DOCSLIB.ORG

Conrad Aiken Papers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Conrad Aiken Papers http://oac.cdlib.org/findaid/ark:/13030/c8rx9jd2 No online items Conrad Aiken Papers Finding aid prepared by Huntington Staff, 1976 and revised by Sue Hodson, 1988, and Diann Benti in 2018. Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2018 The Huntington Library. All rights reserved. Conrad Aiken Papers mssAIK 1-4904 1 Descriptive Summary Title: Conrad Aiken Papers Dates: 1851-1983 Bulk dates: 1920-1970 Collection Number: mssAIK 1-4904 Creator: Aiken, Conrad, 1889-1973 Extent: Approximately 5,300 items in 103 boxes and additional oversize folders Repository: The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the personal and professional papers of American writer Conrad Aiken (1889-1973). The collection includes his correspondence (chiefly letters addressed to him), dealing with his business and literary affairs, manuscripts of his works, with some photographs and ephemera. Language of Material: The records are in English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. Preferred Citation [Identification of item], Conrad Aiken Papers, The Huntington Library, San Marino, California. Acquisition Information Purchased from Mary Augusta (Hoover) Aiken, September, 1975. Other Aiken manuscripts since the original purchase have been catalogued with the collection. Their provenance is noted on the individual folders. 1. Mimeographed materials have normally been fully catalogued as manuscripts, since most were prompt copies of plays or broadcasts and often have notes by the producer on them. All xerox copies have been placed in "Xerox" boxes at the end of the Collection. 2. Quite frequently only a portion of a poem was written by Aiken. It has normally not been described as a "fragment" or "incomplete" in as much as the majority of the manuscripts in the collection were Aiken's working copies. Sections of verse were added and corrected now and again, thus it would be misleading to classify these revisions as fragmentary only because they represent a portion of the final, printed text. 3. In about 1970, Aiken went through many of his manuscripts and noted in blue ink at the top of the page a notation, such as "early draft." In every instance these notes were made later than the composition of the piece and are Aiken's recollections. Many are helpful but some are misleading and should not be taken as definitive. 4. Throughout the letters and manuscripts, Mary Aiken has made identifying notes, many of which are both very helpful and reliable. Her notes have not normally been noted on the individual folders, although any notations by others have been identified whenever possible. Biographical Note Conrad Potter Aiken (1889-1973) was a writer of poetry, short stories, novels and criticism. He is best known perhaps for his innovative autobiography, Ushant (1952), and for the play, Mr. Arcularis, which was adapted from his short story "Mr. Arcularis." Among Aiken's notable works are Blue Voyage (1927), his first novel, which deeply impressed the young Malcolm Lowry while writing Ultramarine; Collected Poems (1953) which won for Aiken the National Book Award for 1953; and The Clerk's Journal, an undergraduate poem - written in 1911 but published late in Aiken's life (1971). The Reviewer's ABC, a selection of Aiken's criticism gathered together by Rufus Blanshard demonstrates Aiken's prophetic talent of judging Conrad Aiken Papers mssAIK 1-4904 2 who among his contemporaries would be proclaimed "good" or "bad." Aiken spent his first eleven years in his birthplace, Savannah, Georgia, until witnessing the murder-suicide of his father and mother in 1901. He then lived in New England with his great aunt, Jane Delano Kempton, and with his aunt and uncle, William Hopkins Tillinghast. Conrad's brothers and sister, Kempton, Robert, and Elizabeth, were separated from their older brother after their parents' deaths and went to a cousin's home to live, taking his surname, Taylor. Between 1903 and 1907 Aiken studied at Middlesex School in Concord, Massachusetts, where he wrote for the school magazine, The Anvil. He studied at Harvard College between 1907 and 1911, writing for The Harvard Monthly and The Harvard Advocate. After withdrawing from Harvard in 1911, Aiken went abroad to England and Italy but returned to Harvard in 1912 to graduate. In 1912, Aiken married the first of his three wives, Jessie McDonald, a Canadian with whom he had three children, John, Jane and Joan. Conrad and Jessie lived in London or Massachusetts between 1912 and 1922 until moving to England permanently in 1922. They settled first in London, then at Winchelsea, Sussex, and finally in Rye, Sussex, where they bought Jeake's House, where Aiken was to live intermittently until 1947. In 1929, Aiken and Jessie divorced and in 1930 he married Clarice (also known as Clarissa or Jerry) Lorenz. Between the time of his marriage and his divorce from Jerry in 1937, Aiken lived in either Jeake's House or in Cambridge and Boston. Aiken got a Mexican divorce in Cuernavaca from Jerry and in 1937 married his third wife, Mary Augusta Hoover. Conrad and Mary lived in Jeake's House from 1937 to 1939, but returned to New England with the outbreak of war in 1939. In 1940 they bought "Forty-one Doors", a rambling house on Cape Cod in Brewster, Massachusetts, named after the forty-one doors inside the house. "Forty-one Doors" was to be Conrad and Mary's permanent home, though they rented in New York City in the 1950s, bought a flat in Washington D.C. in 1955 (only to have it condemned by the government for an office building shortly afterwards) and in the 1960s and early 1970s spent most of their winters in Savannah, in the house next door to the one in which Aiken had lived as a child. Aiken's life was, therefore, geographically concentrated in Savannah, New England, and the southern coast of England. Scope and Content This collection contains the personal and professional papers of American author Conrad Aiken. The collection includes his correspondence (chiefly letters addressed to him), dealing with his business and literary affairs, manuscripts of his works, with some photographs and ephemera. The manuscripts include poems published in "Skylight One" (1949), "The Divine Pilgrim" (1949), "A Letter from Li Po" (1955), "Sheepfold Hill" (1955), "The Morning Song of Lord Zero" (1963); "The Clerk's Journal: Being the Diary of a Queer Man" (1911)" a notebook (1911-1925) containing literary notes, addresses, etc. essays, notes, the first draft of Aiken's autobiography, etc. Correspondents include: Mary Augusta Hoover Aiken, William Ford Aiken, Rufus Blanshard, Brandt & Brandt (firm), D. G. Bridson, Edward John Burra, Horatio Colony, Malcolm Cowley, Richard Eberhart, T. S. Eliot, Jean Garrigue, Erich Heller, Dame Laura Knight, Seymour Lawrence, Malcolm Lowry, Grayson Prevost McCouch, Jay Martin , Henry Alexander Murray, Howard Nemerov, Allen Tate, Kempton Potter Aiken Taylor, Louis Untermeyer, and others. The collection includes: Manuscripts by Conrad Aiken: A wealth of original autograph and typescript drafts is to be found in the collection. • The majority consists of manuscripts of poems published in Skylight One (1949), The Divine Pilgrim (1949), A Letter from Li Po (1955), Sheepfold Hill (1955), and The Morning Song of Lord Zero (1963) • The Clerk's Journal: Being the Diary of a Queer Man (16 pp.; Jan. 9, 1911), an original autograph manuscript of the poem written for an English course at Harvard University (AIK 2798). The manuscript includes marginal comments by the instructor, Le Baron Russell Briggs, and is accompanied by the proof sheets for the 1971 edition and an early (1970)draft of Aiken's preface, entitled "A Short Memoir of Harvard, Dean Briggs, T. S. Eliot, in 1911" (AIK 3644) • The Conversation; or Pilgrim's Progress (226 pp.; ca. 1940), the first type script of the novel. AIK 3393 • Mr. Arcularis (1946 to ca. 1952), eleven drafts of the short story/play. In 1946 Diana Hamilton's dramatization of Aiken's short story was produced at the Lyric Theatre, Hammersmith, London, under the title Fear No More. Deemed a failure by its producers, the play was revised. Hamilton, however, was suffering from brain cancer, so Aiken made the extensive changes leading to its production at the Arena Stage in Washington, D.C., May 8-27, 1951. Following further revisions, the play was published by Harvard University Press in 1957. The collection also contains four versions of Hamilton's Fear No More. AIK 3774-3784 • Nine Poems (9 pp.; 1952), typewritten manuscript with a few autograph corrections of a piece published in the Aiken commemorative issue of Wake, acquired by the Huntington in 1984. AIK 4714 Conrad Aiken Papers mssAIK 1-4904 3 • Notebook (one volume; 1911-1925), containing literary notes, addresses, etc. AIK 3588 • The Soldier (29 pp.; ca. 1945), the first draft of the poem, written in pencil in a composition book. AIK 3399 • Time in the Rock (112 pp.; ca. 1936), the first draft of the poem, typewritten with numerous autograph revisions. AIK 3698 • The Tinsel Circuit (33 pp.; 1916), the original version of a group of 19 poems. Aiken published slightly revised versions of the seven poems as "Vaudeville Suite" in the fall, 1955, issue of the Carolina Quarterly.
Load more

Recommended publications
  • The Bookman Anthology of Verse
    The Bookman Anthology Of Verse Edited by John Farrar The Bookman Anthology Of Verse Table of Contents The Bookman Anthology Of Verse..........................................................................................................................1 Edited by John Farrar.....................................................................................................................................1 Hilda Conkling...............................................................................................................................................2 Edwin Markham.............................................................................................................................................3 Milton Raison.................................................................................................................................................4 Sara Teasdale.................................................................................................................................................5 Amy Lowell...................................................................................................................................................7 George O'Neil..............................................................................................................................................10 Jeanette Marks..............................................................................................................................................11 John Dos Passos...........................................................................................................................................12
    [Show full text]
  • April 2005 Updrafts
    Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity.
    [Show full text]
  • The Death of the Firm
    Article The Death of the Firm June Carbone† & Nancy Levit†† INTRODUCTION A corporation is simply a form of organization used by human beings to achieve desired ends. An established body of law specifies the rights and obligations of the people (including shareholders, officers, and employees) who are associated with a corporation in one way or another. When rights, whether constitutional or statutory, are ex- tended to corporations, the purpose is to protect the rights of these people.1 In the Supreme Court’s decision in Burwell v. Hobby Lob- by—and more generally in corporate and employment law—the firm as entity is disappearing as a unit of legal analysis. We use the term “firm” in this Article in the sense that Ronald Coase did to describe a form of business organization that or- ders the production of goods and services through use of a sys- tem internal to the enterprise rather than through the use of independent contractors.2 The idea of an “entity” in this sense † Robina Chair in Law, Science and Technology, University of Minneso- ta Law School. †† Curators’ and Edward D. Ellison Professor of Law, University of Mis- souri – Kansas City School of Law. We thank William K. Black, Margaret F. Brinig, Naomi Cahn, Paul Callister, Mary Ann Case, Lynne Dallas, Robert Downs, Max Eichner, Martha Fineman, Barb Glesner Fines, Claire Hill, Brett McDonnell, Amy Monahan, Charles O’Kelley, Hari Osofsky, Irma Russell, Dan Schwarcz, Lynn Stout, and Erik P.M. Vermeulen for their helpful comments on drafts of this Article and Tracy Shoberg and Shiveta Vaid for their research support.
    [Show full text]
  • A Bibliography of Edwin Arlington Robinson, 1941-1963
    Colby Quarterly Volume 7 Issue 1 March Article 3 March 1965 A Bibliography of Edwin Arlington Robinson, 1941-1963 William White Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 7, no.1, March 1965, p.1-26 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. White: A Bibliography of Edwin Arlington Robinson, 1941-1963 Colby Library Quarterly Series VII March 1965 No.1 A BIBLIOGRAPHY OF EDWIN ARLINGTON ROBINSON, 1941-1963 By WILLIAM WHITE HIS bibliography of Edwin Arlington Robinson is a supple­ T ment to Charles Beecher Hogan's "Edwin Arlington Robin­ son: New Bibliographical Notes," The Papers of the Biblio­ graphical Society of America (New York), Vol. XXXV, pp. 115-144, Second Quarter 1941, which itself supplements Mr. Hogan's admirable A Bibliography of Edwin Arlington Robin­ son (New Haven: Yale University Press, 1936). I have fol­ lowed Mr. Hogan's organization and style, with some slight modifications, particularly in the descriptions of books by Robinson. Although an attempt has been made to be as com­ plete as possible, I certainly do not approach Mr. Hogan's work in this respect. While he says (on p. iii of his Bibliography) that his book is "intended primarily for collectors," the present supplement is meant for scholars and critics who would like to know what has been written on the creator of "Luke Havergal" and "Miniver Cheevy" in the past t\venty-two years.
    [Show full text]
  • April Showers
    PARTART 2 Realism and Naturalism Mrs. Charles Thursby, 1897–1898. John Singer Sargent. 3 Oil on canvas, 78 x 39 /4 in. Collection of The Newark Museum. “There are two ways of spreading light: to be The candle or the mirror that reflects it.” —Edith Wharton, “Vesalius in Zante” 531 The Newark Museum/Art Resource, NY 0531 U4P2-845481.indd 531 4/7/06 6:06:33 PM LITERARY HISTORY The Two Faces of Urban America N THE LATE NINETEENTH AND EARLY twentieth centuries, despite the emergence of a Igrowing middle class, rapid industrialization created two sharply contrasting urban classes: wealthy entrepreneurs and poor immigrants from Europe and Asia who provided them with cheap labor. Although dependent upon each other, these two groups seldom met, as they lived in starkly different neighborhoods. The wealthiest families established fashionable districts in the hearts of cities, where they built fabulous mansions. By contrast, the majority of factory workers squeezed into dark, overcrowded tenements where crime, violence, fire, and disease were constant threats. U.S. writers of the time responded to and reflected these urban conditions in their novels, stories, essays, and articles. Picnicking in Central Park, 1885. Robert L. Bracklow. Black and white photograph. “The entire metropolitan center possessed a high and mighty air her heroine Lily Bart’s descent from wealth into poverty is mirrored by a decline in the houses she is calculated to overawe and abash the forced to inhabit. common applicant, and to make the Wharton’s older contemporary and friend Henry James gulf between poverty and success was born into a distinguished Boston family in 1843.
    [Show full text]
  • John Gould Fletcher - Poems
    Classic Poetry Series John Gould Fletcher - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive John Gould Fletcher(3 January 1886 – 10 May 1950) John Gould Fletcher was an Imagist poet, author and authority on modern painting. He was born in Little Rock, Arkansas to a socially prominent family. After attending Phillips Academy, Andover Fletcher went on to Harvard University from 1903 to 1907, when he dropped out shortly after his father's death. <b>Background</b> Fletcher lived in England for a large portion of his life. While in Europe he associated with <a href="http://www.poemhunter.com/amy-lowell/">Amy Lowell</a>, <a href="http://www.poemhunter.com/ezra-pound/">Ezra Pound</a>, and other Imagist poets, he was one of the six Imagists who adopted the name and stuck to it until their aims were achieved. Fletcher resumed a liaison with Florence Emily “Daisy” Arbuthnot (née Goold) at her house in Kent. She had been married to Malcolm Arbuthnot and Fletcher's adultery with her was the grounds for the divorce. The couple married on July 5, 1916. Their marriage produced no children, but Arbuthnot’s son and daughter from her previous marriage lived with the couple. On January 18, 1936 he married a noted author of children's books, Charlie May Simon. The two of them built "Johnswood", a residence on the bluffs of the Arkansas River outside Little Rock. They traveled frequently, however, to New York for the intellectual stimulation and to the American Southwest for the climate, after Fletcher began to suffer from arthritis.
    [Show full text]
  • Edwin Arlington Robinson's Interpretation of Tristram
    / EDWIN ARLINGTON ROBINSON’S INTERPRETATION OF TRISTRAM BY MARY EDNA MOLSEED 'r A THESIS Submitted to the Faculty of The Creighton University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of E n g l i s h OMAHA, 1937 TABLE OF CONTENTS CHAPTER PAGE F O R E W O R D ................................................. i I. AN INTRODUCTION TO ROBINSON .......................... 1 II. THE POSSIBLE ORIGIN OF THE TRISTRAM L E G E N D ..................................................... 13 III. SOME CHARACTERISTICS OF THE TRISTAN STORY BY THOMAS ........................................ 19 IV. LATER VERSIONS OF TRISTRAM .......................... 24 V. ROBINSON'S INTERPRETATION OF TRISTRAM .............33 BIBLIOGRAPHY 44 i FOREWORD ■ The third great epic, Tristram, which was to complete the Arthurian trilogy, so majestically and movingly in­ terpreted the world-famous medieval romance that the out­ standing excellences of Robinson's verse, thus far ignored by the large reading public, forced themselves into recognition, and he, after thirty years' patient waiting and unflagging trust in his own genius, at last was greeted with universal applause. Although America in the interval had witnessed an exceptional efflorescence of good poetry, he was hailed, not only as the dean, but as the prince of American bards.* The writer, who considers this statement as valid, bases her thesis on the premise that Robinson did appeal to the modem reader. She aims, first, through a study of the poet in general, to show how he appealed to the public. Because Tristram is classed as a medieval character, she will consider the possible origin of the story.
    [Show full text]
  • AIKEN, CONRAD, 1889-1973. Conrad Aiken Collection, 1951-1962
    AIKEN, CONRAD, 1889-1973. Conrad Aiken collection, 1951-1962 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Aiken, Conrad, 1889-1973. Title: Conrad Aiken collection, 1951-1962 Call Number: Manuscript Collection No. 126 Extent: .25 linear ft. (1 box) Abstract: Collection of materials relating to American poet and critic, Conrad Aiken including correspondence and printed material. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Henry E. Huntington Library (San Marino, CA) and Houghton Library, Harvard University. Source Purchased from George Minkoff Booksellers in 1977. Additions were purchased from Charles Apfelbaum Rare Manuscripts and Archives in 2006. Custodial History Purchased from dealer, provenance unknown. Citation [after identification of item(s)], Conrad Aiken collection, Manuscript, Archives and Rare Book Library, Emory University. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Conrad Aiken collection, 1951-1962 Manuscript Collection No. 126 Appraisal Note Acquired by Director of the Rose Library, Linda Matthews, as part of the Rose Library's holdings in American literature. Processing Processed by Linda Matthews, December 15, 1977. This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language.
    [Show full text]
  • An Interpretation of Amy Lowell's Poems from Emerson's
    ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 13, No. 5, 2017, pp. 38-41 www.cscanada.net DOI:10.3968/9694 www.cscanada.org Picturing Her Landscape: An Interpretation of Amy Lowell’s Poems From Emerson’s Transcendentalism ZHENG Chang[a],* [a]College of International Studies, Southwest University, Chongqing, posthumously won Pulitzer Prize for Poetry in 1926. China. From 1913 until 1925, Lowell was deeply involved in *Corresponding author. Imagism. After the break from Ezra Pound, she redirected Received 18 February 2017; accepted 15 April 2017 the Imagist Movement, and then literary people called Published online 26 May 2017 the American Imagist Movement “Aymgist” Movement, which indicated Amy was really a woman of importance Abstract in this undertaking. The current studies on Imagism have Amy Lowell is a female poet in the American Imagist showed that people have placed much importance on movement in the twentieth century. The former studies Pound, but so rare efforts have been directed to Lowell. have mainly focused on the images in her poems from the Few of her poems have been thoroughly understood, and perspective of aesthetics. Few studies have pointed out much more still waits probing. Considering this problem, the philosophical implications of her poetry. This paper the paper will shed some new light on Lowell studies. A tries to approach Lowell’s poems from the perspective of new spectrum for viewing her poems is from Emerson’s Emerson’s transcendental philosophy. Although the two transcendental philosophy. great figures lived in different times, a direct link between It is hard to find a direct link between imagism and them can hardly be built, they share some similarities, and transcendentalism, for they are the voices of different their poems are colored by transcendental thoughts: Both times in American history.
    [Show full text]
  • Myths, Legends, and Apparitional Lesbians: Amy Lowell's Haunting Modernism
    This is a repository copy of Myths, Legends, and Apparitional Lesbians: Amy Lowell's Haunting Modernism. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/122951/ Version: Accepted Version Article: Roche, H (2018) Myths, Legends, and Apparitional Lesbians: Amy Lowell's Haunting Modernism. Modernist Cultures, 13 (4). pp. 568-589. ISSN 2041-1022 https://doi.org/10.3366/mod.2018.0230 This article is protected by copyright. All rights reserved. This is an author produced version of a paper accepted for publication in Modernist Cultures, published by the Edinburgh University Press, at: http://www.euppublishing.com/loi/mod. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Myths, Legends, and Apparitional Lesbians: Amy Lowell’s Haunting Modernism Dr Hannah Roche Email: [email protected] Affiliation: University of Leeds 1 Abstract By the end of the twentieth century, Amy Lowell’s poetry had been all but erased from modernism, with her name resurfacing only in relation to her dealings with Ezra Pound, her distant kinship with Robert Lowell, or her correspondence with D.
    [Show full text]
  • Report Resumes
    REPORT RESUMES ED 013 813 24 TE 000 055 A CURRICULUM FOR ENGLISH POETRY FOR THE ELEMENTARY GRADES. NEBRASKA UNIV., LINCOLN,CURRICULUM DEV. CTR. PUB DATE 66 CONTRACT OEC-2-10-119 EDRS FRICE MF-$1.00 HC NOT AVAILADLE FROM EDRS. 225F. DESCRIPTORS- *CURRICULUM GUIDES, *ELEMENTARY GRADES, *ENGLISH INSTRUCTION, *POETRY, *TEACHING GUIDES, CHORAL SPEAKING, COMPOSITION (LITERARY) ,FIGURATIVE LANGUAGE, INSTRUCTIONAL MATERIALS, LANGUAGE, LITERARY ANALYSIS, LITERATURE, ORAL READING, PHONOLOGY, SYNTAX, LANGUAGE PATTERNS, NEDRASKA CURRICULUM DEVELOPMENT CENTER MATERIALS FOR THE NEDRASKA ELEMENTARY ENGLISH CURRICULUM INCLUDE AN ANCILLARY POETRY MANUAL FOR GRADES ONE THROUGH SIX. ATTENTION IS GIVEN TO INCREASING THE CHILD'S FLEASURE IN POETRY, BROADENING HIS KNOWLEDGE Cf POETRY, AND HELPING HIM TO EXPRESS HIMSELF MORE CREATIVELY. CHILDREN ARE ENCOURAGED FIRST TO ENJOY THE READING CC POEMS AND THEN TO PERCEIVE PARTICULAR FOETIC TECHNIQUES. THE TEACHER IS ENCOURAGED TO READ POETRY ALOUD AND TO DISCUSS WITH CHILDREN, AT THEIR LEVEL OF UNDERSTANDING, THE MEANING, SYNTAX, IMAGERY, AND RHYTHMIC AND RHYMING PATTMNS IN POEMS. THE MANUAL INCLUDES--(1) A DISCUSSION OF ELEMENTS CHARACTERISTIC CF GOOD POETRY AND STANDARDS DY WHICH TO JUDGE GOOD POETRY FOR CHILDREN AND BY CHILDREN,(2) SAMPLE LESSON FLANS FOR EACH GRADE LEVEL,(3) AN INDEXED ANTHOLOGY Cf 209 CHILDREN'S POEMS WRITTEN BY CHILDREN AND DY EMINENT POETS OF MANY CULTURES FROM ANCIENT TO MODERN TIMES,(4) A LIST CF POEMS, ARRANGED BY GRADE LEVEL AND SUDJECT, FOUND IN THE PAD CORE POETRY TEXTS USED IN THE ELEMENTARY GRADES,(5) A DIDLIOGRAPHY Cf USEFUL BODKS RELATED TO THE STUDY OF POETRY, AND (6) A LIST OF SELECTED RECOIDINGS CC POETRY READINGS.
    [Show full text]
  • Emily Dickinson: the Growth of Her Reputation in Periodical Criticism, 1890-1934
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1934 Emily Dickinson: The Growth of Her Reputation in Periodical Criticism, 1890-1934 Ruth Corrigan Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Corrigan, Ruth, "Emily Dickinson: The Growth of Her Reputation in Periodical Criticism, 1890-1934" (1934). Master's Theses. 118. https://ecommons.luc.edu/luc_theses/118 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1934 Ruth Corrigan EMILY DICKINSON: THE GROWI'H OF HER REPUTATION IN PERIODICAL CRITICISM 1890 - 1934 by Ruth Corrigan A thesis submitted in partial fulfillment or the requirements ror the degree or Master or Arts in Loyola University 1934 ii Born Chicago, Illinois, 1903. Completed High School, Chicago, 1919. Ph.B. University of Chicago, 1923. Teacher-Schurz High School, Chicago, Illinois iii CONTENTS Fage Preface v Chapter I 1 1. A brief study of the life of Emily Dickinson. 2. A brief view of the times. Chapter II 1. Criticism following Poems: First Series 2. Criticism following Poems: Second Se~ 3. Criticism following msilY Dickinson's Let~ 4. Criticism following Poems: Third Series Chapter III 21 1. Her obscurity between 1897 and 1914. 2.
    [Show full text]