June 10 - 27, 2015 PRESENTS
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Weekend of Conversation and Celebration
#balliolwomen www.balliol.ox.ac.uk/balliol-women-40 A weekend of conversation and celebration Friday 27 September to Sunday 29 September 2019 BALLIOL COLLEGE WELCOME FROM THE MASTER When we first started planning for this weekend to mark the 40th anniversary of women being admitted to Balliol as students, we were very conscious of two things: that Balliol women would want much more than (however enjoyable) a party, and that they would want to be deeply involved in the planning and the events. We are enormously grateful for all the ideas and offers of help we received (not all of which we could accommodate in 36 hours). Out of this rich mix came the idea of ‘conversation and celebration’, encompassing serious conversations about serious issues for women in 2019, alongside a celebration of community, aspiration and all that Balliol’s women have achieved since 1979. While we are all painfully aware that the fight for gender equality, in all its aspects, still goes on, we hope that you will leave Balliol cheered, energised and inspired to play a part in whatever the next challenge may be. Dame Helen Ghosh DCB ACKNOWLEDGEMENTS With thanks to the Development Office, Steering Committee, Publications & Web Officer, Conference & Events Manager, Library staff, Front of House team, Kitchen staff, Porters, student helpers and everyone else who has helped with this event. Thanks also to Veroni (illustrator), Becky Clarke Design (designer) and Thomas Leach Colour (printer) for their work on this programme. PROGRAMME SATURDAY 28 SEPTEMBER 8.15–9.30am -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
The Ideology and Aesthetics of Andrew Lloyd Webber's Musicals
THE IDEOLOGY AND AESTHETICS OF ANDREW LLOYD WEBBER’S MUSICALS: FROM THE BROADWAY MUSICAL TO THE BRITISH MEGAMUSICAL by Vagelis Siropoulos A dissertation submitted to the Department of English Literature and Culture, School of English, Faculty of Philosophy, Aristotle University of Thessaloniki, Greece In fulfillment of the requirements for the degree of Doctor of Philosophy 2008 2 TABLE OF CONTENTS Acknowledgements…………………………………………………………..page 4 Introduction A Dialectical Method for the Analysis of Musicals: From Fredric Jameson to Andrew Lloyd Webber..............................................................................................5 Chapter 1 Historicizing the Musical Number: From Vaudeville to MTV 1. Defining the Musical Number………………………………………………25 2. The Old Razzle-Dazzle……………………………………………………..32 3. Thinking in Fragments……………………………………………………...43 Chapter 2 The Era of Rodgers and Hammerstein and the Origins of the Megamusical: From Show Boat to West Side Story 1. The Musical Play……………………………………………………………56 2. Problems of Integration……………………………………………………..71 3. Modernist Experimentations………………………………………………..92 Chapter 3 Counterculture and the Birth of the Megamusical: From Hair to Evita 1. Rock/ Pop Opera…………………………………………………………..109 3 2. Musical Montage and Conceptual Staging……………………………….. 128 3. Counterculture and the Culture of Narcissism: From Jesus to Madonna……………………………………………………149 Chapter 4 Blockbuster Aesthetics and the British Invasion: From Cats to Les Misérables 1. “On Her Majesty’s Secret Service:” The British Conquer the -
The Halcyon ITV Wylie Interviews
Contents Press Release 3 Foreword by Sharon Hughff (execu:ve producer) 4 – 5 Character Biographies 6 – 7 Cast and Produc:on Interviews 8 – 40 Episode Synopses 41 – 42 Cast and Produc:on Credits 43 – 45 Back Page 46 Steven Mackintosh and Olivia Williams star in major new drama series The Halcyon Two of the UK’s most acclaimed actors, Steven Mackintosh (Luther, The Sweeney, Inside Men) and Olivia Williams (Anna Karenina, Hyde Park On Hudson, The Sixth Sense) join forces in a brand new ITV drama series, The Halcyon, produced by award-winning independent produc:on company Le\ Bank Pictures. The Halcyon tells the story of a bustling and glamorous five star hotel at the centre of London society and a world at war. The eight-part drama series also features Kara Tointon (Mr Selfridge, Sound Of Music Live), Alex Jennings (The Lady In The Van, The Queen), Ma Ryan (ConstanDne, Arrow), Hermione Corfield (Knights Of The Roundtable: King Arthur, Pride and Prejudice And Zombies) and Mark Benton (Eddie The Eagle, Waterloo Road). The drama, set in 1940, shows London life through the prism of war and the impact it has on families, poli:cs, relaonships and work across every social strata with a soundtrack of music from the era. Mul: award-winning singer-songwriter Jamie Cullum has specially wriaen two songs and top UK recording ar:st and celebrated singer Beverley Knight will make a special guest appearance in The Halcyon when she performs at the Café de Paris. Created by Charloae Jones (Trust Me) and lead series writer Jack Lothian (Doc MarDn, Harry Price: Ghosthunters), The Halcyon reveals how war permeates everyone’s lives from the glamorous guests to its loyal, hard-working staff watched from within by American journalist Joe O’Hara (MaO Ryan). -
‚Gutes' Theater
VS PLUS Zusatzinformationen zu Medien des VS Verlags ‚Gutes’ Theater Theaterfinanzierung und Theaterangebot in Großbritannien und Deutschland im Vergleich 2011 | Erstauflage Anhang Tabellen [Text eingeben] www.viewegteubner.de www.vs -verlag.de Inhaltsverzeichnis Tab. 1: Internationale Definitionen von Kultur, Kultursektor, Kulturindustrien....................................4 Tab. 2: Kulturfinanzierung, GB, 1998/99, in ₤ Mio. und %...................................................................5 Tab. 3: Zentralstaatliche Kulturförderung in GB, 1998/99, in ₤ Mio. und %......................................... 5 Tab. 4: Anteil Kultursponsoring am BIP, D vs. GB, 1999-2007............................................................5 Tab. 5 Production categories , TMA (Beschreibung der Sparten für die Umfrage), ab 1993 ...............6 Tab. 6a: Production categories , SOLT .................................................................................................... 7 Tab. 6b: Sub genres und other production criteria , SOLT ......................................................................7 Tab. 7: Verteilung der deutschen Theater nach Träger, 1990-2005 .......................................................8 Tab. 8: Verteilung Rechtsträger und -formen der deutschen öffentlichen Theaterunternehmen............ 8 Tab. 9: Londoner Theater (SOLT-Mitgliedschaft).................................................................................9 Tab. 10: Wichtigste Londoner Theater, A-Z, Sitzplatzkapazitäten, Eigentümer/ Betreiber.................. -
Transforming the Education Workforce: Learning Teams for a Learning Generation the Learning Generation
Transforming the Education Workforce: Learning Teams for a Learning Generation The Learning Generation The Education Commission is a global initiative dedicated to greater progress on Sustainable Development Goal 4 – ensuring inclusive and quality education and promoting lifelong learning for all. The Commission is helping to create a pathway for reform and increased investment in education by mobilizing strong evidence and analysis while engaging with world leaders, policymakers, and researchers. Drawing upon new research and analysis from more than 300 partners in 105 countries, the Education Commission’s groundbreaking 2016 report – The Learning Generation: Investing in education for a changing world – put forward an action plan to deliver and finance an expansion of educational opportunity for the more than 260 million children and youth who are not in school today. The Learning Generation report made 12 key recommendations to improve performance, harness innovation, improve inclusion, and mobilize more and better finance. One of these recommendations was to strengthen and diversify the workforce. Thanks to the generous support of the United Kingdom’s Department for International Development, the Commission’s Education Workforce Initiative has worked with several Commissioners and many partners to produce Transforming the Education Workforce: Learning Teams for a Learning Generation – a report that offers visions for the urgent action needed to strengthen, diversify, and reimagine an education workforce to deliver quality education for all. Transforming the Education Workforce: Learning Teams for a Learning Generation 2 Foreword We live in an age of unprecedented change and disruption. In some places, cars drive themselves, drones deliver packages, and refrigerators tell you when it’s time to buy milk – but over 800 million children and youth around the world are not on track to learn the skills needed to thrive now and in the future. -
Floreat Domus 2014
ISSUE NO.20 JUNE 2014 Floreat Domus BALLIOL COLLEGE NEWS BALLIOL CELEBRATES 750YEARS Contents PAGE 1 From the Master PGEA S 38–39 Global Balliol Two Old Members talk to Floreat 750th anniversary Domus about living and working in North America. celebrations Page 7 Pages 8–10 PGEA 40 D-Day landings: PGEA S 2–3 Honorary Fellows, a testing experience Master’s Seminars, Holywell Manor In the 70th anniversary year of the Festival, 750th Commemoration landings, David Gibling recalls his Page 40 Pages 34–35 Ball, 750th Celebration Weekend, service in the Second World War. Chapel celebrations, the anniversary PGEA 41 All downhill from Balliol exhibition and other festive events Simon Lee pays tribute to the Balliol man who introduced downhill skiing Other news to the Winter Olympics. PGEA 14 College News PGEA S 42–43 Bookshelf Some recently published books by P AGES 25–29 Student News Old Members. Features Development news PGEA 30 Oxford at War On the centenary of the First World PGEA 44 The Heart of the Matter War, Aoife O’Gorman describes the Balliol scrapbooks and other research findings about Oxford’s war. PGEA 31 Balliol Boys’ Club Anna Sander writes about the Balliol Page 31 Page 16 Page 11 Boys’ Club, which influenced the WWI experiences of many. PGEA S 32–33 50 years of University Challenge A look back at Balliol’s participation in the ever-popular television programme. PGEA S 34–35 Rare breeds Pigs and Boran cattle: two Old Members share their experiences of animal breeding. P AGES 36–37 A life in the law Tom Lowenthal interviews Sir Michael Burton, President of the Investigatory Powers Tribunal. -
News and Notes 2020
NEWS AND NOTES Updates from Balliol alumni around the world A supplement to Floreat Domus 2020 News and Notes NEWS AND NOTES We are delighted to share news from the Balliol community (Bloomsbury Publishing, 2016). My any rate contain one new piece by me 1940s more recent work is currently presented in response to her introduction to the in ‘Papers of Edward Gelles’ on the collection. Another surprise for me has David Grove (1941) Balliol College Archives & Manuscripts been Routledge’s proposal to republish On a sunny day in September my website. I have just added an essay during the course of 2020 my little A grandson Reuben (Exeter College, entitled ‘Some Gelles and Jaffe family Modern Introduction to Moral Philosophy, 2005) drove us to Oxford for one of migrations in recent centuries’ outlining first published by them in as long my rare visits to College. It was good our journey of the past 400 years from ago as 1958 – and so no longer really to meet Stewart Tiley (Librarian) and Prague to Poland and Lithuania, whence justified in bearing the term ‘modern’ Bethany Hamblen (Archivist and branches moved west to Silesia, Berlin, in its title! Records Manager) and hand over three and further into Germany, and south boxes of my papers for safekeeping in via Galicia to Vienna, with members of Sir Jack Stewart-Clark Bt (1949) the Balliol Archives. both these branches ultimately coming In 1999 I retired from the European to England just before the outbreak of Parliament, having served there Edward Gelles (1944) the Second World War. -
NVS 2-1-7 B-Poore
Re-Viewing the Situation: Staging Neo-Victorian Criminality and Villainy After Oliver! Benjamin Poore (University of York, England, UK) Abstract: This essay addresses the difficulties that modern theatrical adaptors of Dickens’ Oliver Twist (1837-8) have had in following Lionel Bart’s musical Oliver! (1960). In particular, it compares the strategies employed by two recent stage productions which seek to re- contextualise the figures of Fagin, Sikes and Nancy: The Mystery of Charles Dickens by Peter Ackroyd, and Charles Dickens’ Oliver Twist by Neil Bartlett. In theorising melodrama as having particular requirements for its plot and characters, the essay examines the ways in which the relationship between villainy and criminality is reconfigured in Bart’s musical. The essay also compares the ways in which villainy and criminality have been represented on stage in popular adaptations of two other Victorian novels, Nicholas Nickleby and The Woman in White . Keywords: adaptation, Neil Bartlett, Simon Callow, crime, criminality, Charles Dickens, Fagin, melodrama, theatre, villain. ***** In the theatrical entertainment Dickens Unplugged , written and directed by Adam Long, which ran in London in May 2008, the death of Nancy is doubly pastiched, both as a fictional episode in Oliver Twist and as a performance piece during Dickens’ reading tours. Nancy enters, played by an actor in drag, singing ‘As Long as He Beats Me’ as she clubs herself repeatedly. Later, a pastiche of Lionel Bart’s musical Oliver! is interrupted by Dickens himself, who tries to convince the assembled performers that his own text is dramatically superior. In the second half of the show, Dickens is shown, elderly and rather forgetful, reciting the Nancy scene but confusing it with the events of other novels, and finally seeming to fall back on the repetition of the word “bludgeoned” to garner applause. -
News and Notes 2021
NEWS AND NOTES Updates from Balliol alumni around the world A supplement to Floreat Domus 2021 Stuart Bebb NEWS AND NOTES NEWS AND NOTES News and Notes We are delighted to share news from the Balliol community Thomas Huxley (1949) provided limited scope for activities of 1940s No news. Just keeping my head down note. In fact, the most significant event in our wee Perthshire village and impacting my life was the closure of Edward Gelles considering myself to be exceedingly our indoor ice arenas, which resulted (1944) lucky still to be walking the dog, have in the likely end of my 80-year ice My study of an amazingly kind wife and be able to hockey career with both ‘a bang and European Jewry keep on with various projects. We have a whimper’. This had been the one began 20 years our Covid jabs tomorrow. Best wishes consistent chapter in my life story ago with a search to Balliol and all who sail in that ship. – through membership on school for my family teams, in competitive organisations, antecedents. It at the University of Toronto for four has developed years, with the OUIHC for three years into the much wider tracing of Jewish 1950s (including the legendary 29–0 win migrations in the context of our over Cambridge in 1955), and with continent’s history. I embarked on Roger Corman (1950) Oldtimer teams over the past 65 years, this interdisciplinary study of history, On 14 November 2009 Roger Corman culminating in my induction into the genealogy, genetics, and onomastics, was given an Oscar by the Academy Canadian Oldtimer Hockey Hall of drawing on birth, marriage, death, and of Motion Picture Arts and Sciences Fame.