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Sélection De La Commission Jazz 37038 PCDM3 1 ABB 37039 PCDM3 1 ALL Bleu Bleu PCDM4 1.3 ABB PCDM4 1.3 ALL Bleu Bleu

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Sélection De La Commission Jazz 37038 PCDM3 1 ABB 37039 PCDM3 1 ALL Bleu Bleu PCDM4 1.3 ABB PCDM4 1.3 ALL Bleu Bleu Sélection de la commission Jazz 37038 PCDM3 1 ABB 37039 PCDM3 1 ALL Bleu Bleu PCDM4 1.3 ABB PCDM4 1.3 ALL Bleu Bleu 1CD Sunnyside Naïve 1CD Palmetto codaex Abbasi, Rez Allison, Ben Things to come Think free Rez Abbasi (g), Rudresh Mahanthappa (as), Vijay Iyer (p), Ben Allison (b), Shane Endsley (tp), Jenny Scheinman (vln), Steve Johannes Weidenmueller (b), Dan Weiss (dm) Cardenas (elg), Rudy Royston (dm) Kiran Ahluwalia (voc), Mike Block (cello) Trop peu connu en France, Ben Allison pourrait conquérir un En conviant R. Mahanthappa et V. Iyer, on pensait que le public plus large que celui du jazz. Bénéficiant d'un découpage guitariste Rez Abbasi orienterait davantage son album vers les rythmique en partie binaire, ses compositions baignent dans le traditions indiennes. Pourtant, l'idiome principal reste le jazz, rock et la country music et ce disque plus encore que les penchant vers le rock progressiste lorsque le batteur Dan Weiss précédents, avec la présence de Jenny Scheinman au violon. On y "binarise". Seule la chanteuse K. Ahluwalia, invitée sur plusieurs retrouve les ingrédients qui épicent et colorent ses précédents titres, adopte un discours explicitement indien. Spécialisée dans albums, à commencer par le mélange de timbres produit par la le ghazal, genre semi-classique d'Inde du nord, elle y élabore trompette et la guitare.(...) Ben Allison écrit de véritables surtout des improvisations conduites à partir du nom des notes chansons sans paroles, des pièces d'une fraîcheur mélodique et des phrases mélodiques rapides ornementées. Chaque souvent absente dans un jazz moderne souvent trop cérébral. musicien excelle individuellement et plus encore collectivement à Excellent contrebassiste il peaufine ses orchestrations et puise travers une imbrication de lignes sinueuses, d'envolées lyriques son inspiration dans les autres musiques de la grande Amérique. ou hargneuses et d'accords martelés en séquences improbables. (P. de Chocqueuse, Jazz Mag, n°609, p.48) Leur musique regorge de trouvailles palpitantes. (J Glusman, Jazz Mag, n°609, p.48). 37040 PCDM3 1 AMS 37041 PCDM3 1 BAL Bleu Bleu 450 BAL PCDM4 1.3 AMS CC PCDM4 1.3 BAL 72 Bleu Bleu 7 BAL 1CD Fram music www. 1CD ECM UNI Amsallem, Franck Balke, Jon Amsallem sings Siwan Franck Amsallem (p,voc) Jon Balke (claviers, conductor), Jon Hassell (tp, elec), Amina Syndrome Harry Connick, Jr ? Plus simplement on peut supposer Alaoui (voc), Kheir Eddine M'Kachiche (vln) que Franck Amsallem a voulu se faire plaisir en enregistrant cet Pedram Khavar Zamini (zarb), H. Norbakken (perc) + album où il révèle une nouvelle facette de son talent. Plaisir Barokksolistene (vln, violas, violoncelle, basse, theorbe, clavecin) partagé par l'auditeur. Non seulement il découvrira une voix de Bien loin de ses projets antérieurs, le pianiste norvégien Jon crooner des plus convaincantes, légèrement voilée, détaillant les Balke s'est ici appliqué à un remarquable travail d'écriture et lyrics avec une manière de gourmandise et une vraie force de d'orchestration sur la base d'un mélange de traditions éloignées conviction, mais il retrouvera les qualités d'un pianiste complet, les unes des autres : la musique Gharnati de la grande époque apte à d'amples développements mélodiques, explorateur andalouse de l'Espagne musulmane en la personne de la d'harmonies insolites à la Monk (In my solitude, le seul et bref chanteuse Amina Alaoui, la signature baroque (modes et instrumental). Quant au reste, des standards, essentiellement sonorités, du clavecin en particulier, et le monde du jazz sur tempo lent - ils pourraient engendrer une certaine lassitude, improvisé. Cela donne "Siwan" ce qui signifie équilibre en andalou n'étaient des superbes envolées de piano qui leur confèrent un médiéval. C'est une merveilleuse révélation sonore. Le mélange piment indéniable. (J. Aboucaya, Jazz Mag, n°609, p.48) des solistes orientaux avec l'ensemble Barokksolistene forme un écrin pour la voix de la chanteuse (sur des mots extraits de textes mystiques chrétiens et de poèmes soufis) avec laquelle entre en écho la trompette de Jon Hassell. Un disque ouvert au grand large... quel bonheur! (C.M.) Liste 10D06 / janvier 2010 / page 1 Sélection de la commission Jazz 37042 PCDM3 1 BLA 37043 PCDM3 1 BOR Bleu Bleu CC PCDM4 1.3 BLA 34 PCDM4 1.3 BOR Bleu Bleu 1CD Tompkins Square ORK 1CD BMC Blake, Ran Borbély, Mihaly Driftwoods Hommage à Kodaly Ran Blake (piano) Mihaly Borbely (clarinette, tarogato, ss, tilinko), Daniel Szabo (p), Be-bop USA Balazs Horvath (b), Istvan Balo (dm) Ran Blake est un iconoclaste. Fameux depuis 1961 avec son album Balazs Kantor (violoncelle) "The Newest Sound Around" avec Jeanne Lee, il est dès lors Revisitant à l'aune d'un jazz modal des plus actuels un choix devenu un leader incontesté dans l'interprétation des standards. d'airs folkloriques traditionnels (parmi ceux compilés et Aujourd'hui il nous dédie un moment nappé de grâce le tout arrangés par Kodaly), Borbély alterne interprétations toutes enrobé de subtilité que son toucher pianistique confère à classiques de pièces de musique de chambre (dont le 3ème l'ensemble. Un piano solo donc, qui tend une voix à toutes ces mouvement de la célèbre Sonate pour violoncelle seul) et leurs voix qu'il a fait siennes : Billie Holliday, Mahalia Jackson, et paraphrases contemporaines aux confins du jazz et de la Hank Williams. Un horizon que hante parfois l'obscure pour se musique folklorique. Il prolonge le geste de son illustre mouvoir dans un monde mélodique, harmonieux révèlant un tout prédécesseur en plongeant par son biais aux sources de la unique, fluide malgrè tout et envoûtant à l'extrême. Sous les musique de son pays pour en révéler "la modernité intemporelle". effets d'un vague à l'âme inspirant, ce pianiste d'exception Magnifiquement épaulé par Daniel Szabo, pianiste au phrasé réinvente alors "Strange Fruit", "I Love You Porgy" ou étincelant tout en miroitements liquides et flottements "Unforgettable". harmoniques mystérieux, Borbely signe une œuvre formellement et parfaitement aboutie (S. Ollivier, ***Jazz Man, n°159) Ecoute appréciée - Jélila - Info label et Internet Écoute très appréciée. 37044 PCDM3 1 BOY 37045 PCDM3 1 BRO Bleu Bleu CC PCDM4 1.3 BOY PCDM4 1.3 BRO Bleu Bleu 1CD ESP ORK 1CD BHM ZYX Boykins, Ronnie Brown, Dean Will come, is now (The) W/Dennis Chambers = Will Lee : DBill Ronnie Boykins (comp, b, sousaphone),Joe ferguson (ss, ts, fl), Dean Brown (g), Will Lee (elb), Dennis Chambers (dm) Monty waters (as, ss), James Vass (as, ss, fl) Depuis plus de vingt ans, on le voit se tortiller derrière les stars Daoud Haroom (tb), Art Lewis (perc), George Avaloz (congas) - Billy Cobham, David Sanborn, Marcus Miler, les frères "Contrebassiste du Sun Ra Arkestra dans les années 60, Ronnie Brecker.... Dean Brown est un side-man sans grand style, quoique Boykins (1935-1980) reçut d'ESP en 1964 l'invitation sobrement efficace. Si l'on exclut une version désastreuse d'Up d'enregistrer un album sous son nom qu'il ne se sentit prêt from the skies de Jimi Hendrix, cet album live a quelques atouts d'honorer, à la tête de ce septette merveilleux, qu'en 1975 ! Ce qui ne devraient pas laisser insensibles les amateurs -pas trop disque qui prit son temps pour arriver à maturation fait non exigeants- de jazz-rock : le groove du grand Will Lee et la seulement état de sa redoutable technique à l'archet mais de puissance tellurique de Dennis Chambers, un brin émoussée par facultés stupéfiantes de compositeur et d'arrangeur. Et d'un rapport à la grande époque (Parliamnet au début des années 80, degré d'inspiration si élevé qu'il rivalise avec les plus belles le Band de John Scofield millésime 88...) mais toujours pages de Sun Ra, d'Oliver Nelson ou de Charlie Mingus". Info impressionnante. Dommage que les compositions ne soient pas au label. Une véritable révélation que cet album qui mêle la niveau des impros. (F. Goaty, Jazz Mag, n°609, p.50) polyphonie mingusienne des voix des différents instruments, la narrativité des vents nelsonienne à une énergie époustouflante. A ne pas manquer. (C.M.) Liste 10D06 / janvier 2010 / page 2 Sélection de la commission Jazz 37046 PCDM3 1 CAI 37047 PCDM3 1 CAL Bleu 1 ALL Bleu PCDM4 1.3 CAI PCDM4 1.3 CAL 36 Bleu 1.3 ALL Bleu 1CD Aphrodite Codaex 1CD Yes Or No www. Caillaud, Cédric Calmel, Olivier Emma's groove Sha-Docks Cédric Caillaud (b), Harry Allen (ts), Patrick Cabon (p), Philippe Olivier Calmel (piano, claviers, compositions) - Electro Couac Soirat (dm) Christophe Panzani (saxophone ténor et soprano), Frédéric Eymard Un beau jour de mai 2007, Pierre Boussaguet appelle son ancien (viola), Bruno Schorp (contrebasse), Frédéric Delestre (batterie), élève Cédric Caillaud pour lui demander de le remplacer le soir Open Jazz Europe même auprès de Harry Allen. Nous avons déjà salué Harry Allen Les explorations coutumières qu'affectionne le dans ces pages, un saxophoniste de l'entre-deux, de ce middle pianiste/compositeur Olivier Calmel nous entrainent cette fois jazz ouvert sur le bop, mais attaché aux valeurs de lisibilité dans un tournoiement de sonorités et de couleurs musicales plus mélodique et de fluidité rythmique du swing. Caillaud s'est groove mais toujours avec cette recherche mélodique et aussitôt senti en sympathie avec cette culture et, en mars 2008, harmonique où le piano et le violon mettent en évidence leurs il a réuni son trio pour prendre la route avec l'Américain, qu'il messages respectifs. Les musiciens du quintet, chacun fort de entraîna en studio dès que leur connivence lui parut suffisament son expérience, réussissent magnifiquement à mettre en rodée. Bien lui en a pris, car ce jazz qui ne cache pas son nom est évidence les réflexions du compositeur sans artifices, avec de fort bon aloi.
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