1 Indian Paper Industry
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Creative Resources Creative Economyofbrighton Card & Paper 2014
Your local supplier for B art and creative resources creative economyofbrighton Card & Paper 2014 Tissue Circles See page 13 free delivery value buys on new items on all orders a wide range and ranges over £40* of items available 01273 682831 www.economyofbrighton.co.uk Order Form Use this form to put your order together. B Then place your order using the details on creative the back page economyofbrighton Name: Organisation: Address: Post Code: Telephone Product Code Description Qty Price Total Delivery Charge (on orders below £40 (£4.95)) Total Remember we accept Official Purchase Orders All prices are shown exc VAT at the current rate. Free delivery is available to education customers in BN, RH and some PO postcodes, please call to verify if you qualify. All prices are as correct at the times of going to press. Customers are subject to the prices ruling at the time of dispatch. For full terms and conditions please see our website. 2 01273 682831 www.economyofbrighton.co.uk free delivery over £40 1 2 B creative economyofbrighton Sugar Paper 100% recycled 100gsm 1 Black 250 sheets A4 £3.91 Y271 A3 £6.60 Y270 3 A2 £11.25 Y268 A1 £23.00 Y267 2 White 250 sheets A4 £3.91 Y280 A3 £6.60 Y279 A2 £11.25 Y295 A1 £23.00 Y294 3 Bright Mix (Kalideoscope) 10 colours - red, orange, white, lilac, buff, blue, green, grey, pink, yellow. 250 sheets A4 £3.91 Y292 A3 £6.60 Y291 A2 £11.25 Y277 A1 £23.00 Y276 4 5 4 Pastel Mix 10 colours included - yellow, red, purple, orange, lime, emerald, brown, gold, cerise and blue. -
Short Course Provision Materials List
SHORT COURSE PROVISION MATERIALS LIST FOUNDATION DRAWING ------------------------------------------------------------------------------------------------------------------- Please find below a list of recommended materials for the course throughout the year. Any student wishing to discuss materials with their lecturer can wait to purchase these from the Gray’s Art Material Shop at the start of the course. Please note: for the first class students are required to bring the following: A basic roll of lining paper, pencil, charcoal, putty rubber and masking tape. Initial classes thereafter require a sketchbook, cartridge paper, pencils, putty rubber, sharpener & masking tape. Students will then be introduced to some alternative drawing materials. Please review your complete materials list below: Paper ● Roll of lining paper - available from B&Q or use the back of an old roll of wallpaper. ● A2 pad, A1 sheets of good quality cartridge paper (130 mg or heavier) ● Several sheets of Ingres paper or sugar paper A2. Some light (grey, buff, brown) and some high saturation colours (blue, red). ● At least one sheet of watercolour paper 50 x 70cm ● Sketchbook A4 (ring bound). Pencils ● A range of good quality soft pencils, e.g. HB, 2B, 4B. ● Conté pencil or wax pencils (white, sanguine, sepia or black) - these are optional. Drawing Pens ● Fine tip (black or brown) water-soluble (non-permanent/not waterproof) and permanent pen. Charcoal ● Willow charcoal. Assorted pack Crayon ● Conté pack of 4 - white, sanguine, sepia and black. Fixative ● You can purchase ‘fixative’ to fix a drawing (this can be expensive) or use an ordinary hairspray which will work just as well. Brushes ● 1 x medium size watercolour brush. -
ISM WORKSHEET Template
INDIAN SCHOOL MUSCAT SENIOR SECTION DEPARTMENT OF FINE ARTS CLASS: X PAINTING (049) WORKSHEET No. 7 THEORY Unit – II – (a) METHODS AND MATERIALS OF PAINTING – TOOLS Questions and Answers Very short Answer Type Questions Q. 1) What are the categories of materials of painting? Ans: The materials of painting can be broadly classified into 3 categories: (A) Tools (B) Surfaces and (C) Medium. Q. 2) Define the following (1) Tools of Art (2) Surfaces for painting (3) Eraser (4) Hand-held Sharpener (5) Paintbrush (6) Bristles (7) Ferrule (8) Crimp Ans-: (1) Tools of Art - Tools of art are the physical materials used to create the artwork which we see without leaving any mark on the surface. Further no part of the tool is supplied to surface. (2) Surfaces for painting - When we speak of a surface for painting we mean the surface which absorbs the paint or a colour. In other words, a surface is that part of a painting which receives colour on it. (3) Eraser - An eraser is an article of stationery that is used for removing marks from paper. Eraser is used to rub off a mistake made in a pencil drawing. (4) Pencil Sharpener - A pencil sharpener is a mechanical gadget used for sharpening pencils by shaving the casing and the core of the wooden pencil until it shapes the point. (5) Paintbrush- A paintbrush is a brush used to apply paint or sometimes ink to an underlying. ISM/CLASS X/ WORKSHEET NO.7/PAINTING/2020-21 (6) Bristles - Bristles are the hairy part of the brush which transfer paint onto an underlying surface. -
Japanese Kimono Paper Dolls
Ming-Ju Sun; 32 pages; 9780486250946; 1986; Courier Corporation, 1986; Japanese Kimono Paper Dolls Japanese Kimono Paper Dolls Traditional Fashions from India Paper Dolls Russian Folk Costumes Paper Dolls Creative Haven Ornamental Fashions Coloring Book Women of the Ukiyo-E Godey's Fashions Paper Dolls 1860-1879 Japanese oriental geisha in kimono with fan origami paper doll. 500 x 499 jpeg 76kB. www.etsy.com. Japanese geisha in kimono with shamisen origami paper doll. 807 x 812 jpeg 138kB. mzmew.tumblr.com. That's All You Do - I got 2 more Japanese paper doll 1280 x 1815 jpeg 735kB. www.pinterest.com. 121 Best images about PAPER DOLLS ORIGAMI on Pinterest ... japanese paper doll kimono pattern by GirlOfTheOcean on 662 x 1208 jpeg 134kB. craftiestuff.ecrater.com. Kimono Paper Doll Book-Fancy Ningyo Forms, Washi Origami. 479 x 550 jpeg 59kB. www.etsy.com. Make 2 3D Maiko Washi Ningyo Kit Japanese Kimono Pattern. 570 x 566 jpeg 80kB. www.pinterest.com. 1000+ images about Paper Dolls - Asian on Pinterest These cute Japanese paper dolls are wearing kimono! Looks good on both the back and front! These cute Japanese paper dolls are wearing kimono! Looks good on both the back and front! This Japanese inspired origami doll is made with 3 sheets of square paper. Itâ™s great to use a bookmark, you may want to make it a little sturdier by adding a dab of glue on the neck if you do. I hope you enjoy the tutorial, I added â˜Disqusâ™ comments system (below the post), which allows you to upload a photo! Iâ™d love to know what you think of the â˜kimonoâ™ â“ Iâ™m not an expert so I will call it kimono inspired ;). -
The Manufacture of Paper
/°* '^^^n^ //i,- '^r. c.^" ^'IM^"* *»^ A^ -h^" .0^ V ,<- ^.. A^^ /^-^ " THE MANUFACTURE OF PAPER BY R. W. SINDALL, F.C.S. CHEMIST CONSULTING TO THE WOOD PULP AND PAPER TRADES ; LECTURER ON PAPER-MAKING FOR THE HERTFORDSHIRE COUNTY COUNCIL, THE BUCKS COUNTY COUNCIL, THE PRINTING AND STATIONERY TRADES AT EXETER HALL, 1903-4, THE INSTITUTE OF PRINTERS ; TECHNICAL ADVISER TO THE GOVERNMENT OF INDIA, 1905 AUTHOR OF "paper TECHNOLOGY," " THE SAMPLING OF WOOD PULP " JOINT AUTHOR OF " THE C.B.S. UNITS, OR STANDARDS OF PAPER TESTING," " THE APPLICATIONS OF WOOD PULP," ETC. WITH ILLUSTRATIONS, AND A BIBLIOGRAPHY OF WORKS RELATING TO CELLULOSE AND PAPER-MAKING ^^RlFFeo^ ^^ ^, 11^ OCT 3 11910 ^^f-40 ^\^c> A BU\ lo\' NEW YORK D. VAN NOSTRAND COMPANY 23 MURRAY AND 27 WARREN STREETS 1908 By trassf»r trom U. S. Tariff Boarri 1012 /(o'?'<Q / PREFACE •Papee-making, in common with many other industries, is one in which both engineering and chemistry play important parts. Unfortunately the functions of the engineer and chemist are generally regai^dedi •a&n.inelepejident of one another, so that the chemist ife^o^ify e^llfeS-iii-hy the engineer when efforts along the lines of nlecTianical improvement have failed, and vice versa. It is impossible, however, to draw a hard and fast line, and the best results in the art of paper-making are only possible when the manufacturer appreciates the fact that the skill of both is essential to progress and commercial success. In the present elementary text-book it is only proposed to give an outline of the various stages of manufacture and to indicate some of the improvements made during recent years. -
FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D. -
William Blake PART I
