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EXTENSIONS of REMARKS, Vol
October 19, 2012 EXTENSIONS OF REMARKS, Vol. 158, Pt. 11 15025 EXTENSIONS OF REMARKS HONORING MR. WILLIE ‘‘SONNY and cotton picking in Tallahatchie County and the owners. In 1955, he began recording for BOY’’ WILLIAMSON started becoming a familiar voice and blues Chess Records in Chicago, Illinois after Trum- artist on the local circuits. He played on the pet Records went bankrupt. His years at HON. BENNIE G. THOMPSON street corners, at church socials, fish fry’s, and Chess Records were his most successful in OF MISSISSIPPI anywhere he could attract a crowd, sometimes his career as a blues artist. In fact, he re- IN THE HOUSE OF REPRESENTATIVES getting paid. Sonny Boy made friends with corded about 70 songs from 1955 to 1964 for other blues artists like Big Joe Williams, Checker Records, a subsidiary of Chess Friday, October 19, 2012 Elmore James, Joe Willie ‘‘Pinetop’’ Perkins, Records. In 1959 he finally got the opportunity Mr. THOMPSON of Mississippi. Mr. Speak- Robert Lockwood, Jr., and Robert Johnson. to record a compilation of stories about the er, I rise today to honor a blues musician and He was always looking for ways to entertain blues with his first LP record titled Down and legend of the Mississippi Delta, Mr. Willie besides just singing, so he started doing what Out Blues. It featured such hits as Dissatis- ‘‘Sonny Boy’’ Williamson. some might call impossible until they saw him fied, Your Funeral and My Trial, Don’t Start Mr. Speaker, the ‘‘Blues’’ is not just a song, do it—he would put his entire harmonica in his Me to Talkin, and All My Love in Vain. -
Jimmy D. Lane
Jimmy D. Lane Biography "Son of the Blues" At the age of 47, Jimmy D. Lane has already led quite a full life. The musicians he knows makes for an impressive resume. He has worked with Eric Clapton, Mick Jagger, Jim Keltner, Keith Richards, B.B. King, Van Morrison, Jonny Lang, Gary Moore, Double Trouble, Taj Mahal, Stephen Stilles, Jeff Healy, Jimmie Lee Robinson, Lowell Fulson, and Snooky Pryor, Kim Wilson, Pinetop Perkins, Johnny ‘Big Moose’ Walker, Johnnie Johnson, Kim Wilson, Robert Plant, Jimmy Page, Harry Hypolite, George ‘Wild Child’ Butler, David ‘HoneyBoy’ Edwards, Weepin’ Willie Robinson, Little Hatch, Nancy Bryan, Willie Kent, Henry Gray, Lazy Lester and Eomot RaSun. He has also worked with venerable blues greats such as Sam Lay, Hubert Sumlin, Carey Bell, Dave Meyers and his father, the legendary Jimmy Rogers. Born July 4th, 1965 in Chicago, he grew up in a household where he became acquainted with a veritable who's who of Chicago bluesmen. Muddy Waters, Howlin' Wolf, Willie Mabon, Little Walter and Albert King, to name a few, would all stop by the house to visit the "old man." Coming from this environment has instilled in Lane the deepest respect for elder statesmen of the blues. "I feel blessed and fortunate, to have known all those cats, and I do not take it for granted." At the age of eight, he began playing his dad's guitar, which he wasn't supposed to do. "I would break a string and put it back in the case like he wasn't going to discover it," Lane recalls. -
John Lee Hooker: King of the Boogie Opens March 29 at the Grammy Museum® L.A
JOHN LEE HOOKER: KING OF THE BOOGIE OPENS MARCH 29 AT THE GRAMMY MUSEUM® L.A. LIVE CONTINUING THE 100TH ANNIVERSARY OF THE BIRTH OF LEGENDARY GRAMMY®-WINNING BLUESMAN JOHN LEE HOOKER, TRAVELING EXHIBIT WILL FEATURE RARE RECORDINGS AND UNIQUE ITEMS FROM THE HOOKER ESTATE; HOOKER'S DAUGHTERS, DIANE HOOKER-ROAN AND ZAKIYA HOOKER, TO APPEAR AT MUSEUM FOR SPECIAL OPENING NIGHT PROGRAM LOS ANGELES, CALIF. (MARCH 6, 2018) —To continue commemorating what would have been legendary GRAMMY®-winning blues artist John Lee Hooker’s 100th birthday, the GRAMMY Museum® will open John Lee Hooker: King Of The Boogie in the Special Exhibits Gallery on the second floor on Thursday, March 29, 2018. On the night of the opening, Diane Hooker-Roan and Zakiya Hooker, daughters of the late bluesman, will appear at the GRAMMY Museum for a special program. Presented in conjunction with the John Lee Hooker Estate and Craft Recordings, the exhibit originally opened at GRAMMY Museum Mississippi—Hooker's home state—in 2017, the year of Hooker's centennial. On display for a limited time only through June 2018, the exhibit will include, among other items: • A rare 1961 Epiphone Zephyr—one of only 13 made that year—identical to the '61 Zephyr played by John Lee Hooker. Plus, a prototype of Epiphone's soon-to-be-released Limited Edition 100th Anniversary John Lee Hooker Zephyr signature guitar • Instruments such as the Gibson ES-335, Hohner HJ5 Jazz, and custom Washburn HB35, all of which were played by Hooker • The Best Traditional Blues Recording GRAMMY Hooker won, with Bonnie Raitt, for "I'm In The Mood" at the 32nd Annual GRAMMY Awards in 1990 • Hooker's Best Traditional Blues Album GRAMMY for Don't Look Back, which was co-produced by Van Morrison and Mike Kappus and won at the 40th Annual GRAMMY Awards in 1998 • A letter to Hooker from former President Bill Clinton • The program from Hooker's memorial service, which took place on June 27, 2001, in Oakland, Calif. -
Chicago Blues Guitar
McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy WatersWaters, was an American blues musician, generally considered the Father of modern Chicago blues. Blues musicians Big Bill Morganfield and Larry "Mud Morganfield" Williams are his sons. A major inspiration for the British blues explosion in the 1960s, Muddy was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug's Corner in neighboring Issaquena County, Mississippi in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid '40s, lists him as being born April 4, 1915. His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson. -
Chasing the Echoes in Search of John Lee Hooker’S Detroit by Jeff Samoray
Chasing the Echoes In search of John Lee Hooker’s Detroit by jeff samoray n September of 1948, John Lee Hooker strummed the chord bars, restaurants, shoeshine parlors and other businesses that made up that ignited the endless boogie. Like many Delta blues musicians the neighborhood — to make way for the Chrysler Freeway. The spot I of that time, Hooker had moved north to pursue his music, and he where Hooker’s home once stood is now an empty, weed-choked lot. was paying the bills through factory work. For five years he had been Sensation, Fortune and the other record companies that issued some of toiling as a janitor in Detroit auto and steel plants. In the evenings, he Hooker’s earliest 78s have long been out of business. Most of the musi- would exchange his mop and broom for an Epiphone Zephyr to play cians who were on the scene in Hooker’s heyday have died. rent parties and clubs throughout Black Bottom, Detroit’s thriving Hooker left Detroit for San Francisco in 1970, and he continued black community on the near east side. “doin’ the boogie” until he died in 2001, at age 83. An array of musi- Word had gotten out about Hooker’s performances — a distinct, cians — from Eric Clapton and Bonnie Raitt to the Cowboy Junkies primitive form of Delta blues mixed with a driving electric rhythm. and Laughing Hyenas — have covered his songs, yet, for all the art- After recording a handful of crude demos, he finally got his break. ists who have followed in Hooker’s footsteps musically, it’s not easy to Hooker was entering Detroit’s United Sound Systems to lay down his retrace his path physically in present-day Detroit. -
Chicago Beau, Il Viaggiatore Del Blues. Interview by Gianni Franchi
Chicago Beau, il viaggiatore del Blues. interview by Gianni Franchi. You've toured constantly around the world , which was the reason you never stopped? The popularity of Blues goes in cycles. There has always been a kind of base audience that are true Blues Lovers, and fans of highly visible Blues artists like Buddy Guy, BB King, Koko Taylor and others who have been around for years. And those performers have often experienced periods with less work. So, a Blues artist must keep busy, and play wherever in the world, whenever. Unfortunately, Blues is the least promoted music. So, as Sonny Boy Williamson said, ‘You got to catch it while it’s hot, if you let it cool, I won’t be worth a damn!’ And so, I’ll only stop when too old to perform. Which is the country where you found yourself most at ease and why? Each country has something different to offer. I have a great appreciation for warm climates. I think that is naturally in my DNA. I like Quebec, and Canada in general because of the diversity. I had great experiences in Iceland, recording, and live performances. As you know I lived in Italy for five years primarily because of the beauty of Italian people, their rich cultural heritage, and their appreciation of Black Music and culture. You know the expression, ‘different reason, different season.’ Seasons can be, metaphorically, a person’s age. Where you are in your life. Things are always changing. And from the musical point of view which one did you think was the best? Italy, Quebec, Senegal, Iceland, Kenya. -
My Guitar Is a Camera
My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Muddy Waters Screamin' and Cryin' the Blues Mp3, Flac, Wma
Muddy Waters Screamin' And Cryin' The Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Screamin' And Cryin' The Blues Country: Europe Released: 2012 MP3 version RAR size: 1679 mb FLAC version RAR size: 1703 mb WMA version RAR size: 1952 mb Rating: 4.6 Votes: 987 Other Formats: WMA XM ADX VQF WAV DTS FLAC Tracklist Hide Credits Baby Please Don't Go 1 2:51 Written-By – McKinley Morganfield Soon Forgotten 2 4:55 Written-By – St. Louis Jimmy Oden Corrina, Corrina 3 3:40 Written-By – Bo Chatman, J. Mayo Williams After Hours 4 5:45 Written-By – Avery Parrish Hoochie Coochie Man 5 3:05 Written-By – Willie Dixon Junior Shuffle 6 4:44 Written-By – Amos Blakemore Howlin' Wolf 7 6:27 Written-By – McKinley Morganfield Floyd's Guitar Blues 8 7:49 Written-By – Floyd Smith Blow Wind Blow 9 3:53 Written-By – McKinley Morganfield Caldonia 10 6:00 Written-By – Fleecie Moore Screamin' And Cryin' 11 5:17 Written-By – McKinley Morganfield Got My Mojo Working 12 3:02 Written-By – Preston Foster Garbage Man 13 5:52 Written-By – Willie Hammond* J.P.'s Boogie 14 3:31 Written-By – Jerry Portnoy Goin' Down Slow 15 7:21 Written-By – St. Louis Jimmy Oden What's The Matter With The Mill? (Can't Get No Grindin') 16 4:53 Written-By – McKinley Morganfield Companies, etc. Phonographic Copyright (p) – Music Avenue (Europe) B.V.B.A. Copyright (c) – Music Avenue (Europe) B.V.B.A. Credits Bass – Calvin Jones Drums – Willie Smith Guitar – Bob Margolin, Luther Johnson Guitar, Vocals – Muddy Waters Harmonica – Jerry Portnoy Piano, Vocals – Pinetop Perkins Notes ℗ & © 2012 Recorded live on October 22, 1976 at the International Folk Music Festival & Jazz Jamboree in Warsaw, Poland. -
Formal Education Academic and Professional Positions Held
SONIA KHATCHADOURIAN CURRICULUM VITAE Formal Education Degree: Master of Arts, University of Hawaii-Manoa, Honolulu, HI, December 1987 Area: Creative Writing Thesis: What They Were Desperate For, collection of short fiction Degree: Bachelor of Arts, University of Wisconsin-Milwaukee, August 1984 Majors: Philosophy; English: Creative Writing concentration Academic and Professional Positions Held Senior Lecturer: English Department, University of Wisconsin-Milwaukee, August, 2002-present (with 50% Indefinite Status appointment granted January 2012) (Senior Lecturer Status granted in 2002) Lecturer: Lubar School of Business, University of Wisconsin-Milwaukee, August 2014-March 2015 Lecturer: English Department, University of Wisconsin-Milwaukee, September 1988-May 2002 Lecturer: Department of Learning Skills and Educational Opportunity/ Academic Opportunity Center, College of Allied Health-Health Care Opportunities Summer Program, Bridge Program, Upward Bound Program, University of Wisconsin-Milwaukee, August, 1988-August-1994 Visiting Lecturer: Institut fur Anglistik und Amerikanistik, Justus Liebig Universitat, Giessen, Germany, September 1994-August 1996 Lecturer: Milwaukee Institute of Arts and Design, August-December, 1996 Visiting Lecturer: Indiana University-Bloomington/Midwest Universities Consortium for International Activities at Institut Teknologi Mara, Shah Alam, Malaysia, January-June 1991 Lecturer: English Department, Marquette University, Milwaukee, WI, January 1989-December 1991 1 Copyeditor: Department of Religion, Buddhist-Christian Studies scholarly journal, University of Hawaii-Manoa, Honolulu, HI. January-May 1988 Professional Tutor: Learning Center, Chaminade University of Honolulu, Honolulu, HI, January-May 1988 Graduate Teaching Assistant: English Department, University of Hawaii-Manoa, August 1984-December 1987 Freelance Writer: August 1988-Present Awards, Research Grants, Honors, Certificates UWM Certificate in Online and Blended Teaching: April 2013 Learning Technology Center Open Education Resource Grant: Fall 2013. -
Leading the Way a PHILOSOPHY - in PROGRESS
1 “The direction in which education starts a man will determine his future life.” —Plato 2 Leading the Way A PHILOSOPHY - IN PROGRESS [ INTRODUCTION \ he doors of our first school opened in 1968 because of the desire to experience firsthand Tthe marvelous thrills and excitement in the world of children. When we began, we had no idea of how our programs would evolve. Our intention was to meet the growing needs of families by integrating daycare and preschool into one program, something that seemed a bit radical back then. Today, with 10 locations and 19 programs, we are the only organization in Northern California providing private education and daycare for children from six weeks to 12 years of age. Of interest to us as founders is the tremendous amount of learning that goes on each year in young children. It has always been exciting for John and I to see all the important loving and guiding experiences of infancy incorporated into the children’s development. We believe we have an opportunity to influence much of what will happen to children as they go through elementary school, junior high school and on into adult life. It also is a real challenge to our staff to provide an environment that will encourage maximum development for children, as positive experiences during the early years lead to much greater success in the future. Through the years, we have faced many challenges. In the beginning, just getting the first school ready to open was quite an endeavor. Inspired by our vision of creating a unique and nurturing place for learning, we rolled up our sleeves and did whatever we could ourselves, disregarding the fact that we had no prior experience in many of the tasks we were about to undertake. -
March/April 2004 Issue 267 Free Aged 30 Years
March/April 2004 Issue 267 Free Aged 30 Years www.jazz-blues.com March/April 2004 • Issue 267 Published by Martin Wahl Communications Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Chris Hovan, Nancy Ann Lee, David McPherson, Peanuts, Mark Smith, Duane Verh and Ron Cleveland’s jazz festival – Weinstock. 25 years and still swingin’!! Check out our new, updated web For 25 years Highlighting the season are two gala con- page. Now you can search for CD Tri-C JazzFest certs with special performances by Diana Reviews by artists, Titles, Record Cleveland has Krall, George Benson, Joe Sample, Dr. Labels or JBR Writers. Twelve years of reviews are up and we’ll be going been presenting John, Christian McBride, the Clayton- all the way back to 1974! the brightest jazz Hamilton Jazz Orchestra, and a host of luminaries – from others. In addition, we acknowledge Address all Correspondence to.... young lions to the Cleveland’s contributions to the jazz world Jazz & Blues Report legends. Beyond through performances by Joe Lovano, 19885 Detroit Road # 320 world-class per- Jimmy Scott, and an exploration of the Rocky River, Ohio 44116 formances, JazzFest is nationally recog- works of composer Tadd Dameron. Main Office ...... 216.651.0626 nized as a dynamic force for jazz educa- Our 25th anniversary season truly of- Editor's Desk ... 440.331.1930 tion, reaching more than 20,000 students fers something for every jazz palate, along annually through clinics, workshops and with our offering of world-class educational [email protected] in-school performances.