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SPND Magzaine 2015-16 FINAL
DEPARTMENTAL ACTIVITIES SMT. DEVILABEN MEHTA DEPARTMENT OF FACULTY OF ARTS POST GRADUATE STUDIES IN PSYCHOLOGY DEPARTMENTAL ACTIVITIES Organized Orientation Program for MA I students on Department of Economics August 1, 2015. Organized a visit for TYBA students to SBI Paper Less Lectures Organized: Digitalized Bank at Phoenix Mall, Kurla on July 23, 2015 Lecture and demonstration on 'Conducting Book Reviews' Ms. Snehal Barai and Ms. Poonam Singh accompanied the for MA II students by Ms. Nimisha Kambli on August 28, students. 2015. Organized a talk on 'Personal Hygiene and Cleanliness' by 'Ergonomics in Industry' by Dr. Manjit Kaur Chauhan, Dr. Bhavana Kucheria, Gynecologist and Dr. Bhavan Associate Professor, Department of Resource Management, Hingwala (MD) in collaboration with Mankind Pharma SNDT Women's University for MA I and MA II students on Ltd. for FYBA students on July 24, 2015. October 16, 2015. Students participated in the International Economics An interactive session on 'The role of Psychology and Convention titled 'CSR in France' hosted by H.R.College, Palliative Care' for UG and PG Students on February 13, Churchgate on December 10-12, 2015. 2016. The resource person for the session was our alumni Organized a visit to Janakalyan Bank, Ghatkopar for Ms. Savita Goswami, Clinical Psychologist at the Tata students of FYBA on December 15, 2015 and February 22, Memorial Hospital, Parel. 2016. Workshops Organized: SYBA students presented a skit titled 'Go Green Diwali' at various locations on November 08, 2015. A training workshop on 'Soft Skills in Recruitment' for MA I and MA II students by Ms. Meghna Kunnath, Sr. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
CR Porto Conference Promises Shows Galore
1 Circom Report CIRCOM Regional Newsmonthlyl CR is the European Association of 380 Public Regional TV Stations in 38 countriesl March 2001 / No 15 CR Porto conference From April 25 –29 SVT Orebro, Sweden, promises shows galore hosts Rrix Circom judging panel members The judging panel for this year’s Prix Circom Regional will be held at Orebro, Sweden, from Thursday 26 to Saturday 28 April. The members of the Delegates from the European Union, the Portuguese government and from Porto Townhall, RTP President and CIRCOM Regional President will participate in the panel are expected to arrive on opening ceremony of the CR annual conference in Porto, June 21-24. Wednesday (25) and leave on Djalme Neves, CR Vice President and Co-ordinator of the conference organisation, Sunday (29). gave a thorough report on the preparations concerning the participants lodging and All costs in Sweden are correspondent logistics, during the CR Executive Committee Meeting in Maribor, generously paid by host station Slovenia, March 10. Social activities booked for the conference by RTP are a dinner and the show “Body, SVT Orebro, whose director Per Sports and Stage” by the Merce Cunningham Dance Company (USA) on the Rivoli Eric Nordquist, was a judge last Theatre (June 21), a typical dinner with popular music and dancing on a restaurant near year. The Members of the Porto (June 22), lunch on Serralves Park and quick visit to the Contemporaneous Art judging panel will have to cover Museum (June23) Also a boat trip on the Douro River and a visit to the Port Wine cellars their travel costs to Sweden. -
Portsmouth, NH October 14.15.16.17 2010 the Tenth Annual
