21Th INTERNATIONAL PIANO COMPETITION “ROME 2011”
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Sonora Newsc2orretto
Anno III – N. 7 Settembre – Dicembre 2002 September – December 2002 NEWSNEWS Organo di informazione quadrimestrale edito da: Federazione Cemat (ente di promozione della musica contemporanea) Redazione: Via Orazio, 31 - 00193 ROMA tel. 0039. 06.68809222 fax 0039. 06.68809340 e-mail: [email protected]. Sito web: www.cematitalia.it Sonora nei grandi appuntamenti Sonora on the International New internazionali della nuova musica Music Scene n questi ultimi mesi Sonora ha zione della nuova musica italiana ecently, Sonora has organised the moment of the execution with the realizzato una serie di progetti all’estero vi è stato nei mesi scorsi a series of events abroad. In transmission of thought and explana- Imolto significativi in campo inter- l’ingresso di Cemat-Sonora nella particular, its collaboration tory knowledge. The achievement of nazionale. In particolare la presenza ECPNM, la conferenza che riunisce gli R with some of the leading promoters of this objective we are consolidating by con iniziative di ampio respiro in alcuni organizzatori e i promotori della nuova new music in Europe, like “Inventio- the development of future projects has tra i Festival europei più significativi musica in campo internazionale. been reinforced by a series of remar- per la nuova musica – “Inventionen” di Questo significativo riconoscimento nen” in Berlin, “Time of Music” in Berlino, “Time of Music” di Vitasaari da parte della comunità internazionale Vitasaari (Finland), the “Contempo- kable critic and audience success in in Finlandia, il “Contemporary Music è un ulteriore passo in avanti per ren- rary Music Festival” in Huddersfield all the international projects of Sono- Festival” di Huddersfield in Inghilter- dere possibile un livello di progettua- (UK), “Musica Nova” in Helsinki, ra. -
Romanies in Italy: from National ‘Emergency’ to National ‘Strategy’ in Rome’S Campi Nomadi
Romanies in Italy: From National ‘Emergency’ to National ‘Strategy’ in Rome’s Campi Nomadi Riccardo Armillei Thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Swinburne Institute for Social Research Faculty of Health, Arts and Design Swinburne University of Technology 2015 Abstract This dissertation deals with the social exclusion of Romanies in Italy. Based on interviews with Romani individuals, institutional and Civil Society Organisations’ (CSOs) representatives, participant observation and a broad range of secondary sources, the thesis focuses on the condition of those living in ‘ campi nomadi’ (nomad camps) and on the recent implementation of a state of emergency, the so-called ‘ Emergenza Nomadi’ (Nomad Emergency). The enactment of this extraordinary measure concealed the existence of a long-established institutional tradition of racism and control directed at Romanies. It was not the result of a sudden, unexpected situation which required an immediate action, as the declaration of an ‘emergency’ might imply, but rather of a precise government strategy. The extreme poverty of the ‘Romanies of the camps’ should be understood as the result of a protracted institutional immobility and political vacuum, which has basically created the ‘emergency’ and the premises for the implementation of a ‘state of exception’. Specifically, the present study focuses on the city of Rome, where the author conducted fieldwork in 2011 and 2012, and provides an investigation of the interactions between Romanies, local institutions and Third Sector organisations. It finds that national and local institutions and their sub-contracted agents have failed to promote the social inclusion of this minority group. -
Tosti 1916 Gli Ultimi Capolavori Di Francesco Paolo Tosti Il Duo Alterno Tiziana Scandaletti, Soprano - Riccardo Piacentini, Pianoforte E Foto-Suoni
REGIONE AUTÒNOMA DE SARDIGNA Comune di Alghero REGIONE AUTONOMA DELLA SARDEGNA ALGHERO CHIOSTRO DI SAN FRANCESCO VENERDÌ 14 LUGLIO 2017 - ORE 21,30 Tosti 1916 Gli ultimi capolavori di Francesco Paolo Tosti Il Duo Alterno Tiziana Scandaletti, soprano - Riccardo Piacentini, pianoforte e foto-suoni Programma Francesco Paolo Tosti La sera (1916) - Introduzione - Rimanete, vi prego, rimanete qui - Ci ferirebbe forse, come un dardo la luce - Ma chi vide più larghi profondi occhi - E quale cosa eguaglia nella vita del mio respiro - Piangi, tu che hai nei grandi occhi la mia anima (testi di Gabriele D’Annunzio) For ever and for ever! (1879) Giacomo Puccini Adagio (1880) Piccolo valzer (1894) Francesco Paolo Tosti Due piccoli notturni (1911) - Van li effluvi de le rose - O falce di luna calante (testi di Gabriele D’Annunzio) Riccardo Piacentini Venexiàn (2007) (su una melodia popolare veneziana del XVIII secolo) Francesco Paolo Tosti Consolazione (1916) - Non pianger più - Ancora qualche rosa è ne’ rosai... - Tanto accadrà, ben che non sia d’aprile... - Perché ti neghi con lo sguardo stanco? - Sogna, sogna, mia cara anima! - Settembre (di’: l’anima tua m’ascolta?...) - Quanto ha dormito, il cembalo!... - Mentre che fra le tende scolorate... (testi di Gabriele D’Annunzio) REGIONE AUTÒNOMA DE SARDIGNA Comune di Alghero REGIONE AUTONOMA DELLA SARDEGNA Il DUO ALTERNO è considerato uno dei punti di riferimento nel repertorio vocale-pianistico del Novecento e contemporaneo. Con le sue esecuzioni di oltre 70 compositori italiani viventi, dal suo debutto a Vancouver nel 1997 a oggi ha portato la musica contemporanea italiana in 50 Paesi di 5 continenti. -
Thesis Submission
Rebuilding a Culture: Studies in Italian Music after Fascism, 1943-1953 Peter Roderick PhD Music Department of Music, University of York March 2010 Abstract The devastation enacted on the Italian nation by Mussolini’s ventennio and the Second World War had cultural as well as political effects. Combined with the fading careers of the leading generazione dell’ottanta composers (Alfredo Casella, Gian Francesco Malipiero and Ildebrando Pizzetti), it led to a historical moment of perceived crisis and artistic vulnerability within Italian contemporary music. Yet by 1953, dodecaphony had swept the artistic establishment, musical theatre was beginning a renaissance, Italian composers featured prominently at the Darmstadt Ferienkurse , Milan was a pioneering frontier for electronic composition, and contemporary music journals and concerts had become major cultural loci. What happened to effect these monumental stylistic and historical transitions? In addressing this question, this thesis provides a series of studies on music and the politics of musical culture in this ten-year period. It charts Italy’s musical journey from the cultural destruction of the post-war period to its role in the early fifties within the meteoric international rise of the avant-garde artist as institutionally and governmentally-endorsed superman. Integrating stylistic and aesthetic analysis within a historicist framework, its chapters deal with topics such as the collective memory of fascism, internationalism, anti- fascist reaction, the appropriation of serialist aesthetics, the nature of Italian modernism in the ‘aftermath’, the Italian realist/formalist debates, the contradictory politics of musical ‘commitment’, and the growth of a ‘new-music’ culture. In demonstrating how the conflict of the Second World War and its diverse aftermath precipitated a pluralistic and increasingly avant-garde musical society in Italy, this study offers new insights into the transition between pre- and post-war modernist aesthetics and brings musicological focus onto an important but little-studied era. -
Foto-Musica Con Foto-Suoni”© E Lavori Con Elettronica
Catalogo composizioni • Riccardo Piacentini 1 Gruppo A • “Foto-musica con foto-suoni”© e lavori con elettronica Tacerò lagnandomi (2018) per voce narrante, pianoforte multitasking e foto-suoni. Testi e drammaturgia di Sandro Cappelletto 9' Commissione di Musiche in Mostra. Principali esecuzioni: Torino 2018 (Musiche in Mostra, Borgo Medievale). Interpreti: Sandro Cappelletto e Riccardo Piacentini. Foto-songs su autoritratti non figurativi (2018) per foto-suoni 27' Commissione del Museo Giuseppe Scalvini di Desio – Monza. Sonorizzazione della mostra pittorica di Silvana Castellucchio al Museo Giuseppe Scalvini di Desio – Monza (inaugurazione il 24 marzo 2018). Principali esecuzioni: Desio – Monza 2018 (Villa Tittoni). Interpreti: Tiziana Scandaletti, Leonardo e Riccardo Piacentini. Hay choclos! (2018) A new bio-piece on tango father's “El choclo” for soprano, 3 voice ensemble and 11 amplified players, with Argentine and Uruguayan “foto-suoni” ad libitum (versione con foto-suoni) 11' Proprietà dell'autore. Commissione di MegaTON Production Belgrado. Principali esecuzioni: Belgrado 2018. Interpreti: Tiziana Scandaletti, ensemble diretto da Marcello Rota. Mix Gianduja (1991-2017) per supporto audio-digitale con foto-suoni 49' Commissione del Museo Gianduja di Grugliasco. Sonorizzazione del Museo Gianduja di Grugliasco dal 22 ottobre al 21 novembre 2017. Principali esecuzioni: Grugliasco – Torino 2017 (Musiche in Mostra). Interpreti: Massimiliano Genot, Alberto Jona, Laura Oreni, Rocco Parisi, Tiziana Scandaletti. Danilo Girardi, primo mix delle registrazioni. Foto-songs dagli scioglilingua del mondo (2017) per foto-suoni Durata: ca. 3' l'uno. Proprietà dell'autore. Estratto dalla sonorizzazione della mostra pittorica “Kliki-haki” di Milan Rašla tenutasi all'Accademia Albertina di Torino tra il 30 ottobre e il 13 ottobre 2016. -
