E-Newsletter 7: Elizabeth Watts (Soprano)
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Motezuma Por Alan Curtis Jóvenes Cuartetos Festivales De
REVISTA DE MÚSICA Año XXI - Nº 208 - Mayo 2006 - 6,30 € DOSIER Festivales de verano ENTREVISTAS Elisabeth Leonskaja Kaija Saariaho ACTUALIDAD Richard Goode Masaaki Suzuki Bernarda Fink Hervé Niquet DISCOS Nº 208 - Mayo 2006 SCHERZO Motezuma por Alan Curtis Jóvenes cuartetos AÑO XXI - Nº 208 - Mayo 2006 - 6,30 € 2 OPINIÓN Discos del mes 64 CON NOMBRE SCHERZO DISCOS PROPIO Sumario 65 6 Richard Goode Javier Alfaya DOSIER Festivales de verano 113 8 Giuliano Carmignola Enrique Martínez ENCUENTROS Kaija Saariaho 9 Bernarda Fink Bruno Serrou 142 Rafael Banús Irusta REPORTAJE 10 Hervé Niquet La fuente del canto moderno Pablo J.Vayón Arturo Reverter 146 11 Massaki Suzuki EDUCACIÓN Alfredo Brotons Muñoz Pedro Sarmiento 148 12 JAZZ AGENDA Pablo Sanz 150 18 ACTUALIDAD NACIONAL LIBROS 152 46 ACTUALIDAD INTERNACIONAL LA GUÍA 156 60 ENTREVISTA CONTRAPUNTO Elisabeth Leonskaja Norman Lebrecht 160 Juan Antonio Llorente Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Rodrigo Carrizo Couto, Rafael Díaz Gómez, Patrick Dillon, Pedro Eías Mamou, José Luis Fernández, Fernando Fraga, Joa- quín García, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Bernd Hoppe, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Erna Metdepenninghen, Pedro Mombiedro, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Francisco Ramos, Arturo Reverter, Barbara Röder, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, Susan Stendec, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
Handel BROCKES-PASSION Academy of Ancient Music
haNdEL BROCKES-PASSION AcAdemy of Ancient music RichaRd EgaRR Choir of AAM ElizAbEth W Atts robErt MurrAy Cody QuAttlEbAuM GWilyM boWEn tiM MEAd ruby huGhEs niCky spEnCE rAChAEl lloyd MorGAn pEArsE georg Friedrich händel BROCKES-PASSION hWV 48 der für die sünde der Welt gemartete und sterbende Jesus aus den vier Evangelisten in gebundener rede vorgestellt |1 george Frideric handel BROCKES-PASSION hWV 48 Jesus who was martyred and died for the sins of the world, presented in verse out of the four Evangelists detail from an original artwork “sands to shore” by Emma safe, created live in response to the Academy of Ancient Music’s performance of handel’s Brockes-Passion , Good friday, 2019; [103.] Chorale: the Christian Church, Mein’ Sünd’ mich werden kränken sehr Charcoal oil and watercolour on prepared ground, 34 X 48cm, 2019 |3 ACADEMY OF ANCIENT MUSIC Richard Egarr 4| |5 hamburg Relations courier: 31 (20 os) March, 1719 künfftige Woche wird man ein vortreffliches geistliches oratorium in dem dom auff dem reventher nachmittag um 4 uhr präcise, und zwar Montags des hn. Capellmeisters hendels Music, dienstags aber des Capellmeisters hrn. telemanns Composition auffführen. Next week a magnificent sacred oratorio will be performed in the Cathedral refectory at 4 o’clock in the afternoon precisely, on Monday 3 April [23 March os] with music by Herr Capellmeister Hendel, but on Tuesday 4 April [24 March os)] in the composition by Herr Capellmeister Telemann. detail of a performance announcement (text and translation opposite on p.7) in the Hamburg -
Elizabeth Watts’ Countess Brought Real Poise to Her Moments in the Spotlight As the Opera’S Least Comic Character
