My Name's Jenny Linford. I'm a Freelance Food Writer, Who's Been Writing About Food for Over 20 Years. I'm Here Today In

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My Name's Jenny Linford. I'm a Freelance Food Writer, Who's Been Writing About Food for Over 20 Years. I'm Here Today In THE RICHNESS OF RESTAURANTS building site. The Indian entries, by Marryam Reshi, restaurant reviewer for the Times of How identity is explored through eating out The inspiring diversity of restaurants India, included both the splendid AD 1135, in How restaurants use stories to sell themselves a Rajastani fort and Swati Sanacks, offering Innovation trends within restaurants: street food in no-frills surroundings in Mum- Make and Grow bai. Health (of the consumer, of society, of the plan- et) HOW IDENTITY IS EXPLORED THROUGH Fluidity, Creativity and Humour EATING OUT The richness of national cuisines was some- My name’s Jenny Linford. I’m a freelance food thing that struck me working on the book, writer, who’s been writing about food for over how important they are to people in shaping 20 years. I’m here today in my capacity as General Editor of the book 1001 Restaurants identity. You Must Experience Before You Die, part of Cuisines are shaped by elements including a successful series published around the globe. geography, climate, the ingredients which can I wanted to explain to you the concept be- be grown in that habitat. For example, oys- hind the book, as this is relevant to the ters from the waters off Colchester, praised themes I’ll be discussing. This is a very differ- by the Romans, can stil be eaten freshly har- ent book from other food guides, such as say vested by the sea at the Company Shed on th the Michelin guides, as it has a much broader Mersea Island, run by a 7 generation oyster base for inclusion. To begin with, it is an in- farmer. Restaurants offer an effective way of ternational book, with entries from countries experiencing national identities – think back from around the world, from Finland to New to holidays and the way in which meals eaten Zealand. I needed in-depth knowledge and there form part of the memories. ‘Tell me gathered an expert team of contributors what you eat and I will tell you what you are,’ based around the globe. The phrase ‘Restau- said the French epicure Brillat-Savarin. He rants You Must Experience’ shaped the con- could have said ‘Tell me what you eat and I tent of the book. My brief to the team of will tell you where you are.’ There are foods knowledgeable contributors around the world which are indelibly associated with countries, was to suggest restaurants which offered a which have become totemic – pasta with Italy, special, particular experience, and often that sushi with Japan, the hamburger with Ameri- was to do with national identity, with food a ca. street food stalls in Singapore and Ma- way of expressing that. One of the refreshing laysia, where the warm tropical climate al- things about the guide, was that the restau- lowed a culture of eating outdoors to thrive; rant didn’t have to be grand to be included, At the high end level, there has been a rise of so for Britain we have quintessential working restaurants seeking to present a sense of man’s caff E. Pellicci in Bethnal Green, found- place in a profound way: ed in 1900 by Priamo Pellicci and still run by the same Italian family, listed by English Her- Rene Redzepi of Noma is a key figure in this itage because of its décor – a place where movement. When he was offered Noma by artists such as Gilbert and George sit side by Claude Meyer , in North Atlantic House, a cul- side with workers fuelling up for a day on the tural centre, his brief was to express Nordic, especially North Atlantic, cuisine. In Redze- herb called jambu which produces a sensa- pi’s words, ‘My view was that we had the tion in the mouth like electricity. chance to create our own way of expressing There is also much playing with identity in ourselves, our own signature.’ This took him restaurants. Massimo Bottura, of L’Osteria on a quest to connect, in a new way, with the Francescana in Modena, Italy plays with the natural environment, with the place around traditions of Italian cuisine, looking at it, in his him. ‘ I realiized that we had to exploit the own phrase ‘through the eyes of a mischie- seasons in a better way, so that you could vous child’, creating dishes such as Memory only get a particular dish here and now. We of a Mortadella Sandwich, a mortadella foam should explore the extremes of nature, seek with a square of toasted bread laced with lard out the thousand or more species of edible or Five Ages of Parmigiano Reggiano. fungi, the many wild plants, roots and sea- shore plants. That became the embryo of an A number of American restaurants, reflecting idea.’ Instead of relying on default luxuries, the immigrant history of a comparatively many of them French or Mediterranean in young nation, play with the idea of mixed origin, such as foie gras, truffles or traditional heritage. David Chang of Momoofuku, New balsamic vinegar, Redzepi offered dishes such York, drew on his own Korean American her- as Pork Neck and Bullrushes, Violets and Malt itage to create dishes such as his trademark or Bird Wood Dessert, created with a poetic Bacon Dashi, using a salty, smoky ingredient creativity from the Scandinavian landscape. widely available at a good quality in America rather than the traditional dried, smoked bo- In Brazil, chef Alex Atala, with his acclaimed nito used to make dashi in Japan. At Benu in restaurant D.O.M. in Sao Paolo, has made a San Francisco, Corey Lee is also explores his name for himself by exploring the riches of Korean heritage, fusing Asian and French the Amazon, bringing wild ingredients to the cooking with modern techniques in masterly table. Atala had trained and worked as a chef style, creating dishes such as Thousand-Year- in Europe and when he returned to Brazil and Old Quail Egg, his take on a traditional Chi- set up his own restaurant he had to find a nese delicacy, regarded as hard for Western- way of expressing his sense of Brazilian iden- ers to enjoy because of its strong ammonia tity. He did this in a number of ways. A strand flavour. in his cooking is to take humble, everyday Brazilian ingredients such as manioc or tapio- ca and use them in elegant dishes, such as his Heart of Palm Fetucine Carbonara. The headline grabbing aspect of his cooking has been his use of Amazonian foods, many of them barely known within Brazil itself, let alone outside it. To find them, Atala – a tall THE INSPIRING DIVERSITY OF RESTAU- giant of a man – goes on expeditions to the RANTS Amazon, talking to the indigenous tribespeo- ple, learning from them, bringing back ex- Having written about food for over 20 years, traordinary ingredients such as huge river one of the reasons why I continue to be fasci- fish, suava ants which taste of lemongrass, a nated by it is that, in a globally connected world of international brands - where so RANGE OF EXPERIENCE much is becoming increasingly homogenous Restaurants range from down-to-earth, cheap - food offers diversity. The simple concept of places to the luxurious and eye-wateringly making money by selling food to customers expensive, such as French chef Alain has so many expressions. I’ve already Ducasse’s signature restaurant Le Louis XIV in touched on the range of national restaurants Monaco, where diners eat in lavish surround- within 1001 Restaurants. ings. REGIONALITY One of the refreshing aspects to 1001 Restau- Within national cuisines, regionality remains a rants, was that the restaurant didn’t have to powerful force – the traditional, Mediterrane- be grand to be included, so for Britain we an dishes of Provence, focussed on olive oil, have quintessential working man’s caff E. Pel- are very different from the dairy-based dishes licci in Bethnal Green, founded in 1900 by Pri- of Brittany in the north. Italy offers a prime amo Pellicci and still run by the same Italian example of regionality. In order to represent family, listed by English Heritage because of this one country I had numerous contributors, its décor – a place where artists such as Gil- experts on Emilia Romagna, the Veneto, Sicily, bert and George sit side by side with workers Puglia. fuelling up for a day on the building site. The Indian entries, by Marryam Reshi, restaurant America, as befits a continent, has huge re- reviewer for the Times of India, included both gional differences – the splendidly named, the splendid AD 1135, in a Rajastani fort and much-loved Dotty’s Dumpling Dowry in Mad- Swati Sanacks, offering street food in no-frills ison, Wisconsin, reflecting the state’s dairy surroundings in Mumbai. and agricultural roots in down-to-earth fash- ion with its famous burgers made from beef sourced from local farmers. Chef Sean Brock at Husk in Charleston has made his name by exploring local food in great depth, highlight- HOW RESTAURANTS USE STORIES TO SELL ing the richness of Southern cuisine. THEMSELVES SPECIALISATION Restaurants are about so much more than the food they serve – the service, the welcome, In Japanese culture, where the concept of the the surroundings or setting, the ambience. ‘master’ is revered, where having depth of Memorable restaurants often have a story knowledge and experience is valued, one attached to them – it might be cosy, comfort- finds restaurants specialising in one type of ing one of a family business, welcoming back dish – such as baby turtle or glazed barbe- generations of customers or cutting-edge cued eel.
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