CHAPTER I INTRODUCTION A. Background of the Study Human
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The Eddie Awards Issue
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. -
PRESALES LINE-UP 2021 ©Mastiff
C=0 M=56 Y=75 K=0 reservoir docs PRESALES LINE-UP 2021 ©Mastiff TEASER LEGACY Password: jazz By Manal Masri (filmmaker of the awardedLetters to a Serial Killer) Sweden • 90’ & 6X30’ 1 PRESALES LINE-UP 2021 • RESERVOIR DOCS Legacy The Scandinavian legacy of American jazz musicians Imagine that Drake, Kendrick Lamar, Beyonce and Cardi B all Production: moved to Scandinavia. They played gigs at local clubs and toured Mastiff school auditoriums all over their adopted countries, while finding In coproduction with partners and having children at the same time. SVT, DR, YLE Budget: This did happen, just in a previous era. From the late 1950s up to 591K€ the 1970s, some of the greatest African-American jazz musicians Expected delivery: moved to Sweden/Scandinavia, making new families and a lasting Winter 2021/2022 musical impression on the country. Assets already available: Teaser, Project description with Legacy is an account of their lives, their music and their families comprehensive cast (Quincy and their legacies. We follow their children, now grown, who share Jones, Clint Eastwood, …) their stories for the first time: about growing up with a world-fa- What we are looking for: mous father, yet getting teased at school about their dark skin. Presales (TV and all rights distribution deals), A European coproduction This series is as much a documentary about music as it is a por- partner, trait of how individual experiences of race, visions of society and a passionate US executive artistic dreams intersect, giving rise to an entirely new musical -
2012Woodstockfilmfestivalpre
FEATURES World Premiere East Coast Premiere East Coast Premiere 2nd Serve 419 Any Day Now Apartment in Athens Directed by Tim Kirkman Directed by Ned Thorne Directed by Travis Fine (Appartamento ad Atene) USA / 2012 / 89 minutes USA / 2012 / 90 minutes USA / 2012 / 98 minutes Directed by Ruggero Dipaola Utopia Studios WOODSTOCK Upstate Films WOODSTOCK Italy / 2011 / 95 minutes Upstate Films WOODSTOCK Sat Oct 13 • 7:30PM Fri Oct 12 • 9:30PM Fri Oct 12 • 7:00PM In Greek and German with subtitles Upstate Films I RHINEBECK Upstate Films II RHINEBECK Upstate Films II RHINEBECK Sun Oct 14 • 6:30PM Sat Oct 13 • 9:30PM Upstate Films I RHINEBECK Sat Oct 13 • 7:00PM Sat Oct 13 • 2:00PM Owen “Game Set” Match (Josh Hopkins) Ned Thorne’s directorial debut is a Set in the 1970s, Travis Fine’s Any Day Upstate Films WOODSTOCK is one of the best tennis pros around. He documentary-style narrative that gives Sun Oct 14 • 7:30PM Now explores the unique struggles of a coasts through life while working at the af- a raw look at what a man will do when Ruggero Dipaulo brings home the pain gay couple as they fight both prejudice fluent Fountain Club, until his bad decisions he feels he has nothing left to lose. of occupation of World War II in his and the law for custody of a a junkie lead to him being fired by his boss and high A struggling American actor (Mike Ivers) feature debut, Apartment in Athens, neighbor’s neglected and abandoned school tennis nemesis Charles (Dash Mihok). -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Cultural Analysis of Jonathan Demme's "The Silence of the Lambs"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1996 Cultural analysis of Jonathan Demme's "The Silence of the Lambs" Arthur S. Almquist The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Almquist, Arthur S., "Cultural analysis of Jonathan Demme's "The Silence of the Lambs"" (1996). Graduate Student Theses, Dissertations, & Professional Papers. 1952. https://scholarworks.umt.edu/etd/1952 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike " - MANSFIELD LIBRARY ' - The University of MONTANA Pennission is granted by the author to reproduce tliis material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature Date ^ Any copying for commercial purposes or financial gain may be undertaken only with tlie author's explicit consent. A CULTURAL ANALYSIS OF JONATHAN DEMME'S THE SILENCE OF THE LAMBS by Arthur S. Almquist presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana 1996 Approved by: Chairperson Dean, Graduate School 5- Date UMI Number; EP35166 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Reel 13 Release October 2015 V3
