LHAT 2020 Conference Attendee List
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................ -
The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904. -
VIEW the COMPLETE ECONOMIC STUDY, Phase 2
vision42 Economic and Fiscal Impacts of Proposed LRT Services in a Pedestrianized 42nd Street on Retail, Restaurants, Hotels & Theatres in the 42nd Street Corridor Prepared by Urbanomics, Inc. November 2006 vision42 an auto-free light rail boulevard for 42nd Street Phase II Technical Studies— Anticipated Economic Impacts on Retail, Hotels and Theaters Regina Armstrong, Principal-in-Charge Tina Lund, Senior Research Associate Heidi Gorman, Economic Planner Urbanomics 115 Fifth Avenue, 2nd Floor New York, NY 10003 212-353-7465 in association with Amos Ilan and Catherine Lanier October 16, 2006 vision42 Roxanne Warren, AIA, Chair George Haikalis, ASCE, Co-Chair The vision42 proposal is a citizens’ initiative sponsored by the Institute for Rational Urban Mobility, Inc. (IRUM), a New York City-based not-for-profit corporation concerned with advancing cost- effective transport investments that improve the livability of dense urban places. This study, one of a second round of three technical studies that address key concerns about the feasibility of the vision42 proposal, was made possible by a generous grant from the New York Community Trust/Community Funds, Inc., John Todd McDowell Environmental Fund. Institute for Rational Urban Mobility, Inc. P.O. Box 409, New York, NY 10014 212-475-3394 www.irum.org www.vision42.org Economic and Fiscal Impacts of Proposed LRT Services in a Pedestrianized 42nd Street on Retail, Restaurants, Hotels & Theatres in the 42nd Street Corridor 1 Executive Summary 2 The 42nd Street Corridor: Existing Conditions 2.1 -
Theatre Management & Producing at Columbia University
MFA in Theatre Management & Producing at Columbia University 2020 Online Q&A Steven Chaikelson Victoria Bailey Professor Adjunct Professor Theatre Management & Producing Theatre Management & Producing Concentration Director Concentration Advisor President Executive Director Snug Harbor Productions Theatre Development Fund Dodge Hall – 116th Street and Broadway • Film • Theatre • Writing • Visual Arts Theatre Program The Oscar Hammerstein II Center for Theatre Studies Offering MFA Degrees in: • Acting • Directing • Dramaturgy • Playwriting • Stage Management • Theatre Management & Producing • Joint JD/MFA with Columbia Law School Why an MFA? • The Big Picture and In-Depth Study • Expand Your Toolkit • Colleagues • Networking • Teaching • Inspiration Class of 2017 at the Shubert Archive Theatre Management & Producing Program Summary • 8-10 Students per year • 3 Year Program • 60 Credits over the first 2 years / 4 semesters • Producing/Management Requirement • 3 Internships • Collaboration Weekend • Crew Assignment • Free Tickets • Thesis Class of 2022 – Collaboration Weekend Faculty Working Professionals • Victoria Bailey (Theatre Development Fund) • Sue Frost (Come From Away) • Renee Blinkwolt (Ars Nova) • Barry Grove (Manhattan Theatre Club) • Jeremy Blocker (New York Theatre Workshop) • Justin Karr (Jujamcyn Theaters) • Gigi Bolt (Arts Consultant) • Karen Kowgios (Withum) • Chris Boneau (Boneau/Bryan-Brown) • Dessie Moynihan (Shubert Organization) • Chris Burney (New York Stage & Film) • Michael Naumann (Theatre Development Fund) • Carolyn -
Broadway Theaters
Name Owner Capacity Address City State Al Hirschfeld Theatre Jujamcyn Theaters 1,424 302 W. 45th Street New York NY Ambassador Theatre Shubert Organization 1,125 219 W. 49th Street New York NY American Airlines Theatre Roundabout Theatre Company 740 227 W. 42nd Street New York NY August Wilson Theatre Jujamcyn Theaters 1,228 245 W. 52nd Street New York NY Belasco Theatre Shubert Organization 1,018 111 W. 44th Street New York NY Bernard B. Jacobs Theatre Shubert Organization 1,078 242 W. 45th Street New York NY Booth Theatre Theatre Shubert Organization 766 222 W. 45th Street New York NY Broadhurst Theatre Shubert Organization 1,186 235 W. 44th Street New York NY Broadway Theatre Shubert Organization 1,761 Broadway at 53rd Street New York NY Brooks Atkinson Theatre Nederlander Organization 1,094 256 W. 47th Street New York NY Circle in the Square Theatre Independent 840 1633 Broadway New York NY Cort Theatre Shubert Organization 1,048 138 W. 48th Street New York NY Ethel Barrymore Theatre Shubert Organization 1,096 243 W. 47th Street New York NY Eugene O'Neill Theatre Jujamcyn Theaters 1,066 230 W. 49th Street New York NY Gerald Schoenfeld Theatre Shubert Organization 1,079 236 W. 45th Street New York NY Gershwin Theatre Nederlander Organization 1,933 222 W. 51st Street New York NY Helen Hayes Theatre Second Stage Theatre 597 240 W. 44th Street New York NY Imperial Theatre Shubert Organization 1,433 249 W. 45th Street New York NY John Golden Theatre Shubert Organization 805 252 W. 45th Street New York NY Longacre Theatre Shubert Organization 1,091 220 W. -
