The Robert Byron Connection by Stephen Hoare

Total Page:16

File Type:pdf, Size:1020Kb

The Robert Byron Connection by Stephen Hoare The Anthony Powell Society Newsletter Issue 62, Spring 2016, ISSN 1743-0976, £3 York Conference, 8-10 April – there’s still time to book Conference venue: King’s Manor, York Contents Editorials ..................................................... 2 Brideshead & Castle Howard ..................... 3-5 Conference Update ........................................ 6 Marxists: Erridge ........................................ 7-9 Stringham & Robert Byron .................... 10-13 Literature & Life, a Riposte ................... 14-15 Polly Duport Diary Award ..................... 16-17 My First Time ........................................ 18-19 Dates for Your Diary ............................ 20-21 Society News & Notices ...................... 22-23 Local Group News ................................. 24-27 Reviews: The Prose Factory ................... 28-31 Uncle Giles’ Corner .................................... 32 Letters to the Editor ................................ 33-34 Cuttings etc............................................ 35-37 Christmas Quiz Answers ............................. 38 Merchandise & Membership ................ 39-40 Pay your subscription annually? Now’s the time! Anthony Powell Society Newsletter #62 A Letter from the Editor From the Secretary’s Desk The first Big News is the This is a year of York Conference in April celebrations. It has crept 2016. John Roe who is up on us and caught us masterminding it unawares. The provides an up-do-date conference, of course, summary. Part of the pays homage not just to programme is a visit to AP and also William Castle Howard. Jeff Shakespeare who died Manley provides a 400 years ago on 23 fascinating consideration April. There are other of the use that Waugh and AP anniversaries too: at AP made of stately homes and other the New Year Brunch we buildings in their novels. celebrated the 65th anniversary of A The second Big News is that your Secretary Question of Upbringing, and thus the start of can now add an O to his AP designation. Dance, with glasses of champagne thanks to See the write up of the New Year Brunch. an anonymous sponsor. We should also note that The Soldier’s Art is 50 in September – Amidst the champagne and laughter a new which coincides nicely with our planned day member made a valuable point. He out in Oxford – and AP’s first novel, submitted that abbreviations for the titles of Afternoon Men, is 85 in June ... and more. AP’s works such as VB or HSH are Casting the literary net wider, it is 50 years confusing. From now, in all pieces, the full since the death of Powell’s friend Evelyn title will be set out the first time that a Waugh in April 1966 – making the volume is mentioned. After that the conference visit to Castle Howard all the customary abbreviations will be used. more appropriate. As for the Society, our th New members continue to join and Patron, John Powell, celebrated his 70 gratifyingly also contribute to this birthday, coincidentally on the same day (as Newsletter. We have contributions from Stephen alludes) I became a state-registered Steve Hoare and Geoff Eagland. Thanks! geriatric. I feel a certain privilege to be in such august company. We are experimenting by providing two reviews, from different contributors, of the Talking of the conference, there has been same book. This is DJ Taylor’s The Prose some discussion recently about whether we Factory about the literary life. He refers to should continue to vary the conference AP and his writings. Jeff Manley provides a venue, or whether a permanent, static home useful commentary on Taylor’s use of AP’s should be sought. Although a static venue works. Michael Barber, AP’s biographer, would likely be in/near London, it is unlikely draws attention to Taylor’s omission of Ian to be either Eton or the Wallace Collection. Fleming. Of course, there are pros and cons on both sides. But what do you think? Should we This raises the fascinating “spectre” of what try to take the conference to different places a James Bond book by AP would have been or should we look for a settled home? like. After all several well-regarded English Please let me know what you would prefer. novelists such as William Boyd, Sebastian Faulks and Kingsley Amis have all written a Meanwhile I look forward to seeing many of Bond book. Suggestions for titles and you in York. characters please. Keith Marshall Stephen Walker, [email protected] [email protected] 2 Anthony Powell Society Newsletter #62 Brideshead and Castle Howard Revisited By Jeffrey Manley In the public mind Castle Howard is Waugh builds up a picture of Brideshead. Brideshead Castle. This is due more to its The house is described as “baroque” by choice as a setting in two popular film Charles Ryder who later seems to assume adaptations [Granada TV, 1981; Miramax, Inigo Jones designed