DOCSLIB.ORG

Stephens College Performing Arts77

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

(DGG sody for Piano No. 19" 2709044, Szidon, ACCENT ON - THE NEW THURSDAY p); "Hungarian Fantasy for Piano and Orch." 9:00 MUSIC RECORDINGS SO M-31- M-34- (COL 962, Columbia Sym. Orch., Koste-lanet- z, PETROV: "Songs of Our Days" (COL 526, H6:00 PROLOGUE News, intormation and music." Wild, p)r "Riqoletto - Operatic Leningrad Phil. Orch., Yansons); SHOST- O- Fantasy" (PHI 6500368, Arrau, p); GLINKA: KOVICH: "Trio No. 2 in e, Op. 67" (ABC WG- S- 9:00 ACCENT ON MUSIC "Russian and Ludmilla: Tscherkessenmarsch" 8332, Dubinsky, Vn, Berlusky, ce, Yedlina, B DVORAK: "Overture to Otello, Op. 93" (PHI (CON CS-20- 39, R.s J. Contiguglia, p). P. M 6500124. Lon. Sym. Orch., Rowicki); FOOTEt KBIA HEADLINES AT 10:00 KBIA HEADLINES AT 10:00 j "Son. for Violin and Piano in g. Op. 20" B (OR1 ORS-762- 43, Gratovich, vn. Regis, p); LISZT: "II Travatore: Miserere" (PHI "First Hearing" New recordings are GRIFPES: "Pleasure-Dom- e of Kubla Khan" 6500368, Arrau, p); MEYERBEER i "Le Prophete: auditioned by a panel including Martin (NWR NW-2- 73, Boston Sym. Orch., Ozawa); Illustration No. 2" (PHI 6500310, Campanella, Bookspan, Edward Downes, and a special B "The White Peacock, Op. 7, No.l" (MER SR-- B p); LISZT: "Fantasia and Fugue on the guest music critic Eastman-Rochest- er' Ad (ARG 'Ad Undam1" M-34- 90422, Orch. , Hanson). Chorale Nos, Salutarem SVIRIDOV: "3 Miniatures" (COL 525, M KBIA HEADLINES AT 10:00 ZRG-50- 3, Preston, org). Yurlov Choir, Ukhov). -- SR-905- 24, S-60- S PARKER: "Prelude to Mona" (MER LISZT: "Mephisto Waltz" ( SER 099, Eastman-Roches- ter KBIA HEADLINES AT 11:00 R Sym. Orch., Hanson); IVES: Browning, p); GOUNOD: "EMI CS-20- 92, Cziffra, M B- "Son. for Violin and Piano No.l" (NON H- p); "Reminiscences of Robert le Diable-Val- se PENDERECKI: "De Natura Sonoris, No. 2" (LSO 73025, Zukofsky, vn, Kalish, p); "String Infernale" (VAN VCS-100- 41, Wild, p); LS-7- 22, Louisville Orch., Mester); "The Quartet No.l" (NON H-7- 1306, Concord String "ReirdniscbFceB of Simone Boccanegra" (PHI Song of Songs" (EMI EMD-55- 29, Polish Radio Quartet). 6500368, Arrau, p). National Sym. Orch., Krakow Phil. Chorus, IVES: "Piano Son. No.l" (NON H-71- 169, Lee, Penderecki); MESSIAEN: "Chronochromie" (ARG 11:15 KBIA NEWS ZRG-75- 6, BBC Sym. Orch., Dorati); LIGETI: 11:15 KBIA NEWS 12:00 OPTIONS IN EDUCATION Third in a series of "Morning & Night" (EMI 1C-15329- 918, Stock- 12:00 OPTIONS The hour five programs. National Public Radio pre- holm Cham. Choir, Ericson). deals with "Undocumented sents a of American Adolescence" Workers," or illegal aliens, their problems, "Portrait 12:00 KBIA NEWS ana views of in an attempt to dispell our society's wide- several policies which have spread myth of turbulent adolescence. 12:10 VOCAL SCENE "The Vocal Dvorak" is presented been advance to help them. Topics will include mental and physical by George Jellinek. 