DOCSLIB.ORG

A4 Size Poster Toonz.Cdr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A4 Size Poster Toonz.Cdr VIT-AP - Toonz Course on Animation FILM MAKING & Visual Effects The Best Career opportunity in MEDIA STUDIES Animation Film Making and Visual Effects objectives To cover the complete process of 3D animation filmmaking techniques. Aer completing this course the students will have expertise in 3D animation filmmaking. Students will have strong exposure to major areas in 3D production pipeline like Character Modeling, BG & Props Modeling, Texturing, Character Rigging, Staging, Animation, Lighting, Rendering, Multipass CG Compositing, Hair Fur Stimulation, Fluid Dynamics& Cloth Stimulation. Scope for Employment Ÿ 3D animators with specialization in core areas of production are in demand worldwide. There are plenty of requirements in the creative industry. Ÿ A student who completes the AFMA course can join the industry as Jr artists and eventually scale up to the level of Animation directors/Technical supervisors/Senior Producers etc. Ÿ Elective during the 3 months internship program Ÿ Asset Creation, Character Animation, Lok Filaization, Effects Animation Ÿ 100% Placement Opportunities in Media Studies & Internship in Toonz Animation Studio. Production Studio Ÿ Founded in 1999, Toonz Animation, the animation division of Toonz Media Group, is specialized in IP creation, development, and production. The 18,000 sq state-of-the-art headquarters is located in the picturesque city of Trivandrum, India. Started as a pioneer in the Indian animation landscape, Toonz Animation today has emerged as one of the finest animation houses in the world. With great teams of creative and technical experts from around the world, Toonz now has top-notch production facilities in India, Spain, Turkey, and New Zealand. Ÿ Having successful co-production partnerships with global brands like Walt Disney, Turner, Nickelodeon, Discovery, Sony, Universal, BBC, Paramount, Marvel, Google, Hallmark, RLL, RAI TV, France TV, ABC Australia, KiKa Germany, TV Asahi and many others, Toonz currently produces over 10,000 minutes of 2D and 3D animated content every year, making it one of the top animation production houses in the world in terms of quality and volume. Ÿ Launching the new Film Production Studio at VIT AP for Animation Film Making and Visual Effects Course. Course Name : ANIMATION FILM MAKING - ADVANCED (AFMA) Category : Long Term Animation Professional Course Duration : 15 Months - Including 3 Months Internship at Toonz Studio (4 Hours / Day) Topics Covered : Understanding Animated Films & Film Appreciation, Concept & Development, Understanding Story & Screenplay, Animation Principles, Development and Pre-production, Traditional 2D Animation using Light Box, Digital 2D Animation using Flash, Understanding the 3D World using 3DS Max, 3D Character Animation, Basic 3D Assets Creation using Maya, Basic 3D Particle Animation, Basic 3D Lighting/Rendering/Compositing/Editing, Specialization based on the talent for 3D Animation, Assets Creation, Particles or Lighting/Rendering, Production of Short Film,Internship in Toonz Studio for 3 Months Sowares Covered : Adobe Photoshop, Adobe Illustrator, Toon Boom Harmony, Autodesk Maya, Nuke Fees : Rs. 1,75,000/- For Whom? : Serious Animation Enthusiasts who have good drawing skills with a strong passion for storytelling and filmmaking What can they become? : Professional Character Animator, Animation Director, Effects Artist, Game Asset Artist, Texture Painting Artist, Animation & VFX Professional, 3D Generalist Course Name : VISUAL EFFECTS - ADVANCED (VFXA) Category : Medium Term Professional Course Duration : 9 Months (3 Hours / Day) Topics Covered : dvanced Roto, Camera Tracking, Matchmove, High-end Chroma Keying, Set Extension, Matte Painting, 3D Assets Creation, 3D Animation / Lighting / Rendering, Color grading, CG-VFX Compositing Sowares Covered : Nuke, Autodesk Maya, Photoshop, Mocha, Real Flow, Aereffects Fees : Rs. 96,000/- For Whom? : Visual Effects Artists, Enthusiasts for TV & Feature and who need not have great drawing skills What can they become? : VFX Artists like compositor, Roto, Match mover, Tracker etc, VFX Supervisor, VFX Director, VFX Producer Course Name : 3D FINISHING PROGRAMME - 3D FP Category : Medium Term Professional course with Specialization in any core areas of 3D Production Duration : 6 Months (4 Hours / Day) - 5 Days a Week Topics Covered : Asset Creation, Character Modelling,Rigging,Texture Painting,Lighting, Rendering & Compositing, Character Animation Sowares Covered : Autodesk Maya, Photoshop, Adobe Aer Effects, Adobe Premier Fees : Rs. 45,000/- For Whom? : Animation Media Enthusiasts who have learned elsewhere but would like to improve their skills to match up with production requirements What can they become? : 3D Animators, Modelers, Lighting Artists, Texture Painting Artists, Rigging Artists contact VIT-AP UNIVERSITY Near AP Secretariat, Amaravati - 522 237, Andhra Pradesh E-mail : [email protected], Mobile : 7010737331 /vitap.university /c/vitap @vitap.university @VITAPuniversity.
