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Mungo Jerry (Gb/D)
19. – 24. 10. 2018 Národní dům, Velká Hradební 33/619, 400 01 Ústí nad Labem ONDŘEJ KABRNA & FLYING HAMMOND (CZ) JÚLIUS BAROŠ QUINTET (SK/CZ) LACO DECZI & CELULA NEW YORK (CZ/USA) SHAUN BOOKER (USA) MUNGO JERRY (GB/D) POPA CHUBBY (USA) ENERGIT: LUBOŠ ANDRŠT 70 LET (CZ) „Některým lidem v Americe mohou Praha a Ústí nad Labem splývat v jedno město, ale jisté je, že 20. října zahraje Popa Chubby v Národní dům, Ústí nad Labem. Žádná Praha!“ Capricorn Promotion (capricornpromotion.cz) – 2 – JAZZ & BLUES 2018 JAZZ & BLUES 2018 19. - 20. 10. 2018 (400 Kč) 22. ročník mezinárodního festivalu (jazzfestul.cz) v Ústí n. L. (usti-nl.cz) Národní dům, Velká Hradební 33/619, 400 01 Ústí nad Labem (ksul.cz), GPS: 50.6622900N, 14.0419661E pátek 19. 10. 20:00 (200 Kč) ONDŘEJ KABRNA & FLYING HAMMOND (CZ) Ondřej Kabrna (p); Kryštof Tomeček (g); Jakub Nývlt (ds) Nová formace kolem fenomenálního hráče na klávesové nástroje, jenž střídá klavír, Hammond organ i syntezátory. Hudba tria je velmi dynamická, od naprostého pianissima až po rockové pasáže… (ondrejkabrna.com) JÚLIUS BAROŠ QUINTET (SK/CZ) Július ‘Ďuso’ Baroš (tp); Ján Fečo (as); Jaroslav ‘Barney’ Kantor (g); Tomáš ‘Kaštan’ Baroš (db); Martin Šulc (ds) Třígenerační uskupení vzniklé v dubnu 2012, které je inspirováno hudbou 50. a 60. let minulého století (Clifford Brown, Freddie Hubbard, Kenny Dorham, Lee Morgan, Miles Davis, Horace Silver, Charlie Parker ap.) Hraje však také vlastní autorské skladby… LACO DECZI & CELULA NEW YORK (CZ/USA) Laco Déczi (tp, v); Jan Uvira (kb, p); Michael Krásný (bg, v); Vaico Déczi (ds) Jazzová kapela působící v New Yorku a okolí, frontman patří k celosvětově uznávaným trumpetistům a skladatelům, je žákem proslulého Carmella Jonese… (lacodeczi.com) sobota 20. -
I the Use of African Music in Jazz from 1926-1964: an Investigation of the Life
The Use of African Music in Jazz From 1926-1964: An Investigation of the Life, Influences, and Music of Randy Weston by Jason John Squinobal Batchelor of Music, Berklee College of Music, 2003 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Master in Ethnomusicology University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Jason John Squinobal It was defended on April 17, 2007 and approved by Dr. Nathan T. Davis, Professor, Music Department Dr. Akin Euba, Professor, Music Department Dr. Eric Moe, Professor, Music Department Thesis Director: Dr. Nathan T. Davis, Professor, Music Department ii Copyright © by Jason John Squinobal 2007 iii The Use of African Music in Jazz From 1926-1964: An Investigation of the Life, Influences, and Music of Randy Weston Jason John Squinobal, M.A. University of Pittsburgh, 2007 ABSTRACT There have been many jazz musicians who have utilized traditional African music in their music. Randy Weston was not the first musician to do so, however he was chosen for this thesis because his experiences, influences, and music clearly demonstrate the importance traditional African culture has played in his life. Randy Weston was born during the Harlem Renaissance. His parents, who lived in Brooklyn at that time, were influenced by the political views that predominated African American culture. Weston’s father, in particular, felt a strong connection to his African heritage and instilled the concept of pan-Africanism and the writings of Marcus Garvey firmly into Randy Weston’s consciousness. -
Ellingtonia a Publication of the Duke Ellington Society, Inc