1:00 WORLD OF MUSIC health, the youth market, juvenile crime OPERA IVES: "3 Places in New England" (DGG 2530048, and justice, youth unemployment, and drug 1:00 SAN FRANCISCO The San Francisco Boston Sym. Orch., Thomas); "Piano Son. No. abuse. Opera presents Janacek's "Katya Kabanova' 2" (COL MS-71- 92, Kirkpatrick, p). in English. Major roles are played by WORLD Gwendolyn IVES: "Sym. No. 2" (RCA ARL-106- 63, 1:00 OF RUSIC Barry McCauley as Banya Kudryas, Philadel- Glasha, Ludgin as Dikoy M-33- as Chester phia Orch., Ormandy); "The Things Our 927, Jones LISZT: "Piano Son. in b" (COL and William Lewis as Grigorievitch. Fathers Loved; Old Home Day; Down East" Barman, p); "Symphonic Poem No. 2" (LON Boris (COL H-432- 504, The conductor will be Rafael Kubelik. Boatwright, s, Kirkpatrick, CS-69- 25, Orch. of Paris, Solti); "Tran-scend- tal VCS-100- 13, p); "The Unanswered Question" (VAN Etudes for Piano" (COL M-233- 928, 1:55 ALL THINGS CONSIDERED Local, national and Royal Phil. Orch., Farberman). Berman, p). international news, as well as special KBIA HEADLINES AT 3:00 features and the Week's News in Review MS-73- 18, KBIA HEADLINES IVES: "Chromatimelodtune" (COL fT 3:00 from the KBIA Newsroom and National Public (COL Schuller, cond); "America Variations" WAGNER: "Tannhaeuser: Overture" (RCA ARL-205- 12, Radio. M-432- 504, Biggs, org); SCHUMAN: "New Bolet, p); "Lohengrin: Prelude Act SR-903- 79, MISSOURI FORUM A news (MER -. S-35- 6:30 discussion of events England Triptych" (ANG 950, Kara-jan- Eastman- I" Berlin Phil. Orch., ); of to Hissourians. Area newsmen Rochester Orch., Hanson); ALBRIGHT: "Organ "A Siegfried Idyll" (VAN SRV-2- 20, interest H-71- 260, as B Book II: Excerpts" (NON Albright, Sym. and reporters are featured panelists, org). Bavarian Radio Orch., Schuricht); with moderator Dr. Edward C. Lambert, of FINNEY: "Sym. No. 2" (LOU 625, Louisville LISZT: "Nuages Gris; La Lugubre Gondola the UMC School of Journalism. (DOV 972585, Orch., Whitney). No.l" Fiorentino, p). 7:00 CURTAIN GOING UP Chita Rivera and Dick 1:25 THE SPIDER'S WEB "Walt Disney: Magician BUSONI: "Ballet-Sce- ne No. 4" (ARG ZRG-74- 1, Van Dyke are the principle players in the ye of the Movies" continues. Jones, p); DEBUSSY: "Nuages" (RCA LSC-266- 8, original Broadway cast of "Bye-B- Birdie." 1:55 ALL THINGS CONSIDERED lcal, national and Boston Sym. Orch., Munch); "Images, "Put on a Happy Face," "Honestly Sincere," international news, as well as special Book I: No.l, Reflections in the Water" "A Lot of Livin' To Do," and "Spanish Rose" features from the KBIA Newsroom and (SER S-60- 099, Browning, p). are a few of the tunes you'll hear. National Public Radio. 1:25 THE SPIDER'S WEB The final episode of 8:00 STEREO CONCERT HALL The Boston Pops O- 7:M ADVENTURES IN GOOD MUSIC WITH KARL HAAS "Walt Disney: Magician of the Movies" by rchestra, under the direction of Arthur Haas presents explanations of the inter- Bob Thomas. Fiedler, will bring you Overture to "The relationship of keys and tonalities and the Bohemian Girl" by Balfe; and Schatz Waltz role they play in modulation, and selec- 1:55 ALL THINGS CONSIDERED vou're invited to from "The Gypsy Baron" by Strauss. Amnon tion of keys. participate as a "public commentator" on Levy, violinist, will perform for Introduc- the Friday edition of "All Things Cons- Saint-Saen- s. 8:00 STEREO CONCERT HALL Performing will be tion and Rondo Capriccioso by idered." Write, or send 7 12 ips tape, by George M. Cohan, by Bodge, the Boys' Choir of Little Church Around outlining topics you wish Tunes arranged Boys' to discuss, to will also be part of the program. the Corner, the Choir and Bellringers "Commentary", NPR, 2025 M Street, N.W. , of Trinity School and the Brooklyn Boys', Washington, D.C. 20036. 10:00 VOICES IN THE WIND A weekly omnibus mag- Chorus. Conducted by Pierre Boulez, the azine of the arts from National Public Radio. program includes Mendelssohn's Symphony 7:10 ADVENTURES IN GOOD MUSIC WITH KARL HAAS Oscar Brand, internationally known author No. 4, "Italian;" Ravel's Le Tombeau de The distinguished conductor of the and musician',' is the host. Couperin; Stravinsky's Suite No.l ana 2; Chicago Symphony. Georg Solti, will be and the world premiere of Crumb's "Star featured by Haas. 11:00 KBIA NEWS Soprano Child." Irene Gubrud will also be 8:00 STEREO CONCERT HALL Leonard Bernstein 11: 10 LAST RADIO SHOW "J Alive" from NPR heard. the Philadelphia a presents Oscar Peterson and Friends, Ray D:30 KBIA NEWS conducts Orchestra in performance of Beethoven's Symphony No. 5 Bryant, Dizzy Gillespie, and Benny Carter. D:15 LAST RADIO SHOW in C Minor, Op. 67, and Tchaikovsky's All were recorded at the 1977 Montreux Barry Miles and Co. pre- Once sent a new RCA album "Sky Symphony No. 4 in F Minor, Op. 36. Jazz Festival in Switzerland. again, entitled Train." good jazz 2 a.m. Eric Kloss, Vic Juris, Terry Silverlight, 10:30 KBIA NEWS til and Anthony Jackaon contribute their talents to the proceedings that feature the keyboard 10:15 LAST RADIO SHOW The popular sound of the skills of Barry Miles. Crusaders is presented for your listening 23 SUNDAY tonight. "Free As the Wind" is the title of their ABC album recorded in December of 6:00 SUNDAY SYMPHONY 1976. 21 FFMDAY HAYDN: "Sym. No. 87 in A" (COL D3S-76- 9, New York Bernstein); MOZART: "Cone, PROLOGUE Phil. Orch., News, and music. S-60- 072, 6:00 information for 3 Pianos in P, K.242" (SER Lon. I 9:00 ACCENT ON MUSIC 22 SATURDAY Phil. Orch., Menuhin, H. Menuhin, Y. Menuhin, S Menuhin, p). I LISST: "Les Preludes" (ANG S-35- 613, Phil-- J. I hamonia Orch., Kara j an); "Hungarian Rhap 6:00 PROLOGUE News, information and music. KBIA HEADLINES AT 7:00 STEPHENS COLLEGE PERFORMING ARTS 77 The Lively Arts Series The Playhouse Season Presents "Li'l Abner", a musical T , , ,, ,, Presents Ladyhouse Blues, Or atchUsAit a 7:30 p.m., Oct. 12-1- 5, 19-2- 2, at the Playhouse. $1 .00 off For reservations, Call 443-343- 7 for all students. or visit the box office on Dcrsey St..
Recommended publications
  • Mungo Jerry (Gb/D)

    Mungo Jerry (Gb/D)

    19. – 24. 10. 2018 Národní dům, Velká Hradební 33/619, 400 01 Ústí nad Labem ONDŘEJ KABRNA & FLYING HAMMOND (CZ) JÚLIUS BAROŠ QUINTET (SK/CZ) LACO DECZI & CELULA NEW YORK (CZ/USA) SHAUN BOOKER (USA) MUNGO JERRY (GB/D) POPA CHUBBY (USA) ENERGIT: LUBOŠ ANDRŠT 70 LET (CZ) „Některým lidem v Americe mohou Praha a Ústí nad Labem splývat v jedno město, ale jisté je, že 20. října zahraje Popa Chubby v Národní dům, Ústí nad Labem. Žádná Praha!“ Capricorn Promotion (capricornpromotion.cz) – 2 – JAZZ & BLUES 2018 JAZZ & BLUES 2018 19. - 20. 10. 2018 (400 Kč) 22. ročník mezinárodního festivalu (jazzfestul.cz) v Ústí n. L. (usti-nl.cz) Národní dům, Velká Hradební 33/619, 400 01 Ústí nad Labem (ksul.cz), GPS: 50.6622900N, 14.0419661E pátek 19. 10. 20:00 (200 Kč) ONDŘEJ KABRNA & FLYING HAMMOND (CZ) Ondřej Kabrna (p); Kryštof Tomeček (g); Jakub Nývlt (ds) Nová formace kolem fenomenálního hráče na klávesové nástroje, jenž střídá klavír, Hammond organ i syntezátory. Hudba tria je velmi dynamická, od naprostého pianissima až po rockové pasáže… (ondrejkabrna.com) JÚLIUS BAROŠ QUINTET (SK/CZ) Július ‘Ďuso’ Baroš (tp); Ján Fečo (as); Jaroslav ‘Barney’ Kantor (g); Tomáš ‘Kaštan’ Baroš (db); Martin Šulc (ds) Třígenerační uskupení vzniklé v dubnu 2012, které je inspirováno hudbou 50. a 60. let minulého století (Clifford Brown, Freddie Hubbard, Kenny Dorham, Lee Morgan, Miles Davis, Horace Silver, Charlie Parker ap.) Hraje však také vlastní autorské skladby… LACO DECZI & CELULA NEW YORK (CZ/USA) Laco Déczi (tp, v); Jan Uvira (kb, p); Michael Krásný (bg, v); Vaico Déczi (ds) Jazzová kapela působící v New Yorku a okolí, frontman patří k celosvětově uznávaným trumpetistům a skladatelům, je žákem proslulého Carmella Jonese… (lacodeczi.com) sobota 20.
  • Press Coverage That the Scranton Jazz Festival Has Received

    Press Coverage That the Scranton Jazz Festival Has Received

    scrantonjazzfestival.org SCRANTON JAZZ FESTIVAL ABOUT This summer The Scranton Jazz Festival will celebrate its 11th year at the historic Radisson Lackawanna Station Hotel and various downtown Scranton venues. Attracting international, national, and regional jazz/blues and world beat artists, the SJF has proven its true potential to become a long-term musical event. Only with your support, does the festival continue to have the opportunity for an enormous impact on the cultural and economic development of our region. Fostering America’s original art form, jazz, Scranton has a rich history, dating back to the 1930’s when two jazz legends, Tommy Dorsey and Jimmy Dorsey, performed regularly with the Scranton Sirens Jazz Band. Our area is also credited with hosting the first known recorded jazz festival, “The Cavalcade of Dixieland Jazz”, in 1951. Since its premiere in 2005 the festival has drawn audiences from the entire Mid-Atlantic region, resulting in tremendous notoriety and exposure to the international jazz world. The SJF can help revive our region as a cultural epicenter, spreading the arts throughout the northeast, no different than such festivals as Newport, Rhode Island; Saratoga Springs, Florida; and Monterey, California. With your generosity, to support this program, we will be able to significantly enrich our community and region. Your donation will help us to defer costs for production, artists fees, advertising, and promotional expenses. In addition, your contribution will enable us to receive matching funds, provided by local and state funding organiza- tions. Together, as a united team, we can make artistic magic happen for Scranton. How incredible would it be to see this festival, in time, be considered a major summer destination place for the jazz/blues and world beat community? Only with your help will that magic happen.
  • Discography Updates (Updated May, 2021)

    Discography Updates (Updated May, 2021)

    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
  • Eric Kloss Bodies' Warmth Mp3, Flac, Wma

    Eric Kloss Bodies' Warmth Mp3, Flac, Wma

    Eric Kloss Bodies' Warmth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bodies' Warmth Country: US Released: 1975 Style: Modal, Fusion MP3 version RAR size: 1888 mb FLAC version RAR size: 1395 mb WMA version RAR size: 1483 mb Rating: 4.4 Votes: 931 Other Formats: MPC MP1 RA TTA MMF MP3 XM Tracklist Hide Credits A1 Lady A2 Joni A3 Bodies' Warmth Scarborough Fair B1 Written-By – P. Simon-A.Garfunkel* B2 Mystique B3 Headin' Out Companies, etc. Record Company – Blanchris, Inc. Copyright (c) – Muse Records Phonographic Copyright (p) – Muse Records Published By – Barney Music Published By – Paul Simon Music Credits Alto Saxophone, Soprano Saxophone – Eric Kloss Art Direction, Illustration [Cover] – Hal Wilson Drums – Terry Silverlight Electric Bass – Harvie Swartz Engineer, Mixed By – Ed Stasium Guitar – Vic Juris Liner Notes – Arnold Jay Smith Piano, Electric Piano, Synthesizer – Barry Miles Producer – Michael Cuscuna Written-By – E. Kloss* (tracks: A1 to A3, B2, B3) Notes Recorded 6/24 & 6/25 1975. Ⓟ Ⓒ 1975, Muse Records, A Division Of Blanchris, Inc. Barcode and Other Identifiers Matrix / Runout (Runout side A etched): Muse · MR · 5077 · A-I - I -I seg Matrix / Runout (Runout side B etched): Muse · MR · 5077 · B-I - I -I seg Matrix / Runout (Dead Wax A & B stamped): Bell Sound Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year MR 5077 Eric Kloss Bodies' Warmth (LP, Album, Promo) Muse Records MR 5077 US 1975 Related Music albums to Bodies' Warmth by Eric Kloss Sonny Criss - Crisscraft Eric Kloss - Doors Creative Construction Company - Creative Construction Company Dom Um Romao - Dom Um Romao Eric Kloss - To Hear Is To See Marco Kloss - Erna Schabulski Eric Kloss - Life Force Eric Kloss - Grits & Gravy.
  • Fall 2009 Alumni Web Site — Volume 19 No

    Fall 2009 Alumni Web Site — Volume 19 No

    North Plainfield High School Alumni Association 145 Cedar Street, North Plainfield, NJ 07060 Published by the NPHS Alumni Association Fall 2009 Alumni Web site — www.nphsalumni.net Volume 19 No. 3 From The President . 2009 Hall of Fame As we approach the 20th anniversary of the NPHS Alumni Association in 2010 a few things come to mind. Induction Dinner One, how fast the time went. Two, all the things we've accomplished in that time and, of course, how do we The 15th Annual Hall of Fame Dinner will be held at the keep this going. Italian American Social Club at 403 Somerset Street, North Plainfield starting at 6:30 PM and we are urging We can't do anything about the quickness of time. Just everyone to come out and support the new inductees. do all we can to take advantage of it, which brings us to Tickets are $30 per person and can be obtained by Number Two. With the help and support of all the sending checks with names of the guests to: NPHS graduates of NPHS we've accomplished all of our goals. Alumni Association, 145 Cedar Street, North Plainfield, We've established a good foundation for scholarships NJ 07060 or call (908) 756-2776 for more information. through donations and various fundraisers; such as, the Tables of eight, ten or twelve can be reserved if paid for "Images of America," the videos of "North Plainfield and in advance and sent in with the names. its Neighbors," the Alumni Walk of Honor and other projects which opened the doors to other goals such as The NPHS Alumni Hall of Fame was established in 1990 the World War II Monument and the NPHS Hall of with the first induction banquet in 1995.
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast

    Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast

    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
  • Readers Poll

    Readers Poll

    84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat.
  • JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The

    JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The

    JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
  • The Latin Side of Hot House

    The Latin Side of Hot House

    181183_HH_May_0 4/24/17 10:35 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 May 2017 www.hothousejazz.com Jazz Standard Page 17 Village Vanguard Page 4 Anat Cohen Gerald Clayton Christian Sands T.K. Blue The Side Door Page 4 Dino’s Page 21 Where To Go & Who To See Since 1982 181183_HH_May_0 4/24/17 10:37 AM Page 2 2 181183_HH_May_0 4/24/17 10:35 AM Page 3 3 181183_HH_May_0 4/24/17 10:35 AM Page 4 Sponsored by Dot Time Records WINNING SPINS By George Kanzler MBITIOUS ALBUMS FROM A PAIR depths of his piano's range on his own exot- of talented young pianists, Christian ic, expressionistic "Sign of the Rainbow ASands and Gerald Clayton, comprise this People," and closes the album with a lush month's Winning Spins. Both have had the evocation of romanticism on the Oscar-win- benefit of working in the bands of two of ning song, "Somewhere Out There," from today's best bassists: Christian as a mem- the animated movie An American Tail. ber of Christian McBride's trio, Gerald in Adding percussionist Cristian Rivera, the bands of his father, John Clayton. the quartet dances through an Afro-Cuban Christian, who turns 28 this year, cele- groove on the leader's "Oyeme!" his com- brates his debut with a CD spotlighting mand of scintillating montuno rhythms the full range of his pianistic and compos- reflecting his time in Bobby Sanabria's ing talents, while Gerald, 32, expands his band.
  • Suggested Listening - Jazz Artists 1

    Suggested Listening - Jazz Artists 1

    SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,
  • Guitar-Now-Program.Pdf

    Guitar-Now-Program.Pdf

    WORDS OF WELCOME When something is too good to be true, it may be promoted as "no strings attached." Today, however, all strings are not only well secured, but they are humming with beautiful airs, having been set in motion by talented musicians. A conclave of expert guitarists will certainly find a warm welcome at Carleton University. We are proud of our talented faculty including James Wright, Roddy Ellias and Wayne Eagles who put their minds together to create this event. At Carleton we have a particular fondness for interdisciplinarity so, this featured myriad of styles is most appropriate. Our musicians dlve daily into history, global, cultural influences, and brilliant interpretations. They have prepared this audience well for the international stars joining us. Carleton is located at the confluence of the Rideau Canal and Rideau River. Between the UNESCO heritage site recognizing the past and a rapid stream racing confidently to the future, Carleton provides a beautiful, natural setting from which you will find inspiration. On behalf of all my colleagues, I welcome you warmly. Sincerely yours, Roseann O'Reilly Runte President, Carleton University It gives me great pleasure to welcome you to Guitar Now 2013, a celebration of music and guitars which brings together a variety of styles and musicians of all levels for an outstanding weekend of workshops and performances and everything in between. One of the greatest joys in music is to listen and connect with other musicians, to share and discover new styles and different approaches. Guitar Now has gathered guitarists from all over the world, as well as local and regional performers, whose styles range from country picking to classical to contemporary improvisation.
  • Download Harvie S FULL

    Download Harvie S FULL

    Harvie S Biography Any jazz fan will tell you, Harvie S is one of the great bass players on the scene today. He's played with the best and he continues to challenge himself and his peers in new artistic directions. Moreover, Harvie is a bassist, producer, bandleader, composer and educator. Harvie S has performed with masters in jazz and Latin music including Stan Getz, Pat Metheny,Chet Baker, Dexter Gordon, Jim Hall, Michael Brecker, Gil Evans, Arturo O'Farrill, Lee Konitz, Mark Turner, James Moody, Al Cohn and Zoot Sims, Houston Person, Art Farmer, Toots Thielemans, Bob Mintzer, Joe Lovano, Dave Leibman, Vic Juris, Danilo Perez, Paquito D'Rivera, Ray Barretto, Ray Vega, David Valentin and countless others. He can be heard on over 400 hundred CDs as a sideman, 16 as a leader and another fifteen as a co-leader with such greats as James Brown, Chick Corea, Mike Stern, John Scofield, Michael Brecker, Tom Harrell, Mark Turner, Kenny Barron,Ingrid Jensen, Gene Jackson, Pat Martino, Dr. Billy Taylor, Grover Washington Jr., David Mathews, Virginia Mayhew and Tony Bennett. Over 100 Harvie S compositions have been recorded on CDs Records and Videos. Harvie S arrived in New York in 1973 and a short time later founded and co-led the now legendary Double Image Band that recorded for ECM and Enja Records and performed at major festivals throughout the world. He also was a member of the Steve Kuhn Quartet which also recorded 4 cds on ECM and featured many of his compositions. After playing a short stint with Stan Getz in 1979 Harvie decided to make his first solo effort for Gramma-vision records.