` MOZART The Marriage of Figaro, English National Opera / Edusei, Coliseum Elizabeth Watts’ Countess brought real poise to her moments in the spotlight as the opera’s least comic character. Flora Willson, The Guardian, March 2020 MENDELSSOHN Elijah, BBC Symphony Orchestra / Sakari Oramo, Barbican Hall There was an admirable operatic sweep to Elizabeth Watts’ contributions, with a fine sense of anguish as the Widow, and a touching simplicity in the extended Adagio aria which opens the second half, ‘Hear ye, Israel’, exquisitely sustained.’ Alexander Hall, Classical Source, February 2020 VAUGHAN WILLIAMS Symphony No.3 ‘Pastoral’, BBC Symphony Orchestra / Martyn Brabbins, Hyperion Half-remembered, haunting bugle calls are beautifully handled here, as is the long, wordless soprano solo that closes the last movement, a meditation on all that has gone before, lovingly realised by Elizabeth Watts. Stephen Pritchard, The Guardian, January 2020 HANDEL Brockes-Passion, Academy of Ancient Music / Richard Egarr CD recording – AAM Records Elizabeth Watts In the Daughter of Zion’s 14 solos … Elizabeth Watts sings with fervent intensity, the brightness of her tone tempered by a warm mezzo glint. Highlights among Soprano her arias are legion. I would just pick out the sublime ‘Die ihr Gottes Gnad’ after Judas’s suicide, voice and oboe vying with each other in grieving eloquence, and her no-holds-barred attack in the violent ‘Schäumst du, du Schaum der Welt’ as she rails against Christ’s mockery by the Jews. Richard Wigmore, Gramophone, November 2019 The solo singing is outstanding, with … Elizabeth Watts ravishing as the Daughter of Zion Hugh Canning, The Times, September 2019 The soprano Elizabeth Watts is powerfully expressive in the generous 16 arias given to the Daughter of Zion … piercing every word as if it’s a matter of life or death. -
September October
SEPTEMBER OCTOBER 2019/20 SEASON wigmore-hall.org.uk 2 • SEPTEMBER-OCTOBER wigmore-hall.org.uk How to Book Wigmore Hall Box Office TICKETS 36 Wigmore Street, London W1U 2BP Unless otherwise stated, tickets are divided into five price ranges: In Person ■ Stalls C – M Highest price 7 days a week: 10.00am - 8.30pm. ■ Stalls A – B, N – P 2nd highest price Days without an evening concert: ■ Balcony A – D 2nd highest price 10.00am - 5.00pm. No advance booking in the ■ Stalls BB, CC, Q – S 3rd highest price half hour prior to a concert. ■ Stalls AA, T – V 4th highest price ■ Stalls W – X Lowest price By Telephone: 020 7935 2141 7 days a week: 10.00am - 7.00pm. AA AA Days without an evening concert: AA STAGE AA AA AA 10.00am - 5.00pm. BB BB There is a non-refundable £4.00 administration CC CC A A charge for each transaction. B B C C D D Online: wigmore-hall.org.uk E E F FRONT FRONT F STALLS STALLS 7 days a week; 24 hours a day. There is a G G non-refundable £3.00 administration charge. H H I I J J K K Standby Tickets L L M M Standby tickets for students, senior citizens and N N the unemployed are available from one hour O O P P before the performance (subject to availability) Q Q with best available seats sold at the lowest price. R R S S REAR REAR NB standby tickets are not available for T STALLS STALLS T U U Lunchtime and Sunday Morning Concerts. -
2018/19 Season September - December 2018 2 •
