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Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
HHD Online Player Mohabbatein Download 720P Movies
1 / 3 HHD Online Player (Mohabbatein Download 720p Movies) ... recognition includes [awards/fellowships/residencies/notable publishing, clients, etc. with years]. Learn more about [faculty member] online [faculty member.. The mobile users can visit the mobile app store to download MX player app. To stream the latest video content online, visit the official website of .... Smash Hitz (2013) 720p BluRay x264 DTS HD Master Audio 5. ... Cinavia is a protection for movies in theaters and on DVD, Blu-ray & UHD discs. ... kuch kuch hota hai dilwale dulhania le jayenge mohabbatein and many more. ... lets you anonymously share files online with two simple clicks, download .... Mohabbatein Full Movie online, Mohabbatein full movie watch online for free (no ... Mohabbatein stream Movie in HD 720p/1080p.. download Mohabbatein .... Mohabbatein (2000) Hindi 720p BluRay 1 3GB. ▻ FREE DOWNLOAD IN HD ▻ WATCH MOVIE ONLINE Visitors all time: 1079. Related movies. Dilwale .... Full Movie Streaming Mohabbatein in HD Video. Online Streaming Mohabbatein in HD Quality. Watch Streaming Mohabbatein in High Quality Video. [1080p] Mohabbatein 2000 Download Full | Full - HD Player enmusicalap. Mohabbatein (2000) Full Movie Watch Online Free Download. 5 Sep 2014 92 minSign in Playing next 07 47 Making Of The Film Part 1 .... Watch Mohabbatein: movies123 full hd quality: Narayan, an Indian man who has a ... As they return to rescue one of their own, the players will have to brave parts ... These are also movies or TV shows that are downloaded through online .... 1, English, subtitle The Craft, sub, download. ... The Craft movie YIFY subtitles. ... HHD Online Player (Mohabbatein download 720p movies). Movie:-Mohabbatein (2000) BD-Rip 720p 6CH By Abhinav4u (torrent) Info:- .. -
Shahrukh Khan Aishwarya Rai Hrithik Roshan Kajol Salman Khan Kareena Kapoor
Shahrukh Khan Aishwarya Rai Hrithik Roshan Kajol Salman Khan Kareena Kapoor Rani Mukherji Amitabh Bachchan Amisha Patel Aamir Khan Priyanka Chopra Akshay Kumar Shahid Kapoor Bipasha Basu John-Abraham Preity Zinta Saif Ali Khan Vidya Balan Abhishek Bachchan Deepika Padukone Arjun Rampal Katrina Kaif Ranbir Kapoor Anushka Sharma FECHA DE ACTUALIZACIÓN DEL CATALOGO: 28 DE OCTUBRE 2015 Venta especializada de Cine de la India -((CON MÁS DE 12 Años DE ESPERIENCIA ))- -Tenemos: Estrenos, Éxitos de taquilla, clásicos, musicales, Bandas sonoras, Música India, Sólo vendemos cine indio 100% , Pusimos de moda el Bollywood en cuba, CATÁLOGO DE PELÍCULAS INDIAS EN HD (ALTA DEFINICIÓN) Precio: Películas de menos de 3 GB, 2 películas x 1 cuc Películas de 3Gb en adelante, 1 película x 1 cuc También contamos con los siguientes catálogos: - Catálogo de películas indias en DVD copias oficial - Catálogo de películas indias (.avi) para llevar en copias digital - Catálogo de DVD´s de Videos musicales Bollywood - Además vendemos bandas sonoras y música india en copias digital - Pegatinas y posters de actores y dioses indios… Descargue nuestros catálogos desde internet visitando www.PELICULASINDIAS.com nuestro e-mail: [email protected] Si desea recibir en su célular alertas de Estrenos, eventos, venta de productos de la India y más, envíenos un SMS con el texto (ALERTAS BOLLYWOOD ) Telf: (7) 836-8640 Descargue desde internet la actualización de este catálogo visitando: www.PELICULASINDIAS.com (1995)- Dilwale Dulhania Le jayenge Actores:Shah Rukh Khan,Kajol -
CHAPTER 1 INTRODUCTION A. Background of the Study Islam Is
CHAPTER 1 INTRODUCTION A. Background of the Study Islam is one of religions in the world; the believer of Islam is called Muslim. They are spread in the world. According to their holly Quran, Islam asks to the believer to give harmony, love and good act to the other, but there are some parts of followers Islam that have perception that other religion such as Jewish, Christian are their rival, and Islam has to shatter the other religion, so they do extreme act such as bombing and attacking, they are called Terrorist. As a syllogism theory, people in the world think that, “bomber is terrorist” “Muslim is bomber” the conclusion is “Every Muslims is terrorist”. So there is an assumption that every Muslim in the world is terrorist and there is Islam phobia in some countries in the world. For example Muslims in America are often associated with terrorism, Muslim’s live begin uncomfortable after WTC attack at September 11th 2001. After WTC attack in America, Muslim live uncomfortably in America, because the agents of WTC attack are Muslims from Afghanistan, the agents of WTC attack take an Airplane and bring it to hit the WTC building. American is very sad because of that attack, because WTC is one of the business centers in America. After WTC attack, is the beginning of the war in Afganistan, because America wants to find the actors of WTC attack. After that attack, Muslims’s life begins different in America, they get 2 different treatment from others. They get discrimination from others in America. -
Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil. -
Sunny Singh London Metropolitan University [email protected]
The Road to Rāmar ājya : Analysing Shah Rukh Khan’s Parallel Text in Commercial Hindi Cinema Sunny Singh London Metropolitan University [email protected] This paper attempts to trace the construction of Shah Rukh Khan’s parallel text with explicit references to the Hindu epic Rāmāyana through an analysis of key cinematic texts produced from 1995 to 2007. The analysis follows the development of Shah Rukh Khan’s star text as a growing narrative drawn from, and interacting with, the epic and its protagonist, Rāma , and his idealised reign, Rāmar ājya , which is used in India to refer to an epoch of social stability. In addition, the paper explores how the star’s parallel text intersects the aspirations of a nation poised at the edge of monumental change, and the ways in which it challenges and subverts the popularly accepted notions of the growth of Hindu nationalist politics in the country in the late-1990s, finally leading to the assertion of a new, post-Hindutva, post-globalization identity as an Indian Muslim. Keywords: Shah Rukh Khan; India; stars; Bollywood; Rāmāyana . Este estudio intenta delinear la construcción del texto paralelo del actor Shah Rukh Khan con referencias explícitas al clásico épico hindú Rāmāyana por medio de análisis de textos cinematográficos del actor producidos entre 1995 y 2007. El análisis demuestra el desarrollo del texto paralelo de Khan como una narrativa basada en—y dialogando con—el clásico épico, su protagonista, Rāma , y su reino ideal, el Rāmar ājya . Además, el ensayo explora las maneras en que dicho texto llega a representar las pretensiones de una nación al borde de cambios monumentales, y las formas en las que desafía y subvierte las ideas generalmente aceptadas del desarrollo de nacionalismo hindú en el país durante la década de los noventa. -
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The Road to Rāmar ājya : Analysing Shah Rukh Khan’s Parallel Text in Commercial Hindi Cinema Sunny Singh London Metropolitan University [email protected] This paper attempts to trace the construction of Shah Rukh Khan’s parallel text with explicit references to the Hindu epic Rāmāyana through an analysis of key cinematic texts produced from 1995 to 2007. The analysis follows the development of Shah Rukh Khan’s star text as a growing narrative drawn from, and interacting with, the epic and its protagonist, Rāma , and his idealised reign, Rāmar ājya , which is used in India to refer to an epoch of social stability. In addition, the paper explores how the star’s parallel text intersects the aspirations of a nation poised at the edge of monumental change, and the ways in which it challenges and subverts the popularly accepted notions of the growth of Hindu nationalist politics in the country in the late-1990s, finally leading to the assertion of a new, post-Hindutva, post-globalization identity as an Indian Muslim. Keywords: Shah Rukh Khan; India; stars; Bollywood; Rāmāyana . Este estudio intenta delinear la construcción del texto paralelo del actor Shah Rukh Khan con referencias explícitas al clásico épico hindú Rāmāyana por medio de análisis de textos cinematográficos del actor producidos entre 1995 y 2007. El análisis demuestra el desarrollo del texto paralelo de Khan como una narrativa basada en—y dialogando con—el clásico épico, su protagonista, Rāma , y su reino ideal, el Rāmar ājya . Además, el ensayo explora las maneras en que dicho texto llega a representar las pretensiones de una nación al borde de cambios monumentales, y las formas en las que desafía y subvierte las ideas generalmente aceptadas del desarrollo de nacionalismo hindú en el país durante la década de los noventa. -
Made in India: Attracting and Incentivizing Film Productions
Made in India: Attracting and incentivizing film productions Overview India’s film and television industry is one of the fastest Guidelines and policies for shooting films growing sectors in the country today and has attracted in India 2 significant investments from Indian and international corporates. With more than 800 television channels, 135 The MIB has recently issued fresh simplified guidelines for million pay-TV households and 1,000 films produced foreign film shooting by foreign nationals/ co-productions annually, the film and television industry contributed over in India. The guidelines provide a step-by-step guidance INR 500 billion to the economy last year, constituting on the procedure and approvals required to shoot films approximately 0.5% of the GDP of India. in the country. Any foreign film production intending to shoot in India, will need to inform the MIB of its intention Overseas studios are increasingly entering into to do so mentioning dates of shooting, particulars of cast/ arrangements with producers in India to jointly produce crew, four copies of the final detailed shooting script and films and television series. India’s Foreign Direct chosen locations at least a month in advance along with a Investment (‘FDI’) regulations permit 100 percent FDI for draft of US$ 225. MIB will then help the filmmaker obtain film and TV productions under the automatic route. India permissions to shoot across chosen locations within three has been blessed with scenic locations, incredible cultural weeks. The permission letter issued by the Government of diversity, trained film crews and low production costs. India will facilitate permissions from local authorities across Increased collaboration between India and other countries States. -
1St Filmfare Awards 1953
FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963..................................................................................................... -
Amitabh Bachan
Amitabh Bachan Amitabh Harivansh Bachchan was born on the 11th of October, 1942. He is an Indian actor who first gained popularity in the early 1970's as the "angry young man" of Hindi cinema and has since then appeared in over 180 Indian films in a career spanning over four decades. Amitabh Bachchan is regarded as one of the greatest and most influential actorsin the history of Indian cinema. FUN FOR ME! Copyright © 2012 Mocomi & Anibrain Digital Technologies Pvt. Ltd. All Rights Reserved. He has won a staggering number of awards in his career, including four National Film awards, three of which are in the Best Actor category, and fourteen Filmfare Awards. He is the most nominated performer in any major acting category at Filmfare, with 37 nomi- nations overall. Apart from acting, Bachchan has also worked as a play- back singer, film producer and television presenter. He is also the recipient of the Padma Shri and Padma Bhushan civilian awards from the Indian government. Life Amitabh Bachchan was born in Allahabad, Uttar Pradesh. His father, Harivansh Rai Bachchan was a well known Hindi Poet, and his mother, Teji Bachchan was a Sikh from Faisalabad, now in Pakistan. Amitabh was ini- tially names Inquilaab, inspired from the famous phrase Inquilab Zindabad, but at the suggestion of fellow poet Sumitranandan Pant, Harivansh Rai changed his name to Amitabh which means "the light that would never go off". FUN FOR ME! Copyright © 2012 Mocomi & Anibrain Digital Technologies Pvt. Ltd. All Rights Reserved. Amitabh's mother had some degree of influence in his career choice because she always insisted that he should take center stage. -
SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I the Birth of Cinema Lumie
B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism SYLLABUS Class – B.A. (HONS.) MASS COMMUNICATION VI Semester Subject – Film Journalism UNIT – I The birth of cinema Lumier brother’s package The Grand father of Indian cinema: Dada Saheb Phalke The silent era (1896-1930) The talkie era and decade wise trend up to 1990 The new trends in Indian cinema (1991-2007) UNIT – II The brief study and analysis of trend setter film directors V ShantaramSohrab ModiMehboob KhanVijay BhattWadia brothersRaj KapoorGuruduttBimal RoySatyajit RayB. R. Chopra Yash ChopraHrishikesh Mukherjee Chetan Anand Basu Chaterjee Sai ParanjapeGuljarBasu BhattacharyaMahesh Bhatt Ramesh SippyShyam BenegalKetan MehtaGovind Nihlani Suraj BarjatyaVidhu Vinod ChopraJ P DuttaSanjay Leela Bhansali Ramgopal VermaKaran JojarAditya Chopra Raj kumar santoshi Rakesh Mehra Rj kumar Hirani UNIT – III Film as an art Film and painting Film and theatre Film and literature Film and music UNIT – IV Film language and grammar (A)Shot, scene & cut, (B)Camera Distance, (C) Camera Angles, (D)Camera movements (E) Lighting (F) Sound in films (G) Film Editing devices UNIT – V Film institutions in India Film festivals (National and International) Film awards Film censorships 45, Anurag Nagar, Behind Press Complex, Indore (M.P.) Ph.: 4262100, www.rccmindore.com 1 B.A. (HONS.) Mass Communication VI Semester Subject – Film Journalism UNIT I THE BIRTH OF CINEMA Lumiere brothers The Lumiere brothers were born in Besancon, France, in 1862 and 1864, and moved to Lyon in 1870. This is where they spent most of their lives and where their father ran a photographic firm. The brothers worked there starting at a young age but never started experimenting with moving film until after their father had died in 1892.The brothers worked on their new film projects for years, Auguste making the first experiments.