St. Barnabas and the Modern History of the Cypriot Archbishop's Regalia Privileges
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Królewski Kościół Katedralny Na Wawelu. W Rocznicę Konsekracji
Tomasz Węcławowicz Królewski kościół katedralny na Wawelu W rocznicę konsekracji 1364-2014 Royal Cathedral Church on Wawel Hill in Krakow Jubilee of the Consecration 1364-2014 Dekoracja zachodniej ściany katedry dobitnie ilustruje powiązanie św. Stanisława z ideą polityczną ostatnich władców z dynastii Piastów. Szczyt wieńczy figura św. Stani sława, poniżej na drzwiach widnieje monogram króla Kazimierza Wielkiego - a między nimi Orzeł, herb Królestwa Polskiego - heraldyczny łącznik spajający dwie personifikacje religijnej i świeckiej władzy. [...] Dlatego krakowska katedra jest w każdym znaczeniu tego słowa „kościołem królewskim” - a przy tym jedną z najwcześniejszych takich realizacji w Europie Środkowej. Paul Crossley, Gothic Architecture in the Reign of Kazimir the Great, Kraków 1985 [The] demonstration of the link between St Stanislaw and the political ideology of the last Piast King is provided by the decoration of the west front of the cathedral. Above, in the gable is the figure of St Stanislaw; below, on the doors, is the pronounced signature of Kazimir the Great; and between them, as a heraldic link between these two personifica tions of the religious and secular authority, is the Polish eagle, the arms of Poland [...] In every sense of the word, therefore, Krakow cathedral is - a Konigskirche. It is moreover one of the earliest of its kind in Central Europe. Paul Crossley, Gothic Architecture in the Reign of Kazimir the Great, Krakow 1985 Tomasz Węcławowicz Królewski kościół katedralny na Wawelu W rocznicę konsekracji 1364-2014 Royal Cathedral Church on Wawel Hill in Krakow Jubilee of the Consecration 1364-2014 Kraków 2014 UNIW ERSYTET PAPIESKI JANA PAWŁA II WYDZIAŁ HISTORII I DZIEDZICTWA KULTUROWEGO PONTIFICAL UNIVERSITY OF JOH N PAUL II FACULTY OF HISTORY AND CULTURAL HERITAGE KRAKOWSKA AKADEMIA IM. -
The Reception of Geoffrey of Monmouth's Work in Italy
Chapter 24 The Reception of Geoffrey of Monmouth’s Work in Italy Fabrizio De Falco The reception of Geoffrey of Monmouth’s work in medieval Italy is an integral part of two fascinating veins of inquiry: the early appearance of the Matter of Britain in Italy and its evolution in various social, political, and cultural con- texts around the Peninsula.1 At the beginning of the 12th century, before the De gestis Britonum was written, an unedited Arthurian legend was carved on Modena Cathedral’s Portale della Pescheria, a stop for pilgrims headed to Rome along the Via Francigena.2 Remaining in the vicinity of Modena, the only con- tinental witness of the First Variant Version of the DGB (Paris, Bibliothèque de l’Arsenal, 982) can be connected to Nonantola Abbey.3 Moving to the kingdom of Sicily, in 1165 the archbishop of Otranto commissioned an enormous mosaic for the cathedral, and Arthur is depicted in one of the various scenes, astride a goat, fighting a large cat.4 To describe Geoffrey of Monmouth’s reception in 1 E.G. Gardener, The Arthurian Legend in Italian Literature, London and New York, 1930; D. Delcorno Branca, “Le storie arturiane in Italia”, in P. Boitani, M. Malatesta, and A. Vàrvaro (eds.), Lo spazio letterario del Medioevo, II. Il Medioevo volgare, III: La ricezione del testo, Rome, 2003, pp. 385–403; G. Allaire and G. Paski (eds.), The Arthur of the Italians: The Arthurian Legend in Medieval Italian Literature and Culture (Arthurian Literature in the Middle Ages, 7), Cardiff, 2014. 2 In this version, Gawain is the protagonist and Arthur is not yet king. -
Abraham (Hermit) 142F. Aristode 160 Acacius (Bishop Atarbius (Bishop Of