Final Programme
Final Programme Follow us OFFICIAL CORPORATE SUPPORTER @IBAevents #IBARome Expert and professional advice since 1975 The law firm Studio Legale Tributario Fantozzi & Associati was established in 1975 by Augusto Fantozzi, a lawyer and full professor of tax law at the ‘’La Sapienza’’ and ‘’LUISS’’ Universities in Rome. Professor Fantozzi was the Italian Minister for Finance and the Minister of Foreign Trade between 1995 and 1998, and he is a member of the Board of Directors and the Board of Statutory Auditors of several leading Italian companies and multinational corporations. The Firm has offices in Rome, Milan and Bologna. With 8 Senior Partners, all lawyers or chartered accountants, and more than 30 legal professionals, the Firm is highly specialised in tax law, and as such provides clients with advice on Italian and international fiscal law, and assists them in tax litigation. Thanks to the years of experience of its partners and legal professionals, the Firm can offer clients full support in resolving tax and corporate issues, both nationally and internationally. Over the years the Firm has dealt with the fiscal aspects of numerous important corporate and financial operations carried out by public and private companies, banks, finance companies and insurance undertakings, and has become their go-to adviser on ordinary and extraordinary tax matters. ROMA | MILANO | BOLOGNA www.fantozzieassociati.com Follow us CONTENTS Contents @IBAevents #IBARome Introduction by the President of the IBA 5 IBA Management Board and IBA Staff 6 Opening -
Programma Integra and Rome Reception System
Programma integra and Rome reception system Valentina Fabbri Programma integra STUDY VISIT ABOUT US Programma integra is an integrated social cooperative founded in 2005 and dealing with innovative projects for social inclusion of migrants and refugees. Its activities cover the design and implementation of social inclusion paths and the Community development. Between 2005 and 2016 Programma integra has assisted 4,946 beneficiaries (migrants, refugees and asylum seekers, migrant/unaccompanied minors). The center for migration, asylum and social integration The Civic Center for Migration, asylum and social integration of Roma Capitale is a multifunctional space dedicated to the themes of migration, international protection, social inclusion and acceptance. It was established in 2005 by the Department of Social Policy with the aim of uniting the inside activities and services for citizens in social marginality conditions to facilitate the integration processes in the territory. The center: The Immigration Office of Roma Capitale in charge of coordinating the reception of immigrants, asylum seekers and refugees, and provides assistance Italians who decide to return home from abroad. The reception center for homeless' M. Teresa of Calcutta '. The center is part of the reception circuit in emergency adult homeless capital of Rome and accommodates 80 people. Services for immigrants and refugees - legal, job orientation, counseling, social mediation in the field of housing - made by Programma integra. 1 conference room, 1 meeting room, 1 exhibition space managed by the PI for the organization of training courses, conferences and initiatives on social issues and available for the territory. Management of the information website programmaintegra.it SERVICES TO MIGRANTS AND REFUGEES Social and legal counseling: it provides information and support in relation to legislation and administrative procedures on asylum and immigration; locally available orientation services and access to social benefits. -
The Second Edition of the MITO Settembremusica Music Festival Promises to Be Even Stronger and More Broad-Based Than the Boldly Pioneering First Edition
The second edition of the MITO SettembreMusica music festival promises to be even stronger and more broad-based than the boldly pioneering first edition. That edition came to be thanks to streamlined decision-making and was lauded as a success. For anyone who failed to realize the festival’s extraordinary potential, MITO SettembreMusica 2007 turned out to be the unarmed prophet of the grand season marked by the 150th anniversary of the Unification of Italy and Expo 2015. Eschewing timidity and limitation, this called for thinking big, which inevitably led to planning beyond mere municipal confines. Thus, MITO SettembreMusica comprises in a single dream, in a single sound, the cities of Torino and Milano, and infects smaller outlying cities, such as Alessandria, Bergamo, Bollate, Bose di Magnano, Cremona, Lecco, Moncalieri, Monza, Morbegno, Novi Ligure, Pavia, Rivoli, Susa, Venaria. Indeed, the first edition of MITO SettembreMusica exceeded everyone’s expectations, also in terms of the balance and blending of the two main host cities’ capacities. Beyond the exploitation of local characteristics, combining the energy of cities leads to unpredictable outcomes. The experience of MITO SettembreMusica has given shape to projects, ideas and aims that had been circulating for years, and which had gone unfulfilled. Today we can speak freely of new and lasting bonds created between service companies, banks, symmetric cooperation among the events of 2011 and 2015, as well as other opportunities that are useful for our two communities, now enhanced by the upcoming activation of high-speed connections. But before MITO SettembreMusica became a stellar reality traveling at even higher speed, in the breath of its very first edition, attitudes and points of view were not so natural. -
Opuscolo Roma in Breve.Pdf
A cura della Commissione Capitolina delle Pari Opportunità Roma in breve Formazione - Lavoro - Salute - Tempo libero Guida ai servizi di Roma Capitale www.comune.roma.it A cura della Commissione Capitolina delle Pari Opportunità INDICE Introduzione 3 Servizi di Roma Capitale. Iniziamo dal sito 4 Iscrizione anagrafica 5 o Gli uffici anagrafici nei Municipi 5 Punti Roma Facile 6 o Sedi Punti Roma Facile 6 Centri di Formazione Professionale - CFP 9 Scuole d’Arte e Mestieri 10 Centri per l’Istruzione e la formazione degli Adulti 11 Rete dei Centri di Orientamento al Lavoro 12 o Sedi C.O.L. 12 La tua salute è importante 13 Farmacie Comunali 14 o Elenco delle farmacie comunali 14 o Elenco dei presidi sociali e punti RECUP Lazio 15 Persone fragili e con disabilità 16 Salute al femminile 16 o Consultori a Roma 17 Violenza e maltrattamenti 18 o Lo sai che la legge italiana è dalla tua parte? 18 Se sei vittima di abusi chiedi aiuto! Come? 19 o Centri Anti Violenza – CAV 19 Sistema Bibliotecario 22 Sistema Museale 25 Impianti Sportivi Comunali 26 Centri Sportivi Municipali 26 Luoghi di culto a Roma 27 Consulte 28 Numeri utili 29 Siti utili 29 Elenco uffici postali nel Comune di Roma 30 2 A cura della Commissione Capitolina delle Pari Opportunità Introduzione L’opuscolo “Roma in breve. Formazione, Lavoro, Salute e Tempo libero - Guida ai Servizi di Roma Capitale” vuole essere un vademecum per i cittadini che hanno bisogno di informazioni su quanto l’Amministrazione Capitolina mette a disposizione per le necessità degli stessi, su alcuni servizî essenziali presenti sul territorio e su quanto può essere utile nella quotidianità, fornendo per questo anche una guida alla navigazione sul sito di Roma Capitale. -
Foto-Musica” for Berkeley and Stanford (Lectures on January 2007)
“Foto-musica” for Berkeley and Stanford (lectures on January 2007) by Riccardo Piacentini 1. I want to start – telling you about my “foto-musica con foto- suoni”® and also the voice of Tiziana – with two pieces of Luciano Berio and Cathy Berberian. I am sure I do not have to spend many words on these two leading actors of the Italian voice in last sixty years. Just I would like to remember that in Sixties and Seven- ties they were very active together, for some year also as wife and husband. Nevertheless the principal reason of this choice stays in the pieces we will go to perform: Quattro canzoni popolari by Berio and Stripsody by Berberian. Three of the Four popular songs were written in 1947, when Berio was twenty-two; the fourth one, that is number three in the series, was added just for the publication in 1975. What is the matter? These songs are, after the Four songs on ancient Neapolitan texts composed in 1925 by Berio’s teacher Giorgio Federico Ghedini, the first example in Italy of a creative elaboration of “similar-popular melodies”. In other terms this melodies are not originally popular, but expressly written by the composer. This means that the voice has: 1) to pronounce on dialectal languages (in this case from Sicily and Liguria), 2) to confront traditional belcanto with popular attitudes in singing, 3) to act according to a not opera standard. For these three reasons, popular attitudes translated in cultured music produced one of the most interesting change in the Italian classical vocal tradition and opening ears and minds in several composers. -
Festival Overview
MA/IN 2017 matera intermedia festival >> SUPPORT \\ _CONTENTS_ 5_ ma/in festival introduction 6_ The organizing committee 7_ Technical supervisors 8_ Selection panel 19_ MA/IN~spaziomusica commission 2017 20_ MA/IN venues 24_ festival overview 25_ awards 26_ LISTENING | visual room With the generous support of / col generoso supporto di 35_ Sound installation 36_ live concerts 56_ shots 60_ performer BIOGRAPHIES Under the patronage of / col patrocinio di 68_ COMPOSER BIOGRAPHIES 2 3 MA/IN 2017 matera intermedia festival /// INTRODUCTION ||| The LOXOSconcept and KEYHOLE organizations, with the generous support of the “CARICAL” Foundation, Casa Cava Auditorium, the “E.Duni” Conservatory in Matera, the “Fondazione Sassi”, the “Spaziomusica” oganization of Cagliari and the patronage of “Matera 2019 Foundation” promotes the second edition of MA/IN [MAtera INtermedia festival]. The MA/IN festival is aimed at the production and promotion of sonic and digital arts at an international level. Its focus is to become an annual meeting point between artists and composers, within a unique and lovely background of the city of Matera. Every year A/V performances, live electronics, electroacoustic music events, sound installations, workshops and masterclasses will be organized in several evocative venues like the ancient hypogea of Casa Cava. Within the MA/IN, an annual call for artists will be announced. It involves an international jury panel consisting of famous international composers and artists in the feld of electronic arts. The festival is composed by four diferent categories : [A] Acousmatic ~ [B] Mixed Media ~ [C] AudioVisual ~ [D] LivePerformance/SoundArt ~ With the support of SPAZIOMUSICA organization of Cagliari (Sardinia, Italy) the MA/IN has issued a special call. -
Foto-Musica Con Foto-Suoni”
An introduction to “foto-musica con foto-suoni” Index p. 2 Character p. 5 Music of the sunrise (1st CD) p. 8 Air conditioning (2nd CD) p. 12 Missed trains (3rd CD) p. 16 Mine my mine (4th CD) p. 20 Music for Venaria Reale Palace (5th CD) 2 iccardo Piacentini, Museum spaces and “foto-suoni” R The following pages sketch out a deliberately schematic map of the five creations of “foto-musica con foto-suoni”® [music-photos with sound-photos] for soundtracks for museums which I produced with Tiziana Scandaletti between 1999 and 2004, and in four out of five cases also with Sandro Cappelletto, on commissions from three institutes: The Italian Photography Foundation (twice), The Province of Turin (twice) and the Piedmont Region (once). Each production of “foto-musica con foto-suoni”® referred to in the map corresponds to a CD, that was requested and adopted as a museum soundtrack. From the first part of the Musiche dell’aurora we have drawn a sixth CD, attached to the score of Shahar and published by Edizioni Curci of Milan in 1999; likewise from the Arie condizionate, again with Tiziana, we have drawn one of the sections of another CD, the seventh, published on the Stradivarius label with the title La voce contemporanea in Italia – vol. I (2005). In all the 5 + 2 cases we have highlighted: a) the applicative character requested by the client and by the target of the particular exhibition or individual museum and b) the relationship between space and sound – the latter understood in its many and varied aspects, including that of the “foto-suono” (a sound photograph of an environmental context which, originally at least, does not necessarily pertain to the universe of music) and projected in the direction of music rather than of cinematographic special effects –, from which there follow c) a number of questions, or pre-positions in interrogative form.