126 Of the fifty-three more-or-less complete copies of Blake's writings in private hands, only one has moved to a public collection: VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. This is Songs of Innocence and of Experience (i), a posthumous copy watermarked with fragments of J WHATMAN | 1831, lacking ten of fifty-four prints. A curious feature of copy i is that one print (pl. 23) is watercoloured (see Illus. 1A), perhaps by Catherine Blake (d. 18 October 1831 [BR (2) 546]) or Frederick Tatham who printed the posthumous copies of Blake's works in Illuminated Printing. The colouring is distinct from the colour-printed copy of the same etching in VICTORIA UNIVERSITY IN THE UNIVERSITY OF TORONTO. The public appearance of Songs (i) has permitted the correction of minor errors in the account of it in Blake Books. COPIES UNTRACED America (S), Book of Thel (S), Descriptive Catalogue (V), Europe (N), First Book of Urizen (K), For Children (F), Poetical Sketches (Q), Songs of Innocence and of Experience (CC, q), "To the Public", Visions (S) are untraced. Six of these ten untraced copies in Illuminated Printing - - America (S), Book of Thel (S), Europe (N), First Book of Urizen (K), For Children (F), and Visions (S) -- have not been recorded since they were sold for the Flaxman family in 1862. Some or all the untraced copies may have been destroyed. Division I: William Blake PART I 126 127 ORIGINAL EDITIONS, FACSIMILES,93 REPRINTS, AND TRANSLATIONS Section A: Original Editions TABLE OF COLLECTIONS ADDENDA Biblioteca La Solana ILLUMINATED WORK: For Children: The Gates of Paradise, pl. -
Paper & Envelopes
PAPER & ENVELOPES Pitney Bowes Is The Envelope Expert! Our Team Of Specialists Will Manage Pitney Bowes Reduce Costs– We leverage the buying Envelope power of over 1 million of our customers Specialist Team to bring you low prices. Pre-Printing – We can economically deliver pre-printed envelopes to your office, from one to six colors to help make your envelopes stand out. Autoship Program – We can set up recurring shipping schedules so you won’t have to face the risk of running out of envelopes again. Custom Design – We can custom design envelopes for your specific application, and products are guaranteed to perform in your equipment. Free Inventory Management – We can maintain your envelope inventory off-site and have them delivered when you need them. Call us at 1-800-243-7824 and press “3” for a low price quote. JAVA ROASTERS Specifically designed for your 123 Main St. Northbrook, IL 00976 Pitney Bowes equipment Custom Envelopes Custom printing with your logo, Your Message Here address or messaging Custom Printing Envelopes tailored to your New Menu Enclosed exact specifications Up to 6 Colors Natural Health Warehouse Sale! Free off-site inventory Time Pet 1198 Post Avenue, Springfield, FL 07634 Supply June 30th management of large orders PO BOX 2, Westford, MA 17755 Free Prescription Competitively priced Seminar on Saturday! NORTHSIDE PARTNERS INC. 122 West Teton Drive Highland, CA 11223 Your Logo Here 32 CUSTOM ENVELOPES PAPER & ENVELOPES All Your Envelope And Paper Needs. We Also Carry A Complete Range of Standard Envelopes No. 63⁄4 Regular No. 10 Regular 10x13 Catalog envelope Open side, diagonal seam envelope features fully Open end, Catalog style envelope. -
A3 Paper Size: ISO Paper Size 297 X 420Mm Used for Small Poster Or Small News Paper
A3 Paper size: ISO paper size 297 x 420mm used for small poster or small news paper. A4 Paper size: ISO paper size 210 x 297mm used for Letterhead. Accordion fold: Bindery term, two or more parallel folds which open like an accordion. Acetate: a transparent sheet placed over artwork allowing the artist to write instructions or indicate where second colour is to be placed. Acid Resist: An acid-proof protective coating applied to metal plates prior to etching. Against the grain: At right angles to direction of paper grain. Alteration: Change in copy of specifications after production has begun. Aqueous Coating: Coating in a water base and applied like ink by a printing press to protect and enhance the printing underneath. Artboard: Alternate term for mechanical art. Ascender: any part of a lower case letter extending above the x-height. For example, the upper half of the vertical in the letters b or h. Authors corrections: changes made to the copy by the author after typesetting but not including those made as a result of errors in keying in the copy. Back up: Printing the second side of a sheet already printed on one side. Backslant: Letters that slant the opposite way from italic characters. Banding: Method of packaging printed pieces of paper using rubber or paper bands. Basis weight: Weight in pounds of a ream of paper cut to the basic size for its grade. Bind: To fasten sheets or signatures with wire, thread, glue. or by other means. Bindery: The finishing department of a print shop or firm specializing in finishing printed products. -
Crystal Reports
Unknown American View of Hudson from the West, ca. 1800–1815 Watercolor and pen and black ink on cream wove paper 24.5 x 34.6 cm. (9 5/8 x 13 5/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-44) Unknown American Figures in a Garden, ca. 1830 Pen and black ink, watercolor and gouache on beige wove paper 47.3 x 60.3 cm. (18 5/8 x 23 3/4 in.) frame: 51 × 64.6 × 3.5 cm (20 1/16 × 25 7/16 × 1 3/8 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-45) Unknown American The Milkmaid, ca. 1840 – 1850 Watercolor on wove paper 27.9 x 22.9 cm (11 x 9 in.) Princeton University Art Museum. Gift of Edward Duff Balken, Class of 1897 (x1958-49) John James Audubon, American, 1785–1851 Yellow-throated Vireo, 1827 Watercolor over graphite on cream wove paper mat: 48.7 × 36.2 cm (19 3/16 × 14 1/4 in.) Graphic Arts Collection, Rare Books and Special Collections, Princeton University Library. Gift of John S. Williams, Class of 1924. Milton Avery, American, 1893–1965 Harbor View with Shipwrecked Hull, 1927 Gouache on black wove paper 45.7 x 30.2 cm. (18 x 11 7/8 in.) Princeton University Art Museum. Bequest of Edward T. Cone, Class of 1939, Professor of Music 1946-1985 (2005-102) Robert Frederick Blum, American, 1857–1903 Chinese street scene, after 1890 Watercolor and gouache over graphite on cream wove paper 22.8 x 15.3 cm. -
Paper Industry in India – an Analytical Study
Dr. Yellaswamy Ambati, International Journal of Research in Management, Economics and Commerce, ISSN 2250-057X, Impact Factor: 6.384, Volume 07 Issue 07, July 2017, Page 13-18 Paper Industry in India – An Analytical Study Dr. Yellaswamy Ambati (Lecturer in Commerce, TS Model Junior College, Jangaon, Warangal, Telangana, India) I. INTRODUCTION Indian has the generis of using „Toddy Leave‟ (Tala Patrh) to exchange views in written form since time immemorial. India‟s Paper industry, as one of the old and core industrial manufacturing sector with a bearing on socio-economic development has undergone a significant change during the last three decades, especially after liberalisation. In India this industry plays a vital role in the overall industrial growth and also provides a necessary medium to propel our knowledge based economy forward in the new millennium. The word paper is derived from the “Latin” word “Papyrus” and from French “Papier”, Paper is basically composed of vegetable fibers mattered together to form into sheets. “Payprus” is a kind of grass material. Papyrus is an aquatic plant which grew in abundance in the delta of the Nile in Egypt. In an understandable language it means a sheet formed by the composition of vegetable, mineral, animal or synthetic fibers or mixtures with or without the addition of other substances into liquid vapour, or gas so that the fibers are intermeshed together. Several attributes of paper, including its pedagogic and packaging value makes Paper industry uniquely positioned among the manufacturing industries. Paper, is thus, recognized almost as a touchstone of socio-economic development. This traditional Indian paper sector had leverage and played a pivotal role in laying the foundation for economic growth. -
India Paper Industry Outlook to FY'2018
1 © This is a licensed product of Ken Research and should not be copied TABLE OF CONTENTS 1. India Paper Industry Introduction 2. Value Chain of India Paper Industry 3. India Paper Industry Market size 3.1. By Production Volume, FY’2007-FY’2013 3.2. By Gross Consumption Volume and Per Capita Consumption Volume, FY’2007- FY’2013 3.3. By Turnover of India Paper Industry, FY’2007-FY’2013 4. India Paper Industry Installed Capacity and Capacity Utilization, FY’2007-FY’2013 5. India Paper Market Segmentation 5.1. By Types of Paper (Production and Consumption Volume), FY’2007-FY’2013 5.2. By Types of Paper (Revenue), FY’2007-FY’2013 5.3. By Raw Material Consumption, FY’2013 6. India Paperboard & Industrial Packaging Paper Market 6.1. Introduction and Market Size, FY’2007-FY’2013 6.2. India Paperboard & Industrial Packaging Paper Market Segmentation 7. India Writing and Printing Paper Market 7.1. Introduction and Market Size, FY’2007-FY’2013 7.2. India Writing and Printing Paper Market Segmentation 8. India Newsprint Market 8.1. Introduction and Market Size, FY’2007-FY’2013 8.2. Market Share of Major Players in India Newsprint Market 8.3. Competitive Scenario of Major Players in India Newsprint Market 9. India Specialty Paper Market 9.1. Introduction and Market Size, FY’2007-FY’2013 9.2. Competitive Scenario of Major Players in India Specialty Paper Market 2 © This is a licensed product of Ken Research and should not be copied 10. India Paper Industry Import and Export Scenario 11.