Ellingtonia A Publication Of The Duke Ellington Society, Inc. Volume XXIV, Number 3 March 2016 William McFadden, Editor Copyright © 2016 by The Duke Ellington Society, Inc., P.O. Box 29470, Washington, D.C. 20017, U.S.A. Web Site: depanorama.net/desociety E-mail: [email protected] This Saturday Night . ‘Hero of the Newport Jazz Festival’. Paul Gonsalves Our March meeting will May 19-23, 2016 New York City bring in the month just like the proverbial lion in Sponsored by The Duke Ellington Center a program selected by Art for the Arts (DECFA) Luby. It promises a Tentative Schedule Announced finely-tuned revisit to some of the greatest tenor Thursday, May 19, 2016 saxophone virtuosity by St. Peter’s Church, 619 Lexington Ave. Paul Gonsalves, other 12:30 - 1:45 Jazz on the Plaza—The Music of Duke than his immortal 16-bar solo on “Diminuendo and Ellington, East 53rd St. and Lexington Ave. at St. Peter’s Crescendo in Blue” at the Newport Jazz Festival in 1956. That’s a lot of territory, considering Paul’s quar- 3:00 - 5:30 “A Drum Is A Woman” - Screenings at The ter century with The Orchestra. In addition to his ex- Paley Center for Media, 25 West 52nd St. pertise on things Gonsalves, Art’s inspiration for this 5:30 - 7:00 Dinner break program comes from a memorable evening a decade ago where the same terrain was visited and expertly 7:15 - 8:00 Gala Opening Reception at St. Peter’s, hosted by the late Ted Shell. “The Jazz Church” - Greetings and welcome from Mercedes Art’s blues-and-ballads-filled listen to the man called Ellington, Michael Dinwiddie (DEFCA) and Ray Carman “Strolling Violins” will get going in our regular digs at (TDES, Inc.) Grace Lutheran Church, 4300—16th Street (at Varnum St.), NW, Washington, DC 20011 on: 8:00 - 9:00 The Duke Ellington Center Big Band - Frank Owens, Musical Director Saturday, 5 March 2016—7:00 PM. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Spinning Wheel (1969) Blood, Sweat & Tears
MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide). -
Our Role and Responsibility for Fair and Affordable Housing
Our Role and Responsibility for Fair and Affordable Housing William G. Balter Wilder Balter Partners, Inc. Don Elliott, FAICP Clarion Associates Mary Jennings Mahon Westchester County Lawrence C. Salley, AICP African American Men of Westchester Housing Committee Moderator: Rosemarie Noonan, Esq. Housing Action Council HOUSING DEVELOPMENT AFFIRMATIVE FAIR HOUSING MARKETING PLAN REQUIREMENTS I. Overview..............................................................................................................................1 II. Housing Development Identification...................................................................................2 III. Accessibility/Adaptability Policies......................................................................................3 IV. Marketing Consultant and Marketing Agent .......................................................................4 V. Direction of Marketing Activities........................................................................................5 VI. Marketing Program ..............................................................................................................5 VII. Homeowner and Rental Tenant Application and Selection Procedures ............................19 VIII. Assessment of Marketing Efforts.......................................................................................23 IX. Future Marketing Activities...............................................................................................24 X. Staff Experience and Instructions for Fair -
The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St. -
THE NEW YORK CHAPTER of the NATIONAL ACADEMY of TELEVISION ARTS and SCIENCES ANNOUNCES RESULTS of the 50Th ANNUAL NEW YORK EMMY® AWARDS
