The Pnyx in Athens

Total Page:16

File Type:pdf, Size:1020Kb

The Pnyx in Athens THE PNYX IN ATHENS A STUDY BASED ON EXCAVATIONS CONI)UCTED BY THE GREEK ARCHAEOLOGICAL SERVICE DIRECTED AND DESCRIBED BY K. KOUROUNIOTESAND HOMER A. rPHOMPSON INTRODUCTION: HISTORY OF THE EXCAVATION' The problems of the Pnyx have been attacked with the spade on at least five previous occasions. The site had been identified with assurance as that of the ancient assembly place by Chandler in 1765.2 We are told that George, Earl of Aberdeen, K.G., in 1803 cleared away earth from around the bema and from in front of the great scarp and in doing so came upon twelve marble tablets bearing dedications to Zeus Hypsistos, which had evidently fallen from the niches in the face of the scarp to the east of the bema.3 In 1862 Eriist Curtius investigated the site in the belief that the so-called Pnyx was a sanctuary of Zeus Hypsistos.4 In his report he stated that he exposed the great 1 The plans and architetuLral drawings have been prepared by Mr. J. Travlos, a recent graduate of the Polytechneion in Athens, to whom we are greatly indebted for painstaking service on ouir behalf in the midst of many other preoccupations. The plhotographs are the work of A. Petritsis of the staff of the National Musetum and of Hermann Wagner, Photographer of the German Archaeological Institute in Athens. The text has been written by Mr. Thompson but every point has been discutssed together and the authors assumne joint responsibility for the views expressed. Among published works we mtust acknowledge our especial indebtedness to the earlier sttudy of the Pnyx by John M. Crow and Joseph Thacher Clarke whose names will constantly appear in the following pages; and to Professor Walter Judeich's Topographie von Athen. We reoret that the second edition of that excellent work (1931) inight nlot have included the results of this study. We are grateful too for the suggestions and criticisms of the many scholars who visited us while the excavation was in progress. The authors desire to express their appreciation of the generosity of the American School of Classical Studies at Athens in assuming the burden of publication and of Professor Rhys Carpenter, the General Editor of this Annual, in guiding the article thlrough the press and in reading the proofs. Mr. Thompson acknowledges his particular obligation to the Committee for the Excavation of the Ancient Agora for the freedom which they have allowed him while holding a Fellowship under them and likewise to Miss Lucy Talcott who relieved him of his proper duties for some time while this study was under way. Miss Ann Hoskins rendered invaluable assistance in preparing the manuscript. It is hoped that the pottery and other small objects found in the excavation may be published shortly in a separate article. 2 Travels in Asia Minor and Greece. London, 1817, II, pp. 76-78. 3 Cf. Dodwell, Tour through Greece, London, 1819, I, pp. 401ff. 4 The report of the excavation is given in Attische Studiern, I, Gottingen, 1862, pp. 23-28; plan and section in pl. I. Cf. also the sketches in Sieben IKarten zur Topographie von Athen, Gotha, 1868, 5, 1 and 2 and the Beilage to p. 10 of the accompanying volume of text; and in Cturtius and Kiaupert, Atlas von Athen, Berlin, 1878, Blatt V. American School of Classical Studies at Athens is collaborating with JSTOR to digitize, preserve, and extend access to Hesperia ® www.jstor.org THE PNYX IN ATHENS 91 retaining wall throughout its length. The scarp on either side of the " bema " was cleared to the bottom, as were also the side scarps which run out from the eastern and western extremities of the main scarp. He laid bare the rough island of rock in the southeast corner of the assembly place and saw in it, not a mass of stone left by the quarry men, but a raised platform, originally completed in masonry, from which the high officers of the state might observe the sacrifices being made about the altar, i.e. the so-called "bema." The clearing of the bed-rock around the huge blocks which stand on the upper terrace above the western part of the scarp failed to reveal any continuation of what appeared to be a surviving fragment of a cyclopean wall. Next, Curtius opened a trench over four feet wide from the " bema " northward on the axis of the structure represented by the then visible remains. At a distance of 36m. from the edge of the " bema " he came upon some medieval walls which were removed, revealing three steps partly cut in the rock, partly built of stone slabs. He believed that lhe had found both ends of this working; and on the plan which accompanies his report it appears to have a length of between two and three metres. According