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UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
Motezuma Por Alan Curtis Jóvenes Cuartetos Festivales De
REVISTA DE MÚSICA Año XXI - Nº 208 - Mayo 2006 - 6,30 € DOSIER Festivales de verano ENTREVISTAS Elisabeth Leonskaja Kaija Saariaho ACTUALIDAD Richard Goode Masaaki Suzuki Bernarda Fink Hervé Niquet DISCOS Nº 208 - Mayo 2006 SCHERZO Motezuma por Alan Curtis Jóvenes cuartetos AÑO XXI - Nº 208 - Mayo 2006 - 6,30 € 2 OPINIÓN Discos del mes 64 CON NOMBRE SCHERZO DISCOS PROPIO Sumario 65 6 Richard Goode Javier Alfaya DOSIER Festivales de verano 113 8 Giuliano Carmignola Enrique Martínez ENCUENTROS Kaija Saariaho 9 Bernarda Fink Bruno Serrou 142 Rafael Banús Irusta REPORTAJE 10 Hervé Niquet La fuente del canto moderno Pablo J.Vayón Arturo Reverter 146 11 Massaki Suzuki EDUCACIÓN Alfredo Brotons Muñoz Pedro Sarmiento 148 12 JAZZ AGENDA Pablo Sanz 150 18 ACTUALIDAD NACIONAL LIBROS 152 46 ACTUALIDAD INTERNACIONAL LA GUÍA 156 60 ENTREVISTA CONTRAPUNTO Elisabeth Leonskaja Norman Lebrecht 160 Juan Antonio Llorente Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Rodrigo Carrizo Couto, Rafael Díaz Gómez, Patrick Dillon, Pedro Eías Mamou, José Luis Fernández, Fernando Fraga, Joa- quín García, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Bernd Hoppe, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Erna Metdepenninghen, Pedro Mombiedro, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Francisco Ramos, Arturo Reverter, Barbara Röder, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, Susan Stendec, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
Handel Rinaldo Tuesday 13 March 2018 6.30Pm, Hall
Handel Rinaldo Tuesday 13 March 2018 6.30pm, Hall The English Concert Harry Bicket conductor/harpsichord Iestyn Davies Rinaldo Jane Archibald Armida Sasha Cooke Goffredo Joélle Harvey Almirena/Siren Luca Pisaroni Argante Jakub Józef Orli ´nski Eustazio Owen Willetts Araldo/Donna/Mago Richard Haughton Richard There will be two intervals of 20 minutes following Act 1 and Act 2 Part of Barbican Presents 2017–18 We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. If anything limits your enjoyment please let us know The City of London during your visit. Additional feedback can be given Corporation is the founder and online, as well as via feedback forms or the pods principal funder of located around the foyers. the Barbican Centre Welcome Tonight we welcome back Harry Bicket as delighted by the extravagant magical and The English Concert for Rinaldo, the effects as by Handel’s endlessly inventive latest instalment in their Handel opera music. And no wonder – for Rinaldo brings series. Last season we were treated to a together love, vengeance, forgiveness, spine-tingling performance of Ariodante, battle scenes and a splendid sorceress with a stellar cast led by Alice Coote. -
London's Symphony Orchestra
London Symphony Orchestra Living Music Thursday 12 May 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT: LEIF OVE ANDSNES Schumann Piano Concerto INTERVAL Beethoven Symphony No 9 (‘Choral’) Michael Tilson Thomas conductor Leif Ove Andsnes piano Lucy Crowe soprano London’s Symphony Orchestra Christine Rice mezzo-soprano Toby Spence tenor Iain Paterson bass London Symphony Chorus Simon Halsey chorus director Concert finishes approx 9.50pm Supported by Baker & McKenzie 2 Welcome 12 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance BMW LSO OPEN AIR CLASSICS 2016 at the Barbican. This evening we are joined by Michael Tilson Thomas for his first concert since the The fifth annual BMW LSO Open Air Classics announcement of his appointment as LSO Conductor concert will take place on Sunday 22 May at 6.30pm. Laureate from September 2016, in recognition of Conducted by Valery Gergiev, the LSO will perform his wonderful music-making with the LSO and his an all-Tchaikovsky programme in London’s Trafalgar extraordinary commitment to the Orchestra. We are Square, free and open to all. delighted that his relationship with the LSO will go from strength to strength. lso.co.uk/openair This evening is the second concert in our LSO Artist Portrait series, focusing on pianist Leif Ove Andsnes. LSO AT THE BBC PROMS 2016 Following his performance of Mozart’s Piano Concerto No 20 on Sunday, he returns to play Schumann’s The LSO will be returning to this year’s BBC Proms at Piano Concerto. The Orchestra is also joined this the Royal Albert Hall for a performance of Mahler’s evening by the London Symphony Chorus, led by Symphony No 3 on 29 July. -