2018/19 Season September - December 2018 2 • I am very much looking forward to focusing on a beloved composer in 2018/19. Our Schumann Song Series will explore in depth the great composer’s extraordinary output, which is amongst the most rewarding within the entire Lieder tradition. I am very pleased to welcome Florian Boesch who, with Malcolm Martineau, will open the series. As the season progresses, we will be focusing on Robert Schumann’s highly personal art with the Elias String Quartet interpreting his great string quartets. Whether as classical violinist or improviser, composer or orchestral director, Pekka Kuusisto certainly Director’s enlivens the musical scene with levels of energy and engagement few can match. As he continues to refresh the classics, he proves equally able to enthuse Introduction audiences for new music conceived in a variety of genres. He joins us in residence throughout the season. Mozart made Vienna his home for the last decade of his life, and now Viennese pianist Elisabeth Leonskaja will be presenting a series which brings his music together with works from the school founded by Arnold Schoenberg, whose impact on the course of musical history would be profound. With his interest in period instruments and historically-informed performance practice, Alexander Melnikov is one of the most stimulating musicians of our time. You will have a chance to experience just how seamlessly he can move between different repertoires when, in the opening concert of his residency, he offers Prokofiev’s wispy but characterful collection of 20 miniature ‘fleeting visions’. He will follow this by joining the Cuarteto Casals in Brahms’s grandly impassioned Piano Quintet, a cornerstone of the Romantic chamber repertory. -
Download Booklet
THE SHEPHERD ON THE ROCK Composers had a love affair lasting unbrokenly accompanied song, and three of the masters from the early Spring of musical Romanticism of the German Lied are represented here: – Schubert – until its long, lingering autumn Schubert, Brahms and Strauss. with Richard Strauss. The object of their 1 Introduction and Polonaise brilliante in C Major, Op. 3 Frédéric Chopin, arr. Bliss [9.12] affection was the clarinet. The combination of Chopin’s Introduction and Polonaise Brillante 2 Das Maedchen spricht, Op. 107 No. 3 Johannes Brahms [1.24] that instrument with piano and the human in C major (originally for cello and piano) 3 Unbewegte laue Luft, Op. 57 No. 8 [3.49] voice found its locus classicus in the last belongs to 1829-30, the last autumn and 4 Es träumte mir, Op. 57 No. 3 [3.19] track on this disc, Schubert’s Der Hirt auf dem winter spent in his native Poland before his 5 O kühler Wald, Op. 72 No. 3 [2.12] Felsen (The Shepherd on the Rock), which departure for Paris. It was written for one of 6 Ständchen, Op. 106 No. 1 [1.45] resembles a miniature cantata. his admirers, Prince Antoni Radziwill, a keen Fantasiestücke, Op. 73 Robert Schumann cellist and a composer himself, to play with 7 I. Zart und mit Ausdruck [3.12] The clarinet, like the piano, underwent significant his pianist daughter. In October Chopin had 8 II. Lebhaft, leicht [3.37] technical improvements during the nineteenth enjoyed a stay at their summer palace near 9 III. -
5020042-9Fad1e-635212053126.Pdf