The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 nhfilmfestival.com october 14.15.16.17 2010 1 We have everything. That’s what makes us Rule. We love gear. Film or video, production or post. We get to play with all the latest technology and figure how to best put it to work for our incredibly creative customers. We sell, rent, install, integrate and architect all kinds of equipment and solutions. And guess what? We get to do it every day. Sweet! www.rule.com | 1.800.rule.com 2 The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 WELCOME TO the 2010 neW hamPshiRe film FESTIVAL! You can call it our 10th anniversary or you can call it our 10th Jodi Foster. Our roster of anticipated short films, which include birthday; either way, a great celebration is in order! It is an Academy Award nominees and a new narrative film by James exceptional year for the New Hampshire Film Festival and we Franco, is also making waves. are proud and excited to have y ou here with us! To mark the festival’s special occasion, you may notice our Beginning with the festival’s strong and heartfelt kickoff during highlight on comedy, both on screen, live on stage, and through the week of September 11, 2001, we have been delighted and entertaining panel discussions. We are certain you’ll also take honored to present a full decade of film appreciation to New note of our new preferred restaurant program, emphasizing Hampshire and to the world. -
Margarita, with a Straw
E-KIT Margarita, With a Straw Table of contents: Synopsis Cast & Crew Press releases Images Synopsis Laila is a young romantic, a secret rebel in a wheelchair. Undeterred by cerebral palsy, she embarks on a journey of sexual discovery. Her exhilarating adventures cause a rift both within herself and with those she is closest to. Ultimately, it is in the intensity of these bonds that she finds the strength to be truly herself. Cast Laila Kalki Koechlin Shubhangini (Mother) Revathy Khanum Sayani Gupta Jared William Moseley Dhruv Hussain Dalal Nima Tenzing Dalha Balraj (Father) Kuljeet Singh Monu (Brother) Malhar Khushu Crew Writer/Director Shonali Bose Co-Writer/Co-Director Nilesh Maniyar Produced by Viacom18 Motion Pictures and Ishan Talkies Co-produced by Jakhotia Group and ADAPT Cinematographer Anne Misawa Composer Mikey McCleary Sound Design Resul Pookutty (CAS, MPSE), Amrit Pritam Editor Monisha Baldawa Production Design Somenath Pakre, Prasun Chakraborthy Costume Design Niharika Bhasin, Maria Tharakkan, Nikia Nelson Hindi Lyrics Prasoon Joshi Directors note This my second film - is inspired by my cousin sister Malini who has acute cerebral palsy. That’s a condition where the part of your brain that controls your motor skills is damaged at birth. But your emotional and intellectual abilities are intact. When I was 40 and Malini was 39 – we were having a drink in a London pub. I was passing through on my way from America to India and she was getting a second Masters degree there. I said – what are we going to do for your 40th? It’s absolutely the best birthday. -
2007-2009 College Catalog
WWHITTIERWHITTIER CCOLLEGEOLLEGE 2007-2009 ISSUE OF THE WHITTIER COLLEGE CATALOG Volume 89 • Spring 2007 Published by Whittier College, Offi ce of the Registrar 13406 E. Philadelphia Street, P.O. Box 634, Whittier, CA 90608 • (562) 907-4200 • www.whittier.edu Accreditation Whittier College is regionally accredited by the Western Association of Schools and Colleges. You may contact WASC at: 985 Atlantic Avenue, SUITE 100 Alameda, CA 94501 (510) 748-9001 The Department of Education of the State of California has granted the College the right to recommend candidates for teaching credentials. The College’s programs are on the approved list of the American Chemical Society, the Council on Social Work Education, and the American Association of University Women. Notice of Nondiscrimination Whittier College admits students of any race, color, national or ethnic origin to all the rights, privileges, and activities generally accorded or made available to students at the school. It does not discriminate on the basis of race, color, marital status, sexual orientation, national or ethnic origin in administration of its educational policies, admissions policies, scholarship and loan programs, or athletic and other school-administered programs. Whittier College does not discriminate on the basis of disability in admission or access to its programs. Fees, tuition, programs, courses, course content, instructors, and regulations are subject to change without notice. 2 TTABLE OF CONTENTS OVERVIEW ..................................................................................Inside -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
Tamil Movies Hard 873.Pdf
Tamil Movies - Free Printable Wordsearch CPANCHATHANTIRAMFYWJ NRHEQGHAJINI XEKCDCEUDDJSLPCTVAZ HAKKUENNBVUOG KFELOEKONXSLSACIQDV OPMBJTHEDUOAP MBKSOQRPWGLNVQCFMASSSH OWIEBIISNA YGKAAKAKAAKAMCBQAZMJI GARTHANDAGN NSUBRAMANIAPURAMIYSO LYGSNYGHPEAI AABXZMZLPIVQOBFRIVV AUANHUBUMHCDM UAQOBBODTCQBHARATHIT TNWURPMOXPIA WYKRYHCCRWBECFBPOCAI EHAHXGWCYUTA WIFHASEJSMFHCXGUDUGC DXYGSCZPHDHN LRWPTBBIMADRASAPATTI NAMAUSSPMHED CABMUTHALMARIYATHAIT OQDAARIVSURP NTQGPYMHWBWGYEDUXOCDVUV KEVUMMPUE NHZOTYCFWANJALIMUTHI RIPOOKKALETR XIDLXJSFJCHANDRAMUK HIMOICIGNETHS ELJIEQPELPLVYVAAGA ISOODAVAAANTOO AODCWKATTRADHUTHAMIZH BNDAKHTKAZN PRRASVRCYHEGXAGVJZOF IRZRMDZWMIHA PUMTSPGJFHUEHBHYYEWNX GIMECUPFSAC VVTUHARIUVUSXYYOEYQZ PAAVCWDIJSAK UAFVLAVMXLSYCWFYEIJ ALHMZVIPWRMUL MNIAXLNAHEADUKALAMIA BAMEHNNETHLZ NNNYJKUITNWZVKMHVAHAR IECUEEVNAOR XBAAYAOMOHYJVMBMTTRKF RRRZNOTANPZ TANTUFNDMRACXHITUAIT AAAUNKFNABAB KABHTIPJIAUAXNURSV ZVLLDAUTAVSRNN WSAIHVUAAJLVRMOOMUAAA ZKVUHLUAFAU FHNNAEEKXTYAAABDUGMRE AINDARIDYWY CHRIMYCTMKHKRNMCUUAOHR PNHCTZIPGI GACLSYIKCCAEHUFMRVCT AUADBOANEBER JZDEEIFYBACKOSMAZTAM PJUUOKNGDBXE MNDMILQUKZYBFSMODRACI MYWQATRSUER AAYIRATHIL ORUVAN RATHA KANNEER MOUNA GURU SATHYAA ORU THALAI RAAGAM MARUMALARCHI ANDHA NAAL BAASHHA KATTRADHU THAMIZH CHANDRAMUKHI MUDHALVAN ANNIYAN ANIMA AND PERSONA VAZHAKKU ENN MUGAVAREE THOZHA MUTHAL MARIYATHAI KAAKA MUTTAI SARABHAM NANBAN VAAGAI SOODA VAA VIKRAM VEDHA BHARATHI VEYYIL SUBRAMANIAPURAM ANGADI THERU ADUKALAM ANJALI PANCHATHANTIRAM THANI ORUVAN VARALARU MASSS MADRASAPATTINAM JIGARTHANDA AM ARIVU SETHU UTHIRI POOKKAL -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Woman of Straw Ending
Woman of straw ending In Woman of Straw (), playing the calculating nephew of Ralph in the playhouses of London's West End. It's thinly populated by stock characters, yet. I can predict the ending of stuff like “Titanic. way ahead of the film “Woman of Straw,” a forgotten British thriller starring Sean Connery. Such is the situation presented with high style in Woman of Straw, up at the end to work things out, and in this case that's Alexander Knox. Crime · Tyrannical but ailing tycoon Charles Richmond becomes very fond of his attractive Italian .. Filming Locations: Audley End House, Saffron Walden, Essex, England, UK See more». IMDb > Woman of Straw () > Reviews & Ratings - IMDb Towards the end, though, his character turns sociopathically chilling, and he hits some good. That is exactly what we have in "Woman of Straw," and you can be certain that Mr. Connery did not No wonder Mr. Connery double-crosses her in the end. I think Connery's downright creepy in WOMAN OF STRAW and I wish he (when mysteries were still that)that kept you guessing until the end. Movie Review – WOMAN OF STRAW (). for this movie, and that's the ending, which came a little too fast and seemed a little too pat to be. Crafty Tony (Sean Connery) is considering whether to bring the sexy new italian nurse Maria (Gina Lollobrigida. There are no critic reviews yet for Woman of Straw. Keep checking If you can withstand the slow start the payoff at the end is well modest. Bond films to star in another fascinating suspense film, Woman of Straw.