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Lindsey Horvitz, WNET 212-560-6609 or [email protected] Press materials: thirteen.org/pressroom Web site: www.thirteen.org/sites/reel13 Twitter: @Reel13 Criminals, Outlaws and Gangsters Rampant on Reel 13 in October on THIRTEEN Iconic tough guys Steve McQueen and Marlon Brando topline October’s classic films October’s Reel 13 lineup brings viewers stories filled with mobsters, murder, police and intrigue. “The King of Cool” Steve McQueen will be seen in Bullitt and The Great Escape on consecutive weeks. In one of his most famous roles, McQueen appears as Frank Bullitt, a police detective investigating a mob corruption case. In the other film, McQueen, in another one of his defining roles, portrays one of three prisoners of war who escape from a Nazi prison camp during World War II. Marlon Brando, the subject of the documentary Listen to Me Marlon , which recently screened at Film Forum, appears in his Oscar-winning role as ex-boxer Terry Malloy in Elia Kazan’s On the Waterfront, The following week, Brando is featured as rebel motorcycle gang leader Johnny Strabler, in the original outlaw biker film, The Wild One. On October 17, in Married to the Mob, Michelle Pfeiffer stars as a gangster’s widow opposite Matthew Modine, the undercover FBI agent tasked with investigating her mafia connections. Pfeiffer received a Golden Globe nomination for the role. Dean Stockwell was also recognized with an Academy Award nomination for “Best Supporting Actor” for his portrayal of mafia boss Tony “The Tiger” Russo. -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film & Television 3/27/12 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2005 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Mothlight, 1963 US Eyes, 1971 Dog Star Man, 1962 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
©2019 Disney Enterprises, Inc. All Rights Reserved. Elf Serge
©2019 Disney Enterprises, Inc. All Rights Reserved. Elf Serge . SEAN AMSING Elf Simon . STEVEN RUDY Elf Bop Beep . JAGEN JOHNSON Santa’s Helper #1 . KURTIS D’AOUST Santa’s Helper #2 . MICHAEL DELLEVA Santa’s Helper #3 . EMMA PEDERSEN Santa’s Helper #4 . CHRIS OLSON Jessie . ALVINA AUGUST Dr . Shelley Sussman . CHELAH HORSDAL Angry Father . TYLER MCCONACHIE Kid In The Crowd . .. BENTLEY HIXSON Clara Torres . JACKIE BLACKMORE Desk Sergeant . CRAIG MARCH Electronics Santa . BRENDAN TAYLOR Lisa . MARISA NIELSEN Mall Santa . ANDY NEZ Michelle . SHAYLEE MANSFIELD A Cop . CHAD RILEY SUZANNE TODD Ajeet . ISHAAN VASDEV Production Omar . JASON ANTOON Phone Woman . VIVIAN LANKO Roberto . RIAN RAFIQ Written and Directed by . MARC LAWRENCE Santa . JAY BRAZEAU Produced by . SUZANNE TODD, p .g .a . Shelter Worker . ANGELA MOORE Executive Producer . JOHN G . SCOTTI Tonya . VIOLA ABLEY Director of Photography . RUSSELL CARPENTER, ASC Tonya’s Mom . .. SHAUNA JOHANNESEN Production Designer . MAHER AHMAD Young Nick . OWEN VACCARO Edited by . HUGHES WINBORNE, ACE News Anchor . ARRAN HENN Costume Designer . GARY JONES Elf Band #1 . CLYDE LAWRENCE Visual Effects Supervisor . ARIEL VELASCO SHAW Elf Carol . GRACIE LAWRENCE Music by . CLYDE LAWRENCE Elf Flobo . SIMON CHIN and CODY FITZGERALD Evelyn’s Dad . ALEX ROCKHILL Casting by . DENISE CHAMIAN, CSA Evelyn’s Mom . LISSA NEPTUNO Young Evelyn . ARIANA NICA Unit Production Managers . JOHN G . SCOTTI Arguing Man #1 . DARCEY JOHNSON HEATHER MEEHAN Arguing Man #2 . KEITH BLACKMAN DALLAS First Assistant Director . PETE WHYTE Homeless Father . THOMAS CADROT Visual Effects Producers . LAUREN RITCHIE Homeless Mother . KELLY METZGER CHARLENE EBERLE DOUGLAS Homeless Daughter . ELEFTHERIA KINFE Associate Producer/ Homeless Son . JESSE FILKOW Post Production Supervisor . -
Visionaries Tribute