WINTER JOURNEY FRANZ Schubert’s Winterreise D.911 in an English version by Jeremy Sams 1 Goodnight [5.53] t The Crow [1.54] 2 The Weather Vane [1.47] y Last Hope [2.06] 3 Frozen Tears [2.41] u In the Village [3.18] 4 Frozen Solid [3.08] i Stormy Morning [0.52] 5 The Linden Tree [4.46] o A Mirage [1.21] 6 Life Cycle [4.16] p The Fingerpost [4.16] 7 On the River [3.34] a No Room at the Inn [4.23] 8 Turning Back [2.08] s Courage [1.32] 9 Will-o’-the-wisp [2.39] d Three Suns [2.48] 0 Rest [3.27] f The Hurdy-gurdy Man [4.03] q Dreaming of Spring [4.00] w Loneliness [3.10] Total timings: [73.20] e The Post [2.17] r The Grey Head [3.02] RODERICK WILLIAMS BARITONE CHRISTOPHER GLYNN PIANO www.signumrecords.com - 3 - Winter Journey the entire Winterreise through to us in a voice full of emotion. We were utterly dumbfounded Of all the colourful cast of characters in his by the mournful, gloomy tone of these songs, immediate circle, perhaps no one emerges as and Schober said that only one of them, Der a more generous or reliable friend to Schubert Lindenbaum, had appealed to him. To this than Josef von Spaun. Nor is there anyone who Schubert replied, “I like these songs more than all provides a better account of the gathering in the rest, and you will come to like them as well.” 1827 when the twenty-four songs of Winterreise were heard for the first time. -
Annual Review 2009/10 Royal Opera House Annual Review 2009/10 Contents
UTION /10 ANNUAL REVIEW ANNUAL 2009 RESOL ROYAL OPERA HOUSE ANNUAL REVIEW 2009/ 10 ovent Garden ovent ondon WC2E 9DD ondon WC2E Managing Editor, Dan Foulkes for Milknosugar for Dan Foulkes Managing Editor, 211775 Charity no. Registered Royal Opera House Opera Royal C L 1200 +44 (0)20 7240 Telephone www.roh.org.uk ANNUAL REVIEW 2009/10 ROYAL OPERA HOUSE ANNUAL REVIEW 2009/10 CONTENTS S S BOARD OF TRUSTEES DEVELOPMENT COMMITTEE CONTENTS Simon Robey (Chairman) Simon Robey (Chairman) Baroness Blackstone The Countess of Chichester The Countess of Chichester Peggy Dannenbaum Sir David Clementi Thomas Lynch Peggy Dannenbaum Sir Simon Robertson Sir Nicholas Hytner Dame Gail Ronson DBE Sir Frank Lowe Danny Wyler Thomas Lynch Lady Young of Graffham Professor Margaret Maden ENGAGEMENT, EDUCATION AND CHAPTER TITLE PAGE Nicholas Prettejohn ACCESS COMMITTEE Heather Rabbatts Professor Margaret Maden (Chairman) Sir Simon Robertson Peggy Dannenbaum Dame Gail Ronson DBE Charlie Leadbeater The year at a glance 6 Anthony Salz Abigail Pogson Dame Sue Street DCB Simon Robey 1 Chief Executive 9 Kenneth Tharp OBE Kenneth Tharp OBE Robert Wallace Rob Thomas 2 Chairman 17 Judith Weir CBE Judith Weir CBE 3 Talent 21 EXECUTIVE MANAGEMENT TEAM FINANCE AND AUDIT COMMITTEE Nicholas Prettejohn (Chairman) 4 Performance 41 Tony Hall CBE – Chief Executive Sir David Clementi 61 Monica Mason DBE – Director, The Royal Ballet Sir Nicholas Hytner 5 Nurture Antonio Pappano – Music Director, Thomas Lynch 6 Reach 77 The Royal Opera Sir Simon Robertson Simon Robey Caroline Bailey -
John Christie Award 50Th Anniversary Celebration
THE MUSICIANS’ COMPANY John Christie Award 50th Anniversary Celebration Britten Theatre, Royal College of Music Monday 12th October 2015 7.00 pm Music Sales Congratulations John Christie.indd 1 30/09/2015 15:25 . Le nozze di Figaro THE MUSICIANS’ “I knew when I stepped onto the stage COMPANY of the Britten Theatre for my audition, that the Royal College of Music would be top of my wish list” John Christie Award th Louise Alder, RCM graduate and recipient of the 2014 50 Anniversary Celebration Glyndebourne Festival Opera John Christie Award Britten Theatre, Royal College of Music Monday 12th October 2015, 7.00 pm Louise Alder soprano Marie Arnet soprano Image taken from the 2012 Royal College of Music Opera School’s production of College of Music Opera School’s production Royal the 2012 from Image taken Nikola Hillebrand soprano Lyuba Petrova soprano SUPPORT THE STARS OF TOMORROW AT Duncan Rock baritone Kate Royal soprano ROYAL COLLEGE OF MUSIC Simon Lepper piano Royal College of Music supporters play a critical role in the success of Duncan Williams piano our young musicians and the future of music. There are many ways to Royal College of Music String Sextet get involved, while enjoying a range of exclusive benefits: The Cataleya Wind Quintet • Become an RCM Friend • Join the Circles for Excellence • Provide a scholarship Introduced by Ryland Davies Find out more at www.rcm.ac.uk/support Royal College of Music Prince Consort Road, London SW7 2BS | +44(0)20 7591 4300 50th Anniversary Celebration Glyndebourne Ad Sir Anthony Cleaver 2015.indd 1 28/09/2015 12:40:37 GOUNOD THE MUSICIANS’ COMPANY THE MUSICIANS’ COMPANY The Worshipful Company of Musicians has, for over 500 years, been a guiding light and supportive arm to the music profession in all its guises. -
WELCOME to the PROMS! SIR ANDREW DAVIS and Sir Henry Wood Invite You to the World’S Greatest Music Festival PLUS! FULL PROMS LISTINGS See P28
CDS, DVDSREVIEWS & BOOKS115 THE WORLD’S BEST-SELLING CLASSICAL MUSIC MAGAZINE FULL BBC RADIO 3 & CLASSICAL MUSIC TV LISTINGS! See p100 see p65 THE SUMMER STARTS HERE… WELCOME TO THE PROMS! SIR ANDREW DAVIS and Sir Henry Wood invite you to the world’s greatest music festival PLUS! FULL PROMS LISTINGS See p28 INSIDE YOUR SPECIAL ISSUE including Behind the scenes What does it take to bring the Albert Hall to your living room? Harrison Birtwistle We talk to the composer who caused panic at the Proms Beethoven Why the greatest symphonist vk.com/englishlibrary GREATfound writing WORKS opera EXPLORED! so difficult PLUS HUNDREDS OF OTHER TITLES AVAILABLE AT GREAT PRICES FROM PARTICIPATING RETAILERS PRICES FROM PARTICIPATING GREAT AT PLUS HUNDREDS OF OTHER TITLES AVAILABLE BEST-SELLING BEST-SELLING BLU-RAY & DVD FROM WARNER CLASSICS & ERATO DVD: 2564632323 Blu-Ray: 2564654365 / DVD: 2564656309 Blu-Ray: 2564660478 / DVD: 2564660468 Marketed and distributed by Warner Classics UK. A division of Warner Music UKLtd. ClassicsUK. Adivision ofWarner Marketed anddistributed by Warner www.warnerclassics.com DVD: 5991569 Blu-Ray: 2564646145 / DVD: 0630154812 Blu-Ray: 2564656333 / DVD: 2564688804 DVD: 5190029 DVD: 2564632035 Blu-Ray: 4040649 / DVD: 4040639 vk.com/englishlibrary JULY 2014 THE MONTH IN MUSIC THE MONTH IN MUSIC The recordings, concerts, broadcasts and websites exciting us this July ON AIR Let the Proms begin! The BBC Proms are back! The 120th season begins with a distinctly British flavour as Sir Andrew Davis raises the baton for Elgar’s mighty oratorio, The Kingdom, on the First Night. Tune in to hear the combined forces of the BBC Symphony Orchestra and Chorus, plus star soloists, in the live Radio 3 broadcast, or watch it in glorious colour later on BBC Two. -
Classical Season 2018 / 19 for Full Details and to Book Online, Please Visit Southbankcentre.Co.Uk/Classical
