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More- for Immediate Release CENTER THEATRE GROUP
For immediate release CENTER THEATRE GROUP ANNOUNCES 2018 — 2019 SEASON AT THE MARK TAPER FORUM AND KIRK DOUGLAS THEATRE THE 2018 — 2019 SEASONS FEATURE TWO WORLD PREMIERES, A PULITZER PRIZE-WINNING PLAY, A NEW WORK BY A PULITZER WINNER, A POWERFUL WORK BY A LOS ANGELES FAVORITE, AN EXCITING SOLO WORK, A RECENT NEW YORK HIT, AN ACCLAIMED PRODUCTION OF A CLASSIC PIECE AND THE THIRD ANNUAL BLOCK PARTY: CELEBRATING LOS ANGELES THEATRE The 2018-2019 Season at the Mark Taper Forum Includes “Sweat,” “Valley of the Heart,” “Linda Vista,” “Lackawanna Blues” and “Happy Days” Begins August 29, 2018, and Runs Through June 30, 2019 The 2018-2019 Season at the Kirk Douglas Theatre Includes “School Girls; Or, the African Mean Girls Play,” “Quack,” Block Party: Celebrating Los Angeles Theatre and “From the Words and Writings of Dana H.” Begins September 2, 2018, and Runs Through June 23, 2019 Two Subscriber Bonus Options Offered as Part of Off Center Center Theatre Group Collaborations with Arts Partners Around Town [For complete listing of plays and performance dates, please see final pages of release.] Center Theatre Group Artistic Director Michael Ritchie has set the 2018 — 2019 seasons at both the Mark Taper Forum and Kirk Douglas Theatre. Together, the seasons feature new plays, classic works and the continuation of Block Party, which celebrates the rich array of theatre produced every year in Los Angeles. “The eight shows scheduled in the 51st season at the Taper and the 15th season at the Douglas run the gamut from world premiere comedies to enduring classics,” said Ritchie. -
Ripe Frenzy Program (Download PDF)
WELCOME Greenway Arts Alliance has been honored to serve thousands of students, artists and community members for the last twenty years. Did you know that you are on the campus of Fairfax High School in a building designed and constructed by Fairfax students as a “Social Hall” in the 1940’s? Based on articles in the school newspaper, the students were committed to building a home in which to “socialize.” Greenway continues this commit- ment through our mission to unite communities through our productions at the Greenway Court Theatre, which give our patrons the opportunity to share in the communal experience of live theatre. Jennifer Barclay's Ripe Frenzy, produced through the National New Play Network's Rolling World Premiere program, is the culminating production of Greenway's 20th Anniversary season. In it we showcase our recommitment to producing important new works that explore the pressing social issues of our time. As we write this letter in preparation for Opening Night, we do so with the knowledge that students, teachers and parents in Santa Fe, Texas, are mourning their friends and children lost in yet another school shooting. Since Columbine, we have watched in horror as 85 similar shootings have occurred, killing 223 people. As a theatre in residence on a high school campus, we say ENOUGH, and hope that this produc- tion will inspire our audiences to interrogate society's role in the proliferation of these events, and look for ways to work toward ending them. We regard Greenway Court Theatre as our home and are grateful that you are here. -
Paramount Collection
Paramount Collection Airtight To control the air is to rule the world. Nuclear testing has fractured the Earth's crust, releasing poisonous gases into the atmosphere. Breathable air is now an expensive and rare commodity. A few cities have survived by constructing colossal air stacks which reach through the toxic layer to the remaining pocket of precious air above. The air is pumped into a huge underground labyrinth system, where a series of pipes to the surface feed the neighborhoods of the sealed city. It is the Air Force, known as the "tunnel hunters", that polices the system. Professor Randolph Escher has made a breakthrough in a top-secret project, the extraction of oxygen from salt water in quantity enough to return breathable air to the world. Escher is kidnapped by business tycoon Ed Conrad, who hopes to monopolize the secret process and make a fortune selling the air by subscription to the masses. Because Conrad Industries controls the air stacks, not subscribing to his "air service" would mean certain death. When Air Force Team Leader Flyer Lucci is murdered, his son Rat Lucci soon uncovers Conrad's involvement in his father's death and in Escher's kidnapping. Rat must go after Conrad, not only to avenge his father's murder, but to rescue Escher and his secret process as well. The loyalties of Rat's Air Force colleagues are questionable, but Rat has no choice. Alone, if necessary, he must fight for humanity's right to breathe. Title Airtight Genre Action Category TV Movie Format two hours Starring Grayson McCouch, Andrew Farlane, Tasma Walton Directed by Ian Barry Produced by Produced by Airtight Productions Proprietary Ltd. -
The 2017 Remodel of LA Theater
The 2017 remodel of LA theater laobserved.com/intell/2017/12/the_2017_remodel_of_la_theater.php By Don Shirley | December 23, 2017 9:09 AM If you see only one satire of musicals this month, "Something Rotten!" is the better choice. Photo by Jeremy Daniel. 2017 was a pivotal year for Los Angeles theater, but not because the quality was better or worse than usual. It's because of institutional changes. After two years of heated debate, new Actors' Equity rules finally took full effect in smaller theaters. Receiving far less attention were changes in the leadership of four of LA's larger nonprofit theater companies. Meanwhile, "Hamilton" - at the Pantages -- dominated the second half of the year, not only in terms of attendance, attention and profits but also in terms of innovation. In most of my previous year-end summaries, I briefly comment on my favorite shows, arranged in alphabetical order. I'm still mentioning most of my personal theatrical faves this year, but I'm weaving my references to them into the context of discussions about these larger changes. Because I've already written about most of my favorites in earlier columns (which are available here), I'm going to restrict longer mentions only to those few shows that were highlights but which didn't fit into earlier columns. 1/7 Also, for those readers who simply want some recommendations about what to see during the holidays, feel free to skip to the last section of the column. Let's start with our biggest nonprofit company, Center Theatre Group - the proprietor of the Ahmanson, Mark Taper Forum and Kirk Douglas Theatre. -
MISCELANEA 60.Indb
FRASIER: A CULTURAL HISTORY Joseph J. Darowski and Kate Darowski Lanham, MD: Rowman & Littlefield, 2017 ROBERT MURTAGH Universidad de Almería [email protected] 177 Part of independent publisher Rowman & Littlefield’s “Cultural History of Television” series that (according to their website) “will focus on iconic television shows” from the 1950s to the present that have had a lasting impact on world culture, Frasier: A Cultural History joins a collection of extant publications on defining sitcoms such as Mad Men, Breaking Bad and Star Trek. The authors of the text in question, Joseph J. Darowski and Kate Darowski, are self-confessed Frasier fans with a background in different ambits of cultural study (the former as editor of the “Ages of Superheroes” essay series and author of X-Men and the Mutant Metaphor: Race and Gender in the Comic Books and the latter having researched the history of decorative arts and design). Above all, they share a mutual appreciation for all things Crane. From a structural perspective, the book is divided into two parts: “Part I: Making A Classic” and “Part II: Under Analysis”. Each section is further subdivided into four separate topics. The first deals with: the evolution of Cheers to the emergence of Frasier Crane; the story behind the eclectic cast; character profiles of Frasier, Niles, Martin and Eddy; and finally, a discussion of Daphne and Roz. The second part, as the name suggests, is more academically inclined with chapters examining ongoing character development in the Crane household; an in-depth look at Frasier’s apartment from structural and aesthetic perspectives, as well as in contrast to Niles’s home at the Montana; an analysis of set decoration, particularly chairs; and lastly, the representation of women, gender and race. -
Arts, Culture, & Creative Economy
• • • • • • • • • • • Give Me Your Hand by Milton Davis, 1995. Art in Public Places Program. Source: Art in Public Places Program. Culver City’s first movie studio, circa 1915. Source: Culver City Historical Society. 1 Sources for this section are: 1) the City’s history webpages, https://www.culverCity.org/how-do-i/learn/about-culver- City/history-of-culver-City, 2) Culver City, California: The First Hundred Years, Julie Lugo Cerra, 3) Culver City Chronicles, Julie Lugo Cerra, 2013, and 4) stakeholder interviews. Umbrella by Eric Owen Moss, 1999, in the Hayden Tract. Designated Architecture as Art, Art in Public Places Program. Source: Eric Owen Moss Architects 2 Creatives are individuals with advanced training and experience in the design and production of a broad range of cultural products and services, including many individual artists of all disciplines. 3 John Howkins. The Creative Economy, www.creativeeconomy.com 4 United Nations Development Program, http://www.hdr.undp.org/en/content/how-cultural-and-creative-industries-can- power-human-development-21st-century 5 WESTAF Creative Suite 2017 6 Creative sector jobs include four classes of workers: Extended Proprietors, Non-QCEW Employees, QCEW Employees, Self-employed. Source: Economic Modeling Specialists International (EMSI). The arrival of Amazon Studios brings new creative jobs to Culver City. Source: Culver Steps. ▪ ▪ ▪ ▪ ▪ The Kirk Douglas Theatre is located in downtown Culver City and available for rentals. Source: EKYR Architects. ▪ ▪ ▪ ▪ ▪ ▪ ▪ VMB hosts creative programming in Culver City. Source: City of Culver City ▪ ▪ Arlette Cardenes, Music Director, Culver City Chamber Orchestra Source: Culver City Chamber Orchestra Table 1: Nonprofit Arts and Cultural Organizations in Culver City 1. -
Bengal Tiger at the Baghdad Zoo
BENGAL TIGER AT THE BAGHDAD ZOO BY RAJIV JOSEPH DRAMATISTS PLAY SERVICE INC. BENGAL TIGER AT THE BAGHDAD ZOO Copyright © 2012, Rajiv Joseph All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BENGAL TIGER AT THE BAGHDAD ZOO is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BENGAL TIGER AT THE BAGHDAD ZOO are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A. -
A Year in Review 2016 Screen Training Ireland a Year in Review 2016
SCREEN TRAINING IRELAND A YEAR IN REVIEW 2016 SCREEN TRAINING IRELAND A YEAR IN REVIEW 2016 Welcome to Screen Training Ireland’s Review of 2016 which details key initiatives and training delivered in 2016 and outlines plans for 2017 and beyond. Training and development is of the highest quality, closely aligned to industry needs and clearly targeted to individuals and companies. CONTENTS About Screen Training Ireland .............. 4 What We Do .............................. 6 New Initiatives 2016 ........................8 Training Highlights 2016 ...................17 Bursary Review 2016 ......................35 Local Partnerships ........................38 International Training Partnerships .........44 PANEL SESSION ON DESIGN AND CRAFT DEPARTMENTS AT TROY STUDIOS OPEN DAY Looking Ahead 2017 .......................46 SCREEN LEADERS ABOUT SCREEN TRAINING IRELAND Screen Training Ireland (STI) is the national training and STI offers training for the changing needs of the Irish screen development resource, specifically tailored for Ireland’s film and industry. STI developed and delivered over 52 courses in 2016 and television industry. It was established in 1995 to provide ongoing allocated 1462 places to participants. We also supported workshops training and career development opportunities for professionals and masterclasses at leading Irish Film festivals. Of these training working in the screen industry. places 47% were allocated to female participants and 55% allocated to male participants. STI works with recognised industry professionals, both locally and internationally, to identify, design and deliver training for Irish STI categorises skills needs in three core areas – Creativity and professionals. Training programmes are offered to practitioners and Creative Collaboration (CCC), Production and Technical Skills (P&T) companies to enhance their expertise in film, television, animation and Business and Enterprise (B&E). -
A Century of Supporting Creative Expression in L.A
Center Theatre Group I Corporate Circle A Century of Supporting Creative Expression in L.A. Mitchell Silberberg &, Knupp's Tony Amendola Loves Great Musicals—and Is Committed to the Arts Tony Amendola Ton y Amendola is a partner at Mitchell Silberberg & Knupp What playwright would you trust to write your life story? I LLP, a member of Center Theatre Group's Corporate Who would you cast as yourself? Circle. He represents private sector and nonprofit Moises Kaufman. I love his writing. (Perhaps he would team employers in all areas of labor and employment law. up with Sondheim and make it a musical!) As for the actor, He is also an advisor to Center Theatre Group's Human it's a toss-up between Bradley Cooper and Nathan Lane. Resources department. What is the most important quality in a Why does Mitchell Silberberg & Knupp LLP support charitable organization? theatre in Los Angeles? Unwavering commitment to its mission. For more than a century, Mitchell Silberberg & Knupp has been an integral part of the arts and entertainment Which theatrical skill would you most like to have? community in Los Angeles. As attorneys, we are committed The ability to sing. to supporting creative expression in all forms. A significant portion of our firm's client base has always been comprised What play feels most relevant to your life? of arts organizations, motion picture studios, television networks, independent producers, actors, writers, and Tony Kushner's Angels in America. directors. We are thrilled to continue our support of Which playwright would make the best lunch date? Center Theatre Group and its invaluable artistic, cultural, and educational contributions to Los Angeles. -
•Now Pitcbincj: Sam Malone• Written by Ken Levine, David Isaacs
, CBDRS •Now PitcbincJ: Sam Malone• 160591-016 Written By Ken Levine, David Isaacs Created and Developed By James Burrows Glen Charles Les Charles Return to Script Department PARAMOUNT PIC'l'traES CORPORATION PINAL DRAFT 5555 Melrose Avenue Hollywood, California 90038 December 9, 1982 CBEBRS •Now Pitcbin91 ~ SAM MALONE ••••••••••••••••••••••••••••••••• DD DANSON DIANE CBAMBERS ••••••••••••••••••••••••••••• SBBLLBY LONG COACH ERNll PANTUSSO ••••• •••••••••••••••••• NICX COLASANTO CARLA TORffLLI • • • • • • • • • • • • • • • • • • • • • • • • • • • • • RHEA PERLMAN CI.IPF • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • .. • JORN' RA'tZENBERGER NORM. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • GEORGB 1IENDT LANA MARSHALL •••••••••••••••••••••••••••••• BARBARA BABCOCK TIBOR SVE'l'KOVIC. • • • • • • • • • • • • • • • • • • • • • • • • • • • RICX BILL PAUL.. • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •.• • • PAOL VAUGHN LUIS TIANT ••••••••• • • • • • • • • • • • • • • • • • • • • • • • • BIMSBLF DIRECTOR ••••• •••••••••••••••••••••••••• • ••• nrr. BAR INT. SAM'S OFFICE CHBBRS •Nov Pitching: Sam Malone• .. TEASER -X FADE IN: INT. BAR - CLOSING TIME SAM AND COACH ARE CLOSING tJP. AS THEY HEAD FOR THE DOOR, COACH STOPS AND LOOKS AROUND. COACH Y'know Sam, this is my favorite time of day. SAM Closing time, Coach? COACH No, 1:37. SOmething about it, I don't know ••• SAM Yeah, it's nice. Everybody's probably got their favorite 1:37 story. 2. (X) 1eah. What time of day do you like, S&m? SAM Gee, I don't Jcnow ••• 8115'• nice. COACH I used to like 8:15, but I kinda outgrew it. AS THBY 'l'ALK, SAM 'l'tJRNS 00'1' THE LIGHTS. 'l'BBY GO 00'1' 'l'HB DOOR, UP '1'BB S'l'EPS AND DISAPPEAR. AP'l'ER A BEA'l' NORM COMES ROSSING QY! OP 'l'HB BATHROOM. NORM Wait a minute, I ••• BB STOPS, A THOOGH'l' OCCURS TO HIM. HE LOOKS AROUND,; GOES OVER AND TtJRNS ON 'l'HE TV. -
Return of Organization Exempt from Income
l efile GRAPHIC p rint - DO NOT PROCESS As Filed Data - DLN: 93490135002428 Return of Organization Exempt From Income Tax OMB No 1545-0047 Form 990 Under section 501 (c), 527, or 4947( a)(1) of the Internal Revenue Code (except black lung benefit trust or private foundation) 2 00 6_ Department of the Open to Public Treasury -The organization may have to use a copy of this return to satisfy state reporting requirements Inspection Internal Revenue Service A For the 2006 calendar year, or tax year beginning 07 -01-2006 and ending 06 -30-2007 C Name of organization D Employer identification number B Check if applicable Please CENTER THEATRE GROUP 1 Address change use IRS 95-2466183 label or Number and street (or P 0 box if mail is not delivered to street address ) Room/ suite E Telephone number (- Name change print or 601 W Temple St type . See (213 ) 972-7349 F Initial return S p ecific Instruc - City or town, state or country, and ZIP + 4 FAccounting method fl Cash F Accrual (- Final return tions . Los Angeles, CA 90012 Other ( specify) 0- F-Amended return (- Application pending * Section 501(c)(3) organizations and 4947(a)(1) nonexempt charitable H and I are not applicable to section 527 organizations trusts must attach a completed Schedule A (Form 990 or 990-EZ). H(a) Is this a group return for affiliates? 1 Yes F No H(b) If "Yes" enter number of affiliates 0- G Web site: - www centertheatregroup org H(c) Are all affiliates included? (- Yes F_ No (If "No," attach a list See instructions ) I Organization type (check only one) 1- F 95 501(c)