A Fool's Alphabet

Total Page:16

File Type:pdf, Size:1020Kb

A Fool's Alphabet A FOOL’S ALPHABET Sebastian Faulks has written eight novels, including Birdsong (1993). He is also the author of a biographical study, The Fatal Englishman (1996). He lives in London, is married and has two sons and a daughter. 34693_A_Fools_Alphabet 09/02/2010 10:22:02 ALSO BY SEBASTIAN FAULKS The Girl at the Lion d’Or Birdsong The Fatal Englishman Charlotte Gray On Green Dolphin Street Human Traces Engleby 34693_A_Fools_Alphabet 09/02/2010 10:22:02 ‘The novel moves backwards and forwards through time, yet for this glancing at literary self-consciousness there is also a strong reassuring sense that the author knows exactly what he is doing. An intelligent, philo- sophical novel, this makes for surprisingly easy and absorbing reading. It places Faulks undoubtedly at the forefront of contemporary writers, as challenging in his way as any of the great modernists, but with the rare advantage that he also knows how to tell the story and to entertain through a comfortable complicity with the reader . A Fool’s Alphabet lies somewhere between Paul Theroux and Colin Thubron, with a splash of the stylishness of Julian Barnes. This is truly distinguished writing, produced with flair and panache but also with serious thought. I expect to see it on this year’s shortlists, and recommend it as the most impressive, but also the most enjoyable, novel of the year’ Literary Review ‘It is a delightful novel, full of wit, humour, tender- ness, affection and understanding, and the apparently haphazard, and potentially irritating, structure is in the end completely justified. It is a serious novel, and the most enjoyable one I have read this year’ The Scotsman 34693_A_Fools_Alphabet 09/02/2010 10:22:02 34693_A_Fools_Alphabet 09/02/2010 10:22:02 SEBASTIAN FAULKS A Fool’s Alphabet 34693_A_Fools_Alphabet 09/02/2010 10:22:02 Published by Vintage 1993 28 30 29 27 Copyright © Sebastian Faulks 1992 Sebastian Faulks has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser First published in Great Britain in 1992 by Hutchinson Vintage Books Random House, 20 Vauxhall Bridge Road, London SW1V 2SA www.vintage-books.co.uk Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm The Random House Group Limited Reg. No. 954009 A CIP catalogue record for this book is available from the British Library ISBN 9780099223214 The Random House Group Limited supports The Forest Stewardship Council (FSC), the leading international forest certification organisation. All our titles that are printed on Greenpeace approved FSC certified paper carry the FSC logo. Our paper procurement policy can be found at www.rbooks.co.uk/environment Printed in the UK by CPI Bookmarque, Croydon, CR0 4TD 34693_A_Fools_Alphabet 09/02/2010 10:22:02 FOR VERONICA 34693_A_Fools_Alphabet 09/02/2010 10:22:02 34693_A_Fools_Alphabet 09/02/2010 10:22:02 There is only one alphabet, which has spread over almost all of the world. A. C. Moorhouse, Writing and the Alphabet When you’re a married man, Samivel, you’ll under- stand a good many things as you don’t understand now; but vether it’s worth while goin’ through so much to learn so little, as the charity boy said ven he got to the end of the alphabet, is a matter of taste. Mr Weller, Pickwick Papers, Chapter 27 All letters form absence. Edmond Jabès, Livre des Questions 34693_A_Fools_Alphabet 09/02/2010 10:22:02 34693_A_Fools_Alphabet 09/02/2010 10:22:02 CONTENTS ANZIO, ITALY, 1944 1 BACKLEY, ENGLAND, 1950 20 COLOMBO, SRI LANKA, 1980 33 DORKING, ENGLAND, 1963 40 EVANSTON, ILLINOIS, USA, 1985 49 FULHAM, LONDON, ENGLAND, 1964 58 GHENT, BELGIUM, 1981 66 HOUCHES, LES, FRANCE, 1967 77 IBIZA, BALEARIC ISLANDS, 1966 86 JERUSALEM, ISRAEL, 1982 89 KOWLOON, HONG KONG, 1980 114 LYNDONVILLE, VERMONT, USA, 1971 125 MONS, BELGIUM, 1914 140 NEW YORK, USA, 1983 148 OXFORD, ENGLAND, 1976 159 PARIS, FRANCE, 1979 169 QUEZALTENANGO, GUATEMALA, 1974 178 ROME, ITALY, 1978 186 SORRENTO, ITALY, 1958 191 TERMINAL 5, 1988 198 UZES, FRANCE, 1987 205 VLADIMIRCI, YUGOSLAVIA, 1986 218 WATSONVILLE, CALIFORNIA, USA, 1974 232 XIANYANG, CHINA 240 YARMOUTH, ENGLAND, 1991 250 ZANICA, ITALY, 1970 260 34693_A_Fools_Alphabet 09/02/2010 10:22:02 34693_A_Fools_Alphabet 09/02/2010 10:22:02 ANZIO italy 1944 VESUVIUS WAS ERUPTING.The trembling of the ground which was common in the Campania district was intensified so that cars would not remain still, even on level ground, but began