide by 14.5 feet deep. It sits on a 3.5 feet high by 9 feet in diameter base. (not accurately dimensioned in the 3D graphics) The composition. The design has substance, and yet, there is practically no impediment to drivers’ visibility. After review of the design by a structural engineer the flame flicks may need to be pierced with openings to meet the 150 mph wind velocity requirement. I see no problem in adjusting the design to accommodate any change like this. Fire can represent our passions, zeal, creativity, and motivation. The “flame” can suggest the light held by the Statue of Liberty, the fire from Prometheus, the spirit of the city, and the hearth-fire of 612.207.8895 | jgsculpture.webs.com | [email protected] 14th Street Roundabout Page 435 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor home. It would be lit at night with a soft glow from within. A flame creates a sense of place because everyone is drawn to a fire. A flame sheds light and warmth. Reference my “Hopes and Dreams” in my work example to get a sense of what this would look like. The four circles suggest unity and wholeness, or, the circle of life, or, the earth/universe.
    [Show full text]
  • Alternate PDF Version
    CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS ERB “AUTO-BIOGRAPHY” ENVELOPE The Gridley Wave #331 (April 2010) reported an unknown variant edition of ERB’s “An Auto-Biography,” published in 1916 by the Republic Motor Truck Co, Inc. Characterized as a possible “trade” edition, it was bound in illustrated card board covers. Bibliophiles member Joe Lukes reported to George McWhorter in late May that he had just purchased a mint copy of this variant, which arrived in a still- unopened envelope originally created as the mailer for the book. Joe provided these imag es of this unique envelope featuring the special artwork. In Memoriam Illustrator Al Williamson (21 March 1931 – 12 June 2010). As a teen in the 1940s, Williamson took art classes with Burne Hogarth, and later attended Hogarth's Cartoonists and Illustrators School, where he met Roy Krenkel. Among Williamson’s very first profes- sional work were laying out and penciling a number of Tarzan newspaper Sunday pages for Hogarth in 1948. Williamson reported that he had recommended John Celardo to assist Hogarth on the strip. In the early 1950s, Williamson was the youngest member in the acclaimed EC Comics stable of artists, often collaborating with Frank Frazetta. Williamson’s photorealistic pen-and-brush style and dynamic composition earned him the highest accolades from peers and fans for decades, and he became a mentor to many promising artists over the years, including Michael Kaluta. Williamson was a Al Williamson in the 1950s. featured guest at the 1998 Baltimore Dum-Dum. The Gridley Wave #334 ♦ July 2010 Published monthly for The Burroughs Bibliophiles as a supplement to The Burroughs Bulletin.
    [Show full text]
  • Jewish Interest Titles Spring 2017
    Jewish Interest Titles Spring 2017 {PLEASE CONTACT [email protected] FOR MORE INFO} Am I My Body's Keeper? Torah, Diet, and Fitness -- for Life Michael Kaufman Summary In this day and age it is nearly impossible to stay 100% healthy and fit. Between long hours sitting in an office chair, balancing a family, and accomplishing everything else on your to-do list, it's no wonder that health has become a relative term. To combat this, Michael Kaufman shows you how to extend your life by living healthy and fit. Am I My Body's Keeper contains no magic life-extending elixir, nor a secret map to help you discover the fountain of youth. Am I My Body's Keeper provides a simple guide to changing your lifestyle, from the sedentary one characterizing most of society to an active one emphasizing physical activity and healthy eating. The simple lifestyle changes advocated Urim Publications by this book will give you vim and vigor, health and fitness during those additional years of life you 9789655242669 will be gaining. Based upon the timeless teachings of the Jewish sages as well as scientific research, Pub Date: 5/2/17 Am I My Body's Keeper is a guide for good, healthy living. It is for young and old, men and Ship Date: 5/2/17 women—for everyone who wishes to be healthy and fit and to live a long life. $26.95/$35.95 Can. Discount Code: LON Hardcover Contributor Bio Dr. Michael Kaufman is a distinguished scholar and author and studied at Yeshiva and Mesivta Torah 300 Pages Vodaath, Telshe Yeshiva, Brooklyn College, and the University of Louisville.
    [Show full text]
  • Laurence King Fall 2018
    Laurence King Fall 2018 Gifts The Gift Lab team Clockwise from top left: Commissioning Editors Pistachio, Lü-Bên, Liz, Sarah and John the spy, Production Manager Sian, Art Director Charlotte and in the centre, Editorial Director Marc. Illustration by Claudia Boldt. Dear Gift Lab Guinea Pig, We are pleased to announce that the Gift Lab has now found a formula to resolve the question: Do You Look Like Your Dog?. It comes in the shape of a memory game connecting assertive hounds with their easily manipulated humans. Talking of existential questions, Cat Gurus gathers the wisdom of history’s most influential felines to provide therapeutic, moral, and spiritual support for generations of cat lovers to come. And in case you happen to be more trend- than cat-conscious, Fashion Oracles collects life and style guidance from the world’s most fabulous fashion figures. Gift Science continue apace as two new series explore the world of art. The first series applies the systematically random medium of playing cards to investigate the nature of ‘phenomenal gifts’ with Genius: Art and Genius: Music. The second series uses jigsaw puzzles to piece together the story of art movements such as Impressionism and Surrealism. The equally imprecise measuring device of Go Fish was utilized to re-evaluate the key role played by women in all kinds of fields, from politics and literature to flying and sports. And if that weren’t ambitious enough, we have discovered scientific methods for turning your baby into an art critic or a zoologist. But the year’s greatest achievement was to develop the most astonishing spotting game ever with I Saw It First! Jungle and its iconic pyramid-shaped box.
    [Show full text]
  • Final Docent Booklet.Pub
    2009 Docent Booklet May 2 - July 19, 2009 Celebrating 6060 Years of Fine Art in Florida Purpose: The Florida Artist Group (FLAG) was incorporated in 1949, as a non-profit organization of practicing artists. Made up of artists whose work has attained national or state-wide recognition, the purpose of the group is to stimulate attainment of the highest standards of creative art within the State of Florida. Annual Symposium: Since 1949, the Florida Artist Group has held a symposium and a members' exhibition each year in a different Florida city. Education and other cultural aims are advocated at these meetings through lectures, panel discussions, films and demonstrations. In addition to the symposium and exhibition held in the spring, area exhibitions and meetings are sponsored at other times in various places in the state. The nature of these meetings follows the character of the spring meeting. These meetings also serve to bring the members of the organization closer together. Members' Annual Exhibition: The annual Exhibition is juried for awards (currently nine) that are presented at the awards banquet held as part of the Symposium. The Florida Artist Group hosts an eminent artist, educator, curator or museum professional to act as juror and keynote speaker at the symposium. For more information please visit our web site www.FloridaArtistGroup.org Ahlin Haiku Watercolor on Maja, 60” x 20” Area V Beverlee Ahlin was educated at Boston University, The Corcoran College of Art and Design with Gene Davis of the Washington Color Painters, oriental brushwork with Diana Kan and was sous chef for Julia Child on the French Chef TV series.
    [Show full text]
  • F18-Laurence-King.Pdf
    Fall 2018 Fall Laurence King Laurence Laurence King Fall 2018 Dear Bookseller, “Astonish me” Diaghilev’s famous injunction to Jean Cocteau seems very good advice for publishers, if hard to follow, but I hope that there is plenty that is surprising in this list, which is, I think, the richest and most varied we have published. TTT: Tattoo is original in its scale and ambition. At 528 pages, with more than 1,600 illustrations showing the work of more than 350 artists, and with essays on key themes, this book provides the definitive overview of contemporary tattoo culture. The range and quality of the work is truly amazing. In Val Garland’s Validated: The Makeup of Val Garland, it is again Val’s work that is astonishing, making it clear why she is the leading makeup artist in the world, eagerly sought as a collaborator by fashion houses and supermodels, whom students all over the world queue up to hear speak. Thibaud Herem’s specially commissioned illustrations for The Maze: A Labyrinthine Compendium capture the mystery of this most ancient of art forms in a book that is carefully crafted into an exquisitely beautiful object. While there have been other books on aspects of Steve McCurry’s work, none begins to approach the comprehensiveness of Steve McCurry: Whatever It Takes: 40 Years of Photography, written by his sister with unique access to his archive, providing the only complete account of the career of this great and very popular photographer. Where’s the Dude? The Great Movie Spotting Challenge takes a highly original approach to the “seek and find” genre, as the Dude from The Big Lebowski slouches his way into other great films.
    [Show full text]
  • Fine Art Preview
    FINE ART PREVIEW COLLECTABLE ARTWORK FOR A CONTEMPORARY LIFESTYLE APRIL EDITION Contact the gallery to discuss the opportunities of purchasing ORIGINAL ARTWORK BY YOUR FAVOURITE ARTIST Original Painting by Emma Davis Title: A Fresh Start, Spring 03 Reflections 04 Mackenzie Thorpe Famous Face 12 in a Crowd Welcome to the Craig Alan latest edition of Fine Art Preview which presents a spectacular celebration of contemporary art for April. All of these exclusive limited editions are available to pre- The Big Tease 16 Jack order online today, or can be viewed in the Vettriano gallery after their release dates. Featuring six of the most acclaimed artists on the contemporary scene, these collections whisk us from the vintage promenades of the Cote D’Azur to the wild meadows of Yorkshire in the company of flirtatious couples and magical creatures. Two major highlights are our inaugural collection of lyrical abstracts Spellbound from the extraordinary Simon Kenny, and an 20 Kerry Darlington inspirational series of ‘Reflections’ from the great Mackenzie Thorpe. And don’t be late for your Royal Appointment…. Wild and Free 30 Gary Benfield Infinite 40 Impressions Simon Kenny 04 MACKENZIE THORPE REFLECTIONS 2016 was an eventful year in the first, and then his second, grandchild. Thorpe household. As the months But in the midst of so much joy came unfolded, Mackenzie celebrated his some darker moments when he found 60th birthday and the birth of his himself dealing with a diagnosis of cancer. Following treatment, Mackenzie is now happily and gratefully in remission. After experiencing such major life- changing events, he found himself in a reflective mood, revisiting thoughts and memories reaching back into his own childhood.
    [Show full text]
  • A Pictorial History of Comic-Con
    A PICTORIAL HISTORY OF COMIC-CON THE GOLDEN AGE OF COMIC-CON The 1970s were the formative years of Comic-Con. After finding its home in the El Cortez Hotel in downtown San Diego, the event continued to grow and prosper and build a national following. COMIC-CON 50 www.comic-con.org 1 OPPOSITE PAGE:A flier for the Mini-Con; the program schedule for the event. THIS PAGE: The Program Book featured a pre-printed cover of Balboa Park; photos from the Mini-Con, which were published in the Program Book for the first three-day MINI-CON Comic-Con held in August (clockwise MINI-CON from left): Forry Ackerman speaking; Mike Royer with some of his art; Comic-Con founding committee member Richard Alf NOTABLE MARCH 21, 1970 at his table; Ackerman at a panel discus- sion and with a fan; and Royer sketching GUESTS live on stage. The basement of the U.S. Grant Hotel, Downtown San Diego Attendance: 100+ Officially known as “San Diego’s Golden State Comic-Minicon” (the hyphen in Minicon comes and goes), this one-day event was held in March to raise funds for the big show in August, and FORREST J ACKERMAN was actually the first-ever West Coast comic convention. Most Comic-Con’s first-ever guest was the popular editor of Famous of those on the organizing com- Monsters of Filmland, the favorite mittee were teenagers, with the movie magazine of many of the major exceptions of Shel Dorf (a fans of that era. He paid his own recent transplant from Detroit way and returned to Comic-Con who had organized the Triple numerous times over the years.
    [Show full text]
  • The Longboat Key Education Center 2020-2021
    THE LONGBOAT KEY EDUCATION CENTER 2020-2021 AT THE CENTRE SHOPS OF LONGBOAT KEY iPHONES, iPODS & iPADS SATURDAY WORKSHOPS PERFORMING ARTS MORNING FORUMS LECTURE SERIES BROADWAY BIOS BOOK GROUPS WRITING COURSES MOVIE GOING MEDITATION LITERATURE LIVE BANDS ebratin MAH JONGG el g WELLNESS C QIGONG MAGIC FILMS YOGA BRIDGE FITNESS Years CANASTA RELIGION PHOTOGRAPHY FIELD TRIPS NATURE WALKS AMERICAN HISTORY ALL ABOUT DOGS FISHING & BIRDING THE SUPREME COURT ART & DANCE HISTORY ANTI-AGING PROGRAMS MUSIC APPRECIATION FINE AND APPLIED ARTS WORLD POLITICS AND EVENTS The Longboat Key Education Center HISTORY & MISSION: Founded by Laura Taubes in 1985, and directed by Susan Goldfarb since 1996, The Longboat Key Education Center provides enrichment programing and lifelong learning for all adults regardless of residence or educational background. A desire to continue learning is the only prerequisite. WHAT: The Center is a not-for-profit educational organization 501(c)(3). It offers non-credit courses for adults in the fine and applied arts, humanities, liberal arts, natural and social sciences. Also available are recreational courses, field trips, daytrips, a lecture series and performing arts programs. The Gallery at The Longboat Key Education Center is open to the public and exhibits works by local artists and faculty members on a rotating basis throughout the season. WHERE: The Center is located at 5370 Gulf of Mexico Drive, Suite #212, at The Centre Shops on Longboat Key. Access for handicapped persons is provided. WHEN: The Center is open from October to late April. The programs are divided into three terms: Fall, Winter and Spring. Office Opens: Monday, October 5, 2020 Fall Term Begins: Monday, October 12, 2020 No Classes: Thanksgiving Week.
    [Show full text]