Winter Journey’) (1827) (Arr
JohannSCHUBERT Sebastian WinterBACH Journey MagnaTrombone Sequentia Travels•1 II A Grand Suite of Dances compiled and performed by Sonia Rubinsky, Piano Matthew Gee, Trombone Christopher Glynn, Piano Trombone Travels • 1 consumes him. A Will-o’-the-wisp lures the wanderer ‘Into as he claims to be ‘finished with all dreams’. The end of this Franz Schubert (1797–1828) the deepest rocky chasms’. Wide intervals and a playful long night is signalled by a Stormy Morning, with its florid, Winterreise, Op. 89, D. 911 (‘Winter Journey’) (1827) (arr. Matthew Gee, b. 1982) vocal line reflect the twists and turns of his journey, until punchy piano writing and symphonic vocal line – ‘How the anguish at the final turn – ‘Every river will reach the sea … storm has torn apart / The grey mantle of the sky!’ This is The trombone is praised for its vocal qualities. Its facility to is a huge challenge – subtle textual changes are Every sorrow, too, will reach its grave’. The weary fugitive truly idiomatic trombone writing. The storm passes quickly glissando allows it to directly mimic vocal techniques – emphasised by an octave shift in the second verse and cup then finds Rest ‘In a charcoal-burner’s cramped cottage’. and is replaced by a lilting dance as the wanderer follows a vibrato, portamento and all manner of microtonal inflections. mute in the last. Unusually, the sudden major key final verse Exhausted, he revels in the turbulence within his heart. light ‘this way and that’. On the surface a very sweet song, The player can develop colours further by altering the vowel offers no hope: the wanderer writes ‘Good night’ on her gate Quick dynamic changes – hushed moans and sorrowful but bestowed a poignant twist through its title, A Mirage. -
The Firm Music
BELVEDERE PRODUCTIONS presents a recital of Schubert Lieder Please join the performers after the concert with for complimentary drinks and tortes by EMMA HORWOOD Soprano Gabriele. JAMIE COCK Piano GEOFFREY BOURGAULT du COUDRAY Clarinet Emma and Jamie's CD, Night Dreams will be SUNDAY OCTOBER 23rd available. An die Musik Auf dem Wasser zu singen Die Forelle Du Bist die Ruh Andante in A major for solo piano Vier Canzonen Gretchen am Spinnrade Interval Ave, Maria! Liebhaber in allen Gestalten Standchen D957 No. 4 Pilgrim Church provides wheelchair access via the Heidenlroslein rear (northern) doors. N acht und Traume Toilets can be accessed through the door on the left Der Hirt auf dem Felsen of the performance area. An die Musik (To Music) Die Forelle (The Trout) You, gracious art In how many grey hours In a bright little brook Where my life's wild circle surrounds there shot in merry haste Have you mine heart to warm love lifted up a capricious trout: Has me into a better world led. past it shot like an arrow. I stood upon the shore Often has a sigh from your harp escaped and watched in sweet peace A sweet holy chord from you the cheery fish's bath The better time of heaven revealing to me. in the clear little brook. You, gracious art, I thank you for it. A fisher with his. rod Auf dem Wasser zu singen (To be sung on the Water) stood at the water-side, and watched with cold blood Amid the shimmer of mirroring waves as the fish swam about. -
Handel BROCKES-PASSION Academy of Ancient Music
haNdEL BROCKES-PASSION AcAdemy of Ancient music RichaRd EgaRR Choir of AAM ElizAbEth W Atts robErt MurrAy Cody QuAttlEbAuM GWilyM boWEn tiM MEAd ruby huGhEs niCky spEnCE rAChAEl lloyd MorGAn pEArsE georg Friedrich händel BROCKES-PASSION hWV 48 der für die sünde der Welt gemartete und sterbende Jesus aus den vier Evangelisten in gebundener rede vorgestellt |1 george Frideric handel BROCKES-PASSION hWV 48 Jesus who was martyred and died for the sins of the world, presented in verse out of the four Evangelists detail from an original artwork “sands to shore” by Emma safe, created live in response to the Academy of Ancient Music’s performance of handel’s Brockes-Passion , Good friday, 2019; [103.] Chorale: the Christian Church, Mein’ Sünd’ mich werden kränken sehr Charcoal oil and watercolour on prepared ground, 34 X 48cm, 2019 |3 ACADEMY OF ANCIENT MUSIC Richard Egarr 4| |5 hamburg Relations courier: 31 (20 os) March, 1719 künfftige Woche wird man ein vortreffliches geistliches oratorium in dem dom auff dem reventher nachmittag um 4 uhr präcise, und zwar Montags des hn. Capellmeisters hendels Music, dienstags aber des Capellmeisters hrn. telemanns Composition auffführen. Next week a magnificent sacred oratorio will be performed in the Cathedral refectory at 4 o’clock in the afternoon precisely, on Monday 3 April [23 March os] with music by Herr Capellmeister Hendel, but on Tuesday 4 April [24 March os)] in the composition by Herr Capellmeister Telemann. detail of a performance announcement (text and translation opposite on p.7) in the Hamburg -
SCHUBOT: Machine Learning Tools for the Automated Analysis of Schubert’S Lieder
SCHUBOT: Machine Learning Tools for the Automated Analysis of Schubert's Lieder by Dylan J. Nagler '14 submitted in partial fulfillment of the requirements for an AB degree with honors in Computer Science and Music Departments of Computer Science and Music Harvard College March 3, 2014 ABSTRACT This paper compares various methods for automated musical analysis, applying machine learning techniques to gain insight about the Lieder (art songs) of com- poser Franz Schubert (1797-1828). Known as a rule-breaking, individualistic, and adventurous composer, Schubert produced hundreds of emotionally-charged songs that have challenged music theorists to this day. The algorithms presented in this paper analyze the harmonies, melodies, and texts of these songs. This paper begins with an exploration of the relevant music theory and ma- chine learning algorithms (Chapter 1), alongside a general discussion of the place Schubert holds within the world of music theory. The focus is then turned to automated harmonic analysis and hierarchical decomposition of MusicXML data, presenting new algorithms for phrase-based analysis in the context of past research (Chapter 2). Melodic analysis is then discussed (Chapter 3), using unsupervised clustering methods as a complement to harmonic analyses. This paper then seeks to analyze the texts Schubert chose for his songs in the context of the songs' relevant musical features (Chapter 4), combining natural language processing with feature extraction to pinpoint trends in Schubert's career. Table of Contents Chapter 1{Introduction A Brief Explanation of Tonal Harmony . 4 Hierarchical Musical Analysis . .6 Descriptive Theories of Schubert's Harmony . 9 A Primer on Machine Learning Algorithms . -
Thursday 9 September 2021 7.30Pm
Thursday 9 September 2021 7.30pm Jonathan Plowright piano César Franck (1822-1890) Prélude, fugue et variation Op. 18 (1860-62) transcribed by Ignaz Friedman Fryderyk Chopin (1810-1849) Nocturne in B Op. 9 No. 3 (1830-31) Fantasy in F minor Op. 49 (1841) Jacques Ibert (1890-1962) Histoires (1920-21) La meneuse de tortues d'or • Le petit âne blanc • Le vieux mendiant • 'A Giddy Girl' • Dans la maison triste • Le palais abandonné • Bajo la mesa • La cage de cristal • La marchande d'eau fraîche • Le cortège de Balkis Interval Franz Schubert (1797-1828) Piano Sonata in B flat D960 (1828) I. Molto moderato • II. Andante sostenuto • III. Scherzo: Allegro vivace con delicatezza – Trio • IV. Allegro ma non troppo Welcome back to Wigmore Hall We are grateful to our Friends and donors for their generosity as we rebuild a full series of concerts in 2021/22 and reinforce our efforts to reach audiences everywhere through our broadcasts. To help us present inspirational concerts and support our community of artists, please make a donation by visiting our website: wigmore-hall.org.uk/donate. Every gift is making a difference. Thank you. Wigmore Hall is a no smoking venue. No recording or photographic equipment may be taken into the auditorium nor used in any other part of the Hall without the prior written permission of the management. In accordance with the requirements of City of Westminster persons shall not be permitted to stand or sit in any of the gangways intersecting the seating, or to sit in any other gangways. -
Elizabeth Watts’ Countess Brought Real Poise to Her Moments in the Spotlight As the Opera’S Least Comic Character
` MOZART The Marriage of Figaro, English National Opera / Edusei, Coliseum Elizabeth Watts’ Countess brought real poise to her moments in the spotlight as the opera’s least comic character. Flora Willson, The Guardian, March 2020 MENDELSSOHN Elijah, BBC Symphony Orchestra / Sakari Oramo, Barbican Hall There was an admirable operatic sweep to Elizabeth Watts’ contributions, with a fine sense of anguish as the Widow, and a touching simplicity in the extended Adagio aria which opens the second half, ‘Hear ye, Israel’, exquisitely sustained.’ Alexander Hall, Classical Source, February 2020 VAUGHAN WILLIAMS Symphony No.3 ‘Pastoral’, BBC Symphony Orchestra / Martyn Brabbins, Hyperion Half-remembered, haunting bugle calls are beautifully handled here, as is the long, wordless soprano solo that closes the last movement, a meditation on all that has gone before, lovingly realised by Elizabeth Watts. Stephen Pritchard, The Guardian, January 2020 HANDEL Brockes-Passion, Academy of Ancient Music / Richard Egarr CD recording – AAM Records Elizabeth Watts In the Daughter of Zion’s 14 solos … Elizabeth Watts sings with fervent intensity, the brightness of her tone tempered by a warm mezzo glint. Highlights among Soprano her arias are legion. I would just pick out the sublime ‘Die ihr Gottes Gnad’ after Judas’s suicide, voice and oboe vying with each other in grieving eloquence, and her no-holds-barred attack in the violent ‘Schäumst du, du Schaum der Welt’ as she rails against Christ’s mockery by the Jews. Richard Wigmore, Gramophone, November 2019 The solo singing is outstanding, with … Elizabeth Watts ravishing as the Daughter of Zion Hugh Canning, The Times, September 2019 The soprano Elizabeth Watts is powerfully expressive in the generous 16 arias given to the Daughter of Zion … piercing every word as if it’s a matter of life or death. -
A Master's Recital in Clarinet
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2019 A master's recital in clarinet Sayyod Mirzomurodov University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2019 Sayyod Mirzomurodov Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Music Performance Commons Recommended Citation Mirzomurodov, Sayyod, "A master's recital in clarinet" (2019). Dissertations and Theses @ UNI. 974. https://scholarworks.uni.edu/etd/974 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. A MASTER’S RECITAL IN CLARINET An Abstract of a Recital Submitted In Partial Fulfillment Of the Requirements for the Degree Master of Music Sayyod Mirzomurodov University of Northern Iowa May 2019 This Abstract by: Sayyod Mirzomurodov Entitled: A Master’s Recital in Clarinet Has been approved as meeting the abstract requirement for the Degree of Master of Music ___________ _____________________________________________________ Date Dr. Amanda McCandless, Chair, Thesis Committee ___________ _____________________________________________________ Date Dr. Danny Galyen, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Cayla Bellamy, Thesis Committee Member ___________ _____________________________________________________ Date Dr. Jennifer Waldron, Dean, Graduate College This Recital Performance by: Sayyod Mirzomurodov Entitled: A Master’s Recital in Clarinet Date of Recital: March 26, 2019 Has been approved as meeting the abstract requirement for the Degree of Master of Music ___________ _____________________________________________________ Date Dr. Amanda McCandless, Chair, Thesis Committee ___________ _____________________________________________________ Date Dr. -
252-Pliego 1 21/4/10 12:50 Página 1
SCHERZO 2 5 A Ñ O S 1985 - 2010 REVISTA DE MÚSICA Año XXV - Nº 252 - Mayo 2010 - 7 € DOSIER Festivales de verano ENTREVISTA Lawrence Foster Año XXV - Nº 252 Mayo 2010 ACTUALIDAD Magda Olivero y Giulietta Simionato ANIVERSARIO Robert Schumann REFERENCIAS Cuatro últimos lieder de Richard Strauss 252-Pliego 1 21/4/10 12:50 Página 1 AÑO XXV - Nº 252 - Mayo 2010 - 7 € 2 OPINIÓN DOSIER 111 Festivales de verano CON NOMBRE PROPIO ENCUENTROS 6 Magda Olivero y Lawrence Foster Giulietta Simionato Juan Antonio Llorente 138 Arturo Reverter ANIVERSARIO Robert Schumann 10 AGENDA Blas Matamoro 144 EDUCACIÓN 16 ACTUALIDAD Joan-Albert Serra 148 NACIONAL JAZZ 44 ACTUALIDAD Pablo Sanz 152 INTERNACIONAL LIBROS 154 60 ENTREVISTA Cyprien Katsaris LA GUÍA 156 Bruno Serrou 64 Discos del mes CONTRAPUNTO Norman Lebrecht 160 65 SCHERZO DISCOS Sumario Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Rafael Banús Irusta, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Paulino Capdepón, Jacobo Cortines, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Manuel García Franco, José Antonio García y García, Juan García-Rico, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Bernd Hoppe, Antonio Lasierra, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Aurelio Martínez Seco, Enrique Martínez Miura, Blas Matamoro, Erna Metdepennighen, Juan Carlos Moreno, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Barbara Röder, David Rodríguez Cerdán, Leopoldo Rojas-O’Donnell, Justo Romero, Ignacio Sánchez Quirós, Pablo Sanz, Joan-Albert Serra, Bruno Serrou, Franco Soda, Christian Springer, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J.