INDEX Abraham (hermit) 142f. Aristode 160 Acacius (bishop Atarbius (bishop of Caesarea) 80f., 86f., of Neocaesarea) 109f., 127 91 Athanasius 63, 67ff., 75 Acacius (bishop Athanasius of Balad 156, 162 of Beroea) 142ff. Athenodorus (brother Aelianus 109 of Gregory al-Farabi 156 Thaumaturgus) 103, 105, Alexander (bishop 133 of Comana) I 26f., 129, Athens 120 132 Augustine 9-21, 70 Alexander (of the Cassiciacum Dialogues 9, 15ff. "Non-Sleepers" Corifessions 9-13, 15, monastery) 203, 211 18, 20f. Alexander (patriarch De beata vita 16ff. of Antioch) 144 De ordine 16ff. Alexander of Retractions 19 Abonoteichos 41 Soliloquies 19f. Alexander Severus Aurelian (emperor (emperor 222-235) 47 270-275) 121 Alexandria 37, 39f., 64, Auxentios 205 82, 101, 104, 120, Babai 172 n. II, 126f., 129 173ff. n. 92, 143, Babylas 70 156, 215 Baghdad 156 Alexandrian Christology 68 Bardesanism/Bardesanites 147 Amaseia 128 Barhadbeshabba 'Arbaya 145 Ambrose 70, 91 Barnabas 203 n. 39 Basil of Caeserea 109f., 117, Anastasios (monk) 207 121ff., 126f., Anastasius (= Magundat) 171 131, 157, Ancyra 113 166 Andrew Kalybites 207 Basilides 32, 37ff. Andrew the Fool 203 Beroea 141, 142 Annisa 112f. Berytus 101, 103f., Antioch 82, 105, 120 I I If., 155, 160, 215 Caesarea (Cappadocia) 129 Antiochene theology 72f., 143 Caesarea (Palestine) 80ff., 87, Antiochos the African 205 91, 92, 100, Antony 63,69f., 101, 103ff., 75f. 120 Antony / Antoninus Cappadocia 46ff., 53, (pupil of Lucian) 65 122 Apelles 51 Carpocrates 32, 39, 41 Arius/ Arianism/ Arians 65ff., 80ff., Carthage 47,49, 51, 92, 148 53ff., 57f. 224 INDEX Cataphrygian(s) 50ff., 56, 59 David of Thessalonike 205 Chaereas (comes) 140 Dcmosthenes (vicarius Chalcedon 75 of Pontica) III Chosroes II 17Iff., 175, Diogenes (bishop 177, I 79f., of Edessa) 144 182, 184, Dionysius (pope 259~269) 106 188 Doctrina Addai 91 n. -
Madonna and Child on a Curved Throne C
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Italian Thirteenth and Fourteenth Century Paintings Byzantine 13th Century Madonna and Child on a Curved Throne c. 1260/1280 tempera on linden panel painted surface: 82.4 x 50.1 cm (32 7/16 x 19 3/4 in.) overall: 84 x 53.5 cm (33 1/16 x 21 1/16 in.) framed: 90.8 x 58.3 x 7.6 cm (35 3/4 x 22 15/16 x 3 in.) Andrew W. Mellon Collection 1937.1.1 ENTRY The painting shows the Madonna seated frontally on an elaborate, curved, two-tier, wooden throne of circular plan.[1] She is supporting the blessing Christ child on her left arm according to the iconographic tradition of the Hodegetria.[2] Mary is wearing a red mantle over an azure dress. The child is dressed in a salmon-colored tunic and blue mantle; he holds a red scroll in his left hand, supporting it on his lap.[3] In the upper corners of the panel, at the height of the Virgin’s head, two medallions contain busts of two archangels [fig. 1] [fig. 2], with their garments surmounted by loroi and with scepters and spheres in their hands.[4] It was Bernard Berenson (1921) who recognized the common authorship of this work and Enthroned Madonna and Child and who concluded—though admitting he had no specialized knowledge of art of this cultural area—that they were probably works executed in Constantinople around 1200.[5] These conclusions retain their authority and continue to stir debate. -
St Athanasius Bulletin 15.12.13 30Th SUNDAY AFTER PENTECOST
THE Light of the East St. Athanasius the Great Byzantine Catholic Church 1117 South Blaine Ave. Indianapolis, IN 46221 Website: www.saindy.com Email: [email protected] Served by: Pastor: Very Rev. Protopresbyter Bryan R. Eyman. D. Min. D. Phil. Cantors: Marcus Loidolt, John Danovich Business Manager: John Danovich Phones: Rectory: 317-632-4157; Pastor’s Cell Phone: 216-780-2555 FAX: 317-632-2988 WEEKEND DIVINE SERVICES Sat: 5 PM [Vespers with Liturgy] Sun: 9:45 AM [Third Hour] 10 AM [Divine Liturgy] Mystery of Holy Repentance [Confessions]: AFTER Saturday Evening Prayer or ANYTIME by appointment SERVICES FOR THE WEEK OF DECEMBER 15, 2013 THIRTIETH SUNDAY AFTER PENTECOST. SUNDAY OF THE FOREFATHERS. The Holy Martyr Eleutherius. Our Ven. Fr. Paul of Latra. Our Holy Father Stephen, Archbishop of Surozh. PLEASE COME FORWARD AFTER THE DIVINE LITURGY; KISS THE HOLY ICONS, KISS THE HAND CROSS [OR RECEIVE THE HOLY ANOINTING], & PARTAKE OF THE ANTIDORAN [BLESSED BREAD]. SAT. DEC. 14 5 PM VESPER LITURGY Int. of Nichole Richards SUN. DEC. 15 9:45 AM THE THIRD HOUR 10 AM FOR THE PEOPLE 11:15 AM COFFEE SOCIAL [IN ST. MARY’S HALL] 11: 30 AM EPARCHICAL ASSEMBLY PRESENTATION #3 MON. DEC. 16 The Holy Prophet Haggai. NO DIVINE SERVICES~FATHER’S DAY OFF TUE. DEC. 17 The Holy Prophet Daniel and the Three Holy Children Hananiah, Azariah and Mishael. 9 AM Intention of Captain Brian Hewko WED. DEC. 18 The Holy Martyr Sebastian & His Companions. 7 PM EMANUEL MOLEBEN & MYSTERY OF HOLY ANOINTING [ANCIENT HEALING SERVICE] THU. DEC. 19 The Holy Martyr Boniface. -
Barnabas, His Gospel, and Its Credibility Abdus Sattar Ghauri
Reflections Reflections Barnabas, His Gospel, and its Credibility Abdus Sattar Ghauri The name of Joseph Barnabas has never been strange or unknown to the scholars of the New Testament of the Bible; but his Gospel was scarcely known before the publication of the English Translation of ‘The Koran’ by George Sale, who introduced this ‘Gospel’ in the ‘Preliminary Discourse’ to his translation. Even then it remained beyond the access of Muslim Scholars owing to its non-availability in some language familiar to them. It was only after the publication of the English translation of the Gospel of Barnabas by Lonsdale and Laura Ragg from the Clarendon Press, Oxford in 1907, that some Muslim scholars could get an approach to it. Since then it has emerged as a matter of dispute, rather controversy, among Muslim and Christian scholars. In this article it would be endeavoured to make an objective study of the subject. I. BRIEF LIFE-SKETCH OF BARNABAS Joseph Barnabas was a Jew of the tribe of Levi 1 and of the Island of Cyprus ‘who became one of the earliest Christian disciples at Jerusalem.’ 2 His original name was Joseph and ‘he received from the Apostles the Aramaic surname Barnabas (...). Clement of Alexandria and Eusebius number him among the 72 (?70) disciples 3 mentioned in Luke 10:1. He first appears in Acts 4:36-37 as a fervent and well to do Christian who donated to the Church the proceeds from the sale of his property. 4 Although he was Cypriot by birth, he ‘seems to have been living in Jerusalem.’ 5 In the Christian Diaspora (dispersion) many Hellenists fled from Jerusalem and went to Antioch 6 of Syria. -
Joanita VROOM, Some Byzantine Pottery Finds from Kaman-Kalehöyük
Some Byzantine Pottery Finds from Kaman-Kalehöyük: A First Observation Joanita VROOM Sheffield, UK INTRODUCTION of the Byzantine Emperors in the centre of modern Istanbul (near the Sultanahmet Mosque and the Agia In this paper I will present some preliminary notes Sophia church) he had found substantial quantities of on the Byzantine pottery finds from the excavations this pottery, which was until then not known so much. of the Japanese Institute of Anatolian Archaeology at Talbot Rice divided the Glazed White Wares in different the site of Kaman-Kalehöyük in central Turkey, east categories according to decoration-style (such as ‘White of Ankara. I was invited to join the excavation team in Inscribed Ware’, ‘Impressed Ware’ or ‘White Painted October, 2005 with the purpose to study all the later Ware’; see Talbot Rice 1930: 23-28, 45-48). However, ceramic finds; moreover, all the excavated pottery which his initial description proved to be too crude and date after the Roman period. This material was kept in nowadays these wares are sub-divided in five numerical the storage rooms at Kaman-Kalehöyük and I stayed groups (‘Glazed White Ware I-V’) according to different three weeks in the excavation house to make a start with fabrics as well as to stratified contexts at excavations in the processing of the sherds from Byzantine, Medieval modern Istanbul: for example, at the Polyeuktos church and Ottoman times. Until now, circa 577 diagnostic in the Saraçhane area (Hayes 1992: 12-34). pottery sherds of the Medieval and Post-Medieval The main production centre of Glazed White Wares periods and circa 53 tobacco pipe fragments of the should be sought in the wider environs of modern Ottoman times have been analysed and described by me. -
