Frank Chin's the Chickencoop China,Nan
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American Poetry in the Face of Violence
SCARS AMERICAN POETRY IN THE FACE OF VIOLENCE EDITED BY CYNTHIA DUBIN EDELBERG THE UNIVERSITY OF ALABAMA PRESS TUSCALOOSA AND LONDON CONTENTS PREFACE xiii ACKNOWLEDGMENTS xiv I. DOMESTIC VIOLENCE ALBERT GOLDBARTH Of Ontology 2 HARVEY SHAPIRO How Many Times 3 JANICE MIRIKITANI Autumn Comes 4 BRUCE WEIGL For the Wife Beater's Wife .. 5 JANICE MIRIKITANI Healthy Choices 6 RACHEL BLAU DUPLESSIS Medusa 8 JANICE MIRIKITANI Without Tongue 13 AMYCLAMPITT Meridian 14 ROBERT WRIGLEY The Creche 15 MAXINE KUMIN Leisure 16 Self-fulfilling Prophecy 16 ALICIA OSTRIKER The Boys, The Broomhandle, The Retarded Girl 17 SHARON OLDS Leaving the Island 18 VII GERALD STERN The Bull Roarer 19 MARK RUDMAN from Bottles 22 RITA DOVE Taking in Wash 24 ALICIA OSTRIKER The Leaf Pile 25 TOI DERRICOTTE Poem for My Father 27 DIANE WAKOSKI Wind Secrets 29 TOI DERRICOTTE My Father Still Sleeping After Surgery 30 PAMALA KAROL [LA LOCA] Crib Death 31 from The Mayan 34 TOI DERRICOTTE Abuse 38 CHARLES WRIGHT What I remember is fire, orange fire from Bloodlines 39 ELIZABETH McKIM Taking the Name 40 BRUCE WEIGL The Impossible 41 The Man Who Made Me Love Him 41 II. VIOLENCE AND RACE JAMES WELCH The Man From Washington 44 from Blackfeet, Blood and Piegan Hunters 44 Plea To Those Who Matter 44 VIII ADRIAN C. LOUIS Sunset at Pine Ridge Agency 45 Fullblood Girl on a Blue "Horse 46 Pabst Blue Ribbon at Wounded Knee 48 JOY HARJO For Anna Mae Pictou Aquash 49 LESLIE MARMON SILKO The Fourth World 50 YUSEF KOMUNYAKAA New Amsterdam 59 HENRY JOHNSON The Middle Passage 60 RITA DOVE Someone's Blood 62 YUSEF KOMUNYAKAA Modern Medea 63 History Lessons 63 MICHAEL WARR We Are All The Black Boy 65 Cabrini Gulag 65 WILLIAM LOGAN Seductions of the Swimming Club 66 ETHERIDGE KNIGHT A Fable 67 HAKI R. -
On the Emergence of Sinophobic Behavior on Web Communities In
“Go eat a bat, Chang!”: On the Emergence of Sinophobic Behavior on Web Communities in the Face of COVID-19 Fatemeh Tahmasbi Leonard Schild Chen Ling Binghamton University CISPA Boston University [email protected] [email protected] [email protected] Jeremy Blackburn Gianluca Stringhini Yang Zhang Binghamton University Boston University CISPA [email protected] [email protected] [email protected] Savvas Zannettou Max Planck Institute for Informatics [email protected] ABSTRACT KEYWORDS The outbreak of the COVID-19 pandemic has changed our lives in COVID-19, Sinophobia, Hate Speech, Twitter, 4chan unprecedented ways. In the face of the projected catastrophic conse- ACM Reference Format: quences, most countries have enacted social distancing measures in Fatemeh Tahmasbi, Leonard Schild, Chen Ling, Jeremy Blackburn, Gianluca an attempt to limit the spread of the virus. Under these conditions, Stringhini, Yang Zhang, and Savvas Zannettou. 2021. “Go eat a bat, Chang!”: the Web has become an indispensable medium for information ac- On the Emergence of Sinophobic Behavior on Web Communities in the quisition, communication, and entertainment. At the same time, Face of COVID-19. In Proceedings of the Web Conference 2021 (WWW ’21), unfortunately, the Web is being exploited for the dissemination April 19–23, 2021, Ljubljana, Slovenia. ACM, New York, NY, USA, 12 pages. of potentially harmful and disturbing content, such as the spread https://doi.org/10.1145/3442381.3450024 of conspiracy theories and hateful speech towards specific ethnic groups, in particular towards Chinese people and people of Asian 1 INTRODUCTION descent since COVID-19 is believed to have originated from China. -
Literary Tricksters in African American and Chinese American Fiction
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2000 Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction Crystal Suzette anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Literature Commons, and the Ethnic Studies Commons Recommended Citation anderson, Crystal Suzette, "Far from "everybody's everything": Literary tricksters in African American and Chinese American fiction" (2000). Dissertations, Theses, and Masters Projects. Paper 1539623988. https://dx.doi.org/doi:10.21220/s2-z7mp-ce69 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Media Technology and the Dissemination of Hate
Fordham University DigitalResearch@Fordham Faculty Publications Jewish Studies 2020 Media Technology and the Dissemination of Hate Fordham University Follow this and additional works at: https://fordham.bepress.com/jewish_facultypubs Part of the History Commons, and the Jewish Studies Commons Recommended Citation Fordham University, "Media Technology and the Dissemination of Hate" (2020). Faculty Publications. 2. https://fordham.bepress.com/jewish_facultypubs/2 This Article is brought to you for free and open access by the Jewish Studies at DigitalResearch@Fordham. It has been accepted for inclusion in Faculty Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected], [email protected]. Media Technology & The Dissemination of Hate November 15th, 2019-May 31st 2020 O’Hare Special Collections Fordham University & Center for Jewish Studies Media Technology and the Dissemination of Hate Highlights from the Fordham Collection November 15th, 2019-May 31st, 2020 Curated by Sally Brander FCRH ‘20 Clare McCabe FCRH ‘20 Magda Teter, The Shvidler Chair in Judaic Studies with contributions from Students from the class HIST 4308 Antisemitism in the Fall of 2018 and 2019 O’Hare Special Collections Walsh Family Library, Fordham University Table of Contents Preface i Media Technology and the Dissemination of Hate 1 Christian (Mis)Interpretation and (Mis)Representation of Judaism 5 The Printing Press and The Cautionary Tale of One Image 13 New Technology and New Opportunities 22 -
81003893.Pdf
Kobe University Repository : Kernel タイトル An Analysis of Racial Solidarity in Lawson Inada’s Jazz Poetry Title 著者 Yoshioka, Yuka Author(s) 掲載誌・巻号・ページ 21世紀倫理創成研究,5:72-86 Citation 刊行日 2012-03 Issue date 資源タイプ Departmental Bulletin Paper / 紀要論文 Resource Type 版区分 publisher Resource Version 権利 Rights DOI JaLCDOI 10.24546/81003893 URL http://www.lib.kobe-u.ac.jp/handle_kernel/81003893 PDF issue: 2021-10-02 An Analysis of Racial Solidarity in Lawson Inada’s Jazz Poetry Yuka Yoshioka Introduction In this paper, I will discuss Asian American poetry reading with music. My goal in this paper is to solve a question: how did Asian American poets articulate their ethnicity through their poetry reading? Japanese American poets Lawson Fusao Inada (1938-) creates jazz poetry, which are devoted to the theme of his experience of Japanese American internment. Therefore, I will describe the historical racial issue in America through an examination of Lawson Fusao Inada’s poetry reading about a concentration camp, with an emphasis on the racial solidarity evoked by jazz music. Investigating jazz, which is created by non-African minorities, may lead to solving the complexity of multiculturalism in America. I. Lawson Fusao Inada and his Works Lawson Fusao Inada, a third-generation (sansei) Japanese American, was born on May 26, 1938 in Fresno, California. Inada’s family was living in the west side of Fresno which had a “racially mixed working-class community.”(Huang, 145) The place Inada and his family lived is divided by a railway from the white in the east and the minorities in the west. -
T.111%. Iltdrulli 11C,UIVIC
DEPARTMENT OF HEALTH, EDUCATION, AND WELFARE OE FORM 6000,2/69 OFFICE OF EDUCATION , t.111%. IltdrUllI 11C,UIVIC. ERIC ACC. NO. ED 041 181 I S DOCUMENTCOPYRIGHTED? YES ta NO II CH ACC. NO. P.A.PUBL. DATE ISSUE ERICREPRODUCTION RELEASE? YES 0 NO AA 000 589 70 RIEDEC70 LEVELOF AVAILABI I-ITY I II HI AUTHOR Rothenberg, Albert TITLE Comprehensive Guide to Creative Writing Programs in American Colleges and Universities. SOURCE CODEINSTITUTION(SOURCE) ECC99225 SP. AG. CODESPONSORING AGENCY LYR56987 EDR S PRICE CONTRACT NO, GRANT NO. 0.75;8.45 REPORT NO. BUR EAU NO. AVAI LABI LI TY JOURNAL CITATION DESCRIPTIVE NOTE 167p. DESCRIPTORS *Creative Writing; *English Programs; *Higher Education; UndergraduateStudy; Graduate Study; Short Stories; Playwriting; Poetry; Scripts; Independent Study; Experimental Programs; Instructional Staff; Recognition; Student Teacher Relationship; Cocurricular Activities; School Surveys I DENT1 Fl ER S ABSTRACT Information on creative writing programs was collected from 1042 out of 1200 American colleges and universities contacted. The following data is presented in tabular form: (1) undergraduate academic status of creative writing; (2) graduate status; (3) offering of a course or courses covering the"core" or basic literary genres of short story, verse, and playwriting;(4) additional or unique course offerings in creative writing, such as TV, radio, film writing; (5) opportunities for independent study and work/study or experimental programs related to creative writing; (6) professional writers on the faculty; (7) opportunities for contact with professional writers through visits, lecture series or a"Writer in Residence" program; (8) prizes and awards in creative writing;(9) opportunities for individual contact with creative writing faculty iv seminars or individual conferences; (10) extra-curricular outlets for practicing and appreciating creative writing. -
Masculinity, Food, and Appetite in Frank Chin's Donald Duk and “The
2 Masculinity, Food, and Appetite in Frank Chin’s Donald Duk and “The Eat and Run Midnight People” [T]he male body is understood as powerful, big and strong, “with enormous, imperative, brutal needs” which are asserted when eating. —Deborah Lupton, Food, the Body, and the Self [T]he stereotype of male eating habits originated in the bush, and included a lack of table manners for the expression of a rude, hearty appetite, simply cooked meat, damper baked in the ashes of camp fires and meat pies and tomato sauce. —Michael Symons, One Continuous Picnic The name Frank Chin provokes controversy among Asian American readers and scholars, but almost all agree that masculinity has preoccupied his entire literary and critical career. Almost all his writings aim at dismantling the U.S. hegemonic, emasculating representations of Asian American males, even when this agenda must sometimes be carried out at the expense of Asian American women and gay men. Recognizing his homophobic and macho tendencies, I nevertheless value Chin’s literary attempts to assail the prevailing stereotype of Asian American male sexuality. His is not only an important but also a neces- sary project in the evolution of Asian American aesthetics. Moving away from the black masculine model (such as in The Chickencoop Chinaman), Chin in his imagination of a proud Chinese American manhood turns to Asian and Asian American cultures in his 1991 novel, Donald Duk. While Donald Duk is no exception in its goal, it is a departure from the angry tone that dominates his earlier works, such as “Racist Love” (1972), “The Chickencoop China- man” (1981), and “Come All Ye Asian American Writers of the Real and the Fake!” (1991). -
AACP BOARD of DIRECTORS Florence M. Hongo, President Kathy Reyes, Vice President Rosie Shimonishi, Secretary Don Sekimura, Treasurer Leonard D
AACP BOARD OF DIRECTORS Florence M. Hongo, President Kathy Reyes, Vice President Rosie Shimonishi, Secretary Don Sekimura, Treasurer Leonard D. Chan Sutapa Dah Joe Chung Fong, PhD. Michele M. Kageura Susan Tanioka Sylvia Yeh Shizue Yoshina HONORARY BOARD Jerry Hiura Miyo Kirita Sadao Kinoshita Astor Mizuhara, In Memoriam Shirley Shimada Stella Takahashi Edison Uno, In Memoriam Hisako Yamauchi AACP OFFICE STAFF Florence M. Hongo, General Manager Mas Hongo, Business Manager Leonard D. Chan, Internet Consultant AACP VOLUNTEERS Beverly A. Ang, San Jose Philip Chin, Daly City Kiyo Kaneko, Sunnyvale Michael W. Kawamoto, San Jose Peter Tanioka, Merced Paul Yoshiwara, San Mateo Jaime Young AACP WELCOMES YOUR VOLUNTEER EFFORTS AACP has been in non-profit service for over 32 years. If you are interested in becoming an AACP volunteer, call us at (650) 357-1008 or (800) 874-2242. OUR MISSION To educate the public about the Asian American experience, fostering cultural awareness and to educate Asian Americans about their own heritage, instilling a sense of pride. CREDITS Typesetting and Layout – Sue Yoshiwara Editor– Florence M. Hongo/ Sylvia Yeh Cover – F.M. Hongo/L. D. Chan TABLE OF CONTENTS GREETINGS TO OUR SUPPORTERS i ELEMENTARY (Preschool through Grade 4) Literature 1-6 Folktales 7-11 Bilingual 12-14 ACTIVITIES (All ages) 15-19 Custom T-shirts 19 INTERMEDIATE (Grades 5 through 8) Educational Materials 20-21 Literature 22-26 Anti-Nuclear 25-26 LITERATURE (High School and Adult) Anthologies 27-28 Cambodian American 28 Chinese American 28-32 Filipino -
Ben Santos Papers
Ben Santos Papers Collection Summary Title: Ben Santos Papers Call Number: MS 86-06 Size: 9.0 linear feet Acquisition: Gift of Ben Santos, 1979. Processed By: CAW, 6-28-1978; JEO, MN, 1996; Reprocessed by MN, 9-2008 Note: None Restrictions: None Literary Rights Literary rights were not granted to Wichita State University. When permission is granted to examine the manuscripts, it is not an authorization to publish them. Manuscripts cannot be used for publication without regard for common law literary rights, copyright laws and the laws of libel. It is the responsibility of the researcher and his/her publisher to obtain permission to publish. Scholars and students who eventually plan to have their work published are urged to make inquiry regarding overall restrictions on publication before initial research. Restrictions None Content Note This collection of Ben Santos' papers contains personal and professional correspondence, diaries, notes on literary productions, early drafts of stories and poems, literary productions, clippings and reviews, awards and fellowships, and personal memorabilia. The materials contained in this collection date back to the 1930s when he was a student in the Philippines and continue into the early 1980s until his retirement from teaching. Biography Bienvenido (“Ben”) N. Santos, 1911-1996, was a Filipino-American writer. A native of the Philippines, he taught English there for many years. When fighting broke out in the Philippines in World War II, Santos, who was studying at Columbia University in New York City, found himself cut off from his wife and children still living in what was then an American colony. -
Some Thoughts on Aiiieeeee! in 2019 by Shawna Yang Ryan
Asian American Literature: Discourses and Pedagogies 10 (2019/20) 42-44. Some Thoughts on Aiiieeeee! in 2019 By Shawna Yang Ryan On my office wall hangs a framed page from an 1886 issue of Harper’s Weekly depicting, “A Haunt of the Highbinders in Chinatown.” Along the right-hand side are illustrations of some of these highbinders—Lee Ah Fook, Chu Ah Lung—and at the top are their “favorite weapons”: a butcher knife, an axe, a variety of swords. The picture is a gift from my father-in-law, who was born in and grew up in San Francisco’s Chinatown. His mother passed through Angel Island pregnant with him, and a family picture shows him in the arms of Presbyterian missionary and Chinatown icon, Donaldina Cameron. He represents what I’ve always thought of as the archetypical Chinese American identity, one linked to San Francisco, to Angel Island, to paper sons and the Chinese exclusion laws. As a daughter of an immigrant from Taiwan, this history felt much more grounded in American soil than mine, a little bit mythical even. When I return to the introduction to Aiiieeeee! in 2019 I think that my father-in- law might have identified with Chin and his colleagues’ assertions about Chinese American identity. In the 20th century there was a certain way of being Chinese American that Aiiieeeee!, depending on which embodiment we are talking about, helped to expose, rebuke, or dismantle—or to elevate. There was a history that it helped to restore. Aiiieeee! set the terms of the conversation that I walked into as a writer, as an Asian American writer of Taiwanese-Chinese descent. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
Canadian Inclusive Language Glossary the Canadian Cultural Mosaic Foundation Would Like to Honour And
Lan- guage De- Coded Canadian Inclusive Language Glossary The Canadian Cultural Mosaic Foundation would like to honour and acknowledgeTreaty aknoledgment all that reside on the traditional Treaty 7 territory of the Blackfoot confederacy. This includes the Siksika, Kainai, Piikani as well as the Stoney Nakoda and Tsuut’ina nations. We further acknowledge that we are also home to many Métis communities and Region 3 of the Métis Nation. We conclude with honoring the city of Calgary’s Indigenous roots, traditionally known as “Moh’Kinsstis”. i Contents Introduction - The purpose Themes - Stigmatizing and power of language. terminology, gender inclusive 01 02 pronouns, person first language, correct terminology. -ISMS Ableism - discrimination in 03 03 favour of able-bodied people. Ageism - discrimination on Heterosexism - discrimination the basis of a person’s age. in favour of opposite-sex 06 08 sexuality and relationships. Racism - discrimination directed Classism - discrimination against against someone of a different or in favour of people belonging 10 race based on the belief that 14 to a particular social class. one’s own race is superior. Sexism - discrimination Acknowledgements 14 on the basis of sex. 17 ii Language is one of the most powerful tools that keeps us connected with one another. iii Introduction The words that we use open up a world of possibility and opportunity, one that allows us to express, share, and educate. Like many other things, language evolves over time, but sometimes this fluidity can also lead to miscommunication. This project was started by a group of diverse individuals that share a passion for inclusion and justice.