DOC NYC America’s Largest Documentary Festival VISIONARIES TRIBUTE NOVEMBER 10, 2016 Is proud to support DOC NYC 2016 And to congratulate MOLLY Netflix congratulates THOMPSON the 2016 Visionaries On receiving Tribute Honorees THE LEADING LIGHT AWARD And for her work on JONATHAN DEMME STANLEY NELSON LIFETIME ACHIEVEMENT AWARDS DAWN PORTER THE ROBERT AND ANNE DREW AWARD A DOC NYC 2016 SHORTLIST FILM MOLLY THOMPSON THE LEADING LIGHT AWARD MAGNOLIA PICTURES CONGRATULATES THIS YEARS DOC NYC SHORTLIST NOMINEES AND VISIONARIES TRIBUTE HONOREES “You’re going to love it. What begins “Captivating and jaw-dropping.” as a profile of a quirky subculture – Sheri Linden, The Hollywood Reporter becomes an online mystery-horror thriller, in which the bogeyman is everywhere.” “A must-see documentary. – Logan Hill, Esquire Tickled is not at all what it seems. A secret world full of villains “ Eye-popping. Countless twists and victims, power and deceit, and too juicy to spoil. It morphs from an offbeat shocks and surprises — you just caper to a disturbing exposé.” can’t make this stuff up.” – Nigel Smith, The Guardian – Kevin Polowy, Y a h o o M o v i e s TICKLED IT’S NOT WHAT YOU THINK. 5 GLEASON DIMENSIONS BUILT AT 100% VISIONARIES TRIBUTE CLIENT: AMAZON STUDIOS Bleed Size: 5.75" W x 8.75" H MECH 01 @ 300dpi AD AE PM AD CD Trim Size: 5.5" W x 8.5" H 10/24/16 THE REFINERY // 14455 VENTURA BLVD // SHERMAN OAKS CA 91423 (818) 843 0004 // WWW.THEREFINERYCREATIVE.COM // FAX (818) 843 0029 CONGRATULATES THE 2016 VISIONARIES TRIBUTE HONOREES VISIONARIES TRIBUTE -AND- Thursday, Nov 10, 2016 / Noon-2pm EZRA EDELMAN, LIFETIME ACHIEVEMENT AWARDS THE O.J.: MADE IN AMERICA TEAM Honoring individuals with a substantial body of work. -
Doc Nyc Announces Us Premiere Of
For immediate release Contact: Harris Dew [email protected] DOC NYC ANNOUNCES U.S. PREMIERE OF CITIZEN JANE: BATTLE FOR THE CITY FOR OPENING NIGHT OF FESTIVAL’S SEVENTH EDITION, NOVEMBER 10-17 JONATHAN DEMME & STANLEY NELSON TO RECEIVE LIFETIME ACHIEVEMENT AWARDS August 25, 2016 – DOC NYC, America’s largest documentary festival, announced it will open its seventh annual edition with the U.S. premiere of Citizen Jane: Battle for the City, directed by Matt Tyrnauer (Valentino: The Last Emperor) on Thursday, November 10 at the SVA Theatre. The film documents the historic conflict in the 1960s between the writer and activist Jane Jacobs and the legendary power broker/urban-renewal tsar Robert Moses over plans to tear down much of New York City and replace it with highways and austere housing projects. (The film is co-produced by High Line co-founder Robert Hammond.) “We couldn’t pick a more fitting film for New York City,” said DOC NYC artistic director Thom Powers. “We take inspiration from Jane Jacobs’ belief in the power of culture to enrich a community.” DOC NYC also revealed details of its Visionaries Tribute and this year’s roster of sponsors. VISIONARIES TRIBUTE The festival announced key honorees for the third annual Visionaries Tribute lunch, taking place Nov. 10 at City Winery. Lifetime Achievement Awards are given for a distinguished output of documentaries. This year’s two recipients are: - Jonathan Demme has consistently interspersed his acclaimed fiction films with a remarkable body of nonfiction work. His documentaries split between performance films such as Stop Making Sense, Swimming to Cambodia, Neil Young: Heart of Gold, and his latest work, Justin Timberlake + The Tennessee Kids; and profiles such as Cousin Bobby, The Agronomist, Jimmy Carter: Man From Plains, and I’m Carolyn Parker. -
Jonathan Demme Pour L’Amour Du Cinéma… Et De La Musique Pascal Grenier
Document generated on 09/27/2021 10:20 p.m. Séquences : la revue de cinéma Jonathan Demme Pour l’amour du cinéma… et de la musique Pascal Grenier Et au pire on se mariera Number 309, August 2017 URI: https://id.erudit.org/iderudit/86166ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Grenier, P. (2017). Jonathan Demme : pour l’amour du cinéma… et de la musique. Séquences : la revue de cinéma, (309), 54–55. Tous droits réservés © La revue Séquences Inc., 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 54 | SALUT L’ARTISTE Jonathan Demme Pour l’amour du cinéma… et de la musique Quand on pense à Jonathan Demme, on songe immédiatement à The Silence of the Lambs et à Philadelphia, deux films oscarisés du début des années 1990. Mais pourtant, le réalisateur américain a fait preuve de beaucoup d’audace et d’éclectisme durant sa carrière. De la série B au cinéma commercial, en passant par le documentaire et les spectacles musicaux, Demme occupe une place de choix parmi les meilleurs artisans des quarante dernières années.