Uses of the Past in Twelfth-Century Germany: the Case of the Middle High German Kaiserchronik Mark Chinca and Christopher Young
Uses of the Past in Twelfth-Century Germany: The Case of the Middle High German Kaiserchronik Mark Chinca and Christopher Young Abstract: Despite its broad transmission and its influence on vernacular chronicle writing in the German Middle Ages, the Kaiserchronik has not received the attention from historians that it deserves. This article describes some of the ideological, historical, and literary contexts that shaped the original composition of the chronicle in the middle of the twelfth century: Christian salvation history, the revival of interest in the Roman past, the consolidation of a vernacular literature of knowledge, and the emergence of a practice of writing history as “serious entertainment” by authors such as Geoffrey of Monmouth and Godfrey of Viterbo. Placed in these multiple contexts, which have a European as well as a specifically German dimension, the Kaiserchronik emerges as an important document of the uses of the past in fostering a sense of German identity among secular and ecclesiastical elites in the high Middle Ages. The Kaiserchronik, completed probably in Regensburg ca.1150, is a seminal work.1 Monumental in scale, it comprises over seventeen thousand lines of Middle High German verse and is the first verse chronicle in any European language. Through a grand narrative of the reigns of thirty-six Roman and nineteen German emperors filling a timespan of twelve centuries, it throws the spotlight on ethnicity, religion and cultural identity, and on the relationship between church and empire, as these issues play out on the various stages of Rome, Germany and their territorial outposts in the Mediterranean basin.2 The Kaiserchronik has several claims to uniqueness. -
Epigraphic Bulletin for Greek Religion 1996
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 12 | 1999 Varia Epigraphic Bulletin for Greek Religion 1996 Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou Electronic version URL: http://journals.openedition.org/kernos/724 DOI: 10.4000/kernos.724 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1999 Number of pages: 207-292 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou, « Epigraphic Bulletin for Greek Religion 1996 », Kernos [Online], 12 | 1999, Online since 13 April 2011, connection on 15 September 2020. URL : http://journals.openedition.org/kernos/724 Kernos Kemos, 12 (1999), p. 207-292. Epigtoaphic Bulletin for Greek Religion 1996 (EBGR 1996) The ninth issue of the BEGR contains only part of the epigraphie harvest of 1996; unforeseen circumstances have prevented me and my collaborators from covering all the publications of 1996, but we hope to close the gaps next year. We have also made several additions to previous issues. In the past years the BEGR had often summarized publications which were not primarily of epigraphie nature, thus tending to expand into an unavoidably incomplete bibliography of Greek religion. From this issue on we return to the original scope of this bulletin, whieh is to provide information on new epigraphie finds, new interpretations of inscriptions, epigraphieal corpora, and studies based p;imarily on the epigraphie material. Only if we focus on these types of books and articles, will we be able to present the newpublications without delays and, hopefully, without too many omissions. -
The King, the Crown and the Colonel: How Did Thomas Blood Try to Steal the Crown Jewels in 1671?