Load more

Recommended publications
  • A4 Size Poster Toonz.Cdr
    VIT-AP - Toonz Course on Animation, Visual Effects and Gaming The Best Career opportunity in MEDIA STUDIES Animation, Visual Effects, and Gaming objectives To cover the complete process of 3D animation filmmaking techniques. Aer completing this course the students will have expertise in 3D animation filmmaking. Students will have strong exposure to major areas in 3D production pipeline like Character Modeling, BG & Props Modeling, Texturing, Character Rigging, Staging, Animation, Lighting, Rendering, Multipass CG Compositing, Hair Fur Stimulation, Fluid Dynamics& Cloth Stimulation. Scope for Employment Ÿ 3D animators with specialization in core areas of production are in demand worldwide. There are plenty of requirements in the creative industry. Ÿ A student who completes the AFMA course can join the industry as Jr artists and eventually scale up to the level of Animation directors/Technical supervisors/Senior Producers etc. Ÿ Elective during the 3 months internship program Ÿ Asset Creation, Character Animation, Lok Filaization, Effects Animation Ÿ 100% Placement Opportunities in Media Studies & Internship in Toonz Animation Studio. Production Studio Ÿ Founded in 1999, Toonz Animation, the animation division of Toonz Media Group, is specialized in IP creation, development, and production. The 18,000 sq state-of-the-art headquarters is located in the picturesque city of Trivandrum, India. Started as a pioneer in the Indian animation landscape, Toonz Animation today has emerged as one of the finest animation houses in the world. With great
    [Show full text]
  • Ivana Pistorozzicv
    Experience 2020/ 2014 Ivana Pistorozzi CV www.ivanapistorozzi.com Minister of Education - Visual Art Teacher September 2019 - Present (11 months) Modena, Emilia-Romagna, Italy Painting & Drawing Techniques at Liceo Artistico L. Venturi, Modena, Italy When the wise man points to the moon, Visual Art at Ic 3 Mattarella, Modena, Italy 2D/3D Character Animator & the fool looks at the finger Illustrator ChiaroScuro Creative - 2D Character Animator (2 months), Freelance Bologna,Emilia-Romagna, Italy 2D Animator - Video clip in Cutting of animation technique, After Effects [email protected] https://youtu.be/sAZ0ekeDui8 Imagem Srl - Storyboard Artist & 3D Character Animator Phone number (6 months), Freelance, Bologna,Emilia-Romagna, Italy Spot Unified Communication - VAR Group, CISCO partners +39 388 449 43 62 Software: Autodesk Maya, Photoshop, After Effects; Cinema 4D - Maxon Born: 17/03/1974 MADE ON VFX S.R.L. 3D Character Animator (4 months) Rome, Lazio, Italy, Freelance video pilot LA GRANDE ONDA, Software: Autodesk Maya Nationality: Italian Cisco Meraki - Storyboard and 3D Layout Artist (4 months) Freelance, Bologna Area, Italy corporate advertising: MERAKI client: CISCO & VARgroup. Software: Photoshop, After Effects; Cinema 4D - Maxon Creative collaboration - Director (3 months) HYPNOTIZED new edition - 2D animated short. Soundtrack by Katy Jungmann. Homage to the dark atmosphere of the movies of D.Lynch and D. Cronenberg. https://vimeo.com/187532628 or https://youtu.be/Isj6qB6sjkE POPCult - Concept Artist & Director of Animation (3 months) Freelance, Bologna, Emilia-Romagna, Italy 2” length - 2D animated commercial “E-Mobility Works!” Software: Adobe After Effects & Photoshop https://youtu.be/9HtHlm2k98c CV Experience 2020/ 2014 Ivana Pistorozzi www.ivanapistorozzi.com THE SHIFT - 3D Character Animator (2 months) Freelance THE SHIFT Studio for Turner Broadcasting, 3D Character Animator for The 45" BOLOGNA CARTOONITO DANCE –TV Show Intro.