THE NEW YORK CHAPTER OF THE NATIONAL ACADEMY OF TELEVISION ARTS AND SCIENCES ANNOUNCES RESULTS OF THE 50th ANNUAL NEW YORK EMMY® AWARDS New York, NY, April 1, 2007 – WNBC-TV was the big winner tonight at the 50th Annual New York Emmy® Awards, which took place at The Marriott Marquis’ Broadway Ballroom. Following WNBC-TV with 13 Awards was WPIX-TV, which won 8 Emmy® Awards. WNBC-TV’s News Channel 4 @ 11:00 took home the Emmy® for best “Evening Newscast (Under 35 Minutes)” for its July 10, 2006 broadcast. WPIX-TV’s WB-11 News at Ten took home the Emmy® for best “Evening Newscast (Over 35 minutes)” for its story Flooded Out. The numerical breakdown of winners, by broadcast and cable entities, as compiled by the independent accountancy firm of Lutz and Carr, LLP, is as follows: WNBC-TV – 13 WGRZ-TV- 2 WPIX-TV – 8 YES Network- 2 NYC TV- 7 Comcast-Magrack- 1 Thirteen/WNET- 7 FSN New York- 1 WABC-TV- 7 News 12 Interactive- 1 WNYW FOX 5- 6 News 12 New Jersey- 1 My 9 News WWOR- 5 News 12 Westchester- 1 News 12 Connecticut- 4 NJN Public Television- 1 MLB Productions for YES Network- 3 WIVB-TV- 1 MSG Network- 3 WNJU Telemundo 47- 1 News 12 Long Island- 3 WROC-TV- 1 WSKG-TV- 3 WRNN-TV- 1 Bronxnet- 2 WXTV Univision 41- 1 R News- 2 TBS- 1 SportsNet New York- 2 Time Warner Cable- 1 WCBS-TV- 2 Attached is the complete list of winners for the event that was hosted by New York Chapter President Jane Hanson. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Pure Acoustic
A TAYLOR GUITARS QUARTERLY PUBLICATION • VOLUME 47 • WINTER 2006 pure acoustic THE GS SERIES TAKES SHAPE I’m a 30-year-old mother and wife who Jorma Kaukonen, Bert Jansch, Leo Kottke, 1959 Harmony Sovereign to a collector, loves to play guitar. I currently own two Reverend Gary Davis, and others, and my I will buy that Taylor 110, or even a 200 Letters Fenders. But after seeing you recognize listeners tell me I am better than before series model, which are priced right. my kind of player, my next guitar will be the “incident”. That’s a long story about John-Hans Melcher a Taylor (keeping my fingers crossed for a great guitar saving my hand, my music, (former percussionist for Christmas). Thanks for thinking of me. and my job. Thanks for building your Elvis Presley and Ann-Margret) Via e-mail Bonnie Manning product like I build mine — with pride Via e-mail and quality materials. By the way, I saw Artie Traum conduct After many years of searching and try- Aloha, Mahalo Nui a workshop here in Wakefield and it was ing all manner of quality instruments in Loa, A Hui Hou a very good time. Artie is a fine musician order to improve on the sound and feel Aloha from Maui! I met David Hosler, and a real down-to-earth guy — my kind of, would you believe, a 1966 Harmony Rob Magargal, and David Kaye at Bounty of people. Sovereign, I’ve done it! It’s called a Taylor Music on Maui last August, and I hope Bob “Slice” Crawford 710ce-L9. -
Jazzpress 0615
CZERWIEC 2015 Gazeta internetowa poświęcona muzyce improwizowanej ISSN 2084-3143 ISSN TOP NOTE PeGaPoFo – Świeżość REAKTYWACJA! Bartłomiej Rozmowy: Oleś Piotr Schmidt Jestem uzależniony Asia Czajkowska-Zoń od brzmienia Charles Gayle Majerczyk Kuba fot. Oleś, Bartłomiej dziękujemy! < Od Redakcji Udało się! Reaktywacja RadioJAZZ.FM stała się faktem – a wszystko dzięki Wam! Zorga- nizowana na portalu Wspieram.to zbiórka społecznościowa zakończyła się sukcesem. Zebraliśmy ponad dwa razy więcej pieniędzy, niż przewidywaliśmy, co umożliwi nam lepszy start oraz zapewni stabilne działanie! Jesteśmy teraz w stu procentach pewni, że już niedługo będziemy mogli ruszyć z nadawaniem muzyki – planujemy start na wrze- sień bieżącego roku. Teraz przed nami sporo pracy, aby przygotować sprzęt do naszych jazzowych potrzeb, stworzyć elegancką i przejrzystą stronę internetową oraz aplikację, dzięki której każdy będzie mógł słuchać prezentowanej przez nas muzyki przez komór- kę – na spacerze, na wyjeździe, w komunikacji miejskiej czy w samochodzie. Dziękujemy Wam, drodzy słuchacze RadioJAZZ.FM i czytelnicy JazzPRESSu. To dzię- ki Waszemu zaangażowaniu i Waszym wpłatom nasza akcja się powiodła, a my bę- dziemy mogli z pełną mocą ruszyć i dumnie działać jako jedyne w Polsce radio jazzo- we! Dziękujemy także wszystkim tym, którzy tak pięknie bawili się hasłem #jazzdoit i przysyłali do nas pomysłowe zdjęcia. Z tego miejsca chcemy podziękować także wszystkim naszym ambasadorom oraz przyjaciołom, którzy mają jazz w sercu i pomogli nam rozpowszechnić informację