it. Sebastian says it 2008] than to what Waugh wrote. This was built in the time of Inigo Jones. article compares Waugh’s descriptions of Several features of the house are repeated: Brideshead Castle to Castle Howard, the dome, the columns and colonnades, the reviews the filmmakers’ process in prominent fountain and the terraced lakes. selecting it as the setting for the story, and Beyond the fountain and lakes, there is a examines how they influenced each other. temple and an obelisk. It is called a AP expressed his opinion in his Journals “castle” because the original house on the on Brideshead Revisited and its 1981 TV estate was a castle that was torn down and adaptation but he did not consider how far the materials used to construct the newer Waugh intended Castle Howard to be the house. Finally it has a chapel built as a model for Brideshead Castle. AP also wedding present from Lord Marchmain to engaged in similar fictional country house his wife. Sebastian describes it as in the “constructions” in Dance. For example, in style of “art nouveau” and rather dated. It the cases of Castlemallock, Dogdene, is set in a valley and approached by a long Thrubworth Park and Stourhead Castle, AP road, appearing in the distance at a turning. gives details of the houses similar to those Many of these features can be attributed to offered by Waugh for Brideshead Castle Castle Howard, but they are not unique to that offer hints as to their sources or it. So how strong is the case for Castle inspirations. Howard being the model for Brideshead? Critics have noted the similarities between 1. Castle Howard was built in 1699, after Castle Howard and Brideshead Castle. the time of Inigo Jones (1572-1653), This goes back before the Granada and designed by Vanbrugh and broadcast to Christopher Sykes’ 1975 Hawksmoor. biography of Waugh: 2. The most obvious and noticeable The original of Brideshead can exterior features of Castle Howard are doubtfully be traced to many great its baroque style and dome. houses which Evelyn knew, but I Waugh dwells on the dome, situating fancy that a strong contribution was Nanny Hawkins’ room within it. In made by Castle Howard. later editions he described the dome as Harold Acton wrote in 1982, without false, designed to be seen from giving any source, below like the cupolas of Chambord. It was a pleasure to learn that Castle Its drum was merely an additional Howard, in Yorkshire, has been story full of segmental rooms. chosen to be Brideshead on This additional information seems television. It was the author’s inapplicable to the drum, or lantern as it prototype. is called at Castle Howard, which is 3 Anthony Powell Society Newsletter #62 below the cupola and empty except for The Madresfield chapel was an Arts and windows to light the space below. Crafts design but less Victorian and more 3. There are no prominent colonnades and Renaissance revival. This is especially flanking pavilions. The only exterior true of the frescoes that brighten and colonnade at Castle Howard is in one colour the walls. They may not qualify as corner of the central courtyard in the “art nouveau” but are closer to that style north facade. It is not one of the first than the darkly Victorian Castle Howard things that you notice. chapel. The chapel at Madresfield was also constructed as a wedding present (but 4. Castle Howard’s fountain is large and from wife to husband). prominently situated opposite the south façade above the lakes, as in the book, Brideshead Castle’s location is another but is not the sort Waugh had imagined. problem. In the novel, it is a few hours In the novel, it was brought over from west of Oxford, in Wiltshire. Charles and Italy piece-by-piece and reassembled at Sebastian could drive there and back from Brideshead. It is therefore Italian, rather Oxford in one day with ample time for a than Italianate or Victorian. The Atlas visit. Castle Howard is in the North Fountain at Castle Howard was Riding of Yorkshire, probably a similar constructed in the 19th century and first distance from York as Brideshead was assembled in London for the 1851 Great from Oxford. Again, Brideshead seems Exhibition. Afterwards it was moved, more Madresfield than Castle Howard. piece-by-piece, to Castle Howard where Waugh took care in the novel not to create it was reassembled. It is large and too many allusions to Madresfield as he prominent but lacks the charm of the wished to preserve deniability about the novel’s Italian baroque reconstruction. identification of the Flytes and the Lygons, As with the chapel, it is more Victorian who lived at Madresfield and with whom than baroque. There is also a temple he was still on friendly terms – at least and an obelisk at Castle Howard. with Mary and Dorothy. So, Castle Howard’s outward appearance He succeeded, as Dorothy Lygon having is similar to Waugh’s description of considered the physical description of Brideshead Castle, but not a dead ringer.
Recommended publications
  • Madonna and Child on a Curved Throne C
    National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Thirteenth and Fourteenth Century Paintings Byzantine 13th Century Madonna and Child on a Curved Throne c. 1260/1280 tempera on linden panel painted surface: 82.4 x 50.1 cm (32 7/16 x 19 3/4 in.) overall: 84 x 53.5 cm (33 1/16 x 21 1/16 in.) framed: 90.8 x 58.3 x 7.6 cm (35 3/4 x 22 15/16 x 3 in.) Andrew W. Mellon Collection 1937.1.1 ENTRY The painting shows the Madonna seated frontally on an elaborate, curved, two-tier, wooden throne of circular plan.[1] She is supporting the blessing Christ child on her left arm according to the iconographic tradition of the Hodegetria.[2] Mary is wearing a red mantle over an azure dress. The child is dressed in a salmon-colored tunic and blue mantle; he holds a red scroll in his left hand, supporting it on his lap.[3] In the upper corners of the panel, at the height of the Virgin’s head, two medallions contain busts of two archangels [fig. 1] [fig. 2], with their garments surmounted by loroi and with scepters and spheres in their hands.[4] It was Bernard Berenson (1921) who recognized the common authorship of this work and Enthroned Madonna and Child and who concluded—though admitting he had no specialized knowledge of art of this cultural area—that they were probably works executed in Constantinople around 1200.[5] These conclusions retain their authority and continue to stir debate.
    [Show full text]
  • Joanita VROOM, Some Byzantine Pottery Finds from Kaman-Kalehöyük
    Some Byzantine Pottery Finds from Kaman-Kalehöyük: A First Observation Joanita VROOM Sheffield, UK INTRODUCTION of the Byzantine Emperors in the centre of modern Istanbul (near the Sultanahmet Mosque and the Agia In this paper I will present some preliminary notes Sophia church) he had found substantial quantities of on the Byzantine pottery finds from the excavations this pottery, which was until then not known so much. of the Japanese Institute of Anatolian Archaeology at Talbot Rice divided the Glazed White Wares in different the site of Kaman-Kalehöyük in central Turkey, east categories according to decoration-style (such as ‘White of Ankara. I was invited to join the excavation team in Inscribed Ware’, ‘Impressed Ware’ or ‘White Painted October, 2005 with the purpose to study all the later Ware’; see Talbot Rice 1930: 23-28, 45-48). However, ceramic finds; moreover, all the excavated pottery which his initial description proved to be too crude and date after the Roman period. This material was kept in nowadays these wares are sub-divided in five numerical the storage rooms at Kaman-Kalehöyük and I stayed groups (‘Glazed White Ware I-V’) according to different three weeks in the excavation house to make a start with fabrics as well as to stratified contexts at excavations in the processing of the sherds from Byzantine, Medieval modern Istanbul: for example, at the Polyeuktos church and Ottoman times. Until now, circa 577 diagnostic in the Saraçhane area (Hayes 1992: 12-34). pottery sherds of the Medieval and Post-Medieval The main production centre of Glazed White Wares periods and circa 53 tobacco pipe fragments of the should be sought in the wider environs of modern Ottoman times have been analysed and described by me.
    [Show full text]
  • 2017 Magdalen College Record
    Magdalen College Record Magdalen College Record 2017 2017 Conference Facilities at Magdalen¢ We are delighted that many members come back to Magdalen for their wedding (exclusive to members), celebration dinner or to hold a conference. We play host to associations and organizations as well as commercial conferences, whilst also accommodating summer schools. The Grove Auditorium seats 160 and has full (HD) projection fa- cilities, and events are supported by our audio-visual technician. We also cater for a similar number in Hall for meals and special banquets. The New Room is available throughout the year for private dining for The cover photograph a minimum of 20, and maximum of 44. was taken by Marcin Sliwa Catherine Hughes or Penny Johnson would be pleased to discuss your requirements, available dates and charges. Please contact the Conference and Accommodation Office at [email protected] Further information is also available at www.magd.ox.ac.uk/conferences For general enquiries on Alumni Events, please contact the Devel- opment Office at [email protected] Magdalen College Record 2017 he Magdalen College Record is published annually, and is circu- Tlated to all members of the College, past and present. If your contact details have changed, please let us know either by writ- ing to the Development Office, Magdalen College, Oxford, OX1 4AU, or by emailing [email protected] General correspondence concerning the Record should be sent to the Editor, Magdalen College Record, Magdalen College, Ox- ford, OX1 4AU, or, preferably, by email to [email protected].
    [Show full text]
  • Ress Cat Autumn2004
    SHORT BOOKS autumn 2008 NEW TITLES P HOW TO BE WILD NON FICTION 1st August We are all wild. It’s just that 352pp £8.99 A civilisation keeps getting in the way B format paperback 978-1-906021-48-1 SIMON BARNES UK & Commonwealth, ex. Canada: Short Books P Bestselling author of How to be a Bad Birdwatcher Foreign rights: Capel & Land E As everyone who has patted a dog, smelled a ‘Barnes is a poet of rose, taken a walk, or even had a drink in the the unexpected lifting garden well knows, humans have a soul-deep of the heart.’ need for non-human forms of life. This book is PJ Kavanagh R about pushing our birthright of wildness just that little bit further. In How to be Wild , Barnes takes us on a year- long journey, from one raucous spring to the ‘A bracing reminder to next, with elephants and mosquitoes, dolphins us all “to keep things B and flying squirrels, giraffes and butterflies as his open: eyes, ears, hearts, companions. And again and again, he helps us to minds. And souls.” realise an essential truth: that by enjoying the ...Sparky, inspiring.’ wild world, by seeking to understand the wild Ned Dunny, Daily Mail world, our own lives become richer and more A satisfying. Simon Barnes is the multi-award- ‘This book – packed winning chief sportswriter for the with so much insight Times . He is also a novelist, nature and so many descriptions C writer and horseman, and the of wildlife encounters bestselling author of a dozen books, always right on the including How to be a Bad Birdwatcher and The Meaning of Sport (Short button – leaves little for others to write.’ Books).
    [Show full text]
  • Crossroads #7
    ISSUE 7 4/2014 An electronic journal published by The University of Bialystok ISSUE 7 4/2014 An electronic journal published by The University of Bialystok CROSSROADS. A Journal of English Studies Publisher: The University of Bialystok The Faculty of Philology Department of English ul. Liniarskiego 3 15-420 Białystok, Poland tel. 0048 85 7457516 ✉ [email protected] www.crossroads.uwb.edu.pl e-ISSN 2300-6250 The electronic version of Crossroads. A Journal of English Studies is its primary (referential) version. Editor-in-chief: Agata Rozumko Editorial Board: Zdzisław Głębocki, Jerzy Kamionowski, Daniel Karczewski, Ewa Lewicka-Mroczek, Grzegorz Moroz, Kirk Palmer, Jacek Partyka, Dorota Potocka, Dorota Szymaniuk, Anna Tomczak Editorial Assistants: Weronika Łaszkiewicz, Ewa Tołoczko Language editors: Kirk Palmer, Peter Foulds Advisory Board: Pirjo Ahokas (University of Turku), Lucyna Aleksandrowicz-Pędich (SWPS: University of Social Sciences and Humanities), Xinren Chen (Nanjing University), Marianna Chodorowska-Pilch (University of Southern California), Zinaida Charytończyk (Minsk State Linguistic University), Gasparyan Gayane (Yerevan State Linguistic University “Bryusov”), Marek Gołębiowski (University of Warsaw), Anne-Line Graedler (Hedmark University College), Cristiano Furiassi (Università degli Studi di Torino), Jarosław Krajka (Maria Curie-Skłodowska University / University of Social Sciences and Humanities), Marcin Krygier (Adam Mickiewicz University), A. Robert Lee (Nihon University), Elżbieta Mańczak – -Wohlfeld (Jagiellonian
    [Show full text]
  • Box Office 0870 343 1001 the Radcliffe Camera, the Bodleian Library
    Sunday 29 March – Sunday 5 April 2009 at Christ Church, Oxford Featuring Mario Vargas Llosa Ian McEwan Vince Cable Simon Schama P D James John Sentamu Robert Harris Joan Bakewell David Starkey Richard Holmes A S Byatt John Humphrys Philip Pullman Michael Holroyd Joanne Harris Jeremy Paxman Box Office 0870 343 1001 www.sundaytimes-oxfordliteraryfestival.co.uk The Radcliffe Camera, The Bodleian Library. The Library is a major new partner of the Festival. WELCOME Welcome We are delighted to welcome you to the 2009 Sunday Particular thanks this year to our partners at Times Oxford Literary Festival - our biggest yet, The Sunday Times for their tremendous coverage spread over eight days with more than 430 speakers. and support of the Festival, and to all our very We have an unprecedented and stimulating series generous sponsors, donors and supporters, of prestige events in the magnificent surroundings especially our friends at Cox and Kings Travel. of Christ Church, the Sheldonian Theatre and We have enlarged and enhanced public facilities Bodleian Library. But much also to amuse and divert. in the marquees at Christ Church Meadow and in the Master’s Garden, which we hope you will Ticket prices have been held to 2008 levels, offering enjoy. We are very grateful to the Dean, the outstanding value for money, so that everyone Governing Body and the staff at Christ Church for can enjoy a host of national and international their help and support. speakers, talking, conversing and debating throughout the week on every conceivable topic. Hitherto, the Festival has been a ‘Not for Profit’ Company, but during 2009 we will move to establish The Sunday Times Oxford Festival is dedicated a new Charitable Trust.
    [Show full text]
  • St. Barnabas and the Modern History of the Cypriot Archbishop's Regalia Privileges
    Messiah University Mosaic History Educator Scholarship History 2015 The Donation of Zeno: St. Barnabas and the Modern History of the Cypriot Archbishop'S Regalia Privileges Joseph P. Huffman Messiah University, [email protected] Follow this and additional works at: https://mosaic.messiah.edu/hist_ed Part of the History Commons Permanent URL: https://mosaic.messiah.edu/hist_ed/12 Recommended Citation Huffman, Joseph P., "The Donation of Zeno: St. Barnabas and the Modern History of the Cypriot Archbishop'S Regalia Privileges" (2015). History Educator Scholarship. 12. https://mosaic.messiah.edu/hist_ed/12 Sharpening Intellect | Deepening Christian Faith | Inspiring Action Messiah University is a Christian university of the liberal and applied arts and sciences. Our mission is to educate men and women toward maturity of intellect, character and Christian faith in preparation for lives of service, leadership and reconciliation in church and society. www.Messiah.edu One University Ave. | Mechanicsburg PA 17055 The Donation of Zeno: St Barnabas and the Origins of the Cypriot Archbishops' Regalia Privileges by JOSEPH P. HUFFMAN This article explores medieval and Renaissance evidence for the origins and rneaning of the imperial regalia privileges exercised by the Greek archbishops of Cyprus, said to have been granted by the Ernperor Zeno ( c. 42 to 9- I), along with autocephaly, upon the discovery of the relics of the Apostle Barnabas. Though clairned to have existed ab antiquo, these imperial privileges in fact have their origin in the late sixteenth century and bear the characteristics of western Latin ecclesial and political thought. With the Donation of Constantine as their pm­totype, they bolster the case rnade to the Italians and the French for saving Christian Cyprus frorn the Turks.
    [Show full text]
  • Byzrev 03.2021.025 Doi: 10.17879/Byzrev-2021-3501
    ByzRev 03.2021.025 doi: 10.17879/byzrev-2021-3501 Robert Byron, Der Berg Athos. Reise nach Griechenland. Übersetzt aus dem Englischen von Niklas Hoffmann-Walbeck (Die Andere Bibliothek 422). Berlin: AB – Die Andere Bibliothek 2020. 405 S. – ISBN: 978-3-8477-0422-5 (€ 44.00) • Michael Grünbart, Westfälische Wilhelms-Universität Münster ([email protected]) Als 422. Band wurde die deutsche Übertragung des Textes von Robert Byron „The Station. Athos: Treasures and Men“ in „Die Andere Biblio- thek“ eingestellt.1 Byron wird in der Gegenwart hauptsächlich als Rei- seschriftsteller wahrgenommen. Diesen Ruf begründete er durch sein be- kanntestes Werk, in dem er seine bis nach Nordafghanistan eingesammelten Eindrücke verschriftlichte (The Road to Oxiana. London 1937). Doch führ- ten ihn seine „Expeditionen“ – getrieben von wissenschaftlicher Neugierde und der Lust am Reisen – in den 1920er Jahren noch in andere, Westeuropa näher liegende Gefilde. Der Berg Athos und seine Klöster zählten als Region der (orthodoxen) Kontemplation und der Wallfahrt spätestens seit dem 19. Jahrhunderts zu den Sehnsuchtsorten der Reisenden, wobei sie die pittoreske Halbinsel aus unterschiedlichen Gründen betraten und aus mannigfaltigen Blickwinkeln wahrnahmen: Die Weltabgeschiedenheit faszinierte, die lange Zeit intak- ten Naturräume konnten als eine Projektionsfläche für Fortschrittsskeptiker dienen und die reichen Schätze der Klosterarchive riefen Wissenschaftler aus unterschiedlichen Nationen auf den Plan, um ungehobene Schätze zu sichten und abzulichten. Mit der klassischen und oft wiederaufgelegten Darstellung Jakob Phi- lipp Fallmerayers wurde der östlichste Finger der Halbinsel Chalkidi- ke zu einem Ziel der Balkan- und Griechenlandreisenden,2 die Erreichbar- 1. Erschienen 1928 bei Duckworth; die Ausgabe von 2011 trägt den etwas verwirren- den Titel „The Station: Travels to the Holy Mountain of Greece“.
    [Show full text]
  • What the Critics Said
    ISSUE 34 Review of BooksWINTER 2015 REVIEW OF THE REVIEWS What the critics said MORE THAN 40 OF the BEST BooKS From the LAST QUarter INCLUDING: Niall Ferguson Robert Roper Richard Tomlinson Frederic Raphael Richard Dawkins James Hamilton Virginia Ironside Thomas Pakenham Jonathan Franzen William Boyd Sebastian Faulks Dominic Sandbrook Robert Gildea Simon Schama Chrissie Hynde Edward Lucas …and many more Ferdinand Mount v. Moby-Dick Books for children Guide to Pevsner Sam Leith on the art of indexing A ROUND-UP OF REVIEWS • NOT JUST THE BESTSELLERS CONTENTS Review of Books IN THIS ISSUE ISSUE 34 WINTER 2015 4. BIOGRAPHY Paradise and Plenty: A Rothschild Kissinger: 1923–1968: The Idealist Niall Family Garden Mary Keen Ferguson; Nabokov in America: On the NOT FORGETTING... Road to Lolita Robert Roper; Amazing 19. CURRENT AFFAIRS IMPORTANT TITLES RECENTLY Grace: The Man Who Was WG Richard Cameron at 10: The Inside Story: REVIEWED IN THE OLDIE Tomlinson; Frost: That Was the Life That 2010–2015 Anthony Seldon and Was: The Authorised Biography Peter Snowdon; Call Me Dave: The • Cursed Kings: The Hundred Years War Vol. 4 by Jonathan Sumption Neil Hegarty; Going Up: To Unauthorised Biography of David Cambridge and Beyond: Cameron Michael Ashcroft and • Gothic for the Steam Age: An A Writer’s Memoir Isabel Oakeshott; An Intelligent Illustrated Biography of George Frederic Raphael; Brief Person’s Guide to Education Tony Gilbert Scott by Gavin Stamp Candle in the Dark: Little; Capitalism: Money, Morals My Life in Science and Markets John Plender; Something • Weatherland: Writers and Artists Under English Skies by Alexandra Richard Dawkins; Island Will Turn Up: Britain’s Economy, Harris of Dreams: A Personal Past, Present and Future David Smith; History of a Remarkable Cyberphobia: Identity Trust, Security • Stalin’s Englishman: The Lives of Guy Place Dan Boothby; Reckless Chrissie and the Internet Edward Lucas Burgess by Andrew Lownie Hynde; Every Time a Friend Succeeds, Something Inside Me Dies: The Life of 22.
    [Show full text]
  • The Intellectual Context of Clement Greenberg’S ‘Byzantine Parallels’
    What could have been and never was: the intellectual context of Clement Greenberg’s ‘Byzantine Parallels’ Jessamine Batario When presented with the observation that a painting by Barnett Newman looks like a Byzantine mosaic, Donald Judd replied, ‘A lot of things look alike, but they’re not necessarily very much alike.’1 Judd responded to what he likely viewed as a truism – the assertion that modern art looks like Byzantine art – with a truism of his own. Visual resemblance does not indicate ontological equivalence. In this instance, Judd precludes further discussion with his interviewer on the topic. Yet the comparative approach, especially pertaining to the relationship between medieval and modern, has found renewed interest amongst contemporary art historians. By virtue of their specialized training, many scholars who transgress the boundaries of conventional periodization tend to be pre- or early modernists.2 A perspective from the modernist side of the border comes from Clement Greenberg in his essay, ‘Byzantine Parallels,’ written in 1958.3 Prior to Judd’s dismissal of the Byzantine-modern connection, Greenberg reached the same conclusion. But if things that look alike are not alike after all, if the relationship between the two winds up in a pseudomorphic cul-de-sac, then why expend the effort to make the association in the first place? For Greenberg, the comparative approach was a defensive tactic meant to legitimize modern abstraction in the face of criticism leveled specifically by art historians. An account of the intellectual history surrounding ‘Byzantine Parallels’ not only reveals Greenberg’s unrealized investment in such a defence, but also the ways in which the study of Byzantine art history in the early twentieth century was intertwined with modernist discourse.
    [Show full text]
  • SPRING 2015 May — August for the Most Up-To-Date Edelweiss Catalog Information, Visit Please Refer to the Index for Page Numbers
    Bloomsbury SPRING 2015 May — August For the most up-to-date Edelweiss catalog information, visit http://edelweiss.abovethetreeline.com Please refer to the index for page numbers CONTENTS BLOOMSBURY PRESS Whirlwind John Ferling A Call to Arms (pb) Maury Klein Spain Robert Goodwin BLOOMSBURY Paris, He Said Christine Sneed How to Talk About Places You’ve Never Been Pierre Bayard Darjeeling Jeff Koehler Coup de Foudre Ken Kalfus Lifted by the Great Nothing Karim Dimechkie Kidnap in Crete Rick Stroud Atoms Under the Floorboards Chris Woodford The Maintenance of Headway Magnus Mills Sidney Chambers and The Forgiveness of Sins James Runcie Owning the Earth (pb) Andro Linklater Fives and Twenty-Fives (pb) Michael Pitre God is an Astronaut (pb) Alyson Foster The Photographer’s Wife Suzanne Joinson Lusitania (pb) Diana Preston Girl in Glass Deanna Fei Beautiful Mutants and Swallowing Geography Deborah Levy The Sunlit Night Rebecca Dinerstein The Tail Wags the Dog Efraim Karsh Nabokov in America Robert Roper Playing Scared Sara Solovitch Rise Karen Campbell Here Are the Young Men Rob Doyle Brand New Ancients Kate Tempest Hold Your Own Kate Tempest Funny Once (pb) Antonya Nelson Bluff City Pawn (pb) Stephen Schottenfeld The Adventures of Henry Thoreau (pb) Michael Sims Far as the Eye Can See (pb) Robert Bausch The Watchmaker of Filigree Street Natasha Pulley At Hawthorn Time Melissa Harrison The Kindness Polly Samson The Secret Life and Curious Afterlife of Seashells Helen Scales Sleeping Dogs Thomas Mogford On the Trail of Genghis Khan (pb) Tim Cope
    [Show full text]
  • Art History Book Inventory November 2013 Title Author/ Editor Au Cœur
    Art History Book Inventory November 2013 Title Author/ Editor Au Cœur de L’Art Claus Haverkamp Roman Cluny et sa region (The Heart of Romanesque Art Cluny and its Surroundings) The Meeting of Michael Sullivan Eastern and Western Art Journey into George Nebolsine Romanesque Next time you go to Charles A. Ward Russia Art of the Dark Ages Magnus Backes; Regine Dölling Sandro Botticelli Roberto Hoesch A Concise History of Tamara Talbot Russian Art Rice Ahmed Yasawi Kh. Argynbayev Architectural Complex The Impressionists François Mathey Impressionism Phoebe Pool Ancient Arts of Tamara Talbot Central Asia Rice Seurat John Russell The Art of Harold Osbourne Appreciation Ricordo di Roma Enrico Verdesi Painting: The Peter Owen appreciation of the arts 5 Early Medieval Art John Beckwith Primitive Art Franz Boas African Art Frank Willet The Making of the R.W. Southern Middle Ages Art of the Byzantine David Talbot Rice Era Van Gogh Drawings Evert van Uitert The Story of Silk Dr. John Feltwell The Metamorphosis André Malraux of the Gods One Hundred Views Fugaku Hiyaku- of Fuji by Hokusai Kei Persian Painting Basil Gray Art Nouveau Lara-Vinca Masini Pontormo: Paintings Salvatore S. Nigro and Frescoes Whistler James Abbott McNeill Jacopo Carrucci, Doris Krystof known as Pontormo 1494-1557 Sahara; Magic Jean-Marc Durou Desert Scythian Art; crafts George Charrière of the early Eurasian nomads Ravenna Mosaics Giuseppe Bovini Arshile Gorky Fundacion Caja de Pensiones The Celts: Life, Myth, Juliette Wood and Art Cezanne Drawings Alfred Neumeyer American Painting: Milton W. Brown From the Armory Show to the Depression The Work of John H.
    [Show full text]