to shudder and bolt like frightened horses. The sea in the Bay of Naples was being sucked back from the beach and swallowed by the ocean, leaving driftwood and stranded creatures on the suddenly revealed sand. Inland from the volcano a huge black cloud hung steadily until it was ripped by thick and wavering lengths of flame, which were like forks of magnified lightning. After a time the cloud began to sink down and cover the sea, obscuring the promontory and removing the island of Capri from sight. In the streets of Sorrento, on the other side of the bay, the people ran to their houses. There was the sound of car engines being revved and rubber tyres squeezed against the roads by sudden acceleration. Shutters were brought together with a wooden thud before the iron arms descended to bolt them. The dense black cloud that hung across the bay seemed also to have loomed behind them, covering and flooding the hills. The flames remained distant, but ashes began to fall in the streets in dense showers. Safe behind the glass doors of the balcony on the first floor of the convalescent hotel, Corporal Raymond Russell tapped a cigarette against the side of the packet, revolved it slowly between his fingers and poked it into the corner of his mouth. ‘On your way tomorrow, then,’ the medical officer had told him that morning. ‘Got your orders?’ 1 34693_A_Fools_Alphabet 09/02/2010 10:22:02 A FOOL’S ALPHABET ‘Yes. Back to A Company,’ said Russell. The doctor briefly examined the healed shell wound in his left shoulder. ‘Shouldn’t give you any more trouble,’ he said. He looked out of the window. ‘It would be nice to spend the summer in Rome.’ ‘I’ll do my best,’ said Russell. He had passed the day listening to the rumbling from across the bay, smoking cigarettes and thinking what still awaited him at Anzio. Vesuvius had taken his mind off it for a time, though the noise and violence of the eruption also reminded him of the forward positions in the beachhead. He slept well, despite the volcano. In the morning he rose at seven, packed his kitbag and made his way downstairs in the old hotel that the Red Cross had taken over. There was a smell of coffee and the sound of Italian women talking and laughing in the kitchens. He felt caught in a trap of time, neither soldier nor civilian. He liked the sound of the women’s voices and the everyday life they represented. He wanted this quite ordinary world of airy rooms, new bread, curtains, children. He forced the thought from his mind as he pushed open the swing doors of the hotel. His loyalty was with Sugden, Bell, Padgett, the Major and the other men in the icy slit trenches. He reconciled himself to the thought of further weeks of their undrinkable distilled alcohol, their sexual frustration and the slow hours of boredom punctu- ated by minutes of extreme terror. The sun was out on the streets of Sorrento. As he began to walk downhill he passed a magnificent sign in which the iron was wrought like arthritic fingers to read ‘Pasticceria’ and hammered into a pink wall on the corner of a street. Under his feet the pavements were ankle-deep in grey dust from the volcano. Four weeks earlier he had been jammed in between Bell and Padgett in the small landing craft that cast off from the mother ship in the Bay of Anzio. Bell’s face was close to his, and he was breathing fast. 2 34693_A_Fools_Alphabet 09/02/2010 10:22:02 ANZIO ‘Gallipoli,’ he said, his eyes showing white through his blackened face. ‘That’s what our general thinks. Another bloody rat-trap. What do we want a Yank general for anyway?’ Russell felt the bevelled edge of the craft’s iron rail beneath his hand. Next to him Padgett was praying with a rapid mumbling sound. It was a beautiful winter night, star-pocked, calm and mild. There had been cases of seasickness when they headed south towards Africa in some cumbersome diver- sionary move, but since the ships had swung round towards their true destination, carving a mile-wide circle of foam through the Tyrrhenian sea, the wind had died and the groaning had ceased. Russell could see the dark outline of Anzio to their right. It looked a charming place: he imagined holidays and fishing. He had never been abroad until the war. Although in four years he had seen Holland, France and more of North Africa than he wanted, he was still excited by the sight of the small Italian coastal town and was disappointed that their craft would take them to the north of it.
Recommended publications
  • World War I Fiction
    The Great War Washington, D.C., circa 1919. "Soldiers at Walter Reed." Displaying their handiwork. Harris & Ewing Collection glass Select Fiction about World War I Tewksbury Public Library www.tewskburypl.org 300 Chandler Street, Tewksbury, MA 01876 [email protected] 978-640-4490 The Absolutist. John Boyne Tristan Sadler recalls his time spent fighting in WWI and the intensity of his friendship with Will Bancroft, a soldier who became a conscientious objector and was shot as a traitor. All Quiet on the Western Front. Erich Maria Remarque The testament of Paul Baumer, who enlists with his classmates in the German army of WWI, illuminates the savagery and futility of war. The Beekeeper’s Apprentice. Laurie R. King When Mary Russell meets famous detective Sherlock Holmes, she discovers that he is also a beekeeper. Soon she finds herself on the trail of kidnappers and discovers a plot to kill both Holmes and herself. (First in a series) Birdsong. Sebastian Faulks After loving and losing a French woman from Amiens, Stephen Wraysford serves in the French army during WWI. The Blindness of the Heart. Julia Franck A multi-generational family story set in the Germany of the early twentieth century that reveals the devastating effect of war on the human heart. The Cartographer of No Man’s Land. P. S. Duffy When his beloved brother-in-law goes missing at the front in 1916, Angus defies his pacifist upbringing to join the war and find him. Assured a position as a cartographer in London, he is instead sent directly into the visceral shock of battle.
    [Show full text]
  • Postgraduate English: Issue 03
    Ferrebe Postgraduate English: Issue 03 Postgraduate English www.dur.ac.uk/postgraduate.english ISSN 1756-9761 Issue 03 March 2001 Editor: Brian Burton Re-visiting or Revisionist? A Comparative Reading of Gender Relationships in Selected First World War novels Alice Ferrebe* * University of Edinburgh ISSN 1756-9761 1 Ferrebe Postgraduate English: Issue 03 Re-visiting or Revisionist? A Comparative Reading of Gender Relationships in Selected First World War novels Alice Ferrebe University of Edinburgh Postgraduate English, Issue 03, March 2001 At the end of the Second World War in Britain, the close of conflict was followed by an eagerness to resurrect and politically to utilise a sense of what the experience of total war had meant. The image of a nation pulling together in opposition to evil and adversity informed the social machinations necessary to establish the Welfare State. Later, a country in the grip of the individualistic ideology of Thatcherism turned again to the now well-established myth of total community triumphing over total evil, in literary and filmic representations of World War II itself or of mythic arenas in which these same basic principles could apply. This time, the myths served as comforting nostalgia rather than engines of social change. During the last decade, the First World War has rivalled the Second as a resonant source for recent authors, and the popularity and sales of fictional works by novelists like Pat Barker and Sebastian Faulks suggest a similarly strong identification amongst the modern public. If World War II provided a myth of community to those in need of reassurance, paradoxically the enduring myth of the Great War, one of disillusionment, unnecessary evil and division, is currently attractive to a post-Cold war society anxious about its lack of unequivocal aims and enemies.