    [Show full text]
  • Tvpaint Animation 9 Pro Crack
    Tvpaint Animation 9 Pro Crack Tvpaint Animation 9 Pro Crack 1 / 4 2 / 4 Houdini is a 3D animation software application developed by Toronto-based SideFX, who ... 4 Rendering; 5 TouchDesigner; 6 Production; 7 See also; 8 References; 9 ... Ajax Animator · Animator Pro · TupiTube · SWFTools · Synfig · OpenToonz ... (Anime Studio) · ParticleIllusion · CrazyTalk · Toon Boom · Toonz · TVPaint. To download serial from the mac app store, you need a mac. Lets go through the ... The bundle identifier for tvp animation 9 pro for mac is fr. Thanks dann petty ... tvpaint animation tvpaint animation, tvpaint animation 11 pro, tvpaint animation free download, tvpaint animation 11 pro free, tvpaint animation 11, tvpaint animation 11 pro free download, tvpaint animation 11 pro crack, tvpaint animation 10 pro free download, tvpaint animation 10 pro crack, tvpaint animation tutorial TVPaint Animation 11 Professional Edition is now available free download fully Cracked, Download TVPaint Animation 11 Pro Crack which lets you animate .... Free Crack Software Download: TVPaint Animation 10 Pro v Cracked ... Tvpaint Animation Pro 10 0 9 torrent download and emule Â Ð ÐµÐ¶Ð¸Ñ 7 1 1 crack · .... Feb 14, 2021 — TVPaint 11 Crack is pro software in digital sketching, drawing, and ... Animation 11.0 Professional Edition Cracked is window 7, 8, 9, 10, Win XP .... Apr 2, 2021 — If I click on "Later" I can use TVPaint.. Sep 9, TVPAINT ANIMATION PRO V9 5 3 BILANGUAGE CRACK FOR XP XFORCE Pro 10 For Mac trail .... TVPAiNT. ANiMATiON 11, 4723 records found, first 100 of them are:Tvpaint Animation Pro 9 5 3 serial key genTvpaint Animation 8.
    [Show full text]
  • Buddy by Casey Lafalce a Thesis Submitted in Partial Fulfillment of the Requirements for the Franklin College Interdisciplinary
    L a F a l c e | 1 Buddy By Casey LaFalce A thesis submitted in partial fulfillment of the requirements for the Franklin College Interdisciplinary Studies degree in: Animation & Illustration University of Georgia 2018 Grade Earned: Approved by: __________________________________________ Date:___________________ IDS Chair/Advisor IDS Committee Members: __________________________________________ Date:___________________ __________________________________________ Date:___________________ Dean: __________________________________________ Date:___________________ L a F a l c e | 2 Acknowledgements This thesis never would have come to fruition without the unstoppable love and support of my parents, Steve and Leigh LaFalce. Thank you for so patiently raising an art student. To my advisor and animation professor, Mike Hussey, you’ve been an incredible guide and cheerleader throughout this tough process. Thank you for all of your instruction and time. None of this would be as it is without my force-of-nature of a sister, Becca LaFalce, the Red Friend to my Blue Friend. Let’s go on an adventure! L a F a l c e | 3 Table of Contents Introduction ……………………………………………………………………………… 1 Concept …………………………………………………………………………… 2 Inspiration ………………………………………………………………… 4 Personality ………………………………………………………………… 4 Goals ……………………………………………………………………………… 5 Pre-Production …………………………………………………………………………… 6 Planning …………………………………………………………………………… 7 Aesthetic Inspiration …………………………………………………………… 8 Character Design ……………………………………………………………… 10 Storyboards ………………………………………………………………………
    [Show full text]
  • The Animation Industry: Technological Changes, Production Challenges, and Global Shifts
    THE ANIMATION INDUSTRY: TECHNOLOGICAL CHANGES, PRODUCTION CHALLENGES, AND GLOBAL SHIFTS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Hyejin Yoon, M.A. ***** The Ohio State University 2008 Dissertation Committee: Approved by Professor Edward J. Malecki, Adviser Professor Nancy Ettlinger Adviser Graduate Program in Geography Professor Darla K. Munroe ABSTRACT Animated films have grown in popularity as expanding markets (such as TV and video) and new technologies (notably computer graphics imagery) have broadened both the production and consumption of cartoons. As a consequence, more animated films are produced and watched in more places, as new “worlds of production” have emerged. The animation production system, specialized and distinct from film production, relies on different technologies and labor skills. Therefore, its globalization has taken place differently from live-action film production, although both are structured to a large degree by the global production networks (GPNs) of the media conglomerates. This research examines the structure and evolution of the animation industry at the global scale. In order to investigate these, 4,242 animation studios from the Animation Industry Database are used. The spatial patterns of animation production can be summarized as, 1) dispersion of the animation industry, 2) concentration in world cities, such as Los Angeles and New York, 3) emergence of specialized animation cities, such as Annecy and Angoulême in France, and 4) significant concentrations of animation studios in some Asian countries, such as India, South Korea and the Philippines. In order to understand global production networks (GPNs), networks of studios in 20 cities are analyzed.
    [Show full text]
  • CHAPTER ONE 1.0 INTRODUCTION 1.1 PROJECT BACKGROUND 1.1.1 Computer Graphics
    CHAPTER ONE 1.0 INTRODUCTION 1.1 PROJECT BACKGROUND Computer graphics and animation is a very broad and wide aspect of computer science, and has effects on our everyday living. Dissemination of information with good graphical user interface becomes very important when very important information have to be passed across. This project would be split into the two aspects (graphics and animation) sometimes during the course of discussion. 1.1.1 Computer Graphics Computers have become a powerful tool for the rapid and economical production of pictures. There is virtually no area in which graphical displays cannot be used to some advantage, and so it is not surprising to find the use of computer graphics so widespread. Although early applications in engineering and science had to rely on expensive and cumbersome equipment, advances in computer technology have made interactive computer graphics a practical tool. Today, we find computer graphics used routinely in such diverse areas as science, Engineering, medicine, business, industry, government, art, entertainment, advertising, Education and training. Before we get into the details of how to do computer graphics, we first take a short tour through a gallery of graphics applications. A major use of computer graphics is in design processes, particularly for engineering and architectural systems, but almost all products are now computer designed. Generally referred to as CAD, computer-aided design methods are now routinely used in the design of buildings, automobiles, aircraft, watercraft, spacecraft, computers, textiles, and many, many other products. For some design applications; object are first displayed in a wireframe outline form that shows the overall sham and internal features of objects.
    [Show full text]
  • Data Sheet Toon Boom Digital Pro.Pdf
    KICK-START PROGRAMMES Toon Boom Digital Pro is delivered with extensive documentation covering the complete workflow for cut-out and paperless animation production and provides recommendations based on the production and studio size. © Blind Ferret Entertainment Ferret Blind © Toon Boom Digital Pro also comes with more than six hours of video training and ready-to-use templates for a smooth learning experience. Dedicated support programmes combined with a practical user forum are additional resources for timely assistance, all handled by the Toon Boom animation experts. The complete digital animation software for professionals HHIGH-PERFORMANCEIGH-PERFORMANCE AANIMANIMATIONTION SSOFTWOFTWAARERE © Nelvana Limited Nelvana © Offering advanced content creation, animation and compositing capabilities within a single application, Toon Boom Digital Pro is the complete animation software for professionals. HIGH-PERFORMANCE ANIMATION SOFTWARE HIGH-PERFORMANCE ANIMATION SOFTWARE © Jonas Brandão Jonas © © Nelvana Limited Nelvana © Are you ready for action? Toon Boom Digital Pro is the only complete paperless animation software. Designed for professionals and freelancers alike Toon Boom Digital Pro offers high productivity with low operating costs. Based on our Emmy award-winning technology, Toon Boom Digital Pro combines superior vector technology for content creation, real-time animation and compositing stages, all set in a multi-plane 3D space environment. Produc- tivity tools such as palette management, lip-sync, morphing and inverse kinematics enable users to unleash their creativity. CoST Designed for Paperless Animation EFFECTIVE Based on over a decade of animation production expertise, Toon Boom Digital Pro includes all of the most advanced features used by the leading studios worldwide. Perfect Upgrade for Flash Animators Toon Boom Digital Pro brings users to a new level of creativity and productivity thanks to true animation tools and field-proven workflows.
    [Show full text]
  • Animation-Insiders-Ebook-Web.Pdf
    ANIMATION INSIDERS W orkflow e dition ACKNOWLEDGEMENT/ 5 INTRODUCTION/ 7 MIKE NGUYEN 8 EMILE GHORAYEB 12 PABLO NAVARRO 16 JASON RYAN 40 JASON MORTINSEN 46 ANA MARIA ALVARADO 50 RENO ARMANET 54 JASON SCHLEIFER 70 PEDRO BLUMENBAUM 76 ANTHEA KEROU 88 GABRIELE PENNACCHIOLI 92 MATT STRANGIO 94 VICTOR NAVONE 102 CONCLUSION/ 107 LIST OF CONTENT SPECIAL THANKS/ 109 ACKNOWLEDGEMENT/ 5 INTRODUCTION/ 7 MIKE NGUYEN 8 EMILE GHORAYEB 12 PABLO NAVARRO 16 JASON RYAN 40 JASON MORTINSEN 46 ANA MARIA ALVARADO 50 RENO ARMANET 54 JASON SCHLEIFER 70 PEDRO BLUMENBAUM 76 ANTHEA KEROU 88 GABRIELE PENNACCHIOLI 92 MATT STRANGIO 94 VICTOR NAVONE 102 CONCLUSION/ 107 LIST OF CONTENT SPECIAL THANKS/ 109 I would like to extend our most sincere thanks to the extraordinary ani- mators who were involved with this book. You generously shared with us your knowledge and vision about animation. Your passion for what you do easily shows, and without you, Animation Insiders would never have seen the light of day. Thank you PATRICK BEAULIEU ACKNOWLEDGEMENTS ANIMATION INSIDERS / ANIMATION LEDGEMENTS ACKNOW- 4 5 I would like to extend our most sincere thanks to the extraordinary ani- mators who were involved with this book. You generously shared with us your knowledge and vision about animation. Your passion for what you do easily shows, and without you, Animation Insiders would never have seen the light of day. Thank you ACKNOWLEDGEMENTS PATRICK BEAULIEU ACKNOWLEDGEMENTS ANIMATION INSIDERS / ANIMATION LEDGEMENTS ACKNOW- LEDGEMENTS 4 5 When I was in school, it was very difficult to get valuable learning mate- It is still incumbent on you to formulate good ideas for your shots.
    [Show full text]
  • Dav Public School, Sector 14 Gurgaon Topic: Animation Software, Movies, Related Companies, Their Logos Technical Awareness Set I Class Viii Q1
    DAV PUBLIC SCHOOL, SECTOR 14 GURGAON TOPIC: ANIMATION SOFTWARE, MOVIES, RELATED COMPANIES, THEIR LOGOS TECHNICAL AWARENESS SET I CLASS VIII Q1. Short film Haptics that won the Hollywood discovery award created in software a. Softimage XSI b. Maya c. Carrara d. Lightwave Q2. Maya, a high-end 3D computer graphics and 3D modeling software package used in the film and TV industry as well as for computer and video games which is now owned by Autodesk was formerly owned by a. Blender organization b. Dreamworks c. Alias System Corporation d. Microsoft Q3. Name the software known to be king of TV effect and animation. It is a software released by Newtek and used in movie “Star Trek Voyager” a. Carrara b. Lightwave c. Truspace d. Modo Q4. Identify the company with logo a. Touchstone Pictures b. Charged Studios c. Inverse Media d. DMA Animation Q5. Cineme 4D is a commercial cross platform high-end 3D graphics application produced by a. Cinema foundation b. Maxon Computer c. Autodesk d. Arcane technologies Q6. Houdini, the most expensive 3D software is developed by a. Side Effect Software b. Autodesk Media and entertainment c. DAZ d. Houdini Pictures Q7. Identify the company with logo a. Walt Disney pictures b. Blue Sky Studios c. Dreamworks Animation d. Columbia Pictures Q8. 3D Max, one of the most widely used 3D graphic application is developed by a. Max Computers b. Autodesk Media and Entertainment c. IBC Digital d. DMA Animation Q9 Identify the company with logo (Here in place of question mark company name is written) ? a.
    [Show full text]
  • Animation Nc Ii Training Regulations
    TRAINING REGULATIONS ANIMATION NC I I TECHNICAL EDUCATION AND SKILLS DEVELOPMENT AUTHORITY East Service Road, South Superhighway, Taguig City, Metro Manila Technical Education and Skills Development Act of 1994 (Republic Act No. 7796) Section 22, “ Establishment and Administration of the National Trade Skills Standards ” of the RA 7796 known as the TESDA Act mandates TESDA to establ ish national occupational skills standards. The Authority shall develop and implement a certification and accreditation program in which private industry group and trade associations are accredited to conduct approved trade tests, and the local government units to promote such trade testing activities in their respective areas in accordance with the guidelines to be set by the Authority. The Training Regulations (TR) serve as basis for the: 1 Competency assessment and certification; 2 Registration and delivery of training programs; and 3 Development of curriculum and assessment instruments. Each TR has four sections: Section 1 Definition of Qualification – describes the qualification and defines the competencies that comprise the qualification. Section 2 The Competency Standards format was revised to include the Required Knowledge and Required Skills per element. These fields explicitly state the require d knowledge and skills for competent performance of a unit of competency in an informed and effective manner. These also emphasize the application of knowledge and skills to situations where understanding is converted into a workplace outcome. Section 3 T raining Arrangements - contain information and requirements which serve as bases for training providers in designing and delivering competency - based curriculum for the qualification. The revisions to section 3 entail identifying the Learning Activities lea ding to achievement of the identified Learning Outcome per unit of competency.
    [Show full text]
  • Digital Animation Workflow for Live Cinema
    Digital Animation Workflow for Live Cinema “Roll” - Visual Performance Sindy Tatiana Giraldo Saldarriaga Bachelor’s thesis October 2016 Degree Programme in Media 2 ABSTRACT Tampereen ammattikorkeakoulu Tampere University of Applied Sciences Degree Programme in Media and Arts GIRALDO SALDARRIAGA SINDY TATIANA: Digital Animation Workflow for Live Cinema “Roll” - Visual Performance Bachelor's thesis 68 pages, appendices 2 pages October 2016 The purpose of this thesis was to analyse and suggest a potential workflow of digital animation used in live cinema projects. The theoretical part presents an introduction to digital animation, analyzing the different types of techniques available. The following part describes live cinema field, investigating the use of visual content in connection with sound. In order to accomplish the study, I took part in a visual performance project, where I faced the production steps, from the pre-production to the final execution. In addition, I conducted a research on the experience of 50 professionals in the field of live cinema and digital animation. The data collected from the questionnaire were placed in comparison with the production pipeline followed during the visual performance project I took part in. It was found that there are no fixed rules to approach the creation of performative content, partly because each artist approach the production in different ways, depending on different factors. However, following a structure during the production is a valid option, especially to ensure not to forget some
    [Show full text]
  • 3-D Computer Animation Production Process On
    Contents 1. What Is Animation 2. Terms in Animation 3. Evolution Of Animation 4. Traditional Animation 5. Computer Animation 6. Five Useful Presentation Techniques 7. Traditional & Computer Animation 8. Computer Assisted traditional animation 9. Career in Animation 10. India's animation industry 11. Prerequisites to start career in animation 12. Future of animation in India 13. Bibliography Meaning Animation is the filming a sequence of drawings or positions of models to create an illusion of movement. It is an optical illusion of motion due to the phenomenon of persistence of vision. History The Earliest form of Animation The first examples of trying to capture motion into a drawing can already be found in paleolithic cave paintings, where animals are depicted with multiple legs in superimposed positions, clearly attempting to depict a sense of motion. Shadow Puppetry was also an animation ancestor, e.g. the Indonesian animated shadow puppet called Wayang around 900 a.d. Film animation In the early 1890s, Thomas Edison's Kinetoscope was invented. The history of film animation begins with the earliest days of silent films and continues through the present day. The first animated film was created by frenchman Charles-Émile Reynaud, inventor of the praxinoscope, an animation system using loops of 12 pictures. On October 28, 1892 at Musée Grévin in Paris, France he exhibited animations consisting of loops of about 500 frames, using his théatre optique system - similar in principle to a modern film projector. The first animation on standard picture film was Humorous Phases of Funny Faces by J. Stuart Blackton in the year 1906.
    [Show full text]