to Curtius this was not a stairway, but the approach to an altar hewn from the rock above the southern edge of the steps, which had been cut away in later times to make room for the structure represented by the above-mentioned late walls. On account of the great rocks lving in the filling, Curtius found it impracticable to contiinue his investigation of the terrain below, i.e. north of, the newly discovered steps. In digging the trench he found fragments of two marble plaques which doubtless came from the sanctuary of Zeus above. Next he cleared out the peculiar opening in the northern face of the great retaining wall in the expectation that it might prove to be the mouth of a drainage canal; but no trace of such was found. In clearingf along the foot of the same wall he came upon a flight of rock-hewn steps which disappeared beneath it. Finally, he investigated the possible approaches to the area, was unsuccessful in finding any leading, up to the interval between the northern ends of the side scarps and the southern extremities of the great terrace wall, where he supposed that entrances to the semicircular enclosure might have existed, but did trace a broad, rock-hewn way leading along the crest of the ridge from the northwest toward the upper terrace.-' These discoveries were undeniably valuable. But subsequent investigation has shown that many of the conclusions which Curtius drew from his excavation were singularly infelicitous, notably in regard to the mass of rock in the southeast corner of the semi- circular area, the inner rock-cut steps and the renlains of the great wall on the upper terrace. This was due in part to his preconceived notions regarding the identity of the whole establishment, in part also to a too superficial examination of the newly exposed areas. Moreover, serious errors in the plan and section which accoinpany his report militated against their usefulness in further investigation.1 Curtius himself admitted that additional excavation was required, but nevertheless regarded his discoveries as conclusive Cf. A. J. A. (First Series) 6, 1890, pp. 130 ff.; see below, p. 98. 7* 92 K. KOUROUNIOTESAND HOMERA. THOMPSON proof for the correctness of the identification of the site as that of a religious rather than a political gathering place. The continued unsatisfactory state of the problem in 1882-83 led an American scholar, John M. Crow, to a systematic reconsideration of the ancient literary evidence bearing on the question; and this he supplemented by a personal investigation of the site.' He reopened Curtius' trench on the axis, exposing once more the three rock-hewn steps but only as much of them as Curtius had discovered. Small pits were sunk at various points in the semicircular area to permit of measuring the levels of the rock surface. Along with his article he published a plan and cross-section of the Pnyx prepared by J. T. Clarke, who also added numerous notes. These drawings are much the most satisfactory available up to the present time. In conclusion Crow stated, " while we cannot say with absolute certainty that the so-called Pnyx is the real Pnyx, the evidence taken collectively is strongly in favor of this conclusion." In 1910, on the suggestion of Professor Drerup of Munich, the Greek Archaeological Service undertook the further investigation of the site to determine if possible the date of the great outer retaining wall. During the season of 1910 the excavation was directed by Mr.Tsountas in collaboration first with Mr. Rhomaios, later with Dr. K. Kourouniotes. It was continued the following year under the direction of Dr. Kourouniotes and Mr. D. Antoniades.2 In the course of digging through the filling behind the great terrace wall in search of dateable objects, an inner terrace wall was discovered following a semicircular course roughly parallel to that of the great wall. It was immediately apparent that there were at least two periods in the history of the place. The excavators concluded that in the first period the floor had sloped gently down from the great "bema " to the top of the inner terrace wall, whereas by the building of the great outer wall the slope was reversed so that the floor rose from the bema on all sides like that of a theatre. From the objects found in the filling behind the outer terrace wall it was inferred that this structure could not be earlier than the second century B.c. Not enough material was gathered from the filling behind the inner wall to fix the date of the earlier period. Further clearing was done along the western part of the southern scarp, and the existence of an actual wall on the upper terrace above the scarp was proven by the discovery of beddings worked in the rock.
