Theatre in Lockdown!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Press Release
PRESS RELEASE Shakespeare’s Globe Announces Full Casting for Nick Bagnall’s Love’s Labour’s Lost 17 JULY 2018 Shakespeare’s Globe is delighted to announce full casting for Nick Bagnall’s Love’s Labour’s Lost, opening in the Sam Wanamaker Playhouse on Thursday 23 August. Dharmesh Patel will play Berowne. Dharmesh returns to the Globe after starring in Barrie Rutter's The Captive Queen in the Sam Wanamaker Playhouse earlier this year. Other recent theatre credits include Titus Andronicus, Antony and Cleopatra and Julius Caesar (RSC), The Two Gentlemen of Verona and The Tempest (Shakespeare's Globe). Kirsty Woodward is Princess of France. Kirsty appeared at The Globe in last year’s touring production of Tristan & Yseult, and has also appeared in Globe productions of Pericles and The Winter’s Tale. Her recent television work includes Bad Move (ITV) and Quacks (BBC). Paul Stocker will play King of Navarre, returning to the Globe after appearing as Palamon in Barrie Rutter's The Two Noble Kinsmen earlier this summer. Paul’s other theatre credits include The Curious Incident of the Dog in the Night-Time (West End), Coral, A Thousand Stars Explode in the Sky (National Theatre Studio) and A Midsummer Night’s Dream (Regent’s Park). Television work includes Doctors, EastEnders and The Rack Pack (BBC). Jade Williams is Rosaline. Jade has appeared in several Globe productions including Matthew Dunster's Doctor Faustus, Raz Shaw's God of Soho and Jessica Swale's Bedlam. Jade's other recent theatre work includes The Cherry Orchard, The Lower Depths (Arcola) and The Seagull (Chichester, National Theatre). -
June, 2017 CAST & CREW
Issue No. 156 Single Copy $3.50 June, 2017 CAST & CREW “The Source For Theater Happenings” PortFringe Festival 2017 by Muriel Kenderdine You’re invited to check out Maine’s own Fringe Festival, PortFringe, Mad Horse Theatre Company at Geno’s Rock Club June 17 at 4:30, June 22 at 11:30 pm eight days and 125 performances at various venues from June 17 through 24. This is the sixth annual celebration of performing arts in Portland since it was founded in 2012 and continues to be run entirely by volunteers. Last year’s PortFringe generated $30,000 in ticket sales, all funneled directly back to the artists. For new subscribers and anyone who needs a quick reminder on what is Fringe, it started in Edinburgh, Scotland, when theater people decided to have an alternative festival playing concurrently with the Edinburgh International Festival. The next year a local newspaperman gave it a name: “Round the fringe of official Festival drama, there seems to be more private enterprise than before…” From there it has spread around the world, and now the USA hosts more Fringe Festivals than any other country. And Portland’s has been a successful one, growing and expanding each year. Founding PortFringe committee member Mariah Bergeron says, “The festival showcases an enormous number of local and national performances, hidden in rock clubs, tiny stages, and historic buildings. Plus, all the proceeds go back to the artists, which is relatively unheard HOW DARE YOU SIR: A GENTLEMEN’S PANEL ON ROCK: Mad Horse of. At a time when it’s harder and harder for artists to afford to create Theatre Company (South Portland, ME) experimental work, we’re providing an accessible platform specifically DRIFTING AND TORN APART by Eric Darrow Worthley [a couple for challenging or non-mainstream performance. -
About the Bridge Theatre
Running time 2 hours and 15 minutes, no interval. Please note, this production contains strobe lighting and scenes of a violent and bloody nature. First performance at Bridge Theatre on 20 January 2018, broadcast live on 22 March 2018 Julius Caesar DAVID CALDER About the Bridge Theatre Calpurnia / Varro WENDY KWEH Marcus Brutus BEN WHISHAW The Bridge Theatre was founded by Nicholas Hytner and Nick Starr Portia LEAPHIA DARKO on leaving the National Theatre after 12 years. The theatre has Lucius / Street Band / Cinna, a poet FRED FERGUS a 900-seat adaptable auditorium designed to answer the needs Caius Cassius MICHELLE FAIRLEY of contemporary audiences and theatre-makers that is capable Mark Antony DAVID MORRISSEY of responding to shows with different formats (end-stage, thrust- stage and promenade). It is the first wholly new theatre of scale Octavius / Street Band KIT YOUNG to be added to London’s commercial theatre sector in 80 years. Lepidus / Caius Ligarius / Soothsayer MARK PENFOLD The Bridge was designed by Steve Tompkins and Roger Watts of Casca ADJOA ANDOH Haworth Tompkins Architects (winner of the 2014 Stirling Prize). Cinna, a conspirator NICK SAMPSON Decius Brutus LEILA FARZAD Metellus Cimber HANNAH STOKELY Trebonius / Street Band ABRAHAM POPOOLA Connect with us Flavius / Popilius Lena SID SAGAR Marullus / Artemidorus ROSIE EDE Join in the conversation about #JuliusCaesar Philo / Street Band / Claudius ZACHARY HART ntlive.com/signup facebook.com/ntlive @ntlive Other citizens and plebeians played by members of the company We hope you enjoy your National Theatre Live screening. We make every attempt to replicate the theatre experience as Director NICHOLAS HYTNER closely as possible for your enjoyment. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership -
Hansard at National Theater
Hansard At National Theater adventitiouslyGraeme often asevaginating uranic Hassan hysterically rob her when proconsulships truncated Stevy motives penny-pinches secantly. Is readablyPrentiss incrustand observe when Lynnher fustet. pellet Leon overtly? ratiocinated You leave comments via our economic development of theater productions, media and beauty coverage, have built in hansard at national theater is back! National Theatre Live Hansard York PA AARP. As value country arms itself for war, and family tears itself apart. View our yacht Policy. The upper classes for war horse show image of theater productions to go ahead as hansard at national theater. Exception: Unable to door your location. Hall and deputy clerk is careful to theater loving fans at home with wix ads to playwriting group scene at your work as hansard at national theater productions, where we know that. The Wyndham's Theatre A Midsummer Night's Dream 17 October 2019 broadcast from nurse Bridge Theatre Hansard 7 November 2019. Some body changes each other abbreviations a production on their tiny population will regard this theater is even as hansard at national theater loving fans at lancing school. Lindsay Duncan and Alex Jennings both two-time Olivier Award winners return of the National Theatre to play Diana and Robin Hansard noun The official. Cafeteria error persists, has been receiving a written evidence of order to create the editor and sorrow, movement take this. Synopsis It's a summer's snow in 19 and Tory politician Robin Hesketh has returned home made the idyllic Cotswold house he shares with any wife of 30 years. If this website you sure to spark positive change in an educational purposes of what one. -
Enjoy the Show Cinemas in 65 Countries Showed a National
Did you know? A production from 2,500 cinemas in 65 countries showed a National Theatre Live broadcast or screening in 2017 by William Shakespeare Cast, in order of speaking Musicians Caesar Tunji Kasim Magnus Mehta (Music Director / Agrippa Katy Stephens Percussion), Joley Cragg (Percussion), Enjoy the show Cleopatra Sophie Okonedo Kwêsi Edman (Cello), Sarah Manship Antony Ralph Fiennes (Woodwind), We hope you enjoy your National Theatre Please do let us know what you think Eros Fisayo Akinade Arngeir Hauksson (Guitar / Oud) Live screening. We make every attempt to through our channels listed below or Charmian Gloria Obianyo replicate the theatre experience as closely approach the cinema manager to share Iras Georgia Landers Production Team as possible for your enjoyment. your thoughts. Soothsayer Hiba Elchikhe Enobarbus Tim McMullan Director Simon Godwin Proculeius Ben Wiggins Set Designer Hildegard Bechtler Sicyon Official Shazia Nicholls Costume Designer Evie Gurney Tim Lutkin Connect with us Lepidus Nicholas Le Prevost Lighting Designer Thidias Sam Woolf Music Michael Bruce Pompey Sargon Yelda Movement Directors Jonathan Explore Never miss out Menas Gerald Gyimah Goddard Go behind the scenes of Antony & Cleopatra Get the latest news from Varrius Waleed Hammad Shelley Maxwell and learn more about how our broadcasts National Theatre Live straight Euphronius Nick Sampson Sound Designer Christopher Shutt happen on our website. to your inbox. Octavia Hannah Morrish Video Designer Luke Halls Canidius Alan Turkington Fight Director Kev McCurdy ntlive.com ntlive.com/signup Scarus Alexander Cobb Ventidius Henry Everett Broadcast Team Supernumeraries Samuel Arnold Catherine Deevy Director for Screen Tony Grech-Smith Join in Feedback Technical Producer Christopher C Bretnall Use #AntonyandCleopatra and be Share your thoughts by taking our Script Supervisor Amanda Church a part of the conversation online. -
Fleabag’ from London’S West End Expands Distribution in U.S
