Barefacts1110
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ART. MUSIC,Erc. Tamer Vea
Cover: Meryl 5treep by Ted Qu inlan _,,,.., -- ............ ~ ........... BPM Must Stand for ·FEA T'URES Big Pathetic Mess: Monotonous, Tedious, Disgustulous Jesse Myserson and Noah Weston .... SMOG Re-Opens Page 23 Grace Owyer ... Pa ge 4 -- The Observer - Cooper and Dhavemas Save "Breach" Conference Honors 50th from Melodrama February 2007 Joey Lee ... Page 24 Volume 1. Issue. 1 Anniversary of Hungarian Revolu tion Rachel Meade .. Page 6 Media Concerns Tackled at Conference ......_..ART. MUSIC,Erc. Tamer Vea ... Page 8 Music Reviews Untitled Landscapes #1-4 Andrew Worthington and Ted Quinlan A Photo Essay .. Page 26 Mekko Harjo ... Page 10 Sexy Singles Your Club Shouldn't Get Money Fiona Cook .. Page 28 No, Really, It Shouldn't Noah Weston .. Page 12 Sex Column Genevieve Lynch ... Page 29 Report on New Orleans Stephen Tremaine ... Page 14 COMIC.. .Page 30 Letters to the Editor... Page 1 6 Art of Glass BACK PAGE / Jason Mastbaum ... Page 17 Fox News Ticker Scrolf'Ouring Life Imitates Geeky Science Fiction And Video Of Anna Nicole Smith in Clown What This Means for the Future Makeup Michael Newton ... Page 31 Or. Mischa Nachtigal ... Page 20 .- ~ er nearly six months of delays peering through the windows of the new side and growing skepticism as to door. Confusion as to what to make of the new the likelihood of renovation ever pavilion ensued as several times throughout the eaching completion. SMOG re night the door was raised to create a larger space pened this past Saturday to but then lowered again as the crowd inside mixedA student reactions. complained of the cold. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Novell Corporate Presentation Template 2007
Too Many Metas A high level look at building a metadata desktop ●Joe Shaw ●[email protected] Overview • About me – Dashboard – Beagle desktop search • “Metadata solution” -- what's the problem? • A few statements (facts?) about metadata • The existing technologies related to metadata • The problem of applications siloing their data 2 © Novell Inc. All rights reserved No dissolving of solids in liquids here • Solutions in search of problems • Letting technologies dictate our behavior instead of use cases and user benefit • Good examples of user benefit: Neil J. Patel's Nautilus metadata panels; Leaftag's tagging widgets; Deskbar's searching of tags 3 © Novell Inc. All rights reserved Nautilus metadata view 4 © Novell Inc. All rights reserved Beagle search tool 5 © Novell Inc. All rights reserved Leaftag and Deskbar From http://raphael.slinckx.net/blog/2006-03-06/deskbar-and-leaftag-last-exit 6 © Novell Inc. All rights reserved Nautilus today 7 © Novell Inc. All rights reserved 1. “Metadata” is a generic term that covers a vast spectrum of information. 8 © Novell Inc. All rights reserved Much meta makes me mad · File size · Tags · MIME type · Bitrate · Custom icons · Page number · Shutter speed · License · Genre · URLs · Subject · Extended attributes · Start time · Layout information · Provides · Phone number · File name · Location · Language · Links to other documents 9 © Novell Inc. All rights reserved 2. Metadata is decentralized and can be categorized many different ways. 10 © Novell Inc. All rights reserved The Life and Times of an MP3 · Example: No Cars Go.mp3 > File size: 8250875 > MIME type: audio/mpeg > Artist: Arcade Fire > Album: Neon Bible > Title: No Cars Go > Track Number: 10 > Duration: 5 minutes, 43 seconds > Year: 2007 > Bitrate: 192 > Tags: Favorite > Download URL: http://joeshaw.org/banshee-web/No%20Cars%20Go.mp3 11 © Novell Inc. -
The Neon Bible Free