Recommended publications
  • The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; Proquest Pg
    The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; ProQuest pg. 387 The Conditions of Dramatic Production to the Death of Aeschylus N. G. L. Hammond TUDENTS of ancient history sometimes fall into the error of read­ Sing their history backwards. They assume that the features of a fully developed institution were already there in its earliest form. Something similar seems to have happened recently in the study of the early Attic theatre. Thus T. B. L. Webster introduces his excellent list of monuments illustrating tragedy and satyr-play with the following sentences: "Nothing, except the remains of the old Dionysos temple, helps us to envisage the earliest tragic background. The references to the plays of Aeschylus are to the lines of the Loeb edition. I am most grateful to G. S. Kirk, H. D. F. Kitto, D. W. Lucas, F. H. Sandbach, B. A. Sparkes and Homer Thompson for their criticisms, which have contributed greatly to the final form of this article. The students of the Classical Society at Bristol produce a Greek play each year, and on one occasion they combined with the boys of Bristol Grammar School and the Cathedral School to produce Aeschylus' Oresteia; they have made me think about the problems of staging. The following abbreviations are used: AAG: The Athenian Agora, a Guide to the Excavation and Museum! (Athens 1962). ARNon, Conventions: P. D. Arnott, Greek Scenic Conventions in the Fifth Century B.C. (Oxford 1962). BIEBER, History: M. Bieber, The History of the Greek and Roman Theatre2 (Princeton 1961).
    [Show full text]
  • Democracy in Ancient Athens Was Different from What We Have in Canada Today
    54_ALB6SS_Ch3_F2 2/13/08 2:25 PM Page 54 CHAPTER Democracy in 3 Ancient Athens Take a long step 2500 years back in time. Imagine you are a boy living in the ancient city of Athens, Greece. Your slave, words matter! Cleandros [KLEE-an-thros], is walking you to school. Your father Ancient refers to something and a group of his friends hurry past talking loudly. They are on from a time more than their way to the Assembly. The Assembly is an important part of 2500 years ago. democratic government in Athens. All Athenian men who are citizens can take part in the Assembly. They debate issues of concern and vote on laws. As the son of a citizen, you look forward to being old enough to participate in the Assembly. The Birthplace of Democracy The ancient Greeks influenced how people today think about citizenship and rights. In Athens, a form of government developed in which the people participated. The democracy we enjoy in Canada had its roots in ancient Athens. ■ How did men who were citizens participate in the democratic government in Athens? ■ Did Athens have representative government? Explain. 54 54_ALB6SS_Ch3_F2 2/13/08 2:25 PM Page 55 “Watch Out for the Rope!” Cleandros takes you through the agora, a large, open area in the middle of the city. It is filled with market stalls and men shopping and talking. You notice a slave carrying a rope covered with red paint. He ? Inquiring Minds walks through the agora swinging the rope and marking the men’s clothing with paint.
    [Show full text]
  • La Morbidezza Che Hai Sempre Cercato