Education Service The king, the crown and the colonel: How did Thomas Blood try to steal the crown jewels in 1671? This resource was produced using documents from the collections of The National Archives. It can be freely modified and reproduced for use in the classroom only. The king, the crown and the colonel : How did Thomas Blood try to steal the crown jewels in 1671? 2 Introduction After the execution of Charles I in 1649 many of the crown jewels were sold or destroyed. Oliver Cromwell ordered that the orb and sceptres should be broken as they stood for the 'detestable rule of kings'. All the gemstones were removed and sold and the precious metal was used to make coins. When the monarchy was restored in 1660, two new sceptres and an orb costing £12,185 were made for the coronation of Charles II in 1661. Can you spot any of these items in the picture at the top of this page? During the ceremony, the new king held the Sceptre with the Cross in his right hand and the Sceptre with the Dove in his left. The sceptre was a rod or staff which represents royal power and the dove refers to the Holy Spirit. The king was crowned with St Edward's Crown. At some point the king also held the orb, a hollow golden sphere decorated with a band of jewels and a jewelled cross on top. The orb refers to the king’s role as protector of the church. Charles II allowed the crown jewels to be shown to members of the public for a viewing fee paid to a custodian (keeper) who looked after the jewels in the Martin Tower at the Tower of London. -
The Expansion of Christianity: a Gazetteer of Its First Three Centuries
THE EXPANSION OF CHRISTIANITY SUPPLEMENTS TO VIGILIAE CHRISTIANAE Formerly Philosophia Patrum TEXTS AND STUDIES OF EARLY CHRISTIAN LIFE AND LANGUAGE EDITORS J. DEN BOEFT — J. VAN OORT — W.L. PETERSEN D.T. RUNIA — C. SCHOLTEN — J.C.M. VAN WINDEN VOLUME LXIX THE EXPANSION OF CHRISTIANITY A GAZETTEER OF ITS FIRST THREE CENTURIES BY RODERIC L. MULLEN BRILL LEIDEN • BOSTON 2004 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Mullen, Roderic L. The expansion of Christianity : a gazetteer of its first three centuries / Roderic L. Mullen. p. cm. — (Supplements to Vigiliae Christianae, ISSN 0920-623X ; v. 69) Includes bibliographical references and index. ISBN 90-04-13135-3 (alk. paper) 1. Church history—Primitive and early church, ca. 30-600. I. Title. II. Series. BR165.M96 2003 270.1—dc22 2003065171 ISSN 0920-623X ISBN 90 04 13135 3 © Copyright 2004 by Koninklijke Brill nv, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands For Anya This page intentionally left blank CONTENTS Preface ........................................................................................ ix Introduction ................................................................................ 1 PART ONE CHRISTIAN COMMUNITIES IN ASIA BEFORE 325 C.E. Palestine ..................................................................................... -
Roman Varia Byzantine Empire
ROMAN VARIA 260 Æ 261 Æ 260 Black Sea Region. Roman Period. Ca. First-Third Century AD. Orichalchum Tessera. 12mm, 0.81 gm. Bull r., crescent on its back / Crescent with three stars above. Holed at 12:30 Good VF 100. 261 Magnentius (?) 350-353 AD. Tessera or Weight. 4.37 gm. An AE2 (Centenionalis) that has been altered to serve as a token or weight. The obverse has been completely smoothed and an edge-to-edge X-shaped cross neatly etched in (similar to that commonly seen on early Byzantine Nomisma weights) / Chi-rho, A-w. The edges have been cut down to conform to the desired size and weight, but a small snippet of legend is left on the Chi-rho side. Interesting. Deep olive-green Good VF 100. BYZANTINE EMPIRE 262 Æ 263 Æ 264 Æ 265 Æ 262 Justinian I, 527-565 AD. Follis, regnal year 15. Antioch, officina Γ. 39mm. Helmeted facing bust w/ globus cruciger, cross in field / Large M, cross above, star below regnal year; CHEyPo in ex. SB 219. Olive-brown. Clear facial features Good VF 125. 263 Follis, regnal year 26. Antioch, officina Γ. 35mm. Types similar to above. Rev. tHuΓv in ex. SB 221. Olive-green brown Good VF 100. 264 ½ Follis, regnal year 12. Nicomedia. Helmeted facing bust hldg globus cruciger, cross in field / Large K, cross above, NI below. SB 203. Typical weakness on upper face, otherwise sharply struck. Good VF 75. 265 Tiberias Constantine, 578-582 AD. ½ Follis. Constantinople, officina Γ. Helmeted facing bust holding globus cruciger / large XX, cross above; CONΓ in ex.