FREE THE NEON BIBLE PDF John Kennedy Toole | 176 pages | 24 Nov 2000 | Grove Press / Atlantic Monthly Press | 9780802132079 | English | New York, United States The Neon Bible () - Rotten Tomatoes Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. The Neon Bible tells the story of David, a young boy growing up in a small Southern town in the s. David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we pa The Neon Bible tells the story of David, a young boy growing The Neon Bible in a small Southern town in the s. Through it we The Neon Bible his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole. John Kennedy Toole, The Neon Bible won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunceswrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. -
CIBL Hors D'elle-Même
Mai 2007, volume 2, numéro 4 CIBL Radio-Montréal lauréate de la CIBL hors « Station de radio communautaire de l’année », d’elle-même aux Rencontres de l’ADISQ CIBL Radio-Montréal continue d’être CIBL Radio-Montréal 101,5 FM a belle récompense remise par l’in- Radio-Montréal désire devenir la présent sur la scène montréalaise. En remporté le 19 avril dernier, les dustrie de la musique. CIBL Radio- référence en information montréa- honneurs dans la catégorie « Montréal a à coeur, depuis plus de laise et citoyenne, tant politique, se déplaçant en différents lieux de la Station de radio communautaire de 26 ans, la diversité musicale et se culturelle que sociale, en harmonie métropole, la station contribue à faire l’année – marchés central et régio- fait un devoir de refléter cette avec la riche diversité multicultu- diversité tout en offrant aux entendre nombre de manifestations, nal » aux Rencontres québécoises relle de la métropole. d’artistes ou d’enjeux importants dans de l’industrie de la musique 2007 de artistes de la scène émergente une l’ADISQ. « Ce n’est que le début, porte d’entrée vers une carrière CIBL souhaite remercier ses parte- le quotidien de citoyens de l’île. Venez clandestinement la station est déjà prometteuse. naires, bénévoles, membres et nous rencontrer et participer à cet en feu », souligne Éric Lefebvre, « CIBL se veut une station de radio auditeurs qui font de la station un effort puisque plus on est de fous… directeur général de CIBL Radio- implantée dans son milieu et sa carrefour d’idées et un espace de débats citoyens important au plus on diffuse. -
Manifestations of Interactivity in Music and Their Commercial Potential in the Music Industry’S Contemporary Political Economy
Manifestations of interactivity in music and their commercial potential in the music industry’s contemporary political economy by George Morahan A research paper submitted to the University of Dublin, in partial fulfillment of the requirements for the degree of Master of Science Interactive Digital Media 2015 Declaration I declare that the work in this research paper is, except where otherwise stated, entirely my own work and has not been submitted as an exercise for a degree at this or any other university. signed: ________________________________ George Morahan date: 15th May 2015 1 Permission to lend and/or copy I agree that Trinity College Dublin may lend or copy this research paper upon request. signed: ________________________________ George Morahan 2 Acknowledgements I would like to thank my supervisor, Marguerite Barry, for her encouragement and firm guidance. I would also like to thanks the rest of the IDM 2014-15 class for the mania we have shared as well as my family for their understanding and support in the face of utter neglect these past eight months. For Lorraine and Stevie. 3 Table of contents 1. Introduction 6 1.1. Definitions of interactivity 6 1.2. Concept definition of interactive music video 7 1.3. Interactive music software within the purview of this research paper 8 1.4. Research objectives 9 2. The literature on the political economy of the music industry 10 2.1. Record industry as music industry 10 2.2. Music networks and diversification into auxiliary industries 13 2.3. Imagining the future music industry 16 2.4. Artist vs. Industry attitudes 17 2.5. -
When Did You Last See Your Father?
