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Queer Identities Rupturing Dentity Categories and Negotiating Meanings of Oueer
Queer Identities Rupturing dentity Categories and Negotiating Meanings of Oueer WENDY PETERS Ce projet dPcrit sept Canadiennes qui In the article, "The Politics of constructed by available discourses shpproprient le terme "queerJ'comme InsideIOut," Ki Namaste recom- (Foucault). Below, I describe some orientation sexuelk et en explore ks mends that queer theoreticians pay of the meanings participants as- dzfirentes signt$cations. Leur identiti attention to the diversity of non- cribed to queer, and explore the et expiriencespointent rt. certaines ca- heterosexual identities. I created the ways in which queer was under- tigories sexuelles existantes comme les- following research project through stood and represented by people biennes et hitirosexuelles. my interest in queer theory and a who claim, or have claimed, queer subsequent recognition that queer, as their sexuality identity category. In the 1990s, the term "queer" gained as described in queer theory, is an The first person to email the new acceptance within poststruct- excellent description for my sexu- listserv identified herself as uralistlpostmodernist thought. In ality and gender practices. Since "Stressed!" Stressed wrote often part, this was an attempt to move queer is a term that resists a static about trying to finish her gradu- away from reproducing the hetero- definition, I was curious to see who ate-level thesis, and chose her alias sexist binary of heterosexual and ho- else was claiming queer as an iden- to reflect her current state of mind. mosexual. Queer theory contends that tity category and what it meant for She related how her claiming of in order to challenge heteronorma- them. After sending an email to queer as an identity category came tivity, we need to go beyond replac- friends and various listservs detail- through her coming-out process ing one restrictive category with an- ing my interest in starting an aca- and her reluctance to choose a sexu- other. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
1 Nine 7 Days of Lonely 10,000 Maniacs More Than This
1 NINE 7 DAYS OF LONELY 10,000 MANIACS MORE THAN THIS 10,000 MANIACS BECAUSE THE NIGHT 10,000 MANIACS TROUBLE ME 10,000 MANIACS THESE ARE THE DAYS 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 10CC 10CC 10CC I'M NOT IN LOVE 10CC THE THINGS WE DO FOR LOVE 112 IT'S OVER NOW 112 YOU ALREADY KNOW 112 ONLY YOU 112 DANCE WITH ME 112 CUPID 112 COME SEE ME 112 PEACHES AND CREAM 112 AND LUDACRIS HOT AND WET 112 AND SUPER CAT NA NA NA 12 GAUGE DUNKIE BUTT 1910 FRUIT GUM CO. 1, 2, 3, REDLIGHT 2 CHAINZ AND DRAKE NO LIE 2 CHAINZ AND KENDRICK LAMAR ASAP ROCKY DRAKEFUCKING PROBLEMS 2 LIVE CREW DO WAH DIDDY 2 LIVE CREW ME SO HORNY 2 LIVE CREW WE WANT SOME PUSSY! 2 PAC DEAR MAMA 2 PAC CHANGES 2 PAC THUGZ MANSION 2 PAC HOW DO YOU WANT IT 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT DICK MAN 3 OH 3 AND KATY PERRY STARSTRUKK 30 SECONDS TO MARS THE KILL 311 CREATURES (FOR A WHILE) 311 AMBER 311 YOU WOULDN'T BELIEVE 311 ALL MIXED UP 311 DON'T TREAD ON ME 311 DOWN 311 LOVE SONG 38 SPECIAL CAUGHT UP IN YOU 38 SPECIAL WILD EYED SOUTHERN BOYS 38 SPECIAL ROCKIN' ONTO THE NIGHT 38 SPECIAL HOLD ON LOOSELY 38 SPECIAL IF I'D BEEN THE ONE 3OH3 DON'T TRUST ME 3RD STRIKE NO LIGHT 3T ANYTHING 3T TEASE ME 4 P.M. SUKIYAKI 4 P.M. LAY DOWN YOUR LOVE 4 RUNNER CAIN'S BLOOD 4 RUNNER THAT WAS HIM 5 STAIRSTEPS OOH CHILD 50 CENT HUSTLER'S AMBITION 50 CENT CANDY SHOP 50 CENT PIGGY BANK 50 CENT WHAT UP GANGSTA 50 CENT BEST FRIEND 50 CENT PIMP 50 CENT WANKSTA 50 CENT DISCO INFERNO 50 CENT IN DA CLUB 50 CENT AND EMINEM PATIENTLY WAITING 50 CENT AND MOBB DEEP OUTTA CONTROL 50 CENT AND NATE -
TECHNIQUE Yours by Reading About Services Could Soon Become “The South’S Liveliest College Newspaper” Those of Other Students
Friday, September 27, 2002 Got problems? Forget All aboard! New light rail TECHNIQUE yours by reading about services could soon become “The South’s Liveliest College Newspaper” those of other students. reality for Atlanta. ONLINE http://cyberbuzz.gatech.edu/technique OPINIONS page 10 FOCUS page 13 Serving Georgia Tech since 1911 • Volume 88, Issue 10 • 32 pages Opinions␣ 6 · Focus␣ 13 · Entertainment␣ 19 · Comics␣ 26 · Sports␣ 32 HOPE scholarship Fire hits Bobby Dodd stadium anniversary at Tech By Daniel Amick flames had been extinguished by Governor Roy Barnes, Lieuten- Senior Staff Writer 11:30 p.m. ant Governor Mark Taylor and U.S. An unidentified white male in Senator Zell Miller will make a A