    LA MORBIDEZZA CHE HAI SEMPRE CERCATO 01 Catalogo NewSoft collection update 2020.indd 1 24/01/20 17:26 NEWSOFT / 02 Catalogo NewSoft collection update 2020.indd 2 24/01/20 17:26 Index ANDROS 42 CORFÙ 56 DELO 32 HERAKLIA 58 HYDRA 10 ICARIA 36 ITACA 30 KEO 40 KOS 04 LEUCADE 38 LIPSI 52 LOS 22 MILOS 24 MYKONOS 54 NAXOS 16 NEVIS 18 NISIRO 26 PAROS 08 RODI 12 SAMOS 20 SANTORINI 14 SERIFO 46 SOMMIER 60 SIRO 34 TILOS 48 ZANTE 28 03 Catalogo NewSoft collection update 2020.indd 3 24/01/20 17:26 Kos NEWSOFT / 04 Catalogo NewSoft collection update 2020.indd 4 24/01/20 17:26 05 Catalogo NewSoft collection update 2020.indd 5 24/01/20 17:26 Kos NEWSOFT / 06 Catalogo NewSoft collection update 2020.indd 6 24/01/20 17:26 07 Catalogo NewSoft collection update 2020.indd 7 24/01/20 17:26 NEWSOFT / 08 Catalogo NewSoft collection update 2020.indd 8 24/01/20 17:26 Paros 09 Catalogo NewSoft collection update 2020.indd 9 24/01/20 17:26 NEWSOFT / 10 Catalogo NewSoft collection update 2020.indd 10 24/01/20 17:26 Hydra 11 Catalogo NewSoft collection update 2020.indd 11 24/01/20 17:26 NEWSOFT / 12 Catalogo NewSoft collection update 2020.indd 12 24/01/20 17:27 Rodi 13 Catalogo NewSoft collection update 2020.indd 13 24/01/20 17:27 Santorini NEWSOFT / 14 Catalogo NewSoft collection update 2020.indd 14 24/01/20 17:27 15 Catalogo NewSoft collection update 2020.indd 15 24/01/20 17:27 NEWSOFT / 16 Catalogo NewSoft collection update 2020.indd 16 24/01/20 17:27 Naxos 17 Catalogo NewSoft collection update 2020.indd 17 24/01/20 17:27 NEWSOFT / 18 Catalogo NewSoft collection
    [Show full text]
  • Aizanitis Bölgesi Mezar Taşlari
    T.C PAMUKKALE ÜNİVERİSTESİ ARKEOLOJİ ENSTİTÜSÜ Doktora Tezi Arkeoloji Anabilim Dalı Arkeoloji Doktora Programı AİZANİTİS BÖLGESİ MEZAR TAŞLARI Zerrin ERDİNÇ Danışman Prof. Dr. Elif ÖZER 2020 DENİZLİ DOKTORA TEZİ ONAY FORMU Arkeoloji Anabilim Dalı, Doktora Programı öğrencisi Zerrin ERDİNÇ tarafından Prof. Dr. Elif ÖZER yönetiminde hazırlanan “Aizanitis Bölgesi Mezar Taşları” başlıklı tez aşağıdaki jüri üyeleri tarafından 24.02.2020 tarihinde yapılan tez savunma sınavında başarılı bulunmuş ve Doktora Tezi olarak kabul edilmiştir. Jüri Başkanı-Danışman Prof. Dr. Elif ÖZER Jüri Jüri Prof. Dr. Celal Şimşek Prof. Dr. Hüseyin Sabri ALANYALI Jüri Jüri Prof. Dr. Bilal SÖĞÜT Prof. Dr. Ertekin Doksanaltı Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Yönetim Kurulu’nun …………..tarih ve ………….. sayılı kararıyla onaylanmıştır. Prof. Dr. Celal ŞİMŞEK Enstitü Müdürü Bu tezin tasarımı, hazırlanması, yürütülmesi, araştırmalarının yapılması ve bulgularının analizlerinde bilimsel etiğe ve akademik kurallara özenle riayet edildiğini; bu çalışmanın doğrudan birincil ürünü olmayan bulguların, verilerin ve materyallerin bilimsel etiğe uygun olarak kaynak gösterildiğini ve alıntı yapılan çalışmalara atıfta bulunulduğunu beyan ederim. İmza Zerrin ERDİNÇ ÖNSÖZ Aizanoi Phrygia Bölgesi’nin en önemli kentlerinden birisidir. Hellenistik ve Roma dönemlerinde stratejik konumu ve Zeus Tapınağı ile bölgenin kilit noktası haline gelmiştir. Özellikle Roma Dönemi’nde Aizanoi territoryumuna verilen isim olan Aizanitis Bölgesi çevresindeki kentlerden daha önemli bir konumda yer almış, Meter Steunene kutsal alanı ve Zeus tapınağı ile çevre kentlerin de dini merkezi haline gelmiştir. 2016 yılından bu yana bu güzel kentte arkeolojiye emek veren bu harika ekibe dâhil olduğum için kendimi çok şanslı saymaktayım. Bana bu şansı veren ve inanarak bana bu malzemeyi emanet eden saygıdeğer hocam Prof. Dr. Elif Özer’e sonsuz teşekkürlerimi sunuyorum.
    [Show full text]
  • 1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
    1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr.
    [Show full text]
  • Storytelling and Community: Beyond the Origins of the Ancient
    STORYTELLING AND COMMUNITY: BEYOND THE ORIGINS OF THE ANCIENT THEATRE, GREEK AND ROMAN by Sarah Kellis Jennings Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of Theatre Texas Christian University Fort Worth, Texas May 3, 2013 ii STORYTELLING AND COMMUNITY: BEYOND THE ORIGINS OF THE ANCIENT THEATRE, GREEK AND ROMAN Project Approved: T.J. Walsh, Ph.D. Department of Theatre (Supervising Professor) Harry Parker, Ph.D. Department of Theatre Kindra Santamaria, Ph.D. Department of Modern Language Studies iii TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................iv INTRODUCTION ...............................................................................................................1 GREEK THEATRE .............................................................................................................1 The Dithyramb ................................................................................................................2 Grecian Tragedy .............................................................................................................4 The Greek Actor ............................................................................................................. 8 The Satyr Play ................................................................................................................9 The Greek Theatre Structure and Technical Flourishes ...............................................10 Grecian
    [Show full text]
  • Stoa Poikile) Built About 475-450 BC
    Arrangement Classical Greek cities – either result of continuous growth, or created at a single moment. Former – had streets –lines of communication, curving, bending- ease gradients. Later- had grid plans – straight streets crossing at right angles- ignoring obstacles became stairways where gradients were too steep. Despite these differences, certain features and principles of arrangement are common to both. Greek towns Towns had fixed boundaries. In 6th century BC some were surrounded by fortifications, later became more frequent., but even where there were no walls - demarcation of interior and exterior was clear. In most Greek towns availability of area- devoted to public use rather than private use. Agora- important gathering place – conveniently placed for communication and easily accessible from all directions. The Agora Of Athens • Agora originally meant "gathering place" but came to mean the market place and public square in an ancient Greek city. It was the political, civic, and commercial center of the city, near which were stoas, temples, administrative & public buildings, market places, monuments, shrines etc. • The agora in Athens had private housing, until it was reorganized by Peisistratus in the 6th century BC. • Although he may have lived on the agora himself, he removed the other houses, closed wells, and made it the centre of Athenian government. • He also built a drainage system, fountains and a temple to the Olympian gods. • Cimon later improved the agora by constructing new buildings and planting trees. • In the 5th century BC there were temples constructed to Hephaestus, Zeus and Apollo. • The Areopagus and the assembly of all citizens met elsewhere in Athens, but some public meetings, such as those to discuss ostracism, were held in the agora.
    [Show full text]
  • The Form of the Orchestra in the Early Greek Theater
    THE FORM OF THE ORCHESTRA IN THE EARLY GREEK THEATER (PLATE 89) T HE "orchestra" was essentially a dancing place as the name implies.' The word is generally used of the space between the seats and the scene-building in the ancient theater. In a few theaters of a developed, monumental type, such as at Epidauros (built no earlier than 300 B.C.), the orchestra is defined by a white marble curb which forms a complete circle.2 It is from this beautiful theater, known since 1881, and from the idea of a chorus dancing in a circle around an altar, that the notion of the orchestra as a circular dancing place grew.3 It is not surprising then that W. D6rpfeld expected to find an original orchestra circle when he conducted excavations in the theater of Dionysos at Athens in 1886. The remains on which he based his conclusions were published ten years later in his great work on the Greek theater, which included plans and descriptions of eleven other theaters. On the plan of every theater an orchestra circle is restored, although only at Epidauros does it actually exist. The last ninety years have produced a long bibliography about the form of the theater of Dionysos in its various periods and about the dates of those periods, and much work has been done in the field to uncover other theaters.4 But in all the exam- 1 opXeaat, to dance. Nouns ending in -arrpa signify a place in which some specific activity takes place. See C. D. Buck and W.
    [Show full text]
  • Ancient Cyprus: Island of Conflict?
