DOCSLIB.ORG

Will O' the Mill / Robert Louis Stevenson

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Will O' the Mill / Robert Louis Stevenson W I LL- O THE• MILL r - L.- STEYENSON _______ W I I / I / O ’ ~T7i e / M iz z fRoíerlloms i S f e v e m o n 'H.M.C^Jdwell Co. New York an</ :Boston. ___- — - — Prefatory Remarks O OBERT LOUIS STEVENSON, the only child of Thomas Steven- son, civil engineer, and Margaret Isa- bella, his wife, youngest daughter of James Balfour, minister o f the parish of Colinton in Mid-Lothian, was born on the I3th of November, 1850, at 8 Howard Place, Edinburgh. Fromabout his eighteenth year he chose to sign himself Robert Louis Stevenson. Louis because there was a certain bailie ex- tant whose political opinions revolted young Stevenson’s soul, and whose surname was (insolently) Lewis. But Stevenson’s friends continued to pro- 7 • ---Si- '-sí ÚíiitíÉMt^Wíi^àAí^íi&^úè^iiBííí^li& #4 Prefatory Remarks Prefatory Remarks £# nounce his name Lewis to the end. read, books of the romàntic order; As a child, he was of a vain, delicate, and even desirous, with infantine zeal, and excitable temperament, suffering to write them. He dictated “ A His­ frequently from illness, and not less tory of Moses,” in his sixth year, and frequently from the penalties of a an account of “ Travels in Perth, in romàntic imagination. His works, his ninth.' W e find him engaged one both by accident and design, reflect winter during his childhood days with and chronicle his personal history from his cousin writing a series of adven- stage to stage of his career in a manner tures, which happened upon a fabulous peculiarly his own among writers, and island. W hen he was eight years old, we may learn all we need to know of he went to a preparatory school kept his childhood, as of his later life, by a Mr. Anderson, in índia Street, from his own verses and essays. where he remained two or three years; In “ A Child’s Garden of Verses,” in his eleventh year he began an at- “ Child’s Play,” “ The Manse,” etc., tendance at the Edinburgh Academy, we seem to disengage the picture of “ a junior rival to the high school an eager, frail little boy, with remark- where Scòtt was educated.” Here he able eyes, lustrous and brown, dwell- started a school magazine in manu- ing largely in a world of his own script, The Sunbeam, which seems to invention, loving to read, or to hear have been almost entirely written, S 9 Prefatory Remarles Prefatory Remarles edited, and illustrated by himself. At busy on my own private end, which thirteen he went for a few months was to learn to write.” Originally to a boarding-school kept by a Mr. intended for the family profession, he W yatt at Spring Grove, near London. was at first a pupil of Fleeming Jenkin, He was sent the next year to Mr. professor of engineering, whose biog- Thompson’s private school in Fred- raphy in course of time he carne to erick Street, Edinburgh, where he write. Civil engineering was not to remained until his seventeenth year; the taste of this dilettante young man while here, he wrote a drama based who cared for nothing but literature, upon the history of Deacon Brodie, as from childhood he had been con- the genesis of the play written in col- tinually writing everything fór the laboration with Mr. Henley fourteen sake of practice in literary gymnastic. years later. At eighteen he entered A t the age of twenty-one he began the Edinburgh University, but there he study of law, and at the age of twenty- was looked upon as a carcless and in- five, July 14, 1875, passed his final different student. W e have his own (oft examination with credit, and was called quoted) statement: “ All through my to the bar on the ióth. During these boyhood and youth I was known and four or five years Stevenson was really pointed out for the pattern of an idler; graduating in many ways for the pro­ and yet,” he adds, “ I was always fession of letters. He was always io tH Prefatory Remarks Prefatory Remarks Hr writing. He fïrst appeared before the Stevenson family with respect and es- greater world in a little essay on teem declined to recognise the wilful Roads, which, after being refused by eccentric who elected to drive down the Saturday Review , was published Princess Street (that clàssic thorough- in the Portfolio for December, 1873, fare) clothed in boating flannels and and which was signed, L. S. Stoneven. a straw hat upon a summer’s after- In the summer of the same year, noon, whose chosen attire in mid- 1875, Stevenson was called to the bar, winter was a pork-pie hat embroidered had a brass door-plate (at 17 Heriot with silver, a velvet jacket, and a Row) engraved with the legend, Spanish cloak; who wore his hair curl- “ Robert Louis Stevenson, Advocate,” ing below the bottom of his advocate’s and began to pace the Parliament w ig ; who attended evening parties in a House in the mornings according to blue flannel shirt, and who delighted to the Scots’ custom in use among brief- outrage the decorous conventions which less advocates. Among the legal fry govern “ Anglified ” Edinburgh. He of Scotland, he was known as “ The had become fast wedded to literature. Gifted Boy.” At this point one may In 1876, the “ Virginibus Puerisque” observe that he was never popular in essays were published, which contain his native city. The coteries which work of his which remains unsur- had been accustomed to regard the passed by anything achieved by the 12 13 J í i ------ ■.................................., L ^ ¿ iL ....... --------*------i--- <u¡4u— ¿ i ü Prefatory Remarks Prefatory Remarks artist in later life, and from that point train. Thus did he begin those travels he went straight forward. During this and voyages which landed him at last, year he contributed to the Academy, a life-long exile, upon the island where Vanity Fair, and London, and when he he died. He married in the spring of was twenty-eight, he wrote “ Will o’ 1880, when he was thirty-one, and the M ili,” which remains his highest with Mrs. Stevenson’s son, Samuel achievement in literature. Lloyd Osbourne, they lived for a time In 1879, through differences with at Juan Silverado, the site of an his father, he was left for the first oíd mining camp, in California. In time to gain his living by his own August of that year he and his family exertions. He had by this time finally returned home to Scotland. Six weeks abandoned law, although his work, later, on account of his health, they brilliant and personal as it was, went went to Davos. In May, 1881, they almost unregarded, except by the few again returned to Scotland, living for persons interested in literature. His four months at Petlochy and Braemar. affianced wife, Mrs. Osbourne (an About this time he began his first American by birth), whom he had met novel, “ Treasure Island,” which in in France, had returned to California. some ways is the best of his longer There Stevenson resolved to go; trav- w orks; although he had written a great elling by emigrant ship and emigrant deal, he was as yet unknown to fame. M *5 Prefatory Remarks Hr was “ The Strange Case of Dr. Jekyl and Mr. Hyde.” His books previous to 1886 had brought him scant in- crease of fame or profit. He had never earned much more than $1,500 a year. T he death of his father in M ay, 1887, and his own ill-health, sent him again upon his second long exile, which his own death ended. He persuaded his mother to join them, and with his whole household sailed for New York on August 17, 1887. He divided his time from his arrival between Newport, the Adirondacks, the New Jersey coast, and New York, to the summer of 1888, when he ac- cepted an offer of $10,000 to cruise in the South Seas, and to write the story of his voyages in a series of letters. The cruise lasted six months, during ^ Prefatory Remarks Prefatory Remarks which time he visited the Marquesas, almost entirely restored to him, and he Paumolus, and the Society Islands; accomplished a really amazing amount thence to Honolulú, where he re- of work without distress. He wrote mained until the end of the year, when for six or eight hours a day, pioneered he again started on a second cruise of his estates, rodé, boated, and lavishly six months, visiting the Gilberts, fetch- entertained the island population gener- ally, both brown and white. They ing up at Apia, Samoa. Here he bought an estáte of some four hundred called him Tusitala, the teller of tales. In 1891, during the political troubles acres, and called it Vailima They re of the island, Stevenson plunged gaily mained here for some weeks. Thence into that vexed and complicated busi- they sailed to Sydney, where Stevenson ness, taking the side of the oppressed. falling UI again, they remained un i It was evident that Stevenson was habit- April, 1890, and whence they sailed ually overworking himself. Though during the summer, visiting Auckland the Penrhyn, Union, Ellice, Gdbert, for a man of letters his income was large, his expenses kept pace well with and Marshall Islands, returmng ° Apia by New Caledonia, Sydney, an his earnings, and, besides his proper Auckland in September. There, upon work, he was giving attention to the cultivating and colonising of his estáte, his estáte, Stevenson settled with hi with the hope that in time it would family.
Load more

Recommended publications
  • Treasure Island by Robert Louis Stevenson Adapted by Bryony Lavery
    TREASURE ISLAND BY ROBERT LOUIS STEVENSON ADAPTED BY BRYONY LAVERY DRAMATISTS PLAY SERVICE INC. TREASURE ISLAND Copyright © 2016, Bryony Lavery All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of TREASURE ISLAND is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan- American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for TREASURE ISLAND are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. Inquiries concerning all other rights should be addressed to United Agents, 12-26 Lexington Street, London, England, W1F 0LE.
    [Show full text]
  • The Dracula Film Adaptations
    DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no.
    [Show full text]
  • ROBERT LOUIS STEVENSON HEROES of ALL TIME FIRST VOLUMES Mohammed
    OBER1 .GUIS university of Connecticut a> i libraries :v CV» COSt*W PR 5L93 C7 3 1153 0nt4S37 l£>tf& 3**-- ROBERT LOUIS STEVENSON HEROES OF ALL TIME FIRST VOLUMES Mohammed. By Edith Holland. Alexander the Great. By Ada Russell, M.A (Vict.) Augustus. By Rene Francis, B.A. Alfred the Great. By A. E. McKilliam, M.A. Thomas Becket. By Susan Cunnington. Jeanne d'Arc. By E. M. Wilmot-Buxton, F.R.Hist.S. Sir Walter Raleigh. By Beatrice Marshall. William the Silent. By A. M. Miall. Marie Antoinette. By Alice Birkhead, B.A. Boys who Became Famous. By F. J. Snell. Oliver Cromwell. By Estelle Ross. Peter the Great. By Alice Birkhead, B.A. The Girlhood of Famous Women. By F. J. Snell. Garibaldi and his Red-Shirts. By F. J. Snell. Robert Louis Stevenson. By Amy Cruse. Queen Victoria. By E. Gordon Browne, M.A. Anselm. By E. M. Wilmot-Buxton, F.R.Hist.S. Sir Walter Scott. By Amy Cruse. William the Conqueror. By Rene Francis, B.A. Julius Caesar. By Ada Russell, M.A. Buddha. By Edith Holland. William Caxton. By Susan Cunnington. Chaucer. By Amy Cruse. Charles XII. By Alice Birkhead, B.A. Queen Elizabeth. By Beatrice Marshall. Warwick the King-maker. By Rene Francis, B.A. Many other volumes in active preparation Fr, R. L, S. in the South Seas From a photograph toy John Patrick ROBERT LOUIS r STEVENSON AMY CRUSE AUTHOR OF ' ' ENGLISH LITERATURE THROUGH THE AGES 1 ' SIR WALTER SCOTT ' ' CHARLOTTE BRONTE 1 ELIZABETHAN LYRISTS ' ETC. WITH TEN ILLUSTRATIONS LONDON GEORGE G.
    [Show full text]
  • Ward, Christopher J. (2010) It's Hard to Be a Saint in the City: Notions of City in the Rebus Novels of Ian Rankin. Mphil(R) Thesis
    Ward, Christopher J. (2010) It's hard to be a saint in the city: notions of city in the Rebus novels of Ian Rankin. MPhil(R) thesis. http://theses.gla.ac.uk/1865/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] It’s Hard To Be A Saint In The City: Notions of City in the Rebus Novels of Ian Rankin Christopher J Ward Submitted for the degree of M.Phil (R) in January 2010, based upon research conducted in the department of Scottish Literature and Faculty of Arts, University of Glasgow © Christopher J Ward, 2010 Contents Acknowledgements 3 Introduction: The Crime, The Place 4 The juncture of two traditions 5 Influence and intent: the origins of Rebus 9 Combining traditions: Rebus comes of age 11 Noir; Tartan; Tartan Noir 13 Chapter One: Noir - The City in Hard-Boiled Fiction 19 Setting as mode: urban versus rural 20 Re-writing the Western: the emergence of hard-boiled fiction 23 The hard-boiled city as existential wasteland 27 ‘Down these mean streets a man must
    [Show full text]
  • The Theme of the Double in Ian Rankin´S Knots & Crosses and Hide And
    Faculty of Humanities, Social Sciences and Education The theme of the Double in Ian Rankin´s Knots & Crosses and Hide and Seek. — Hilde O. Nordjord Master Thesis in English Literature ENG-3992 May 2016 Abstract. This thesis is about the theme of the Double in Ian Rankin´s two first crime novels Knots & Crosses, published in 1987, and Hide and Seek, published in 1990. My thesis statement is that Ian Rankin has developed the theme of doubling with great weaknesses since he has chosen to place the characters so closely together in both novels. Many different games are played in the novels. That is typical of the genre and for these two specific novels. Antagonists and protagonists play games with each other in order to gain information, to figure each other out in order to have the upper hand or simply to survive. The characters relate to books in different ways, but all of the important characters are in one way or another involved with books. The titles of the novels do not only reflect what the novels contain, but there are also literal and non-literal examples of how the words in the titles are used in both texts. The actions of strangulation and choking are present in the first novel as a murder method and a link between Detective John Rebus and the murderer, Gordon Reeve. In the second novel these actions are merely used as a plot device. The connection between Robert Louis Stevenson´s Dr Jekyll and Mr Hyde is undisputable in both novels. It reiterates the importance of the theme and shows off the likeness between the characters in Rankin´s novels and the Jekyll and Hyde character.
    [Show full text]
  • Robert Louis Stevenson
    Published on Great Writers Inspire (http://writersinspire.org) Home > Robert Louis Stevenson Robert Louis Stevenson Robert Louis Balfour Stevenson (1850-1894) was born in Edinburgh on the 13 November 1850. His father and grandfather were both successful engineers who built many of the lighthouses that dotted the Scottish coast, whilst his mother came from a family of lawyers and church ministers. A sickly boy whose mother was also often unwell, Stevenson spent much of his childhood with the family nurse, Alison Cunningham. She told him many ghost stories and supernatural tales which seem to resonate throughout Stevenson's later fiction, reappearing in several of his short-stories, such as 'The Body Snatchers', 'The Merry Men' [1], and 'Thrawn Janet'. In 1867, Stevenson enrolled at Edinburgh University to study engineering. The choice of subject was influenced by Stevenson's father, who wished his son to continue the prestigious family tradition. Stevenson however had other ambitions, and even at this early stage, expressed a desire to write. He shortly changed courses and began to study law, but soon gave this up to concentrate on writing professionally, much to the displeasure of his father. [2] By alberto (Ana Quiroga) [Public domain], via Wikimedia Commons Stevenson married Fanny Osborne in May 1880. The newly-married couple set off on honeymoon together, accompanied by Fanny's son, Lloyd Osborne, from her previous marriage. The three started their trip in San Francisco, traveling through the Napa Valley to eventually arrive at an abandoned gold mine on Mount St Helena. Stevenson would later write about this experience in his travel memoir The Silverado Squatters (1883).
    [Show full text]
  • TREASURE ISLAND the NOVEL and the MUSICAL 2 STUDY MATERIALS
    Maine State Music Theatre Curtis Memorial Library, Topsham Public Library, and Patten Free Library present A STUDY GUIDE TO TREASURE ISLAND The NOVEL and the MUSICAL 2 STUDY MATERIALS TREASURE ISLAND: THE NOVEL Robert Louis Stevenson Page 3 Treasure Island in Literary History Page 5 Fun Facts About the Novel Page 6 Historical Context of the Novel Page 7 Adaptations of Treasure Island on Film and Stage Page 9 Treasure Island: Themes Page 10 Treasure Island: Synopsis of the Novel Page 11 Treasure Island: Characters in the Novel Page 13 Treasure Island: Glossary Page 15 TREASURE ISLAND A Musical Adventure: THE ROBIN & CLARK MUSICAL Artistic Statement Page 18 The Creators of the Musical Page 19 Treasure Island A Musical Adventure: Themes Page 20 Treasure Island A Musical Adventure: Synopsis & Songs Page 21 Treasure Island A Musical Adventure: Cast of Characters Page 24 Treasure Island A Musical Adventure: World Premiere Page 26 Press Quotes Page 27 QUESTIONS FOR DISCUSSION Page 28 MSMT’s Treasure Island A Musical Adventure Page 29 3 TREASURE ISLAND: THE NOVEL ROBERT LOUIS STEVENSON Robert Louis Balfour Stevenson was born in Edinburgh, Scotland, on November 13, 1850, to Thomas and Margaret Stevenson. Lighthouse design was his father's and his family's profession, so at age seventeen, he enrolled at Edinburgh University to study engineering, with the goal of following in the family business. Lighthouse design never appealed to Stevenson, though, and he began studying law instead. His spirit of adventure truly began to appear at this stage, and during his summer vacations he traveled to France to be around young writers and painters.
    [Show full text]
  • Robert Louis Stevenson, 1850-1894
    Robert Louis Stevenson, 1850-1894 ARCHIVED ONLINE EXHIBIT Originally exhibited summer 1994-spring 1995 Thomas Cooper Library, University of South Carolina Text by Patrick Scott & Roger Mortimer, with assistance from Bruce Bowlin Archived October 13, 2013 TABLE OF CONTENTS Archived Online Exhibit ................................................................................................................................. 1 Introduction .................................................................................................................................................. 2 Early Life in Edinburgh .................................................................................................................................. 3 Travel Writing................................................................................................................................................ 8 The Fiction of Adventure ............................................................................................................................ 10 Stevenson as Poet and Essayist .................................................................................................................. 13 Stevenson and Henley ................................................................................................................................ 17 Sensation and Collaboration ....................................................................................................................... 19 In the South Seas .......................................................................................................................................
    [Show full text]
  • 'I'm Greedy About
    FOLLOW US: 0 Chennai ● Friday ● February 28, 2020 metroplus.thehindu.com facebook.com/thehindumetroplus twitter.com/thmetroplus MP CCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC cCccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCcccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccccCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCCC
    [Show full text]
  • (2015) Robert Louis Stevenson Within Imperial Precincts: a Study of Literary Boundaries and Marginalised Voices
    Higgins, David George (2015) Robert Louis Stevenson within Imperial precincts: a study of literary boundaries and marginalised voices. PhD thesis. http://theses.gla.ac.uk/6414/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Robert Louis Stevenson within Imperial Precincts: A Study of Literary Boundaries and Marginalised Voices David George Higgins In the fulfilment of the degree of Ph.D. Department of Scottish Literature School of Critical Studies University of Glasgow 1st of June, 2015 1 Contents Abstract: Pages 3-4 Introduction: pages 5-9 Chapter One: Reading Stevenson- Beyond the Boundaries of Scottish Perspectives and Critical Receptions of Stevenson and Victorian Literature (Pages 10-32) Chapter Two: R.L. Stevenson and Marginalised Voices: ‘The Pentland Rising’, ‘Thrawn Janet’, ‘Father Damien’ and Weir of Hermiston. (Pages 33-53) Chapter Three: Treasure Island: Lost Voices of a Boyhood Adventurer (Pages 54-79) Chapter Four: The Strange Case of Dr Jekyll and Mr Hyde: Stevenson’s Imperial City Horror. (Pages 80-107) Chapter Five: The Master’s Wanderings: The Master of Ballantrae as novel of Transition.
    [Show full text]
  • Bachelor's Diploma Thesis
    Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky Bakalářská diplomová práce Kateřina Adamcová Kateřina 2013 Kateřina Adamcová 2013 2013 Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Kateřina Adamcová The Strange Case of Mr Ian Rankin and Detective Inspector John Rebus Bachelor‟s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph. D. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature Acknowledgements I would like to thank my supervisor, Stephen Hardy, Ph.D., for his valuable advice and encouragement. I would also like to thank to my family for their loving support throughout my studies. And most of all I would like to thank Mr Ian Rankin for his company as well as for creation of John Rebus. I have enjoyed all his books with great pleasure and enthusiasm. Table of Contents Table of Contents ...................................................................................................................... 5 Introduction ............................................................................................................................... 6 1 „Rankin`s Development of the Literary Genre and the “Birth” of DI John Rebus‟ ...................................................................................................................................... 10 1.1 Scottish Fiction ..........................................................................................................
    [Show full text]
  • The Proto-Filmic Monstrosity of Late Victorian Literary Figures
    Bamberger Studien zu Literatur, 14 Kultur und Medien “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 14 Bamberger Studien zu Literatur, Kultur und Medien Bamberger Studien zu Literatur, Kultur und Medien hg. von Andrea Bartl, Hans-Peter Ecker, Jörn Glasenapp, Iris Hermann, Christoph Houswitschka, Friedhelm Marx Band 14 2015 “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 2015 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Informationen sind im Internet über http://dnb.d-nb.de/ abrufbar. Diese Arbeit hat der Fakultät Geistes- und Kulturwissenschaften der Otto-Friedrich- Universität Bamberg als Dissertation vorgelegen. 1. Gutachter: Prof. Dr. Christoph Houswitschka 2. Gutachter: Prof. Dr. Jörn Glasenapp Tag der mündlichen Prüfung: 28. Januar 2015 Dieses Werk ist als freie Onlineversion über den Hochschulschriften-Server (OPUS; http://www.opus-bayern.de/uni-bamberg/) der Universitätsbibliothek Bamberg erreichbar. Kopien und Ausdrucke dürfen nur zum privaten und sons- tigen eigenen Gebrauch angefertigt werden. Herstellung und Druck: Docupoint, Magdeburg Umschlaggestaltung: University of Bamberg Press, Anna Hitthaler Umschlagbild: Screenshot aus Vampyr (1932) © University of Bamberg Press Bamberg 2015 http://www.uni-bamberg.de/ubp/ ISSN: 2192-7901 ISBN: 978-3-86309-348-8 (Druckausgabe) eISBN: 978-3-86309-349-5 (Online-Ausgabe) URN: urn:nbn:de:bvb:473-opus4-267683 Danksagung Mein besonderer Dank gilt meinem Bruder Christian für seinen fachkundigen Rat und die tatkräftige Unterstützung in allen Phasen dieser Arbeit. Ich danke meinem Doktorvater Prof. Dr. Christoph Houswitschka für viele wichtige Denkanstöße und Freiräume.
    [Show full text]