WHEN DID YOU LAST SEE YOUR FATHER? Directed by Anand Tucker Starring Colin Firth Jim Broadbent Juliet Stevenson Official Selection 2007 Toronto International Film Festival East Coast Publicity West Coast Publicity Distributor IHOP Block Korenbrot Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax Visit the website at: www.whendidyoulastseeyourfathermovie.com Short Synopsis When Did You Last See Your Father? is an unflinching exploration of a father/son relationship, as Blake Morrison deals with his father Arthur’s terminal illness and imminent death. Blake’s memories of everything funny, embarrassing and upsetting about his childhood and teens are interspersed with tender and heart- rending scenes in the present, as he struggles to come to terms with his father, and their history of conflict, and learns to accept that one’s parents are not always accountable to their children. Directed by Anand Tucker (Hilary and Jackie), from a screenplay by David Nicholls, adapted from Blake Morrison’s novel of the same name, the film stars Colin Firth, Jim Broadbent, Juliet Stevenson, Gina McKee, Claire Skinner, and Matthew Beard. Long Synopsis Arthur Morrison (Jim Broadbent), and his wife Kim (Juliet Stevenson), are doctors in the same medical practice in the heart of the Yorkshire Dales, England. They have two children, Gillian (Claire Skinner), and her older brother Blake (Colin Firth)Blake is a forty - year-old established author, married with two children and confronted with the fact that his father is terminally ill. -
In the Quirky (To Put It Kindly) Universe of High-End Audio, the Epithet “Lifestyle Product” Is a Bit of a Put-Down — Even
In the quirky (to put it kindly) universe of high-end audio, the epithet “Lifestyle Product” is a bit of a put-down — even for an amplifier as imposing as the Pass Labs INT-250. According to the high-end stereotype, a “lifestyle” product is one that combines luxurious, living-room friendly aesthetics and operational simplicity and convenience, but with suspect sound quality. A “lifestyle product” doesn’t sully your living room with graceless industrial design, nor does it necessitate situating a tangled-linguine pile of ugly cables in plain view of your dinner guests. It incorporates multiple functions in a single unit and provides a simple remote control to operate them all. It doesn’t require endless tweaking and fiddling to sound good. In all these ways (if you must) it passes the fabled Spousal Acceptance Factor test. That said, the orthodoxy that holds that good looking, easy to use audio equipment is sonically inferior is a merely a prejudice waiting to be challenged. Who says that handsome, décor-friendly gear has to sound mediocre? In the realm of combining gorgeous looks and high-end sonics, consider the iconic, wood and leather-clad monitors of Italy’s Sonus Faber, the smooth, gleaming colors and rounded shapes of loudspeakers from France’s Focal, or the glittering, steampunk bling offered by Dan D’Agonstino’s Momentum Lifestyle (!!) Integrated amp and wireless streamer. As for “lifestyle product” convenience, standing at the pinnacle of make-it-uncomplicated- so-I don’t-have-to-think-about-it design, Apple’s surprisingly good-sounding (and almost magically usable) AirPods earbuds come to mind, as does my Peachtree Deep Blue 2 Bluetooth speaker (recently updated to the Deep Blue 3), a room-filling party-in-a-box with surprisingly fine sonics. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Pitchfork Media's Textual and Cultural Impact
CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE A Thesis Presented to the Faculty of the Graduate School at the University of Missouri- Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by EMILY BRASHER Dr. Stephanie Craft, Thesis Supervisor DECEMBER 2013 The undersigned, appointed by the Dean of the Graduate School, have examined the thesis entitled CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Presented by Emily Brasher A candidate for the degree of Master of Arts And hereby certify that in their opinion it is worthy of acceptance. Professor Stephanie Craft Professor Mary Kay Blakely Professor Andrew Hoberek Professor Lynda Kraxberger To my family, for always believing in me. ACKNOWLEDGEMENTS I would like to thank Dr. Stephanie Craft for all of her support and patience though this process. The road was long—there were a few address changes and even a name change along the way—but Dr. Craft spurred me on until the journey reached a happy end. My deepest thanks also to Dr. Mary Kay Blakely, Dr. Andrew Hoberek, and Dr. Lynda Kraxberger, for bearing with me through it all. Thanks to Dr. Betty Winfield for getting me started, and to Ginny Cowell and Martha Pickens for their invaluable advice and help. ii CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Emily Brasher Dr. Stephanie Craft, Thesis Supervisor ABSTRACT The main purpose of this research is to demonstrate how cultures and subcultures can be created and disseminated through media, and how newer forms of media such as websites can have a tangible effect on the content of older forms of media such as print magazines. -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances.