Queer Identities Rupturing Dentity Categories and Negotiating Meanings of Oueer
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America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
Humber Vp with Team Canada
FOR REFERENCE NOT TO RF TAKPM ?Prw TWL Zygotastic see p ,ttt li^;*"' Humber vp with Team Canada by Chad Heard China has aroused interest, and Humber College has joined been a topic of discussion with the Team Canada in its mission Team Canada leaders. to China this week. "One of the responses of Although the team's visit has China's population, with 1.2 bil- brought China's human rights lion people ... is 'why isn't Canada 8s#. record to the forefront, Humber is going to countries with perfect focused on promoting the five- human rights records, but in eco- year relationship between the col- nomic chaos?'" Hook said. lege and Ningbo University. He said the people he's talked Dr. Richard Hook, number's to have asked for patience from vice president, has joined Prime Canada as their police system Minister Jean Chretien and catches up with the exceptional Ontario Premier Mike Harris in economic growth China's going developing tighter relations through. between Canada and China. Hook doesn't agree that China should be isolated for their report- "One of the responses of ed abuses and said Canada is tak- China's population ...is ing a distinctive approach to the 'why isn't Canada going matter. "Look at how the U.S. iso- to countries with perfect lated Cuba, that had little effect," he said. human rights records, "People have a desire to learn in economic chaos?'" but from their relationships and want - Richard Hook to change their own life," Hook said. "The Premier and Prime "This [trade mission] is going Minister, in the trade mission, to help evolve the quality of have been very active trying to human rights," he said. -
Trabalho De Conclusão De Curso “Homoafetividade Na TV: Análise Das Séries Queer As Folk, the L Word E Looking”4
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXVIII Congresso Brasileiro de Ciências da Comunicação – Rio de Janeiro - RJ – 4 a 7/9/2015 Homoafetividade na TV: análise do casal Brian e Justin na série Queer As Folk1 Daniel Silveira da CRUZ2 Fabio Sadao NAKAGAWA3 Universidade Federal da Bahia, Salvador, Bahia Resumo O presente artigo analisa como os relacionamentos homoafetivos são representados em séries de televisão americanas. A pesquisa toma como objeto de análise o casal Brian e Justin de Queer As Folk. Com base em diferentes teóricos, os conceitos homossexualidade, homoerotismo e o termo homoafetividade colaboram para entender as definições acerca da atração por pessoas do mesmo sexo. Além disso, lançamos mãos da literatura sobre televisão, abordando as narrativas seriadas e um breve histórico sobre os personagens gays na TV. Palavras-chave: Queer as Folk; Homoafetividade; Homossexualidade; Séries televisuais Introdução O presente artigo é um recorte da pesquisa para o Trabalho de Conclusão de Curso “Homoafetividade na TV: análise das séries Queer As Folk, The L Word e Looking”4. O estudo foi realizado com as primeiras temporadas das séries citadas a fim de responder a questão: como são representados os casais homoafetivos em séries de TV americanas? Ou seja, de que maneira os afetos entre casais homossexuais são construídos pelas narrativas serializadas americanas? Neste artigo, abordaremos a construção da homoafetividade no casal Brian Kinney e Justin Taylor usando como corpus a primeira temporada de Queer As Folk. A série lançada em 2000 foi exibida originalmente no canal Showtime, nos Estados Unidos e no canal Showcase, no Canadá. Mostra, em cinco temporadas, histórias dos amigos gays Brian Kinney (Gale Harold), Michael Novotony (Hal Sparks), Emmet Honeycutt (Peter Page), Ted Schmidt (Scot Lowell) e Justin Taylor (Randy Harrison). -
Introduction: Placing the Self Within the Frame 1 New Storytelling
Notes Introduction: Placing the Self within the Frame 1. This is performed by the Mamas and the Papas (see Chapter 6). 2. For various opinions on the potential of textual analysis see Childs (2006), Kovala (2008) and McKee (2003). 3. Although Gwen Haworth’s documentary is relevant to lesbian discourse, as Haworth, a male to female transsexual, expresses lesbian desire, I have not included this work in my book, as the focus is largely transsexual. Despite this, Haworth’s documentary is highly contiguous to the theoretical ideas expressed within this book, concerning self-reflexive narrative expression and sexual diversity. 4. Also there are still laws which oppress non-heterosexuals within the Western world. 5. It is important to note that this often includes production funding from Anglocentric sources, which bears its own implications of textual influence. 1 New Storytelling: Transitions from the Past 1. Howard Auster had changed his name to Howard Austen early in his career, on advice from Gore Vidal to avoid advertising his Jewish identity at a time when it was hard to obtain work as a Jew (Vidal, 1995). In Gore Vidal’s mem- oir, Howard’s name is restored to the original spelling; hence I have adopted it here. 2. I use the term ‘literature’ in the general sense as ‘serious writing’, esteemed by authority such as academia. 3. I am only discussing the media of radio in this chapter, as a precursor to later developments in television, film and new media through the World Wide Web. 4. It is important to note that in some non-Western countries conversely homo- sexuality under certain circumstances may be considered to offer positive myths. -
Queering the Family: Kinship, Blood Relations and Marriage in Showtime’S Queer As Folk Marianne Kongerslev Copenhagen Business School, Denmark
Queering the Family: Kinship, Blood Relations and Marriage in Showtime’s Queer as Folk Marianne Kongerslev Copenhagen Business School, Denmark Abstract This essay explores the ways in which the American television series Queer as Folk (2000–2005) constructs queer families. The show responds to the social and cultural challenges faced by LGBT families and expresses differing attitudes to assimilationism and compulsory heterosexuality. By juxtaposing two traditional, though homosexual, family units with an anti-assimilationist worldview, Queer as Folk questions what family signifies. The essay analyzes the series’ treatment of gay male versus lesbian kinship and sexuality, and its assumptions about gender, through the family as a central trope. Keywords Queer as Folk (US); television series; queer studies; family; gay marriage; LGBT (Lesbian, Gay, Bisexual, Transgender) Any discussion in an American context of the notion of “family” will necessarily be complicated by the troublesome relationship between the reality of a heterogeneous population on the one hand, and the desire for homogeneity on the other. In addition, it is impossible to define with any accuracy what a family is or is supposed to be,1 but as Kath Weston points out, the “privileged construct” appears to be the heteronormative family paradigm.2 Bernstein and Reimann state that “in 1998, only 6.7 percent of all households [in the US] fit the ‘traditional’ nuclear-family model.”3 With this statistic, it can seem rather curious that the issue of gay marriage and queer families is such a controversial one. Part of the explanation may lie in the notion of national myths or idealized perceptions of imagined communities. -
Ten Premiere Plays from Walterdale Playhouse
Hot Thespian Action! Ten Premiere Plays from Walterdale Playhouse Hot Thespian Action! Ten Premiere Plays from Walterdale Playhouse Edited with a critical introduction by Robin C. Whittaker GEREHMERTPE]WWIVMIW ©2008 Robin C. Whittaker for the introduction and commentaries Published by AU Press, Athabasca University 1200, 10011 – 109 Street Edmonton, AB T5J 3S8 Library and Archives Canada Cataloguing in Publication Hot thespian action! : ten premiere plays from Walterdale Playhouse / edited by Robin C. Whittaker. (Canadian plays) Includes bibliographical references. Also available in electronic format. ISBN 978-1-897425-26-8 1. Canadian drama (English)– 21st century. I. Whittaker, Robin, 1976– II. Series: Canadian plays (Edmonton, Alta.) PS8315.1.H68 2008 C812’.608 C2008-905017-7 This book is part of Canadian Plays series, edited by Anne Nothof of Athabasca University. ISSN 1917-5086 Canadian plays series (Print) ISSN 1917-5094 Canadian plays series (Online) This publication is licensed under a Creative Commons License, see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author(s). Please contact AU Press, Athabasca University at [email protected] for permission beyond the usage outlined in the Creative Commons license. Printed and bound by AGMV Marquis Cover and book design by Plumbheavy Design Inc. To Walterdale’s tireless volunteer artists, technicians, builders and administrators throughout the decades. May this anthology stand as a document of their -
Queer Television Thesis FINAL DRAFT Amended Date and Footnotes
Queer British Television: Policy and Practice, 1997-2007 Natalie Edwards PhD thesis submitted to the University of Nottingham School of American and Canadian Studies, January 2010 Abstract Representations of gay, lesbian, queer and other non-heterosexualities on British terrestrial television have increased exponentially since the mid 1990s. Lesbian, gay, bisexual, transgender and queer characters now routinely populate mainstream series, while programmes like Queer as Folk (1999-2000), Tipping the Velvet (2002), Torchwood (2006-) and Bad Girls (1999-2006) have foregrounded specifically gay and lesbian themes. This increase correlates to a number of gay-friendly changes in UK social policy pertaining to sexual behaviour and identity, changes precipitated by the election of Tony Blair’s Labour government in 1997. Focusing primarily on the decade following Blair’s installation as Prime Minister, this project examines a variety of gay, lesbian and queer-themed British television programmes in the context of their political, cultural and industrial determinants, with the goal of bridging the gap between the cultural product and the institutional factors which precipitated its creation. Ultimately, it aims to establish how and why this increase in LGBT and queer programming occurred when it did by relating it to the broader, government-sanctioned integration of gays, lesbians and queers into the imagined cultural mainstream of the UK. Unlike previous studies of lesbian, gay and queer film and television, which have tended to draw conclusions about cultural trends purely through textual analysis, this project uses government and broadcasting industry policy documents as well as detailed examination of specific television programmes to substantiate links between the cultural product and the wider world. -
Canadian Fiction for Adolescents from 1970-1990 and Suin Print LIST of FIGURES
CANADLAN FICTION FOR ADOLESCENTS FROM 1970 - 1990: THE RISE OF THE ABORIGINAL VOICE AND THE DECOLONIZATION OF THE CURRICULUM OF ONTARIO A thesis Submitted to the Conmittee on Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Masters of Arts in The Faculty of Arts and Sciences TRENT UNIVERSITY Peterborough, Ontario, Canada O by Beverley Winny 1999 Canadian Heritage and Development M.A. Program June 1999 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395. me Wellington Ottawa ON KIA ON4 Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fih, de reproduction sur papier ou sur format électronique. The author retaïns ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othemise de celleci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, CANADUN FICTION FOR ADOLESCENTS FROM 1970 - 1990: THE RISE OF THE ABORIGINAL VOICE AND THE DECOLONIZATION OF THE CURRICULUM OF ONTARIO Beverley Winny Canadian Fiction For Adolescents from 1970 to 1990, is considered in relation to forces directing its shape and devalopment. -
Chapter One Introduction
CHAPTER ONE INTRODUCTION Background of the Study Language is one of the important aspects in communication. Without it we would probably have difficulties delivering our message. Language makes everything easier. Moreover, we live in the world with many countries, many cultures and, of course, many languages on it. Generally speaking, someone’s speech can be influenced by many factors, such as social factors. Social factors include age, gender, ethnic group, and social class. Gender, rather than sex, will be the key point of this thesis. ‘‘Sex’ refers to a biological distinction, whereas ‘gender’ is the term used to describe socially constructed categories based on sex’. (Coates 1993:3) In this thesis I deal with the different varieties of language which are used by men in their speech. When women speak, there is a difference in diction. Another difference is that women usually use lexical hedges; while men do not. In sociolinguistics we learn about different types of language used by men and by women; furthermore, there is a specific term for the type of language spoken by women, namely women’s language. There is no such term as men’s language. Still, I believe it would be out of the ordinary and challenging if we could find the anomalies of language use. To show the anomalies of language use, I have chosen television series Queer as Folk as the source of data. Queer As Folk is a Showtime Networks television 1 series. It is about a homosexual community in Pittsburgh, Pennsylvania. In addition, I choose the American version of Queer As Folk since it has become a great, number one television series in America. -
Representing Disempowerment on Teen Drama Television
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-5-2012 12:00 AM Watching High School: Representing Disempowerment on Teen Drama Television Sarah M. Baxter The University of Western Ontario Supervisor Paulette Rothbauer The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sarah M. Baxter 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Baxter, Sarah M., "Watching High School: Representing Disempowerment on Teen Drama Television" (2012). Electronic Thesis and Dissertation Repository. 644. https://ir.lib.uwo.ca/etd/644 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WATCHING HIGH SCHOOL: REPRESENTING DISEMPOWERMENT ON TEEN DRAMA TELEVISION (Spine title: Watching High School) (Thesis format: Monograph) by Sarah Mae Baxter Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarah Mae Baxter 2012 i THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Queer As Folk Representation of Gay Language in Popular Culture
Queer as Folk Representation of Gay Language in Popular Culture Mats-Erik Augustsson English, C-level Spring term 2011 Supervisor: Joe Trotta University of Gothenburg Title: Queer as Folk, Representation of Gay Vocabulary in Popular Culture Author: Mats-Erik Augustsson Supervisor: Joe Trotta Course: EN1C03, spring 2011, Department of languages and literatures, University of Gothenburg Abstract This study investigates how gay vocabulary and code-switching is portrayed in the North American television series Queer as Folk. The search for gay vocabulary was conducted through viewing the entire series searching for words and expressions documented in previous research. The gay vocabulary contains many sexual terms and references and the lexicon are ambiguous depending on user and addressee and can be used as markers of solidarity or as derogation. The most important results are that gay speech is self-managed and used as an identity marker for both homosexual and heterosexual members of the in-group. Gay men seem to be well aware of their speech and mannerisms and code-switch depending on context. Keywords: self-managed, code-switching, gay speech, gay vocabulary, in-group, out-group. Table of Contents 1. Introduction ............................................................................................................ 1 1.2 Aims ..................................................................................................................... 2 1.3 Previous Research ............................................................................................... -
Conceptualizing Friendship Through American Gay Television Series in 2000S
RUBIKON Volume 2 / Number 2 September 2015 CONCEPTUALIZING FRIENDSHIP THROUGH AMERICAN GAY TELEVISION SERIES IN 2000S Rudy Prima Indonesia University, Indonesia [email protected] Abstract Gay culture has been one of the most phenomenal issues in the world, particularly in the United States. As this culture has become pro and contra over American regarding their point of view, ethically or unethically, thus, it has been spread all over the world through media, particularly television, which makes it unique and essential to observe through the television series, gay characters appear with certain features attached to them. This study concentrates on the depiction of gay shown through American gay television series in 2000s. As gay culture is strongly connected to the collectivity, the friendship among minority groups like gay people has become fascinating to identify. By focusing on how and why the friendship is portrayed through the gay television series, this study incorporates semiotic approach to identify the friendship among gay shown by the American gay television series in 2000s. The observation of the gay television series have revealed that friendship among gay people plays a significant role in gay culture. The research findings show that the depiction of friendship through the gay TV series symbolizes similar values and vision shared among gay people in order to reach solidarity. Additionally, strong friendship as a binding value is always the feature shown by oppressed minority groups in a society. Keywords: Gay, Television Series, 2000s, Friendship, America Culture Introduction and Transgender) to gain more opportunities to come out. Thus, gay phenomena in the United The world has recently witnessed various States have become argumentative issues incidents and changes in people’s lives.