Classical Season 2018 / 19 For full details and to book online, please visit southbankcentre.co.uk/classical September 2018 Wednesday 19 September, 7.30pm Tuesday 25 September, 7.30pm Thursday 27 September, 7.30pm Stephen Cleobury: Wars of the Three Kingdoms Philharmonia Orchestra: Howells & Vierne International Chamber Music Series Bruckner, Wagner & Sunday 16 September, 2pm Schoenberg Part I International Organ Series Hespèrion XXI A Beginner’s Guide to Stephen Cleobury organ Jordi Savall director Salonen Series Classical Music Ashley Riches baritone Alfonso (the son) Ferrabosco Esa-Pekka Salonen conductor Get all your pressing classical David Adams violin Dovehouse Pavan a 5 Camilla Nylund soprano music questions answered in this Kate Gould cello Anthony Holborne The Teares of Wagner Siegfried’s Death interactive concert experience Vierne Les Angelus for voice & the Muses a 5 and Funeral March from Purcell Room at Queen Elizabeth Hall organ, Op.57 William Brade Mohrfields a 5; Götterdämmerung £10* Rheinberger Suite in C minor for Scottish dance Schoenberg Erwartung - opera violin, cello & organ, Op.149 Orlando Gibbons Fantasia a 3, in 1 act for soprano & orchestra Sunday 16 September, 3pm Howells By the waters of No.6; In Nomine a 4 Bruckner Symphony No.6 Tchaikovsky Gala Babylon for baritone, violin, cello Matthew Locke Suite No.2 in G Royal Festival Hall London Concert Orchestra & organ, Op.10; Partita for organ minor/major from A Concert in £45 £36 £28 £19 £12 Premium seats £58* Stephen Bell conductor Royal Festival Hall Fower Parts -
4157 Performance Review
P ERFORMANCE R EVIEW R OYAL O PERA H OUSE 2005/06 Contents 01 T HE R OYAL B ALLET P ERFORMANCES 02 ROH2 DANCE 03 ROH2 VISITING D ANCE C OMPANIES 04 T HE R OYAL O PERA P ERFORMANCES 05 ROH2 MUSIC 06 ROH2 VISITING O PERA C OMPANIES 07 ROH2 EVENTS 08 T OURING 1 T HE ROYAL B ALLET P ERFORMANCES 2005/06 01 T HE R OYAL B ALLET P ERFORMANCES 2 T HE ROYAL B ALLET P ERFORMANCES 2005/06 T OMBEAUX N UMBER OF P ERFORMANCES 6 (26, 30 March, 6, 7, 9, 16 April) AVERAGE AUDIENCE 90% M USIC William Walton C ONDUCTOR Mikhail Agrest C HOREOGRAPHY David Bintley D ESIGNS Jasper Conran L IGHTING John B. Read S TAGING David Bintley, Grant Coyle P RINCIPAL C ASTING Alina Cojocaru (3), Johan Kobborg (3), Lauren Cuthbertson (3), Federico Bonelli (3), Ricardo Cervera (3), Martin Harvey (3), Yohei Sasaki (3), Edward Watson (3), Gary Avis (3), Bennet Gartside (3), Rupert Pennefather (3), Joshua Tuifua (3), Helen Crawford (6), Victoria Hewitt (6), Bethany Keating (6), Laura McCulloch (6), Sian Murphy (6), Natasha Oughtred (6), Vanessa Palmer (6), Samantha Raine (6), Christina Elida Salerno (6), Gemma Sykes (6) 3 T HE ROYAL B ALLET P ERFORMANCES 2005/06 E NIGMA VARIATIONS N UMBER OF P ERFORMANCES 6 (26, 30 March, 6, 7, 9, 16 April) AVERAGE AUDIENCE 90% M USIC Edward Elgar C ONDUCTOR Mikhail Agrest C HOREOGRAPHY Frederick Ashton D ESIGNS Julia Trevelyan Oman L IGHTING William Bundy P RINCIPAL C ASTING Edward Elgar (E.D.U.) – Christopher Saunders (6) The Lady (C.A.E.) – Zenaida Yanowsky (3), Isabel McMeekan (3) Hew David Steuart-Powell (H.D.S.P.) – Jonathan Howells (3), Philip Mosley (3) Richard Baxter Townshend (R.B.T.) – Alastair Marriott (3), Philip Mosley (3) William Meath Baker (W.M.B.) – Bennet Gartside (3), Brian Maloney (3) Richard P.