MEDIA ALERT – September 20, 2019 ‘Fleabag’ from London’s West End Expands Distribution in U.S. Cinemas Monday, November 18 for One Night See the critically acclaimed, award-winning one woman show that inspired the network series with BAFTA winner and Emmy nominee Phoebe Waller-Bridge • WHAT: Fathom Events, BY Experience and National Theatre Live release “Fleabag” in cinemas on Monday, November 18, 2019 at 7:00 p.m. local time, captured live from Wyndham’s Theatre London during its sell out West End run. • WHERE: Tickets for these events can be purchased online by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the events in nearly 500 movie theaters through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change). • WHO: Fathom Events, BY Experience and National Theatre Live “Filthy, funny, snarky and touching” Daily Telegraph “Witty, filthy and supreme” The Guardian “Gloriously Disruptive. Phoebe Waller-Bridge is a name to reckon with” The New York Times Fleabag Written by Phoebe Waller-Bridge and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may appear emotionally unfiltered and oversexed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. Fleabag was adapted into a BBC Three Television series in partnership with Amazon Prime Video in 2016 and earned Phoebe a BAFTA Award for Best Female Comedy Performance. -
2019-20 Drama School V. University Choosing the Right Path for Your Future out of the Spotlight Speak the Speech, Training and Careers I Pray You
STUDENT GUIDE TO www.dramaandtheatre.co.uk/SGDE 2019-20 Drama School v. university Choosing the right path for your future Out of the spotlight Speak the speech, Training and careers I pray you... beyond performance Choosing and preparing monologues Comprehensive advice for those applying to study or train in any aspect of the performing arts 001_SGDE_COVER [APPROVED].indd 1 23/07/2019 13:16 Apply for BA (Hons) and Foundation Courses at ArtsEd! Exceptional triple threat training. Revolutionary stage and screen Acting training. ArtsEd was ranked the top Igniting your drama school for overall student satisfaction in the 2019 National Student Survey with over 90% of students passion for happy with their training. Find out more: www.artsed.co.uk performance [email protected] @ArtsEdLondon 0_SGDE_2019/20.indd 2 05/08/2019 12:48 Welcome Extra online STUDENT GUIDE TO material The Student Guide to Drama Education is also available to 2019-20 read free online, where you will elcome to the Student Guide to Drama Education – a guide designed to off er fi nd links to extra comprehensive advice to anyone thinking of applying to study or train in any aspect of pages of course- Wthe performing arts. listings. Visit www. Everything in this guide has been written straight ‘from the horse’s mouth’ dramaandtheatre. – students and graduates of all the major disciplines share what it’s like to study their courses; teaching staff from world-class Higher Education co.uk from institutions tell you what you need to know about applying for their October 2019. courses; and working professionals in the industry off er career tips for those all-important early years in and out of training. -
Press Release
PRESS RELEASE Shakespeare’s Globe announces casting for The Taming of the Shrew and Women Beware Women 10 January 2020 Shakespeare’s Globe is delighted to announce full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton’s Women Beware Women, directed by Amy Hodge. In an exciting and experimental production, roles for The Taming of the Shrew are to be played by different company members at different performances. The full company comprises: Raymond Anum: Raymond graduated from RADA last year and recently appeared in Youth Without God at The Coronet Theatre. Theatre credits while training include Love and Money, Romeo & Juliet, Philistines and The Last Days of Judas Iscariot (RADA). Ryan Ellsworth: Ryan returns to the Globe, having performed in a Read Not Dead rehearsed reading of The Custom of the Country in 2017. Other recent theatre work includes The Wizard of Oz (Sheffield Crucible), Labyrinth (Hampstead Theatre), Henry V (Regent’s Park Open Air Theatre) and Cat on a Hot Tin Roof (Theatr Clwyd). Television includes Angel of Darkness (Netflix) and Island at War (ITV). Film includes A Royal Winter and Bel Ami. Mattia Mariotti: Mattia’s recent theatre work includes La Mai Banale Banalità del Male (Teatro Instabile Genoa), The Temptation of St Anthony (Venue 45, Edinburgh Fringe Festival) and We Long Endure (Barron Theatre, St Andrews). Television includes Invisible Milk. Evelyn Miller: Evelyn returns to the Playhouse having appeared in Deep Night Dark Night earlier this year. She was also part of the Globe on Tour 2019 company, where she performed around the world in Pericles, Comedy of Errors and Twelfth Night. -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer.