Kinga Augustyn Violin Recital
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Join the National Philharmonic in a Triumphant
West End Off-Broadway United States International Entertainment Log In Re Washington, DC Sections Shows Chat Boards Jobs Students Video Industry Insider Join the National Philharmonic In a Hot Stories BroadwayWorld TV Triumphant Celebration of Poland's 100th Anniversary of Independence Complete Casting Announced for HOW TO by BWW News Desk May. 23, 2018 Tweet Share SUCCEED at the Kennedy Center TV Exclusive: Florida State Universi The National Philharmonic ends its 2017-2018 Southern Heat to Broadway S season at The Music Center at Strathmore with a musical celebration, "100th Anniversary of Poland's Independence," on Saturday, June 2 at 8 p.m. at the Concert Hall at the Music Center at Parris, Breckenridge, & More Strathmore. Conducted by world-renowned Join Drew Gehling in DAVE at Arena Stage Polish Maestro Miroslaw Jacek Baszczyk, the 10 DAYS TO GO CLICK HERE TO V concert will feature music composed by LIVE UPDATE: Poland's greatest musicians, performed by SPONGEBOB SQUAREPANTS or ME some of today's leading vocalists and musicians. for Best Musical... The performance will commence with an introduction by the Ambassador of Poland, Mosaic's Third Season Concludes With Epic World Piotr Wilczek. The 100th anniversary of Poland has signicant meaning for The National Premiere Starring Hadi Philharmonic, which is led by Polish-born Music Director and Conductor Piotr Gajewski. Tabbal One of The National Philharmonic's veteran artists, Brian Ganz-who will perform at the Polish celebration concert-is also a frequent performer of Frédéric Chopin, beginning a quest in 2011 to perform all of the great Polish composer's works. -
French Secular Music in Saint-Domingue (1750-1795) Viewed As a Factor in America's Musical Growth. John G
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 French Secular Music in Saint-Domingue (1750-1795) Viewed as a Factor in America's Musical Growth. John G. Cale Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Cale, John G., "French Secular Music in Saint-Domingue (1750-1795) Viewed as a Factor in America's Musical Growth." (1971). LSU Historical Dissertations and Theses. 2112. https://digitalcommons.lsu.edu/gradschool_disstheses/2112 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 72-17,750 CALE, John G., 1922- FRENCH SECULAR MUSIC IN SAINT-DOMINGUE (1750-1795) VIEWED AS A FACTOR IN AMERICA'S MUSICAL GROWTH. The Louisiana State University and Agricultural and Mechanical College;, Ph.D., 1971 Music I University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED FRENCH SECULAR MUSIC IN SAINT-DOMINGUE (1750-1795) VIEWED AS A FACTOR IN AMERICA'S MUSICAL GROWTH A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by John G. Cale B.M., Louisiana State University, 1943 M.A., University of Michigan, 1949 December, 1971 PLEASE NOTE: Some pages may have indistinct print. -
Moniuszko Was Poland’S Leading Nineteenth-Century Opera Composer, and Has Been Called the Man Who Bridges the Gap Between Chopin and Szymanowski
CMYK NAXOS NAXOS Stanisław Moniuszko was Poland’s leading nineteenth-century opera composer, and has been called the man who bridges the gap between Chopin and Szymanowski. In addition to operatic works he also composed purely orchestral music, and this recording reveals that his essentially lyric style could function perfectly in the non-vocal medium. There is thematically memorable music from the comic opera Hrabina (The Countess), as well as enduring Polish-flavoured dance DDD MONIUSZKO: scenes from his most popular and famous stage work, Halka. The spirited Mazurka from MONIUSZKO: Straszny Dwór (The Haunted Manor), Moniuszko’s crowning operatic achievement, draws freely 8.573610 and inventively from his national heritage. Playing Time Stanisław 78:18 MONIUSZKO 7 (1819-1872) 47313 36107 Ballet Music 1 Concert Polonaise (1866) 7:51 Ballet Music 2-5 Hrabina: Ballet Music (1859) 18:11 6 Funeral March for Antoni Orłowski (18??) 11:41 7 Civic Polonaise (post 1863) 6:07 8 Halka, Act I: Mazurka (1857) 4:06 9 Halka, Act III: Tańce góralskie 6 (Highlanders’ Dances) (1857) 4:55 www.naxos.com Made in Germany Booklet notes in English ൿ 0 The Merry Wives of Windsor: Ballet Music (c. 1849) 9:38 & Ꭿ ! Monte Christo: Mazurka (1866) 4:37 2017 Naxos Rights US, Inc. @ Jawnuta: Taniec cygański (Gypsy Dance) (1860) 4:31 # Leokadia Polka (18??) 1:44 $ Straszny Dwór (The Haunted Manor), Act IV: Mazurka (1864) 5:16 Warsaw Philharmonic Orchestra • Antoni Wit A detailed track list can be found on page 2 of the booklet. 8.573610 8.573610 Recorded at Warsaw Philharmonic Concert Hall, Poland, from 29th August to 2nd September, 2011 Produced, engineered and edited by Andrzej Sasin and Aleksandra Nagórko (CD Accord) Publisher: PWM Edition (Polskie Wydawnictwo Muzyczne), Kraków, Poland Booklet notes: Paul Conway • Cover photograph by dzalcman (iStockphoto.com). -
Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
Kalina Mrmevska
KALINA MRMEVSKA EDUCATION Doctorate of Musical Arts in Piano Performance with Gilbert Kalish, State University of New York at Stony Brook, graduated 2018 Post-graduate Certificate, Piano and Chamber Music, Musikakademie Kassel, Germany, Summa cum Laude, 2005-07 Graduate Diploma, Instrumentalmusik Klavier, Hochschule für Musik und Theater Hamburg, Germany, 1998-2002 M.A. in Piano Performance, Ss. Cyril and Methodius University in Skopje, Macedonia, 1996-2000 B.A. in Piano Performance, Ss. Cyril and Methodius University in Skopje, Macedonia, Summa cum Laude, 1992-96 TEACHING EXPERIENCE Scriabin Summer Piano Academy, Tuscany, Italy, 2019 Mahanaim, Adjunct Faculty, piano lessons for collaborative majors and non-majors, 2018 - present Danube International Concerto Masterclass and Competition, Budapest, Hungary, Artistic Director and Piano Faculty, individual piano lessons and orchestra rehearsals, 2017, 2016 State University of New York at Stony Brook, Teaching Assistant, individual piano lessons, 2012 – 2015 State University of New York at Stony Brook, Adjunct Faculty, undergraduate theory for non-majors, 2013-14 State University of New York at Stony Brook, Chamber Music Coach, undergraduate chamber music ensembles, 2012-13 State University of New York at Stony Brook, Teaching Assistant, undergraduate history for non-majors, 2012-13 State University of New York at Stony Brook, Assistant Director, Children’s and Adults Community Music Programs, 2010-11 Long Island Conservatory, Piano Faculty, individual piano lessons, 2013 – 2017 The Connecticut School of Music, Piano Faculty, individual piano lessons, 2015- 2018 Music Academy of Long Island, Piano Instructor, pre-college level individual piano lessons, 2011-12 State Music School of Quickborn, Hamburg, Germany, Piano Faculty, pre-college individual piano lessons, 2003-2008 Ss. -
Opera Wrocławska
OPERA WROCŁAWSKA ~ INSTYTUCJA KULTURY SAMORZĄDU WOJEWÓDZTWA DOLNOSLĄSKIEGO WSPÓŁPROWADZONA PRZEZ MINISTRA KULTURY I DZIEDZICTWA NARODOWEGO EWA MICHNIK DYREKTOR NAUELNY I ARTYSTYUNY STRASZNY DWÓR THE HAUNTED MANOR STANISŁAW MONIUSZKO OPERA W 4 AKTACH I OPERA IN 4 ACTS JAN CHĘCIŃSKI LIBR ETIO WARSZAWA, 1865 PRAPREMIERA I PREVIEW SPEKTAKLE PREMIEROWE I PREMIERES 00 PT I FR 6 111 2009 I 19 SO I SA 7 Ili 2009 I 19 00 00 ND I SU 8 Ili 2009 117 CZAS TRWANIA SPEKTAKLU 180 MIN. I DURATION 180 MIN . 1 PRZERWA I 1 PAUSE SPEKTAKL WYKONYWANY JEST W JĘZYKU POLSKIM Z POLSKIMI NAPISAMI POLI SH LANGUAGE VERSION WITH SURTITLES STRASZNY DWÓR I THE HAU~TED MAl\ OR REALIZATO RZY I PRODUCERS OBSADA I CAST REALIZATORZY I PROOUCERS MIECZNIK MACIEJ TOMASZ SZREDER ZBIGNIEW KRYCZKA JAROSŁAW BODAKOWSKI KIEROWNICTWO MUZYCZNE, DYRYGENT I MUSICAL DIRECTION, CONDUCTOR BOGUSŁAW SZYNALSKI* JACEK JASKUŁA LACO ADAMIK STEFAN SKOŁUBA INSCENIZACJA I REŻYSERIA I STAGE DIRECTION RAFAŁ BARTMIŃSKI* WIKTOR GORELIKOW ARNOLD RUTKOWSKI* RADOSŁAW ŻUKOWSKI BARBARA KĘDZIERSKA ALEKSANDER ZUCHOWICZ* SCENOGRAFIA I SET & COSTUME DESIGNS DAMAZY ZBIGNIEW ANDRZEJ KALININ MAGDALENA TESŁAWSKA, PAWEŁ GRABARCZYK DAMIAN KONIECZEK KAROL KOZŁOWSKI WSPÓŁPRACA SCENOGRAFICZNA I SET & COSTUME DE SIGNS CO-OPERATION TOMASZ RUDNICKI EDWARD KULCZYK RAFAŁ MAJZNER HENRYK KONWIŃSKI HANNA CHOREOGRAFIA I CHOREOGRAPHY EWA CZERMAK STARSZA NIEWIASTA ALEKSANDRA KUBAS JOLANTA GÓRECKA MAŁGORZATA ORAWSKA JOANNA MOSKOWICZ PRZYGOTOWANIE CHÓRU I CHORUS MASTER MARTA JADWIGA URSZULA CZUPRYŃSKA BOGUMIŁ PALEWICZ ANNA BERNACKA REŻYSERIA ŚWIATEŁ I LIGHTING DESIGNS DOROT A DUTKOWSKA GRZEŚ PIOTR BUNZLER HANNA MARASZ CZEŚNIKOWA ASYSTENT REŻYS ERA I ASS ISTAN T TO THE STAGE DIRECTOR BARBARA BAGIŃSKA SOLIŚCI, ORKIESTRA, CHÓR I BALET ELŻBIETA KACZMARZYK-JANCZAK OPERY WROCŁAWSKIEJ, STATYŚCI ADAM FRONTCZAK, JULIAN ŻYCHOWICZ ALEKSANDRA LEMISZKA SOLOISTS, ORCHESTRA, CHOIR AND BALLET INSPICJENCI I SRTAGE MANAGERS OF THE WROCŁAW OPERA, SUPERNUMERARIES * gościnnie I spec1al guest Dyrekcja zastrzega sobie prawo do zmian w obsadach . -
Composing for Classical Voice Voice Types/Fach System
Composing for Classical Voice Alexandra Smither A healthy relationship between composer and singer is essential for the creation of new song. Like all good relationships, communication is key. Through this brief talk, I hope to give you some tools, some language you can use as common ground when working together. Remember, we are all individuals with insecurities and vulnerabilities and our art made together should lean on strengths. Being in the room with someone means they are making themselves available to you: this goes both ways, so do what you can to elevate them in the way that they see fit. Composers, remember that to be a singer is to be an athlete. If we are protective of our voices, it’s because we are only given one and it is very delicate. Additionally, the opera world is not kind. Many singers are constantly dealing with rejection and commentary, not just on how they sound, but on how they look and who they are. Remember this, be compassionate, choose your words wisely and kindly. Your singer will appreciate it and will sing all the better for it. Singers, take the time to think about your voice and singing. What do you love to sing? What sounds do you like, even outside singing? How does your voice work? Share this information joyfully and without shame - the music being written will reflect it more the more you talk about it. Be willing to try things in ways that are healthy and sustainable for your body. Embrace your individual identity as singer, person, and artist. -
January 2019 Membership Hotline: 800-898-1065 January 2019 Volume XLVI, Number 7 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N
FRIENDS OF WILL MEMBERSHIP MAGAZINE January 2019 Membership Hotline: 800-898-1065 January 2019 Volume XLVI, Number 7 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N. Goodwin Ave., Urbana, IL 61801-2316 Mailing List Exchange Donor records are proprietary and confidential. WILL does not sell, rent or trade its donor lists. Patterns Friends of WILL Membership Magazine Editor/Art Designer: Sarah Whittington Art Director: Kurt Bielema Printed by Premier Print Group. Printed with SOY INK on RECYCLED, RECYCLABLE paper. RADIO 90.9 FM: A mix of classical music and NPR information programs, including local news. (Also with live streaming on will.illinois.edu.) See pages 4-5. 101.1 FM and 90.9 FM HD2: Locally produced music programs and classical music from C24. (101.1 is available in the Champaign-Urbana New year, new look area.) See page 6. 580 AM: News and information, NPR, BBC, It’s a new year, which provides a great news, agriculture, talk shows. (Also heard opportunity for refreshment and renewal. on 90.9 FM HD3 with live streaming on Patterns is no exception, and I hope you enjoy will.illinois.edu.) See page 7. the new look. TELEVISION This month, our documentary film series Reel WILL-HD All your favorite PBS and local programming, Midwest returns. This is a special project of in high definition when available. 12.1; Contact mine, and I am happy to share these amazing your cable or satellite provider for channel films with you. Page 1 has info on the films information. See pages 9-16. -
Polish Culture Yearbook 2018
2018 POLISH CULTURE YEARBOOK 2018 POLISH CULTURE YEARBOOK Warsaw 2019 INTRODUCTION Prof. Piotr Gliński, Deputy Prime Minister, Minister of Culture and National Heritage 5 REFLECTIONS ON CULTURE IN POLAND 1918–2018 Prof. Rafał Wiśniewski, Director of the National Centre for Culture Poland 11 TABLE OF CONTENTS TABLE 1. CELEBRATIONS OF THE 100TH ANNIVERSARY OF POLAND REGAINING INDEPENDENCE 17 CELEBRATIONS OF THE 100TH ANNIVERSARY OF POLAND REGAINING INDEPENDENCE Office of the ‘Niepodległa’ Program 18 2. CULTURE 1918–2018 27 POLISH STATE ARCHIVES Head Office of State Archives 28 LIBRARIES National Library of Poland 39 READERSHIP National Library of Poland 79 CULTURAL CENTRES Centre for Cultural Statistics, Statistical Office in Kraków 89 MUSEUMS National Institute for Museums and Public Collections 96 MUSICAL INSTITUTIONS Institute of Music and Dance 111 PUBLISHING PRODUCTION National Library of Poland 121 ARTISTIC EDUCATION Centre for Art Education 134 THEATRE IN POLAND Zbigniew Raszewski Theatre Institute 142 IMMOVABLE MONUMENTS National Heritage Board of Poland 160 3. CULTURAL POLICY 2018 173 TABLE OF CONTENTS TABLE LOCAL GOVERNMENT SPENDING ON CULTURE National Centre for Culture Poland 174 CINEMATOGRAPHY Polish Film Institute 181 NATIONAL MEMORIAL SITES ABROAD Department of Cultural Heritage Abroad and Wartime Losses, Ministry of Culture and National Heritage 189 POLISH CULTURAL HERITAGE ABROAD Department of Cultural Heritage Abroad and Wartime Losses, Ministry of Culture and National Heritage 196 RESTITUTION OF CULTURAL OBJECTS Department of Cultural Heritage Abroad and Wartime Losses, Ministry of Culture and National Heritage 204 DEVELOPMENT OF LIBRARY INFRASTRUCTURE AND PROGRAMMES ADDRESSED TO PUBLIC LIBRARIES Polish Book Institute 212 EXPENDITURE OF THE POLISH STATE ON CULTURE Department of Intellectual Property Rights and Media, Ministry of Culture and National Heritage 217 4. -
Lost Souls Halka Le Corsaire Medea Werther Halka (Poznań Opera House) Manru the Haunted Manor Halka* Halka (Vilnius Versio
RULES AND REGULATIONS concerning the sale of subscriptions to Teatr Wielki – Polish National Opera in the 2019/2020 season I. SCOPE The aim of this document is to set out the rules and regulations of the sale of Subscription Packages offered in the 2019/20 season by Teatr Wielki – Polish National Opera, in particular by defining their types, prices, and conditions of sale. II. DEFINITIONS Current Season – the artistic season that starts on 1 September 2019 and ends on 31 August 2020; Subscription package ticket – a ticket issued as part of a Subscription Package and marked with an inscription or stamp that reads "Abonament" (Subscription); Subscription Package – a package of tickets for specific performances throughout the Current Season. Subscription holders are offered seats in zones I–V, leaving out the cheapest zone VI, in the Moniuszko Auditorium and zones I–III in the Młynarski Hall. Subscription holders may be offered different seats than mentioned above in the event that a performance is taking place outside of Teatr Wielki; Rules and Regulations – the rules and regulations regarding Subscription Packages and their sale in the Current Season; Terms and Conditions of Bookings and Sale of Tickets and Merchandise – terms and conditions introduced under the Decision of the Director of Teatr Wielki – Polish National Opera available on www.teatrwielki.pl; Theatre – Teatr Wielki – Polish National Opera in Warsaw. III. TYPES OF SUBSCRIPTION PACKAGES 1. The following Subscription Packages are available in the Current Season: (a) New productions