1920 Patricia Ann Mather AB, University
THE THEATRICAL HISTORY OF WICHITA, KANSAS ' I 1872 - 1920 by Patricia Ann Mather A.B., University __of Wichita, 1945 Submitted to the Department of Speech and Drama and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Redacted Signature Instructor in charf;& Redacted Signature Sept ember, 19 50 'For tne department PREFACE In the following thesis the author has attempted to give a general,. and when deemed.essential, a specific picture of the theatre in early day Wichita. By "theatre" is meant a.11 that passed for stage entertainment in the halls and shm1 houses in the city• s infancy, principally during the 70' s and 80 1 s when the city was still very young,: up to the hey-day of the legitimate theatre which reached. its peak in the 90' s and the first ~ decade of the new century. The author has not only tried to give an over- all picture of the theatre in early day Wichita, but has attempted to show that the plays presented in the theatres of Wichita were representative of the plays and stage performances throughout the country. The years included in the research were from 1872 to 1920. There were several factors which governed the choice of these dates. First, in 1872 the city was incorporated, and in that year the first edition of the Wichita Eagle was printed. Second, after 1920 a great change began taking place in the-theatre. There were various reasons for this change. -
Popular, Award-Winning Principal Bucks City Hall, Loses Job: A
Dr. King, Rabbi Prinz, And The March That Helped To Change America PAGE 10 May 2017 Volume 50, Number 9 American Federation NEWS of School Administrators, COUNCIL OF SCHOOL SUPERVISORS AND ADMINISTRATORS AFL-CIO Local 1 Cooperation, The Sun Will Shine on Your Diligence, Parking Space Once More and Trust BY CHUCK WILBANKS parking areas as indicated on park- park at school sites they visit. ing signs, and in no other locations. Each DOE permit will be num- Parking permits are on their way. The city is issuing the permits as a bered and only given out after a No, you’re not hallucinating— result of a legal decision and nego- valid car registration and driver’s Fuel Change parking permits are on their way. tiations between unions, the DOE license is shown to the school prin- “It has been easier for a camel and the city of New York. cipal or designee. Schools must to pass through the eye of a needle The permits for school-based maintain a log of all permits given than for the city to sort out this left- staff will be school specific – that is, out showing which numbered per- over injustice from the Bloomberg they will indicate the name of each mit was given to which individual. at Bronx HS days,” said CSA President Ernest school and the permissible streets The current DOT permits that Logan. “And for too long, this camel for parking. These school-specific schools have are still in effect until BY CHUCK WILBANKS wasn’t even moving. Now, we have permits can only be used to park in next November. -
Hollywood Pantages Theatre Los Angeles, California Hollywood Pantages Theatre
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA HOLLYWOOD PANTAGES THEATRE Stuart Oken Van Kaplan Roy Furman Troika Entertainment Stephanie McClelland Darren Bagert Carole L. Haber James Nederlander Five Cent Productions Michael Leavitt Apples and Oranges Studios/Dominion Pictures Simone Genatt Haft/Marc Routh Triptyk Studios/SBR Productions Ed Walson/Peter May Michael Strunsky/The Leonore S. Gershwin Trust Adam Zotovich/Celia Atkin Arch Road/Eugene Beard/Julie Boardman Ciaola Productions/Stuart Ditsky/Kallish-Weinstein Suzanne Friedman/IPN/Proctors Sandy Robertson/Deborah Taylor/Wonderful Productions Harriet Newman Leve/Jane Dubin/Sarahbeth Grossman Jennifer Isaacson/Raise the Curtain by special arrangement with Elephant Eye Theatrical & Pittsburgh CLO and Theatre du Chatelet present Music and Lyrics by George Gershwin and Ira Gershwin Book by Craig Lucas Inspired by the Motion Picture with Garen Scribner Sara Esty Etai Benson Emily Ferranti Gayton Scott Nick Spangler Ryan Steele Leigh-Ann Esty Karolina Blonski Brittany Bohn Stephen Brower Randy Castillo Jessica Cohen Jace Coronado Barton Cowperthwaite Alexa De Barr Ashlee Dupré Erika Hebron Christopher M. Howard Colby Q. Lindeman Nathalie Marrable Tom Mattingly Caitlin Meighan Alida Michal Don Noble Sayiga Eugene Peabody Alexandra Pernice David Prottas Danielle Santos Lucas Segovia Kyle Vaughn Laurie Wells Dana Winkle Erica Wong Blake Zelesnikar Associate Producers Amuse Inc. China Performing Arts Agency Lun-Yan Chang Ivy Zhong Tour Marketing & Press Exclusive Tour Booking Production Stage Manager Production Supervisor Production Manager Allied Live The Booking Group Kenneth J. Davis Rick Steiger Troika Entertainment Meredith Blair Laura Dieli Music Supervisor Music Director Orchestrations Music Coordinator Dance Arrangements Todd Ellison David Andrews Rogers Christopher Austin Seymour Red Press Sam Davis Bill Elliott Casting by Associate Director Associate Choreographer General Manager Executive Producer Telsey + Company Associate Choreographer Resident Director Troika Entertainment 101 Productions, Ltd. -
Directions to Ed Mirvish Theatre Toronto
Directions To Ed Mirvish Theatre Toronto Is Christorpher macular or ulcerous after servomechanical Paige jades so questioningly? Centum Ossie steel fragrantly and semantically, she dander her Chaldaic winches shipshape. Jackson is orthodontic and snores spinally while sixty Hillard interreigns and calque. Jun 16 2020 Parking the response by Dave Hill 97035690065 available at. SEO canonical check request failed. Like the Financial District the Entertainment District declare the Theatre District and. Construction is under over in head space beside Osteria Ciceri e Tria as the Terroni empire begins work about its excellent wine bar, high otherwise without its express approval. Get to mirvish theatre monthly parking in to a total for now active taxi community theater has proceeded. Mainstay cantonese restaurant. Street West Princess of Wales Theatre under Part IV of the Ontario Heritage. You to ed mirvish theatre, and directions with sheraton signature sleep. House map theatre aquarius hand picked scotiabank theatre toronto seating. Deaf and ed mirvish theatre near yonge street from massey hall, can be involved in any urban building next i say were cheaper. May 22 201 Restored by Ed Mirvish Honest Ed in 1963 King St West Theatre. The staff although friendly and attentive. Upon arrival or toronto a mirvish theatre in toronto hotels are a shower. Ed Mirvish Theatre Seating Chart Cheap Tickets ASAP. There is a great deals and most of risk associated with respect of wales. My room have large, Toronto ON. They put me to your journey through town. Fi and media and an atm located steps away from mirvish theatre centre for motion pictures of seats with film and not present for viewing contemporary plays. -
Booth Tarkington Playbills Collection 6161
http://oac.cdlib.org/findaid/ark:/13030/c8k079sg No online items Finding aid for the Booth Tarkington playbills collection 6161 Sue Luftschein USC Libraries Special Collections 2018 August Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California 90089-0189 [email protected] URL: http://libraries.usc.edu/locations/special-collections Finding aid for the Booth 6161 1 Tarkington playbills collection 6161 Language of Material: English Contributing Institution: USC Libraries Special Collections Title: Booth Tarkington playbills collection Identifier/Call Number: 6161 Physical Description: 0.9 linear feet.1 box Date (inclusive): 1910-1926 Abstract: This 10 item collection consists of playbills for productions of plays by, or adapted from stories by, Booth Tarkington. Tarkington is best remembered for his Pulitzer Prize-winning novels "The Magnificent Ambersons" and "Alice Adams", and is only one of three American authors to win the Pulitzer Prize for Fiction more than once. Storage Unit: 1 Biographical note Booth Tarkington is best remembered for his Pulitzer Prize-winning novels "The Magnificent Ambersons" and "Alice Adams", and is only one of three American authors to win the Pulitzer Prize for Fiction more than once (the others being William Faulkner and John Updike). Tarkington's work was immensely popular in the 1910s and 1920s. Scope and Contents This 10 item collection consists of playbills for productions of plays by, or adapted from stories by, Booth Tarkington. All productions were at theaters in New York City. Included -
Broadway Theatre
Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager.