Frank Chin's the Chickencoop China,Nan

Total Page:16

File Type:pdf, Size:1020Kb

Frank Chin's the Chickencoop China,Nan DEC 111996 A young girl goes through a crisis of faith and a dawn of understanding during an earth­ quake in rural California, in a brilliant story by the extraordinary Hisaye Yamamoto.... A newlywed couple must deal with the ten­ sions of sex and Chinatown society in Louis Chu's acclaimed Eat a Bowl of Tea. ... A young Japanese American is victim of the conflict between two cultures in John Okada's brutally powerful No-No Boy. ... A superb surreal play hilariously dissects the Asian­ American experience in Frank Chin's The Chickencoop China,nan. ... This is just a sampling of the feast of fine V11riting and fierce truth offered in- A 111 EEEEE! ARCHBISHOP MITTV LIBRARY "Illuminates areas of darkness in the hidden experiences of a people _w90 �ad been ht­ • 9698 tie more than exotic·flgmen�. of someone else's imagination. :": demolishfs those comfortable cliches about the mysterious, ' cunning, impassive, silent, invincibly ( polite Oriental ... an introduction both to ( ' the diverse strains of one of America's \ Archbishop M' minority cultures and to some heretofore C "' unheralded writers." � C -The Neu, York Times Book Revieiv I,; 500 Way -C San Jo , CA. 95129 Frank Chin,Jeffery Paul Chan, La,vson Fusao ' Inada, and Shawn Wong are also the editors of The Big Aiiieeeee!: An Anthology of Chinese­ American and )apancse-A1nerica11 Literature (available in a Meridian edition). - Mentor Brings you Closer to Your World (0451) D TH£ SAUDIS: Inside the Desi/ftKlnl(Jfm 'Y Samira lackey. "A rare, first-hand glimpse into the hidden realm of Saud, social and public life."-The New York Times Book Review. (170512--$5.951 D FROM BONSAI TO LEVI'S: WhnWest Mnts&st: AR Insider'sS,,,,,,,s/111 Accountof Howtile JapaMse Uva, by Georte Fields. "Jumps over the Aiiieeeee! cultural barners ... invaluable insigtrts for those who want to compete with the Japanese or just understand them better."--1.ouis Kraar, Asian Editor, Fortune. (623797-$5.95)" An Anthology of 0 RICE BOWL WOMEN: Writints by and AbOIIIthe Women ofChlfll and Japan, edited, withan Introductionand Notes, bJ DorothyBlair Sllimer. Asian American Writers Overa thousand years of stories and memoirs that reflect thechafli ing status and ongoing struggles of women in the Orient (008271--$4.95)* 0 A TREASURY OF ASIAII LITERATURE. edited willlan Introduction and Commentaries by John 0. Yohannan.Song, story and scripture of the great cultures of Asia selected from the classics of more than 2500 F.DITED BY years. (623959--$4.95) FRANK CHIN *Prices slightly higher in Canada JEFFERY PAUL CHAN LAWSON FUSAO INADA SHAWN HSU \v'O:'-JG Buy dlto,at y0<1rlac.1 1 baakstarear uu tlllscoa .. niencCOIIP00 onltrlna. laf MEW AMERICANLIIRARY P.O. lol 999, ll!riellfield. Naw ltnoy 07621 Archbishop Mitty HighSchool '." Pleasesend m•the books I nav• checked abo>,t.I am t<1t los1na ----­ Li!l?� Y (peaseadd $1.00 tothiSorder POStaeean<1 han<lh� SendcnecJ< o, money ' " l to,,_, • U'l 5000 ti:itt'/ \Vay order-no castl or C.O. O.'s. Pnces. and numbel's a,e subieci to ef\an.ge Vfllhout . " notice. ' U'l •N San Joze, CA SS129 Na,,ne._________ _________ " I- Mores;._______ ___________ C•IY-------Stat•----Zip Codi,___ _ Allow•-6 """"' dellvt,y. for Th $ offet. pnees-and numbers attsubject to chlnga• thoulnotlCe i 1 A MENTOR® BOOK TheGiligia Press forpennission to reprint "Chinks" and "Japs" MENTOR by Lawson Inada, from Dow,, attheSanta Fe Depot: 20 Fresno Published by the Pengutn Group Poets, Copyright O 1970 by David Kherdian andJames Baloian. Penguin 8ooks USA Inc., 375 Hudson Streei.. New York, New York 10014, U.S.A. Harcourt Brace Jovanovich forpennission toreprint excerpts Penguin 8ooks lld, 27 Wrights Lane, from America I.! hi tM Heart by Carlos Bulosan, Copyright Q London W8 STZ, England 1946 by Harcourt Brace Jovanovich. Penguin Books Australia Ltd, Ringwood, Momoko lko for permission to reprint Act 1 of Th Gold Victoria, Australia Watch,Copyright C 1969 by Momoko Ilto. Full text of the play Penguin Books Canada Ltd, 10 l\.lcorn Avenue, Tu Gold Watch is available through loner City Press. Toronto, Ontario, Canada M4V 382 Ref,; Shtmpo forpermission tO reprint "And the Soul Shall Pen� Books (N.Z.) Ltd, 182,-190 Wairau Road, Dance" by \Va.kako Yamauchi, Copyright C 1974 by Wakako Auckland 10, New Zealand Yamauchi. Penguin Books Lld. Registered Offices: Harmondsworth, Middlesex, England Random House, Inc. for permission to reprint excerptsfrom Tlte Frontim of Love by Diana Chang, Copyright Cl 1956 by Published by Mentor, an imprint of New AmericanLibrary, a Diana Chang. division of Penguin Books USA Inc. Published by arrangement with Howard University Press. Lyle Stuart Inc. fot" permission to reprint excerpts &om &t a Bowl ofTea by Louis Chu, Copyright Cl 1961 by Louis Chu. First Ment0r Printing, October, 1991 10 9 8 7 6 5 4 3 2 1 Charles E. Tuttle Co. for permission to reprint exeierptsfrom No-No Boy by John Okada, Copyright Cl 1957 by Charles E. Copyright C 1974, 1983 by Jeffery P. Chan, Fran.k C. Chin, Tuttle Co. Lawson F.lnad a. and Shawn H. \Vong "AUieeeeel Revisited" copyright iCI 1991 by Jeffery P. Chan, Hlsaye Yamamoto for permission to reprint "Yoneko'sEarth· Frank C. Chin, Lawson F. lnada, and Shawn H. Wong quake" from Furioso, Copyright Cl 19;1, 1952, 1974 by H.isaye Introductioncopyright e 1974, 1983 by Jeffery P. Chan, Frank Yamamoto. C. Chin, Lawson F, lnada, and Shawn H. Wong Copyright C:, 1974 by Jeffery Paul Chan @REGISTERED TRADEMARK-MARCA REGISTRADA Copyright 0 1974 by Frank C. Chin Copyright O 1974 by Lawson Fusao Inada PRINTED IN TKE UNITED STATES OF AMERICA Copyright C 1974 by Wallace Lin Without limiting the rights under copyright reserved above,no Copyright e 1974 by Oscar Penaranda part of this publication may be reproduced, stored in ot"intro­ Copyright C I 974 by Sam Tagatac duced into a retrieval system, or transmitted, in anyform, or Copyright C 1974 by Shawn Hsu \Vong by any means (electronic, mechanical, photocopying, recordlng, Copyright C 1983 by S.E. Solberg or otherwise),without the prior written permission of both the All rights reserved. For information address Howard University copyrightowner and the above publisher of this book. Press, 2900 Van Ness Street NW, Washington, DC 20008. BOOKS ARE AVAILABLE AT QUANTITY DISCOUNTSWHEN USED TO Grateful aclt,.owledgmmt is mad,, to: PROMOTE PRODUCTS OR SERVICES. FOR INFORMATION PLEASE Ca�ton Printers, Lld. for pennission to reprint "The Woman WRITE TO PREMIUM MAJIKEI'JNGDIVISION, PENGUIN BOOKS USA Who Makes Swell Doughnuts" by Toshio l\lorl. from Yohohama, INC., 375 HUDSON STR6ET, N6W YORK, NEW YORK 10014. California. 1949 If youpurchased this bookwithout a cover youshould be aware Frank Chin forpermission to reprint Act J of Tl,eCh� that this book is stolen property. lt was reported as "unsold Chirtama11, Copyright O 1973, 1974 by Fran.k Chin. and destroyed" to thepublisher and neither the author nor the [Th, follt1U·lngPf«• constltutt> antxU11Sion ofthe co,,,Tigl,J JIIQII<"] publisher bas received any payment £or this "stripped book." To the Memory of John Okada and Louis Chu - m Contents PREFACE xi Aiiieeeeel Revisited: Preface to the Mentor Edition xxiii INTRODUCTION: Fifty Years of Our Whole Voice 1 ASIAN Al\1ERJCAN WRJTERS: We Are Not New Here 59 CARLOS BULOSAN From America is in the Heart, a novel 61 JEFFERY PAUL CRAN The Chinese in Haifa 70 DIANA CHANG From The Fr01itiers of Love, a novel 93 FRANK CHIN Act I of The Cliickencoop Chi11aman 115 LOUIS CHU From Eat a Bowl of Tea, a novel 148 MOMOKO IKO Act J of The Gold Watch 163 WALLACE LIN Rough Notes for Mantos 197 TOSHJO Moru Preface The Woman Who Makes Swell Doughnuts 206 JOHN OKADA From No-No Bay, a novel 211 OSCAR PENARANDA Dark Fiesta 227 ASIAN AMERJCANS are not one people but several­ SAM TAGATAC Chinese Amedcans, Japanese Americans, and Fili­ The New Anak pino Americans. Chinese and Japanese Americans 237 have been separated by geography, culture, and his­ SHAWN Hsu WONG tory fromChina and Japan for seven and four gen­ Each Year Grain 258 erations respectively. They have evolved cultures and sensibilities distinctly not Chinese or Japanese H1SAY1! YAMAMOTO and distinctly not white American. Even the Asian Yoneko's Earthquake 266 I languages as they exist today in America have been WAKAKO YAMAUCHI adjusted and developed to express a sensitivity cre­ And the Soul Shall Dance ated by a new experience. InAmerica, Chinese and 283 Japanese American culture and history have been inextricably linked by confusion, the populariza­ tion of their hatred for each other, and World War II. Filipino America differs greatly from Chinese and Japanese America in its history, the continuity of culture between the Philippines and America, and the influence of western European and Ameri­ can culture on the Philippines. The difference is definableonJy in its own terms, and therefore must be discussed separately. Our anthology is exclusively Asian American. That means Filipino, Chinese, and Japanese Ameri­ cans, American born and raised, who got their xii Preface Preface Xlll China and Japan from the radio, off the silver books, their race and that the figure was rising annually. screen, from television, out of comic from Available statistics indicate a similar trend among the pushers of white American culture that pic­ Chinese American women, though the 50 percent tured the yellow man as something that when mark may not have beentopped yet. Thesefi gures wounded, sad, or angry, or swearing, or wondering say something about our sensibility, our concept of whined, shouted, or screamed "aiiieeeee!" Asian Chinese America and Japanese America, our self­ America, so long ignored and forcibly excluded esteem, as does our partly real and partly mythical from creative participation in American culture, is silence in American culture.
Recommended publications
  • American Poetry in the Face of Violence
    SCARS AMERICAN POETRY IN THE FACE OF VIOLENCE EDITED BY CYNTHIA DUBIN EDELBERG THE UNIVERSITY OF ALABAMA PRESS TUSCALOOSA AND LONDON CONTENTS PREFACE xiii ACKNOWLEDGMENTS xiv I. DOMESTIC VIOLENCE ALBERT GOLDBARTH Of Ontology 2 HARVEY SHAPIRO How Many Times 3 JANICE MIRIKITANI Autumn Comes 4 BRUCE WEIGL For the Wife Beater's Wife .. 5 JANICE MIRIKITANI Healthy Choices 6 RACHEL BLAU DUPLESSIS Medusa 8 JANICE MIRIKITANI Without Tongue 13 AMYCLAMPITT Meridian 14 ROBERT WRIGLEY The Creche 15 MAXINE KUMIN Leisure 16 Self-fulfilling Prophecy 16 ALICIA OSTRIKER The Boys, The Broomhandle, The Retarded Girl 17 SHARON OLDS Leaving the Island 18 VII GERALD STERN The Bull Roarer 19 MARK RUDMAN from Bottles 22 RITA DOVE Taking in Wash 24 ALICIA OSTRIKER The Leaf Pile 25 TOI DERRICOTTE Poem for My Father 27 DIANE WAKOSKI Wind Secrets 29 TOI DERRICOTTE My Father Still Sleeping After Surgery 30 PAMALA KAROL [LA LOCA] Crib Death 31 from The Mayan 34 TOI DERRICOTTE Abuse 38 CHARLES WRIGHT What I remember is fire, orange fire from Bloodlines 39 ELIZABETH McKIM Taking the Name 40 BRUCE WEIGL The Impossible 41 The Man Who Made Me Love Him 41 II. VIOLENCE AND RACE JAMES WELCH The Man From Washington 44 from Blackfeet, Blood and Piegan Hunters 44 Plea To Those Who Matter 44 VIII ADRIAN C. LOUIS Sunset at Pine Ridge Agency 45 Fullblood Girl on a Blue "Horse 46 Pabst Blue Ribbon at Wounded Knee 48 JOY HARJO For Anna Mae Pictou Aquash 49 LESLIE MARMON SILKO The Fourth World 50 YUSEF KOMUNYAKAA New Amsterdam 59 HENRY JOHNSON The Middle Passage 60 RITA DOVE Someone's Blood 62 YUSEF KOMUNYAKAA Modern Medea 63 History Lessons 63 MICHAEL WARR We Are All The Black Boy 65 Cabrini Gulag 65 WILLIAM LOGAN Seductions of the Swimming Club 66 ETHERIDGE KNIGHT A Fable 67 HAKI R.
    [Show full text]
  • On the Emergence of Sinophobic Behavior on Web Communities In
    “Go eat a bat, Chang!”: On the Emergence of Sinophobic Behavior on Web Communities in the Face of COVID-19 Fatemeh Tahmasbi Leonard Schild Chen Ling Binghamton University CISPA Boston University [email protected] [email protected] [email protected] Jeremy Blackburn Gianluca Stringhini Yang Zhang Binghamton University Boston University CISPA [email protected] [email protected] [email protected] Savvas Zannettou Max Planck Institute for Informatics [email protected] ABSTRACT KEYWORDS The outbreak of the COVID-19 pandemic has changed our lives in COVID-19, Sinophobia, Hate Speech, Twitter, 4chan unprecedented ways. In the face of the projected catastrophic conse- ACM Reference Format: quences, most countries have enacted social distancing measures in Fatemeh Tahmasbi, Leonard Schild, Chen Ling, Jeremy Blackburn, Gianluca an attempt to limit the spread of the virus. Under these conditions, Stringhini, Yang Zhang, and Savvas Zannettou. 2021. “Go eat a bat, Chang!”: the Web has become an indispensable medium for information ac- On the Emergence of Sinophobic Behavior on Web Communities in the quisition, communication, and entertainment. At the same time, Face of COVID-19. In Proceedings of the Web Conference 2021 (WWW ’21), unfortunately, the Web is being exploited for the dissemination April 19–23, 2021, Ljubljana, Slovenia. ACM, New York, NY, USA, 12 pages. of potentially harmful and disturbing content, such as the spread https://doi.org/10.1145/3442381.3450024 of conspiracy theories and hateful speech towards specific ethnic groups, in particular towards Chinese people and people of Asian 1 INTRODUCTION descent since COVID-19 is believed to have originated from China.
    [Show full text]
  • Literary Tricksters in African American and Chinese American Fiction
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction Crystal Suzette anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Literature Commons, and the Ethnic Studies Commons Recommended Citation anderson, Crystal Suzette, "Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction" (2000). Dissertations, Theses, and Masters Projects. Paper 1539623988. https://dx.doi.org/doi:10.21220/s2-z7mp-ce69 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Media Technology and the Dissemination of Hate
    Fordham University DigitalResearch@Fordham Faculty Publications Jewish Studies 2020 Media Technology and the Dissemination of Hate Fordham University Follow this and additional works at: https://fordham.bepress.com/jewish_facultypubs Part of the History Commons, and the Jewish Studies Commons Recommended Citation Fordham University, "Media Technology and the Dissemination of Hate" (2020). Faculty Publications. 2. https://fordham.bepress.com/jewish_facultypubs/2 This Article is brought to you for free and open access by the Jewish Studies at DigitalResearch@Fordham. It has been accepted for inclusion in Faculty Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected], [email protected]. Media Technology & The Dissemination of Hate November 15th, 2019-May 31st 2020 O’Hare Special Collections Fordham University & Center for Jewish Studies Media Technology and the Dissemination of Hate Highlights from the Fordham Collection November 15th, 2019-May 31st, 2020 Curated by Sally Brander FCRH ‘20 Clare McCabe FCRH ‘20 Magda Teter, The Shvidler Chair in Judaic Studies with contributions from Students from the class HIST 4308 Antisemitism in the Fall of 2018 and 2019 O’Hare Special Collections Walsh Family Library, Fordham University Table of Contents Preface i Media Technology and the Dissemination of Hate 1 Christian (Mis)Interpretation and (Mis)Representation of Judaism 5 The Printing Press and The Cautionary Tale of One Image 13 New Technology and New Opportunities 22
    [Show full text]
  • 81003893.Pdf
    Kobe University Repository : Kernel タイトル An Analysis of Racial Solidarity in Lawson Inada’s Jazz Poetry Title 著者 Yoshioka, Yuka Author(s) 掲載誌・巻号・ページ 21世紀倫理創成研究,5:72-86 Citation 刊行日 2012-03 Issue date 資源タイプ Departmental Bulletin Paper / 紀要論文 Resource Type 版区分 publisher Resource Version 権利 Rights DOI JaLCDOI 10.24546/81003893 URL http://www.lib.kobe-u.ac.jp/handle_kernel/81003893 PDF issue: 2021-10-02 An Analysis of Racial Solidarity in Lawson Inada’s Jazz Poetry Yuka Yoshioka Introduction In this paper, I will discuss Asian American poetry reading with music. My goal in this paper is to solve a question: how did Asian American poets articulate their ethnicity through their poetry reading? Japanese American poets Lawson Fusao Inada (1938-) creates jazz poetry, which are devoted to the theme of his experience of Japanese American internment. Therefore, I will describe the historical racial issue in America through an examination of Lawson Fusao Inada’s poetry reading about a concentration camp, with an emphasis on the racial solidarity evoked by jazz music. Investigating jazz, which is created by non-African minorities, may lead to solving the complexity of multiculturalism in America. I. Lawson Fusao Inada and his Works Lawson Fusao Inada, a third-generation (sansei) Japanese American, was born on May 26, 1938 in Fresno, California. Inada’s family was living in the west side of Fresno which had a “racially mixed working-class community.”(Huang, 145) The place Inada and his family lived is divided by a railway from the white in the east and the minorities in the west.
    [Show full text]
  • T.111%. Iltdrulli 11C,UIVIC
    DEPARTMENT OF HEALTH, EDUCATION, AND WELFARE OE FORM 6000,2/69 OFFICE OF EDUCATION , t.111%. IltdrUllI 11C,UIVIC. ERIC ACC. NO. ED 041 181 I S DOCUMENTCOPYRIGHTED? YES ta NO II CH ACC. NO. P.A.PUBL. DATE ISSUE ERICREPRODUCTION RELEASE? YES 0 NO AA 000 589 70 RIEDEC70 LEVELOF AVAILABI I-ITY I II HI AUTHOR Rothenberg, Albert TITLE Comprehensive Guide to Creative Writing Programs in American Colleges and Universities. SOURCE CODEINSTITUTION(SOURCE) ECC99225 SP. AG. CODESPONSORING AGENCY LYR56987 EDR S PRICE CONTRACT NO, GRANT NO. 0.75;8.45 REPORT NO. BUR EAU NO. AVAI LABI LI TY JOURNAL CITATION DESCRIPTIVE NOTE 167p. DESCRIPTORS *Creative Writing; *English Programs; *Higher Education; UndergraduateStudy; Graduate Study; Short Stories; Playwriting; Poetry; Scripts; Independent Study; Experimental Programs; Instructional Staff; Recognition; Student Teacher Relationship; Cocurricular Activities; School Surveys I DENT1 Fl ER S ABSTRACT Information on creative writing programs was collected from 1042 out of 1200 American colleges and universities contacted. The following data is presented in tabular form: (1) undergraduate academic status of creative writing; (2) graduate status; (3) offering of a course or courses covering the"core" or basic literary genres of short story, verse, and playwriting;(4) additional or unique course offerings in creative writing, such as TV, radio, film writing; (5) opportunities for independent study and work/study or experimental programs related to creative writing; (6) professional writers on the faculty; (7) opportunities for contact with professional writers through visits, lecture series or a"Writer in Residence" program; (8) prizes and awards in creative writing;(9) opportunities for individual contact with creative writing faculty iv seminars or individual conferences; (10) extra-curricular outlets for practicing and appreciating creative writing.
    [Show full text]
  • Masculinity, Food, and Appetite in Frank Chin's Donald Duk and “The
    2 Masculinity, Food, and Appetite in Frank Chin’s Donald Duk and “The Eat and Run Midnight People” [T]he male body is understood as powerful, big and strong, “with enormous, imperative, brutal needs” which are asserted when eating. —Deborah Lupton, Food, the Body, and the Self [T]he stereotype of male eating habits originated in the bush, and included a lack of table manners for the expression of a rude, hearty appetite, simply cooked meat, damper baked in the ashes of camp fires and meat pies and tomato sauce. —Michael Symons, One Continuous Picnic The name Frank Chin provokes controversy among Asian American readers and scholars, but almost all agree that masculinity has preoccupied his entire literary and critical career. Almost all his writings aim at dismantling the U.S. hegemonic, emasculating representations of Asian American males, even when this agenda must sometimes be carried out at the expense of Asian American women and gay men. Recognizing his homophobic and macho tendencies, I nevertheless value Chin’s literary attempts to assail the prevailing stereotype of Asian American male sexuality. His is not only an important but also a neces- sary project in the evolution of Asian American aesthetics. Moving away from the black masculine model (such as in The Chickencoop Chinaman), Chin in his imagination of a proud Chinese American manhood turns to Asian and Asian American cultures in his 1991 novel, Donald Duk. While Donald Duk is no exception in its goal, it is a departure from the angry tone that dominates his earlier works, such as “Racist Love” (1972), “The Chickencoop China- man” (1981), and “Come All Ye Asian American Writers of the Real and the Fake!” (1991).
    [Show full text]
  • AACP BOARD of DIRECTORS Florence M. Hongo, President Kathy Reyes, Vice President Rosie Shimonishi, Secretary Don Sekimura, Treasurer Leonard D
    AACP BOARD OF DIRECTORS Florence M. Hongo, President Kathy Reyes, Vice President Rosie Shimonishi, Secretary Don Sekimura, Treasurer Leonard D. Chan Sutapa Dah Joe Chung Fong, PhD. Michele M. Kageura Susan Tanioka Sylvia Yeh Shizue Yoshina HONORARY BOARD Jerry Hiura Miyo Kirita Sadao Kinoshita Astor Mizuhara, In Memoriam Shirley Shimada Stella Takahashi Edison Uno, In Memoriam Hisako Yamauchi AACP OFFICE STAFF Florence M. Hongo, General Manager Mas Hongo, Business Manager Leonard D. Chan, Internet Consultant AACP VOLUNTEERS Beverly A. Ang, San Jose Philip Chin, Daly City Kiyo Kaneko, Sunnyvale Michael W. Kawamoto, San Jose Peter Tanioka, Merced Paul Yoshiwara, San Mateo Jaime Young AACP WELCOMES YOUR VOLUNTEER EFFORTS AACP has been in non-profit service for over 32 years. If you are interested in becoming an AACP volunteer, call us at (650) 357-1008 or (800) 874-2242. OUR MISSION To educate the public about the Asian American experience, fostering cultural awareness and to educate Asian Americans about their own heritage, instilling a sense of pride. CREDITS Typesetting and Layout – Sue Yoshiwara Editor– Florence M. Hongo/ Sylvia Yeh Cover – F.M. Hongo/L. D. Chan TABLE OF CONTENTS GREETINGS TO OUR SUPPORTERS i ELEMENTARY (Preschool through Grade 4) Literature 1-6 Folktales 7-11 Bilingual 12-14 ACTIVITIES (All ages) 15-19 Custom T-shirts 19 INTERMEDIATE (Grades 5 through 8) Educational Materials 20-21 Literature 22-26 Anti-Nuclear 25-26 LITERATURE (High School and Adult) Anthologies 27-28 Cambodian American 28 Chinese American 28-32 Filipino
    [Show full text]
  • Ben Santos Papers
    Ben Santos Papers Collection Summary Title: Ben Santos Papers Call Number: MS 86-06 Size: 9.0 linear feet Acquisition: Gift of Ben Santos, 1979. Processed By: CAW, 6-28-1978; JEO, MN, 1996; Reprocessed by MN, 9-2008 Note: None Restrictions: None Literary Rights Literary rights were not granted to Wichita State University. When permission is granted to examine the manuscripts, it is not an authorization to publish them. Manuscripts cannot be used for publication without regard for common law literary rights, copyright laws and the laws of libel. It is the responsibility of the researcher and his/her publisher to obtain permission to publish. Scholars and students who eventually plan to have their work published are urged to make inquiry regarding overall restrictions on publication before initial research. Restrictions None Content Note This collection of Ben Santos' papers contains personal and professional correspondence, diaries, notes on literary productions, early drafts of stories and poems, literary productions, clippings and reviews, awards and fellowships, and personal memorabilia. The materials contained in this collection date back to the 1930s when he was a student in the Philippines and continue into the early 1980s until his retirement from teaching. Biography Bienvenido (“Ben”) N. Santos, 1911-1996, was a Filipino-American writer. A native of the Philippines, he taught English there for many years. When fighting broke out in the Philippines in World War II, Santos, who was studying at Columbia University in New York City, found himself cut off from his wife and children still living in what was then an American colony.
    [Show full text]
  • Some Thoughts on Aiiieeeee! in 2019 by Shawna Yang Ryan
    Asian American Literature: Discourses and Pedagogies 10 (2019/20) 42-44. Some Thoughts on Aiiieeeee! in 2019 By Shawna Yang Ryan On my office wall hangs a framed page from an 1886 issue of Harper’s Weekly depicting, “A Haunt of the Highbinders in Chinatown.” Along the right-hand side are illustrations of some of these highbinders—Lee Ah Fook, Chu Ah Lung—and at the top are their “favorite weapons”: a butcher knife, an axe, a variety of swords. The picture is a gift from my father-in-law, who was born in and grew up in San Francisco’s Chinatown. His mother passed through Angel Island pregnant with him, and a family picture shows him in the arms of Presbyterian missionary and Chinatown icon, Donaldina Cameron. He represents what I’ve always thought of as the archetypical Chinese American identity, one linked to San Francisco, to Angel Island, to paper sons and the Chinese exclusion laws. As a daughter of an immigrant from Taiwan, this history felt much more grounded in American soil than mine, a little bit mythical even. When I return to the introduction to Aiiieeeee! in 2019 I think that my father-in- law might have identified with Chin and his colleagues’ assertions about Chinese American identity. In the 20th century there was a certain way of being Chinese American that Aiiieeeee!, depending on which embodiment we are talking about, helped to expose, rebuke, or dismantle—or to elevate. There was a history that it helped to restore. Aiiieeee! set the terms of the conversation that I walked into as a writer, as an Asian American writer of Taiwanese-Chinese descent.
    [Show full text]
  • Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
    DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters.
    [Show full text]
  • Canadian Inclusive Language Glossary the Canadian Cultural Mosaic Foundation Would Like to Honour And
    Lan- guage De- Coded Canadian Inclusive Language Glossary The Canadian Cultural Mosaic Foundation would like to honour and acknowledgeTreaty aknoledgment all that reside on the traditional Treaty 7 territory of the Blackfoot confederacy. This includes the Siksika, Kainai, Piikani as well as the Stoney Nakoda and Tsuut’ina nations. We further acknowledge that we are also home to many Métis communities and Region 3 of the Métis Nation. We conclude with honoring the city of Calgary’s Indigenous roots, traditionally known as “Moh’Kinsstis”. i Contents Introduction - The purpose Themes - Stigmatizing and power of language. terminology, gender inclusive 01 02 pronouns, person first language, correct terminology. -ISMS Ableism - discrimination in 03 03 favour of able-bodied people. Ageism - discrimination on Heterosexism - discrimination the basis of a person’s age. in favour of opposite-sex 06 08 sexuality and relationships. Racism - discrimination directed Classism - discrimination against against someone of a different or in favour of people belonging 10 race based on the belief that 14 to a particular social class. one’s own race is superior. Sexism - discrimination Acknowledgements 14 on the basis of sex. 17 ii Language is one of the most powerful tools that keeps us connected with one another. iii Introduction The words that we use open up a world of possibility and opportunity, one that allows us to express, share, and educate. Like many other things, language evolves over time, but sometimes this fluidity can also lead to miscommunication. This project was started by a group of diverse individuals that share a passion for inclusion and justice.
    [Show full text]