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Secondary Analysis of Discrimination Against BDSM Identified Individuals
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 I Didn't Consent to That: Secondary Analysis of Discrimination Against BDSM Identified Individuals Larry Iannotti Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/229 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] I DIDN’T CONSENT TO THAT: A SECONDARY ANALYSIS OF DISCRIMINATION AGAINST BDSM-IDENTIFIED INDIVIDUALS By LARRY IANNOTTI A dissertation submitted to the Graduate Faculty in Social Welfare in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ii © 2014 Larry Iannotti All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Social Welfare in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. SJ Dodd, PhD Date Chair of Examining Committee Harriet Goodman, DSW Date Executive Officer Professor Irwin Epstein Professor Gerald Mallon Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract I DIDN’T CONSENT TO THAT: A SECONDARY ANALYSIS OF DISCRIMINATION AGAINST BDSM-IDENTIFIED INDIVIDUALS by Larry Iannotti Dissertation Chair: Professor SJ Dodd Sadomasochistic (BDSM) sexual behavior is an understudied phenomenon within the social sciences generally, and social work in particular. While BDSM sexuality encompasses a wide variety of activities a community of individuals interested in BDSM is identifiable and has coalesced around organized groups, events, political activism, and shared sexual interests. -
Amy S. Wyngaard TRANSLATING SADE
Translating Sade Amy S. Wyngaard TRANSLATING SADE: THE GROVE PRESS EDITIONS, 1953–1968 n the last paragraph of their foreword to the 1965 Grove Press edition of IThe Complete Justine, Philosophy in the Bedroom, and Other Writings, the translators Richard Seaver and Austryn Wainhouse quote the marquis de Sade’s wish, expressed in his last will and testament, that acorns be scattered over his grave, “in order that, the spot become green again, and the copse grown back thick over it, the traces of my grave may disappear from the face of the earth, as I trust the memory of me shall fade out of the minds of men” (xiv). Seaver and Wainhouse, who believed in the importance of Sade’s writings and were deeply invested in their efforts to produce the frst unexpurgated American translations of his works, express doubt that this prophecy would ever come to pass. The success of the Grove Press translations, however, has in fact caused certain aspects of Sade’s (critical) history to be forgotten. Five decades after their original publication in the 1960s, and two decades after their reissue in the early 1990s, these once-controversial editions of Sade’s works can now be considered mainstream. Widely referenced and readily available, they are more or less an accepted part of the American literary landscape, with only their original prefatory materials left to bear witness to what was one of the most fraught and revolutionary moments in the history of American publishing, not to mention Sade studies. Grove Press publisher Barney Rosset saw the publication of Sade’s works as integral to his fght for the freedom of the press. -
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A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Matthew Bridge All Rights Reserved ABSTRACT A Monster for Our Times: Reading Sade across the Centuries Matthew Bridge This doctoral dissertation looks at several readings and interpretations of the works of the Marquis de Sade, from the eighteenth century to the present. Ever since he was imprisoned under the Old Regime following highly publicized instances of physical and sexual abuse, Sade has remained a controversial figure who has been both condemned as a dangerous criminal and celebrated as an icon for artistic freedom. The most enduring aspect of his legacy has been a vast collection of obscene publications, characterized by detailed descriptions of sexual torture and murder, along with philosophical diatribes that offer theoretical justifications for the atrocities. Not surprisingly, Sade’s works have been subject to censorship almost from the beginning, leading to the author’s imprisonment under Napoleon and to the eventual trials of his mid-twentieth-century publishers in France and Japan. The following pages examine the reception of Sade’s works in relation to the legal concept of obscenity, which provides a consistent framework for textual interpretation from the 1790s to the present. I begin with a prelude discussing the 1956 trial of Jean-Jacques Pauvert, in order to situate the remainder of the dissertation within the context of how readers approached a body of work as quintessentially obscene as that of Sade. -
Justine: a Sadian Transformation of the French Literary Fairy Tale Ivy J
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Justine: A Sadian Transformation of the French Literary Fairy Tale Ivy J. Dyckman Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES JUSTINE: A SADIAN TRANSFORMATION OF THE FRENCH LITERARY FAIRY TALE By IVY J. DYCKMAN A Dissertation submitted to the Department of Modern Languages and Linguistics in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2007 Copyright © 2007 Ivy J. Dyckman All Rights Reserved The members of the Committee approve the dissertation of Ivy J. Dyckman defended on March 1, 2007. __________________________________ William Cloonan Professor Directing Dissertation __________________________________ Stanley E. Gontarski Outside Committee Member __________________________________ Aimée M.C. Boutin Committee Member __________________________________ Deborah J. Hasson Committee Member __________________________________ Lori J. Walters Committee Member Approved: _____________________________________________________________ William Cloonan, Chair, Department of Modern Languages and Linguistics _____________________________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii To Martin, The Greatest Dictionary of All iii ACKNOWLEDGMENTS I wish to thank Florida State University's Winthrop-King Institute for Contemporary French and Francophone Studies, which made possible a six-week summer session of research in Paris, the Congress of Graduate Students for a grant in support of that research, and the French Division of the Florida State University Department of Modern Languages and Linguistics for the opportunity to serve as a lectrice at the Sorbonne during the academic year 2002-2003. -
Albert Dubout's Illustrations for Sade's Justine Olivier M
University of Richmond UR Scholarship Repository Languages, Literatures, and Cultures Faculty Languages, Literatures, and Cultures Publications 2016 Whimsical Pornography: Albert Dubout's Illustrations for Sade's Justine Olivier M. Delers University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/mlc-faculty-publications Part of the Art and Design Commons, and the French and Francophone Literature Commons Recommended Citation Delers, Olivier. "Whimsical Pornography: Albert Dubout's Illustrations for Sade's Justine." New Perspectives on the Eighteenth Century 13, no. 1 (2016): 4-17. This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at UR Scholarship Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. New Perspectives on the Eighteenth Century WHIMSICAL PORNOGRAPHY: ALBERT DUBOUT'S ILLUSTRATIONS FOR SADE'S JUSTINE By Olivier Delers* University of Richmond In Dangereux supplement: ! 'illustration du roman en France au dix huitieme siecle, Christophe Martin explains that images were generally con sidered to be dangerous additions to a text, because they could not be limited to their intended primary purpose: to provide a visual translation for charac ters and events depicted in works of fiction.' For even as they illustrate, im ages also offer a -
Justine : Or, the Misfortunes of Virtue (Unexpurgated Edition) Pdf, Epub, Ebook
JUSTINE : OR, THE MISFORTUNES OF VIRTUE (UNEXPURGATED EDITION) PDF, EPUB, EBOOK Marquis De De Sade | 320 pages | 01 Sep 2015 | Createspace Independent Publishing Platform | 9781517139131 | English | none Justine : Or, the Misfortunes of Virtue (Unexpurgated Edition) PDF Book At your request, I will send additional pictures. Justine herself is a prototype of pure masochism as she repeatedly undergoes frightfully painful physical experiences without much resistance. The seller has not specified a shipping method to Germany. Please examine all pictures before deciding on your purchase. See terms. It is absolutely silly to think because the author has only one other edit found in Wiki you have deemed it a cut-n-paste! This line doesn't make sense. Any Condition Any Condition. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Crime and evil are the only weapons available to the poor to survive. Shades of Quincy. WikiProject France. The following is a closed discussion of a requested move. This culminates in an extreme lack of faith. Works by Marquis de Sade. The Sadean subject asserts sovereignty and seeks empowerment through the sexual act. What does this price mean? Hence she becomes a criminal without committing any crime. These women in the 18th century took all the counterparts of male libertine and were determined to enjoy the shame of their calling. In a fatalistic universe end of suffering is the end of life. Her story is recounted to Madame de Lorsagne while defending herself for her crimes, en route to punishment and death. -
Conspiracy Theories As Fiction: Kafka and Sade
Munich Social Science Review, New Series, vol. 2 (2019) Conspiracy Theories as Fiction: Kafka and Sade Timo Airaksinen Department of Politics and Economics/Moral and Social Philosophy University of Helsinki [email protected] Abstract: In this paper, I study conspiracy theories as two novelists handle them: Kafka and Sade. Kafka’s depiction of guilt depends on anxiety that refers to nameless accusations. His protagonists may well assume that a conspiracy targets them in a way they can never understand. I explain the logic of the law that embodies such anxiety, in his novels The Trial and The Process. My second example is the Marquis de Sade who gives many examples of conspiracies on his major novels Justine and Juliette. I study two of them, first, the group of murderous monks in Justine and the Parisian secret society called Sodality in Juliette. Both are successful organizations and Sade helps us understand why this is so. I discuss some real life examples of conspiracies. Finally, I compare Kafka, Sade, and their viewpoints: Kafka’s is that of the victim and Sade’s that of the victor. Keywords: secret society, guilt, law, paranoia, crime, punishment “Guilt for what, she had no idea. Guilt is always to be assumed, maybe? Once you’re an adult” Joyce Carol Oates: Middle Age: A Romance (2001). 1. Kafka: Guilt to Conspiracy Theory This is how you feel when they come to arrest you: And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said © 2019 Verlag Holler, München. -
In Conversation with the Author
Justine Ettler & Rebecca Johinke TEXT Vol 22 No 1 University of Sydney Justine Ettler and Rebecca Johinke A new audience for Justine Ettler’s The River Ophelia: In conversation with the author Abstract This article, in the form of a conversation between novelist Justine Ettler and literary and cultural studies scholar Rebecca Johinke, looks back at the reception of the Australian novel The River Ophelia in 1995. It also looks forward to speculate how audiences may read the novel in 2018 and beyond, given that in October 2017 it was re-released in e-book format with a new Author’s Note and Introduction (Ettler 2017a). The River Ophelia was a publishing sensation in Australia in the mid-90s as it describes sadistic and masochistic sex and domestic violence. Due to early reviews and the way it was marketed, it was labelled as ‘dirty realism’ or ‘grunge’. In this article, the authors argue for a re-appraisal of the text as a feminist parody and as a highly intertextual postmodern work. In and through their conversation, Johinke and Ettler reveal the extent to which genre confusion, and the question of what is and isn’t ‘real’ dominated the reception of the text at the time of its initial release, and how the intentional fallacy in cases where an author is conflated with a character can be adopted unselfconsciously, and indeed manipulated by, publishers and critics in the marketplace. In light of recent feminist activism around domestic violence and sexual abuse, such as the #MeToo campaign, the authors also discuss the depiction of domestic violence in The River Ophelia, and how certain representations of sex and female desire might play out in representations of abusive relationships. -
"A Reciprocal Pact of Tenderness"
"A Reciprocal Pact of Tenderness" Sadean Pornographic Structures in Angela Carter's The Bloody Chamber Ma Thesis Janneke van Engeland Master Thesis Title: “A Reciprocal Pact of Tenderness”: Sadean Pornographic Structures in Angela Carter’s The Bloody Chamber Name: Janneke van Engeland Student number: 10549013 Programme: MA English Literature and Culture, University of Amsterdam Supervisor: Dr N. D. Carr Date: 25 June 2019 1 Statement of Originality This document is written by Student Janneke van Engeland, who declares to take full responsibility for the contents of this document. I declare that the text and the work presented in this document are original and that no sources other than those mentioned in the text and its references have been used in creating it. 2 Contents Abstract ................................................................................................................................................... 4 Introduction ............................................................................................................................................. 5 1. Feminist critique of the fairy tale and pornography ............................................................................ 9 2. Angela Carter and Sade: materialism and demythologising ............................................................. 17 3. Responsibility and “The Bloody Chamber” ...................................................................................... 24 4. Reciprocity and “The Company of Wolves” ................................................................................... -
Sadomasochistic Desire
Chapter 10 Sadomasochistic Desire This paper attempts to promote the recognition of the sexualized social world of bdsm in philosophical and tropological perspective. bdsm and especially S/M is hard to understand in its own, characteristic motivational perspective because such negative experiences as, say, pain and humiliation indicate aver- sion rather than attraction; hence we ask what kind of desire is this supposed to be. To cause pain to others is typically condemned. To cosset pain and suf- fering is said to be perverse. My main point is, we can better understand bdsm via its typical language and rhetoric, especially by paying attention to the key role of linguistic metonymy when we discuss the riddles of pain and pleasure. I conclude that, within some reasonable limits, bdsm as a type of consensual kinky sex is not vulnerable to the standard forms of criticism.1 Kinky Sex Psychological, legal, and sociological issues are mainly outside the scope of this philosophical and tropological essay.2 Yet, the relevant problems of bdsm are begging for explanation. bdsm refers to (often organized) activities such as bondage, domination, discipline, submission, and sadomasochism.3 bdsm is what one may call a sexual diversion, “serious leisure,” and sometimes even a life-style.4 It is often practiced in clubs and other social venues where the performers and their audiences can enjoy the show. Of course, bdsm also takes place privately. It is important to distinguish between bdsm proper, 1 This paper contains partially rewritten parts of my paper “The Language of Pain: A Philo- sophical Study of BDSM,” sage Open 8 (2018), 1–9. -
Nihilism and Dystopian Morality in the Marquis De Sade's
The Corinthian Volume 16 Article 5 2015 Nihilism and Dystopian Morality in the Marquis de Sade’s Justine Jennifer Hill Georgia College & State University Follow this and additional works at: https://kb.gcsu.edu/thecorinthian Part of the French and Francophone Language and Literature Commons Recommended Citation Hill, Jennifer (2015) "Nihilism and Dystopian Morality in the Marquis de Sade’s Justine," The Corinthian: Vol. 16 , Article 5. Available at: https://kb.gcsu.edu/thecorinthian/vol16/iss1/5 This Article is brought to you for free and open access by the Undergraduate Research at Knowledge Box. It has been accepted for inclusion in The Corinthian by an authorized editor of Knowledge Box. The Corinthian: The Journal of Student Research at Georgia College Nihilism and Dystopian Morality in the Marquis de Sade’s Justine Jennifer Hill Dr. Hedwig Fraunhofer Faculty Mentor What does not conform draws attention. For this reason the work of the Marquis de Sade has long held the world’s attention by excluding any sense of being bound by convention. His characters follow no religion, no mor- al code, and no law but their own pleasure—especially when it involves violence. The characters of Sade’s twist- ed literary world, and Sade himself as a historical figure, seem to have a blatant disregard for all propriety, whether seen through its original 18th century context or that of today. This contempt for the conventional, or indeed everything, has led certain scholars to suggest that Sade’s writing is openly nihilist (Attarian 2). Though biographi- cal evidence on the author might support this conclusion, Sade’s novel Justine, however, provides repeated instanc- es where the characters make bold universal statements about the human heart—the kind of statements typical of a moralist writer. -
Kink in Flux: BDSM Theory and Sexual Praxis Celeste Pietrusza
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Summer 8-10-2019 Kink in Flux: BDSM theory and sexual praxis Celeste Pietrusza Follow this and additional works at: https://dsc.duq.edu/etd Part of the Clinical Psychology Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Pietrusza, C. (2019). Kink in Flux: BDSM theory and sexual praxis (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1809 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. KINK IN FLUX: BDSM THEORY AND SEXUAL PRAXIS A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Celeste Pietrusza 2019 Copyright by Celeste Pietrusza, M.A. 2019 KINK IN FLUX: BDSM THEORY AND SEXUAL PRAXIS By Celeste Pietrusza, M.A. Approved April 29, 2019 ________________________________ Lori Koelsch, Ph.D. Suzanne Barnard, Ph.D. Associate Professor of Psychology Associate Professor of Psychology (Committee Chair) (Committee Member) ________________________________ ________________________________ Derek Hook, Ph.D. Leswin Laubscher, Ph.D. Associate Professor of Psychology Chair, Psychology Department (Committee Member) Associate Professor of Psychology ________________________________ James Swindal, Ph.D. Dean, McAnulty College Professor of Philosophy iii ABSTRACT KINK IN FLUX: BDSM THEORY AND SEXUAL PRAXIS By Celeste Pietrusza, M.A. April 2019 Dissertation supervised by Lori Koelsch, Ph.D. The opening decades of the 21st century have seen a veritable explosion of representations of bondage, discipline and sadomasochism (BDSM) and kink practices in mainstream media and American culture.