    Ancient Cyprus: Island of Conflict? Maria Natasha Ioannou Thesis submitted for the degree of Master of Philosophy Discipline of Classics School of Humanities The University of Adelaide December 2012 Table of Contents Abstract ................................................................................................................ III Declaration........................................................................................................... IV Acknowledgements ............................................................................................. V Introduction ........................................................................................................... 1 1. Overview .......................................................................................................... 1 2. Background and Context ................................................................................. 1 3. Thesis Aims ..................................................................................................... 3 4. Thesis Summary .............................................................................................. 4 5. Literature Review ............................................................................................. 6 Chapter 1: Cyprus Considered .......................................................................... 14 1.1 Cyprus’ Internal Dynamics ........................................................................... 15 1.2 Cyprus, Phoenicia and Egypt .....................................................................
    [Show full text]
  • Marketocracy and the Capture of People and Planet
    The Jus Semper Global Alliance In Pursuit of the People and Planet Paradigm Sustainable Human Development July 2021 BRIEFS ON TRUE DEMOCRACY AND CAPITALISM Marketocracy and the Capture of People and Planet The acceleration of Twenty-First Century Monopoly Capital Fascism through the pandemic and the Great Reset Álvaro J. de Regil TJSGA/Assessment/SD (TS010) July 2021/Álvaro J. de Regil 1 Prologue Prologue... 2 ❖ Capitalism’s Journey of Dehumanisation... 6 n innate feature of capitalism has been the endless First Industrial Revolution... 6 A pursuit of an ethos with the least possible intervention Second Industrial Revolution... 10 of the state in its unrelenting quest for the reproduction and Third Industrial Revolution... 16 accumulation of capital, at the expense of all other participants ➡Modern Slave Work Stuctures… 20 in the economic activity prominently including the planet. ➡The Anthropocene… 23 Capitalism always demands to be in the driver's seat of the ❖ The Capture of Democracy… 29 economy. Only when its activities are threatened by ➡Sheer Laissez-Faire Ethos… 33 communities and nations opposing the expropriation of their ➡Capital Equated with Human Beings… 34 natural resources and the imposition of structures that extract ➡Untramelled and Imposed Marketrocratic System... 35 the vast majority of the value of labour—the surplus-value—, ❖ Fourth Industrial Revolution... 39 capitalism demands the intervention of the states; these include ➡Conceptual Structure… 41 their armed forces, to protect the exploits of the owners of the ➡Application… 42 system. This is all the more evident in the global South. Across ➡Impact… 44 centuries of imperialism and colonialism, the practice of ❖ The COVID-19 Pandemic… 59 invasion, conquering, expropriation and exploitation by ➡Management of COVID-19..
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • A New Athenian Gymnasium from the 4Th Centrury
    Ada Caruso A New Athenian Gymnasium from the 4th Century BC? Summary Literary sources attest that the gymnasium of the Athenian rung der beiden Bauten. Es wird gezeigt, dass der Hof des süd- Academy was used from the 6th century BC to at least the 2nd lichen Baus in die Spätantike gehört und nicht als Palaestra century AD. The site, located based on texts and a horos stone, fungiert haben kann. Stattdessen ist der quadratische Bau, des- has been variously explored since 1929. Of the excavated struc- sen Peristyl von Räumen umgeben und der ins 4. Jh. v.Chr. zu tures, a rectangular courtyard building in the South has com- datieren ist, anhand von Plan und Inschriften als Palaestra zu monly been identified as the palaestra of the Academy gym- identifizieren. nasium, whereas a large square peristyle building (so-called Keywords: Athen; Akademie; Gymnasium; Palästra; Tetrago- Tetragonos Peristylos) in the North has received little atten- nos Peristylos tion. This paper critically revises the identification of these two buildings and argues that the southern building, whose court- yard belongs to the Late Antique period, cannot have func- For the accomplishment of this study many thanks are due tioned as a palaestra. Instead, the square peristyle building, to: Prof. Emanuele Greco, former Director of the Italian Ar- which was surrounded by rooms and dates to the 4th century chaeological School of Athens, who supported it, as well as BC, should be identified as a palaestra, due the plan and epi- Prof. Panos Dimas (Norwegian Institute of Athens); Dr. Aris graphic evidence. Koronakis, Effie Lygkouri Tolia, Effie Baziotopoulou-Valavani, and Dr.
    [Show full text]