fire broke out under the stands his 20s was rescued from beneath presentation honoring the tenth an- at Bobby Dodd Stadium last Satur- the stands. According to Harty, the niversary of the HOPE scholarship day night, injuring one person and individual was “pretty seriously hurt” at the campanile Monday Sept. 30 damaging the interior of the press from smoke inhalation, but he was at 9:30 a.m. All students and facul- box and club-level seats. The fire not burned. The man was taken by ty are welcome to attend. started about three hours after the ambulance to a local hospital, where conclusion of Tech’s home game he remained under treatment Tues- Director of assistive against Brigham Young. day. Harty had no identification on “It wasn’t a raging inferno, but his person. technology hired it was a very smoky fire,” said Rob- “It will still be another day or so ert Harty, Director of Institute Com- before [investigators] can talk to Stephen Sprigle was recently hired munications and Public Affairs. -
Ten Premiere Plays from Walterdale Playhouse
Hot Thespian Action! Ten Premiere Plays from Walterdale Playhouse Hot Thespian Action! Ten Premiere Plays from Walterdale Playhouse Edited with a critical introduction by Robin C. Whittaker GEREHMERTPE]WWIVMIW ©2008 Robin C. Whittaker for the introduction and commentaries Published by AU Press, Athabasca University 1200, 10011 – 109 Street Edmonton, AB T5J 3S8 Library and Archives Canada Cataloguing in Publication Hot thespian action! : ten premiere plays from Walterdale Playhouse / edited by Robin C. Whittaker. (Canadian plays) Includes bibliographical references. Also available in electronic format. ISBN 978-1-897425-26-8 1. Canadian drama (English)– 21st century. I. Whittaker, Robin, 1976– II. Series: Canadian plays (Edmonton, Alta.) PS8315.1.H68 2008 C812’.608 C2008-905017-7 This book is part of Canadian Plays series, edited by Anne Nothof of Athabasca University. ISSN 1917-5086 Canadian plays series (Print) ISSN 1917-5094 Canadian plays series (Online) This publication is licensed under a Creative Commons License, see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author(s). Please contact AU Press, Athabasca University at [email protected] for permission beyond the usage outlined in the Creative Commons license. Printed and bound by AGMV Marquis Cover and book design by Plumbheavy Design Inc. To Walterdale’s tireless volunteer artists, technicians, builders and administrators throughout the decades. May this anthology stand as a document of their -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Canadian Fiction for Adolescents from 1970-1990 and Suin Print LIST of FIGURES
CANADLAN FICTION FOR ADOLESCENTS FROM 1970 - 1990: THE RISE OF THE ABORIGINAL VOICE AND THE DECOLONIZATION OF THE CURRICULUM OF ONTARIO A thesis Submitted to the Conmittee on Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Masters of Arts in The Faculty of Arts and Sciences TRENT UNIVERSITY Peterborough, Ontario, Canada O by Beverley Winny 1999 Canadian Heritage and Development M.A. Program June 1999 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. me Wellington Ottawa ON KIA ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fih, de reproduction sur papier ou sur format électronique. The author retaïns ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othemise de celleci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, CANADUN FICTION FOR ADOLESCENTS FROM 1970 - 1990: THE RISE OF THE ABORIGINAL VOICE AND THE DECOLONIZATION OF THE CURRICULUM OF ONTARIO Beverley Winny Canadian Fiction For Adolescents from 1970 to 1990, is considered in relation to forces directing its shape and devalopment. -
The Vice Chancellor Tom Staflord Discusses Students, Shark Teeth And
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 w THURSDAY SEPT. 19 2002 TECH. A www.technicianonline.com Raleigh, North Carolina" Bus system The Stafford plan: students first Vice Chancellor Tom Staflord adds routes discusses students, shark teeth Transportation ofi‘icials hope new and Shoelaces. routes and route changes will improve the Wolfline. Jerry Moore 5raj)rReporter Angelena Thomas NC. State Vice Chancellor for Student StaffReporter Affairs Tom Stafford likes to write on bathroom stalls. Wolfline buses travel along designated But in his case, it’s not vandalism; it’s paths, stopping only at designated official university business. Wolfline stops. This fall you will see the Stafford’s spotless yet cozy office in red and white buses with blackpinstripes Holladay Hall features two desks with more often and in more places. Changes polished, pink Tennessee marble tops — in Wolfline services have increased the slabs that once served as dormitory bath— number ofpick—up locations and route room partitions. frequency. “Look, I’m in my stall,” Stafford says The Wolfline’s goals are to provide bus as he reclines in his chair between the services for students, staff and faculty glossy desktops. “Sometimes students on the main campus, Centennial Cam- don’t believe me, but ifyou look closely pus and the College ofVeterinary Med- on the underside, you actually see some icine. It also provides bus services for old names somebody carved in there.” those without parking permits who use Few things last longer than etched graf- Park-n-Ride lots and live in official uni- fiti, but Stafford has become one ofthose versity housing. -
Representing Disempowerment on Teen Drama Television
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-5-2012 12:00 AM Watching High School: Representing Disempowerment on Teen Drama Television Sarah M. Baxter The University of Western Ontario Supervisor Paulette Rothbauer The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sarah M. Baxter 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Baxter, Sarah M., "Watching High School: Representing Disempowerment on Teen Drama Television" (2012). Electronic Thesis and Dissertation Repository. 644. https://ir.lib.uwo.ca/etd/644 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WATCHING HIGH SCHOOL: REPRESENTING DISEMPOWERMENT ON TEEN DRAMA TELEVISION (Spine title: Watching High School) (Thesis format: Monograph) by Sarah Mae Baxter Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarah Mae Baxter 2012 i THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Fantasizing Disability: Representation of Loss and Limitation in Popular Television and Film
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2014 12:00 AM Fantasizing Disability: Representation of loss and limitation in Popular Television and Film Jeffrey M. Preston The University of Western Ontario Supervisor Dr. Sharon Sliwinski The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Jeffrey M. Preston 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Television Commons Recommended Citation Preston, Jeffrey M., "Fantasizing Disability: Representation of loss and limitation in Popular Television and Film" (2014). Electronic Thesis and Dissertation Repository. 2386. https://ir.lib.uwo.ca/etd/2386 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FANTASIZING DISABILITY: REPRESENTATION OF LOSS AND LIMITATION IN POPULAR TELEVISION AND FILM (Monograph) by Jeffrey Preston Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctorate in Media Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Jeffrey Preston 2014 Abstract Most media texts currently being developed with disabled characters are crafted by individuals who are nondisabled and, as such, are based on what the nondisabled think it would be like to be disabled—a perception that is informed by the fantasy of disability. -
SINGLES Work
LalVLLYS l' LL'LLVt.'S ping Mountain Soul album, this duet with Tritt is a lovely piece of SINGLES work. Loveless' hillbilly heart is on her sleeve, her vocals angelic. csv Edited by Chuck Taylor DAVID GROW Standing Tall (4:19) iir^a,W14,I' Steeped in the musical magic of her PRODUCER: David Grow "ter Kentucky roots, this music is obvi- WRITER: D. Grow ously what she was born to sing. POP PUBLISHER: 2K Sound And with one of the most distinctive 2K Sound (CD promo) male vocalists in country music, JOSH JOPLIN GROUP I've Changed Despite the best intentions, few Tritt also delivers a great perform- (4:13) among the dozens upon dozens of ance. Their combined voices set this PRODUCER: Peter Collins songs inspired by and recorded as a Melba Montgomery /Kostas- penned WRITER: J. Joplin tribute to the victims of the Sept. tune on fire. The simple, acoustic PUBLISHER: Zomba Songs, BMI 11 tragedies have true potential for production provides an eloquent Artemis Records 98 (CD promo) connecting all the dots necessary framework for the wonderful vocal If R.E.M. were to back up about 15 for mainstream impact- specifical- performances. Normally, this type of years and keep things on the mellow ly, vocal quality, production savvy, bare -bones, tradition- minded single tip, it's possible they would sound a lot and lyrical finesse. David Grow, wouldn't stand a shot at country like Josh Joplin Group on its new single who has produced songs for Jim radio, but in the wake of the revolu- "I've Changed," a thoughtful narrative MELISSA ETHERIDGE Lover Please Brickman, Carly Simon, and P.O.D.