    [Show full text]
  • Aitken Alexander Associates Spring Guide 2021
    Aitken Alexander Associates Spring Guide 2021 1 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] LAURA OTAL Brazil, China, Czech Republic, Denmark, Finland, Greece, Iceland, Japan, Korea, Norway, Portugal, Poland, Romania, Russia, Slovakia, Spain & Latin America, Sweden, Taiwan, Ukraine Email: [email protected] ANNA HALL Albania, Arabic, Bulgaria, Cambodia, Croatia, Estonia, Hungary, Indian Languages, Indonesia, Israel, Latvia, Lithuania, Macedonia, Mongolia, Serbia, Slovenia, Thailand, Turkey, Vietnam Email: [email protected] For Film and Television Rights enquiries, please contact Lesley Thorne’s assistant: JAZZ ADAMSON Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander 2 Contents Page Fiction: Five Strangers by E.V. Adamson p.6 The Women of Troy by Pat Barker p.7 Assembly by Natasha Brown p.8 Snow Country by Sebastian Faulks p.9 Iron Curtain by Vesna Goldsworthy p.10 Diary of a Film by Niven Govinden p.11 The High House by Jessie Greengrass p.12 The Harpy by Megan Hunter p.13 How We Are Translated by Jessica Gaitán Johannesson p.14 Sisters by Daisy Johnson p.15 How The One-Armed Sister Sweeps Her House by Cherie Jones p.16 Afraid of the Light by Douglas Kennedy p.17 Highway Blue by Ailsa McFarlane p.18 Castles From Cobwebs by J. A. Mensah p.19 Ten Thousand Tongues
    [Show full text]
  • Allen Charlotte
    The Abnormal Mind: Representations of Deviance and Madness in Contemporary Fiction Charlotte Allen A THESIS SUBMITTED FOR THE DEGREE OF PhD UNIVERSITY OF ABERYSTWYTH 2015 CONTENTS Declarations p.4 Summary p.5 Acknowledgements p.6 Introduction p.7 Diagnosing And Defining Difficulties...p.7 Shifts in Perspective…p.13 Why Contemporary Fiction...p.21 Why ‘Representations?’…p.26 Dis-order of the Mind…p.30 Engleby…p.32 We Need to Talk About Kevin…p.37 Notes on a Scandal…p.43 Remainder…p.47 Anders Breivik and Joanna Dennehy…p.50 Chapter One: Case Study - Anders Breivik p.53 How Breivik Was Deemed Mad…p.56 Public Outrage…p.59 Solitary Madness…p.62 The Media’s Role in the Breivik Case…p.68 The Public’s Interest…p.77 Chapter Two: The Paradox of Personality p.88 “Ordered” Personality…p.90 Personality Disorder…p.100 Being Diagnosed…p.109 Social perceptions…p.118 Punishment or Treatment?...p.125 2 Chapter Three: Blurred Boundaries p.133 Diminished Responsibility and Abnormality of Mind…p.135 Constructive Consequences…p.140 Manipulation …p.147 The Potential for Rehabilitation…p.157 Parental Negligence…p.166 Chapter Four: School for Scapegoating p.176 The Scapegoat Mechanism…p.178 Challenging Representations of Victimhood …p.184 A Note on Scandal…p.196 Gendered imbalance in media representation…p.202 Paradigms of normal sexuality…p.206 Jeremy Forrest…p.212 Chapter Five: Metafictions of Madness p219 Undermining the Average…p.220 Human Resources…p.233 ‘I’m Laughing With You’…p.236 Rejecting Connection...p.239 Holding Up the Reality Principle…p.246 Chapter
    [Show full text]
  • Contributors Are
    Advisory Board Members Gale Primary Sources: The Independent Digital Archive, 1986-2012 Notable contributors are: Andrew Marr Janet Street-Porter A well-known political journalist and commentator Well-known and often controversial journalist and who hosts a number of influential programmes on broadcaster who edited the Independent on the subject on the BBC. He edited The Sunday from 1999. Independent for a brief period in the 1990s, as well as writing political comments. Rosie Boycott British journalist who founded the feminist William Rees-Mogg magazine Spare Rib in 1971, and later founded A extremely influential journalist, former editor Virago Press, dedicated to women’s writing. She of The Times, and Member of the House of Lords, edited The Independent and the Independent on he was a columnist for The Independent from its Sunday from 1996-1998, and was a leading voice in founding in 1986 until 1992. the newspaper’s campaign to legalise cannabis. Dominic Lawson Tracey Emin A British journalist and former editor of The Sunday Controversial British artist who has written articles Telegraph who wrote columns for The on her works in The Independent. Independent from 2006 to 2013. Helen Fielding Robert Fisk British writer famous for her iconic comic creation The Middle East correspondent for The Bridget Jones, whose famous ‘Diary’ started life as Independent for more than two decades who has a column in The Independent. been ‘International Journalist of the Year’ seven times, he is famous for being one of the few Sebastian Faulks western journalists to remain in Beirut during the British novelist famous for the World War I height of the civil war and for his interviews with drama Birdsong, among others, and for his Osama bin Laden, accounts of which are printed in appearances on TV and radio.
    [Show full text]
  • A Text-Book of Ocean Meteorology
    i 1 LIBRARY ^hSSACHt,^^^ 1895 TEXT-BOOK OCEAN METEOROLOGY, COMPILED FROM THE SAILING DIRECTORIES FOR THE OCEANS OF THE WORLD, BY ALEX. GEO. FINDLAY, F.R.G.S. EDITED BY STAFF-COMM^ W. R. MARTIN, R.N., Lecturer on Meteorology at the Royal Naval College, Greenwich. LONDON: PUBLISHED BY RICHARD HOLMES LAURIE, 53, FLEET STREET, E.G. 1R87. O ENTERED AT STATIONERS' HALL. — PREFACE. In the course of delivering my annual series of Lectures on Ocean Meteorology, at the Royal Naval College, I have frequently been asked to recommend some Text-Book on the subject which would give a compre- hensive view of the various Winds and Currents of the Ocean, and which—without, on the one hand, giving the details necessary for Sailing Directions, or, on the other hand, being a mere cram-book for examina- tions—should form a fitting introduction to this highly interesting and very important part of a Sailor's education. Finding that the information in the Admiralty Sailing Directions was scattered through too many volumes for easy reference, and that the information in Findlay's Directories was too voluminous to answer the purpose, I proposed to the Proprietors of the latter well-known Works that they should issue, in a small volume, certain selected portions of those larger Works, and to these I have added various Notes from my own Lectures. I have omitted almost all theoretical questions, and merely brought together material to illustrate what is the practical issue of the subject the Art of making Passages from Port to Port. I hope that this Book may prove useful for the purpose designed of attracting more attention towards a somewhat neglected but highly useful branch of Naval education.
    [Show full text]
  • 131496 Readings Catalogue VIC.Art 10/11/08 10:31 AM Page 2
    131496 readings_catalogue VIC.art 10/11/08 10:31 AM Page 2 WIN GREAT PRIZES GUARANTEE You can win a library of books worth more If, on inspection, you’re not happy with a than $5000 or a $100 gift voucher by book selected through this guide, you can selected by Australia’s best booksellers correctly answering the questions scattered return it (in saleable condition) within 14 days throughout this guide – see the back cover of purchase and we’ll exchange it for another for details. book of equivalent value or for a book voucher – the choice is yours. ART, DESIGN AND PHOTOGRAPHY 12–13 GIFT 21 CAN’T DECIDE? BIOGRAPHY 9–12 HISTORY 14–15 If you’re not 100% sure about what book will FREE ORDER SERVICE suit, why not give one of our gift vouchers? CDS – CLASSICAL 26 HUMOUR 20 Our special order service is free, fast and efficient – if we don’t have it, we’ll CDS – POP AND JAZZ 24–25 KIDS 22–23 DELIVERY SERVICE get it for you! CRIME AND THRILLERS 6–7 LANGUAGE, POETRY AND ESSAYS 7–8 Your books can be delivered anywhere in DVDS 27 ORDER FORM BACK COVER Australia for a small charge. See the back STOP PRESS! FICTION 2–6 POLITICS AND SOCIETY 15 cover for details. Express and overseas rates All details were correct at the time of FOOD AND TRAVEL 16–18 SCIENCE AND NATURE 19 are available on request. printing, and we will make every effort to maintain advertised prices. However, FREE GIFTWRAP prices of imported items may change We’ll giftwrap all books on request when you without notice due to the recent volatility organise delivery through us! of the Australian dollar.
    [Show full text]
  • Beckettian Irony in the Work of Paul Auster, John Banville and J.M
    ‘Permanent Parabasis’: Beckettian Irony in the Work of Paul Auster, John Banville and J.M. Coetzee Michael Springer Doctor of Philosophy University of York Department of English and Related Literature April 2014 iii Abstract This thesis considers the influence of the writing of Samuel Beckett on that of Paul Auster, John Banville and J.M. Coetzee through the lens of Romantic irony, as formulated by Friedrich Schlegel and, later, Paul de Man. The broad argument is that the form of irony first articulated by the Jena Romantics is brought in Beckett’s work to something of an extreme, and that this extremity represents both one of his most characteristic achievements and a unique and specifically troublesome challenge for those who come after him. The thesis hence explores how Auster, Banville and Coetzee respond to and negotiate this irony in their own work, and contrasts their respective responses. Put briefly, I find that all three writers to one extent or another deflect Beckett’s irony, while engaging with it: Auster adopts certain stylistic and structural aspects of Beckett’s work, but on the whole reaches fundamentally different epistemological and existential conclusions; Banville engages closely with the epistemological and existential challenge posed by Beckett’s irony, and attempts to balance this with a contrasting sense of the capacity of art and the imagination to make meaning of the world; and Coetzee, after an initial attempt at stylistic imitation, moves away from this but remains fundamentally influenced by certain insights
    [Show full text]
  • Aitken Alexander Associates Spring Guide 2021
    Aitken Alexander Associates Spring Guide 2021 1 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] LAURA OTAL Brazil, China, Czech Republic, Denmark, Finland, Greece, Iceland, Japan, Korea, Norway, Portugal, Poland, Romania, Russia, Slovakia, Spain & Latin America, Sweden, Taiwan, Ukraine Email: [email protected] ANNA HALL Albania, Arabic, Bulgaria, Cambodia, Croatia, Estonia, Hungary, Indian Languages, Indonesia, Israel, Latvia, Lithuania, Macedonia, Mongolia, Serbia, Slovenia, Thailand, Turkey, Vietnam Email: [email protected] For Film and Television Rights enquiries, please contact Lesley Thorne’s assistant: JAZZ ADAMSON Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander 2 Contents Page Fiction: Five Strangers by E.V. Adamson p.6 The Women of Troy by Pat Barker p.7 Assembly by Natasha Brown p.8 Snow Country by Sebastian Faulks p.9 Iron Curtain by Vesna Goldsworthy p.10 Diary of a Film by Niven Govinden p.11 The High House by Jessie Greengrass p.12 The Harpy by Megan Hunter p.13 How We Are Translated by Jessica Gaitán Johannesson p.14 Sisters by Daisy Johnson p.15 How The One-Armed Sister Sweeps Her House by Cherie Jones p.16 Afraid of the Light by Douglas Kennedy p.17 Highway Blue by Ailsa McFarlane p.18 Castles From Cobwebs by J. A. Mensah p.19 Ten Thousand Tongues
    [Show full text]
  • CILIPS COVID-19 Book Reviews – Birdsong
    CILIPS COVID-19 Book Reviews – Birdsong Reviewer name: Scott Main Book title: Birdsong Author name: Sebastian Faulks Genre: Modern Fiction – First World War Overall Rating: Excellent Brief summary: This First World War novel of 1993 is a staple of readers group circuits up and down the country, and for good reason. Set in France before and during the conflict, it is the story of a young Englishman Stephen Wraysford who is impelled through a series of extreme experiences, including a traumatic love affair with Isabelle Azaire which tears apart the bourgeois French family with whom he lives. It blends an intense romanticism with an equally intense realism about life in the trenches. Faulks has really done his research on the horrific details of that man made hell on Earth. His account of the mining and counter-mining operations is particularly stunning and harrowing. In the foreground is the blood, the mud, the love, the savagery, the whole surreal insanity of war. In the background, the occasional tones of birdsong float from a Paul Nash type shattered landscape. The birds are singing still. The graves of 16 million men lie beneath that song. This was brought to television in 2012 by Abi Morgan starring Eddie Redmayne and Clémence Poésy (http://www.imdb.com/title/tt1127876/?ref_=sr_1), but please do read the novel first. Some novels are so well written they remain with you indefinitely. This one has haunted me for 27 years. What you liked: Beautiful prose backed by immense research on the realities of First World War conflict. Who should read this book?: Anyone who appreciates fine historical fiction .
    [Show full text]
  • An Exploration of White Hip-Hop Fans, Consumers and Practitioners Dale Compton Anderson Wayne State University
    Wayne State University Wayne State University Dissertations 1-1-2014 Re/presentation Of Hip-Hop: An Exploration Of White Hip-Hop Fans, Consumers And Practitioners Dale Compton Anderson Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Communication Commons Recommended Citation Anderson, Dale Compton, "Re/presentation Of Hip-Hop: An Exploration Of White Hip-Hop Fans, Consumers And Practitioners" (2014). Wayne State University Dissertations. Paper 1113. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. RE/PRESENTATION OF HIP-HOP: AN EXPLORATION OF WHITE HIP-HOP FANS, CONSUMERS AND PRACTITIONERS by DALE ANDERSON DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: COMMUNICATION Approved by: ______________________________________ Advisor Date ______________________________________ ______________________________________ ______________________________________ ______________________________________ DEDICATION I am dedicating this to my uncle, Wade Telaar, and my Grandparents, Leon and Doris Anderson. ii ACKNOWLEDGMENTS I would like to thank everyone that has provided assistance, support, guidance, and/or time to this project. I attempt to express my appreciation for everyone in my life, regularly. However, I am not always as thorough as I need to be. So thank you to any that has entered my life, even those that did so briefly and/or indirectly. Specifically, I would like to thank Stephanie and Amelia Anderson, Leon, Jr. (Andy) and Jane Anderson, Timothy Anderson, and Ann Telaar.
    [Show full text]
  • A Possible Life
    SEBASTIAN Terrified, a young prisoner in the Second World War SEBASTIAN FAULKS SEBASTIAN closes his eyes and pictures himself going out to bat on SEBASTIAN FAULKS’s books include the number a sunlit cricket ground in Hampshire. one bestseller A Week in December, Human Traces, On FAULKS Green Dolphin Street, Charlotte Gray and Birdsong, which Across the courtyard in a Victorian workhouse, has sold more than three million copies. In 2011 he A POSSIBLE LIFE Every atom links us a father too ashamed to acknowledge his son. wrote and presented the four-part television series A POSSIBLE LIFE Faulks on Fiction for BBC Two. Every feeling binds us A skinny girl steps out of a Chevy with a guitar; her voice sends shivers through the skull. Every thought connects us Soldiers and lovers, parents and children, scientists and musicians risk their bodies and hearts in search of connection - some key to understanding what makes us the people we become. Provocative and profound, Sebastian Faulks’s dazzling novel journeys across continents and time to explore the chaos created by love, separation and missed opportunities. From the pain and drama of these highly particular lives emerges a mysterious consolation: the chance to feel your heart beat in Front cover photograph: someone else’s life. Tina Hillier Back cover photograph: Colin Thomas HUTCHINSON Random House ebook 20 Vauxhall Bridge Road available London SW1V 2SA Fiction ISBN: 978 0 09 193680 8 I S B N 978-0-09-193680-8 www.sebastianfaulks.com www.randomhouse.co.uk 9 780091 936808 £18.99 SEBASTIAN Terrified, a young prisoner in the Second World War SEBASTIAN FAULKS SEBASTIAN closes his eyes and pictures himself going out to bat on SEBASTIAN FAULKS’s books include the number a sunlit cricket ground in Hampshire.
    [Show full text]