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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
First Steps with the Drum Set a Play Along Approach to Learning the Drums
First Steps With The Drum Set a play along approach to learning the drums JOHN SAYRE www.JohnSayreMusic.com 1 CONTENTS Page 5: Part 1, FIRST STEPS Money Beat, Four on the Floor, Four Rudiments Page 13: Part 2, 8th NOTES WITH ACCENTS Page 18: Part 3, ROCK GROOVES 8th notes, Queen, R.E.M., Stevie Wonder, Nirvana, etc. Page 22: Part 4, 16th NOTES WITH ACCENTS Page 27: Part 5, 16th NOTES ON DRUM SET Page 34: Part 6, PLAYING IN BETWEEN THE HI-HAT David Bowie, Bob Marley, James Brown, Led Zeppelin etc. Page 40: Part 7, RUDIMENTS ON THE DRUM SET Page 46: Part 8, 16th NOTE GROOVES Michael Jackson, Erykah Badu, Imagine Dragons etc. Page 57: Part 9, TRIPLETS Rudiments, Accents Page 66: Part 10, TRIPLET-BASED GROOVES Journey, Taj Mahal, Toto etc. Page 72: Part 11, UNIQUE GROOVES Grateful Dead, Phish, The Beatles etc. Page 76: Part 12, DRUMMERS TO KNOW 2 INTRODUCTION This book focuses on helping you get started playing music that has a backbeat; rock, pop, country, soul, funk, etc. If you are new to the drums I recommend working with a teacher who has a healthy amount of real world professional experience. To get the most out of this book you will need: -Drumsticks -Access to the internet -Device to play music -Good set of headphones—I like the isolation headphones made by Vic Firth -Metronome you can plug headphones into -Music stand -Basic understanding of reading rhythms—quarter, eighth, triplets, and sixteenth notes -Drum set: bass drum, snare drum, hi-hat is a great start -Other musicians to play with Look up any names, bands, and words you do not know. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
A Compact Drum Kit That's Great for Kids
Shells ABD1520T ABD1522T ATT1510U ATT1512U ATT1513U AFT1516 AFT1518 ASD0545 Additional TB1030AA TB1230AA RMGW RMCW Hardware TH945A x2 HS1100 CS845 SS940 DFP9410 FP9410 CH745 x4 CH740 x3 TH904 WHS860S WS865 x2 AC910 CWH930 HSAT930 1 Lug Nut Lug Nut Holding Plate Bolt on Shell (Patent Pend) In taking an entirely fresh approach to lug design, our craftsmen have come up with an ideal design Air hole, YESS and that delivers greater sound performance and bolts on the shell side are all positioned convenience. These new lugs hook onto bolts that at the shell’s nodal are attached to the shell, which allows the lug point. casings themselves to "float" eliminating any direct contact between the lug and the shell. As this design reduces the amount of hardware actually attached to the drum shell, the shell is allowed to vibrate freely. On an 11-inch shell the lug bolts, as well as the YESS mounting system, are all attached to the shell at its nodal point to greatly minimize influence on shell resonance to deliver maximum tone. Another benefit these lugs provide is when it comes time to change the head, it is no longer necessary to remove the tuning bolts from the lugs to remove the hoop. Just loosen the bolts enough to slide the lugs off of the bolts and the hoop comes right off. No more lost washers, etc. and head changes can be done quicker and easier than before. * Nodal point mounting is patented by the Nobel & Cooley Drum Company. Nylon Ring * Beside the Absolute Nouveau Lugs, the Absolute lugs that were offered on O Ring earlier models are also available. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
CED Digest, Vol. 7
************************************************************************ ************************************************************************ CED Digest Vol. 7 No. 1 1/5/2002 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 6, 1982: * Archbishop Jozef Glemp, the Roman Catholic primate of Poland, tells a congregation in Warsaw's St. John's Cathedral that those who signed oaths renouncing Solidarity were coerced by the government and the oaths have no validity. January 7, 1982: * Presidential counselor Edwin Meese III reads a statement that reverses President Reagan's pre-election stand against the registration of 18-year-old males for a possible future military draft. * The Winter 1982 Consumer Electronics Show begins in Las Vegas, Nevada. While a year earlier the RCA VideoDisc system had been one of the most prominent introductions, at the 1982 show the VHD VideoDisc holds the spotlight with a large display space sporting the slogan "There's More to See on VHD." Other notable video-related introductions include the Technicolor CVC mini-cassette VCR system, the first tubeless consumer video camera, and the first Pioneer LaserDisc player with CX noise reduction. A picture of the VHD booth at the Winter 1982 CES can be seen at this URL: http://www.cedmagic.com/history/vhd-1982-ces.jpg January 8, 1982: * Spokesmen for the American Telephone & Telegraph Company (AT&T) and the U.S. Department of Justice announce the settlement of a seven-year-old antitrust case which will result in AT&T divesting itself of 22 telephone companies, effectively breaking up the monopoly. * Future CED title in widespread theatrical release: Four Friends. January 9, 1982: * A frigid blast of artic air arrives in the United States bringing with it a week of record low temperatures. -
Enrico Caruso and Eduardo Migliaccio
Differentia: Review of Italian Thought Number 6 Combined Issue 6-7 Spring/Autumn Article 15 1994 Performing High, Performing Low: Enrico Caruso and Eduardo Migliaccio Esther Romeyn Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Romeyn, Esther (1994) "Performing High, Performing Low: Enrico Caruso and Eduardo Migliaccio," Differentia: Review of Italian Thought: Vol. 6 , Article 15. Available at: https://commons.library.stonybrook.edu/differentia/vol6/iss1/15 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. Performing High, Performing Low: Enrico Caruso and Eduardo Migliaccio Esther Romeyn It is an evening during World War I. In a little theater on Mulberry Street, the heart of New York's Little Italy, the public awaits the appearance of the Italian American clown Eduardo Migliaccio, better known under his stage name "Farfariello," who will perform in a tribute to the Italian war effort. The evening, according to the journalist covering the festivities, "promises to be an enormous success, not only on the artistic level, but also as an affirmation of Italianness." 1 With a sense of pathos appropriate to the occasion, his account portrays the unfolding of events: It was an evening in honor of Farfariello, an evening benefitting the Italian patriotic cause. In a box in the front, Enrico Caruso was present as well. The stage was all adorned with Italian flags. -
Pacific Ocean Blue Bambu
Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it. -
Kenny Rogers What About Me? Mp3, Flac, Wma
Kenny Rogers What About Me? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country Album: What About Me? Country: Canada Released: 1984 Style: Country, Ballad, Vocal MP3 version RAR size: 1722 mb FLAC version RAR size: 1309 mb WMA version RAR size: 1958 mb Rating: 4.8 Votes: 432 Other Formats: VQF AC3 MIDI DTS WMA FLAC ADX Tracklist Hide Credits What About Me? A1 Featuring – James Ingram, Kim Carnes A2 The Night Goes On A3 Dream Dancin' A4 Two Hearts, One Love I Don't Want To Know Why A5 Featuring – Cindy Fee B1 Didn't We? B2 Somebody Took My Love B3 Crazy B4 The Stranger B5 Heart To Heart Companies, etc. Phonographic Copyright (p) – RCA Records Copyright (c) – Kenny Rogers Manufactured By – RCA Inc. Distributed By – RCA Inc. Credits Backing Vocals – Cindy Fee, Herb Pedersen, Ken Cetera*, Kenny Rogers, Kenny Rogers II, Portia Griffin, Richard Marx, Terry Williams Backing Vocals, Bass – Joe Chemay Backing Vocals, Guitar – Kin Vassy Bass – Dennis Belfield, Nathan East, Neil Stubenhaus Drums – Ed Greene , John Robinson Guitar – Billy Joe Walker*, Dan Huff*, Fred Tackett, Michael Landau, Paul Jackson, Jr.* Keyboards – David Foster, Jimmy Cox*, John Hobbs, Randy Kerber, Tom Keane Keyboards, Synthesizer – Erich Bulling Percussion – Michael Temple , Sheila Escovedo, Steve Foreman* Saxophone – Gary Herbig Synthesizer – Marcus Ryle Notes ℗ 1984 RCA Records © 1984 Kenny Rogers Other versions Category Artist Title (Format) Label Category Country Year AJL1-5335, Kenny What About Me? RCA Victor, RCA AJL1-5335, US 1984 AFL1-5043 Rogers (LP, Album) Victor AFL1-5043 Kenny What About Me? SFL10110 Starcall Records SFL10110 Australia 1984 Rogers (LP, Album) Kenny What About Me? PK 85043 RCA PK 85043 Europe 1984 Rogers (Cass) Dreamcatcher Kenny What About Me? Records, Castle CMRCD698 CMRCD698 UK 2003 Rogers (CD, Album, RE) Music, Sanctuary Records Kenny What About Me? AFL1-5043 RCA Victor AFL1-5043 US 1984 Rogers (LP, Album) Related Music albums to What About Me? by Kenny Rogers 1. -
Cultural Analysis of Jonathan Demme's "The Silence of the Lambs"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 Cultural analysis of Jonathan Demme's "The Silence of the Lambs" Arthur S. Almquist The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Almquist, Arthur S., "Cultural analysis of Jonathan Demme's "The Silence of the Lambs"" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 1952. https://scholarworks.umt.edu/etd/1952 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike " - MANSFIELD LIBRARY ' - The University of MONTANA Pennission is granted by the author to reproduce tliis material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature Date ^ Any copying for commercial purposes or financial gain may be undertaken only with tlie author's explicit consent. A CULTURAL ANALYSIS OF JONATHAN DEMME'S THE SILENCE OF THE LAMBS by Arthur S. Almquist presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1996 Approved by: Chairperson Dean, Graduate School 5- Date UMI Number; EP35166 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
October 1987
Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers.