Sunday in the Park with George James Lapine
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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
William and Mary Theatre Main Stage Productions
WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth -
Bradley King and Beowulf Boritt
A Conversation With BRADLEY KING & BEOWULF BORITT Rendering of Flying Over Sunset - OPENING Book by James Lapine, Music by Tom Kitt, and Lyrics by Michael Korie Directed by James Lapine | Produced by Lincoln Center Theater Set by Beowulf Boritt | Lighting by Bradley King BACKGROUND LED tape is a unique lighting product in today’s entertainment world. Many disciplines of design interact with it - especially lighting and set designers. City Theatrical asked Tony Award winning lighting and scenic designers, Bradley King and Beowulf Boritt, about their work together on Broadway’s Flying Over Sunset to compare their perspectives on the show, LED tape and how they use it, what they see for the future of this LED technology, and their outlook on the future of the theater industry as a whole. Q&A: of our first preview in March 2020. We had LSD use pre-1960s. People think LSD and three invited dress audiences, so only a hippies, but before that, it was recommended City Theatrical (CTI): What is Flying Over handful of people were able to see it. by doctors as an antidepressant, essentially. Sunset about? What was it like to work on it? Bradley King: I agree, for many people the We stayed very far away from any tie show is a complete unknown. It was the dye imagery, and tried to bring a far more Beowulf Boritt: It is hard to say what Flying first realized production of this show ever. nuanced chromatic interpretation to the Over Sunset is, and I think [the writer and And there are not too many cold opens on experience of taking LSD. -
Drake Plays 1927-2021.Xls
Drake Plays 1927-2021.xls TITLE OF PLAY 1927-8 Dulcy SEASON You and I Tragedy of Nan Twelfth Night 1928-9 The Patsy SEASON The Passing of the Third Floor Back The Circle A Midsummer Night's Dream 1929-30 The Swan SEASON John Ferguson Tartuffe Emperor Jones 1930-1 He Who Gets Slapped SEASON Miss Lulu Bett The Magistrate Hedda Gabler 1931-2 The Royal Family SEASON Children of the Moon Berkeley Square Antigone 1932-3 The Perfect Alibi SEASON Death Takes a Holiday No More Frontier Arms and the Man Twelfth Night Dulcy 1933-4 Our Children SEASON The Bohemian Girl The Black Flamingo The Importance of Being Earnest Much Ado About Nothing The Three Cornered Moon 1934-5 You Never Can Tell SEASON The Patriarch Another Language The Criminal Code 1935-6 The Tavern SEASON Cradle Song Journey's End Good Hope Elizabeth the Queen 1936-7 Squaring the Circle SEASON The Joyous Season Drake Plays 1927-2021.xls Moor Born Noah Richard of Bordeaux 1937-8 Dracula SEASON Winterset Daugthers of Atreus Ladies of the Jury As You Like It 1938-9 The Bishop Misbehaves SEASON Enter Madame Spring Dance Mrs. Moonlight Caponsacchi 1939-40 Laburnam Grove SEASON The Ghost of Yankee Doodle Wuthering Heights Shadow and Substance Saint Joan 1940-1 The Return of the Vagabond SEASON Pride and Prejudice Wingless Victory Brief Music A Winter's Tale Alison's House 1941-2 Petrified Forest SEASON Journey to Jerusalem Stage Door My Heart's in the Highlands Thunder Rock 1942-3 The Eve of St. -
Download (Pdf)
SUBLIME PULITZER PRIZE-WINNING MUSICAL MUSIC & LYRICS BY BOOK BY STEPHEN JAMES SUNDAY IN THESONDHEIM LAPINE DIRECTED BY PETER PARK WITH GEORGEDUBOIS CURRICULUM GUIDE TABLE OF CONTENTS Standards 3 Guidelines for Attending the Theatre 4 Artists 5 Themes for Writing & Discussion 8 Mastery Assessment 10 For Further Exploration 12 Suggested Activities 15 © Huntington Theatre Company Boston, MA 02115 September 2016 No portion of this curriculum guide may be reproduced without written permission from the Huntington Theatre Company’s Department of Education & Community Programs Inquiries should be directed to: Donna Glick | Director of Education [email protected] This curriculum guide was prepared for the Huntington Theatre Company by: Marisa Jones | Education Associate with contributions by: Alex Smith | Manager of Curriculum & Instruction COMMON CORE STANDARDS IN ENGLISH LANGUAGE ARTS STANDARDS: Student Matinee performances and pre-show workshops provide unique opportunities for experiential learning and support various combinations of the Common Core Standards for English Language Arts. They may also support standards in other subject areas such as Social Studies and History, depending on the individual play’s subject matter. Activities are also included in this Curriculum Guide and in our pre-show workshops that support several of the Massachusetts state standards in Theatre. Other arts areas may also be addressed depending on the individual play’s subject matter. Reading Literature: Key Ideas and Details 1 Reading Literature: Craft and Structure 5 • Grade 8: Cite the textual evidence that most strongly supports • Grades 9-10: Analyze how an author’s choices concerning how an analysis of what the text says explicitly as well as inferences to structure a text, order events within it (e.g., parallel plots), and drawn from the text. -
Member/Audience Play Suggestions 2012-13
CURTAIN PLAYERS 2012-2013 plays suggested by patrons/members Title Author A Poetry Reading (Love Poetry for Valentines Day) Agnes of God All My Sons (by 3 people) Arthur Miller All The Way Home Tad Mosel Angel Street Anything by Pat Cook Pat Cook Apartment 3A Jeff Daniels Arcadia Tom Stoppard As Bees in Honey Drown Assassins Baby With The Bathwater (by 2 people) Christopher Durang Beyond Therapy Christopher Durang Bleacher Bums Blythe Spirit (by 2 people) Noel Coward Butterscotch Cash on Delivery Close Ties Crimes of the Heart Beth Henley Da Hugh Leonard Dr. Jekyll and Mr. Hyde (by 2 people) Jeffrey Hatcher Driving Miss Daisy Equus Peter Shaffer Farragut North Beau Willimon Frankie and Johnny in the Claire De Lune Terrence McNally God's Country Happy Birthday, Wanda June Kurt Vonnegut I Never Saw Another Butterfly Impressionism Michael Jacobs Laramie Project Leaving Iowa Tim Clue/Spike Manton Lettice and Lovage (by 2 people) Lombardi Eric Simonson LuAnn Hampton Laverty Oberlander Mr and Mrs Fitch Douglas Carter Beane 1 Night Mother No Exit Sartre Picnic William Inge Prelude to A Kiss (by 2 people) Craig Lucas Proof Red John Logan Ridiculous Fraud Rosencrantz and Guildenstern are Dead (by 2 people) Tom Stoppard Sabrina Fair Samuel Taylor Second Samuel Pamela Parker She Loves Me Sheer Madness Side Man Warren Leight Sin Sister Mary Ignatius/Actor's Nightmare Christopher Durang Smoke on the Mountain (by 3 people) That Championship Season Jason Miller The 1940's Radio Hour Walton Jones The Caine Mutiny Court Martial The Cinderella Waltz The Country Girl Clifford Odets The Heidi Chronicles The Increased Difficulty of Concentration Vaclav Havel The Little Foxes Lillian Hellman The Man Who Came To Dinner Kaufman and Hart The Miser Moliere The Normal Heart Larry Kramer The Odd Couple Neil Simon The Passion of Dracula The Royal Family Kaufman and Ferber The Shape of Things LaBute The Substance of Fire Jon Robin Baitz The Tempest Shakespeare The Woolgatherer Three Days of Rain Richard Greenberg Tobacco Road While The Lights Were Out Wit 2 3 . -
The Stephen Sondheim Encyclopedia
THE STEPHEN SONDHEIM ENCYCLOPEDIA BY RICK PENDER “A wonderful encyclopedia on all things Sondheim that you will love reading.”— Bernadette Peters, Tony Award- winning actor and star of the original productions of Sunday in the Park with George as Dot and Into the Woods as the Witch “The Stephen Sondheim Encyclopedia is impressive in its depth and detail and a fitting testament to Steve’s extraordinary work. It’s also a lot of fun for any musical theater fan to endlessly peruse.” — James Lapine, playwright and director; bookwriter and director for Sondheim’s Sunday in the Park with George, Into the Woods, and Passion “Anyone who's been touched by Stephen Sondheim's extraordinary body of work will be grateful for this bottomless well of facts, figures, anecdotes and insights. A remarkable and entertaining resource.”— John Weidman, bookwriter for Pacific Overtures, Assassins, and Road Show The Stephen Sondheim Encyclopedia is the first reference volume devoted to the works of this prolific composer and lyricist. The encyclopedia’s entries provide readers with detailed information about Sondheim’s work and key figures in his career, including his apprenticeship with Oscar Hammerstein II, his early work with Leonard Bernstein, and his work on television. Entries include all of his major works and key songs from such musicals as Assassins, Company, A Funny Thing Happened on the Way to the Forum, Gypsy, Into the Woods, A Little Night Music, Sunday in the Park with George, Sweeney Todd, and West Side Story. Additional entries focus on his key collaborators, from lyricists to directors. ABOUT THE AUTHOR Rick Pender has been an award-winning theater critic since 1986. -
Teacher Resource Guide Falsettos.Titlepage.09272016 Title Page As of 091516.Qxd 9/27/16 1:51 PM Page 1
Teacher Resource Guide Falsettos.TitlePage.09272016_Title Page as of 091516.qxd 9/27/16 1:51 PM Page 1 Falsettos Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Jujamcyn Theaters presents Music and Lyrics by William Finn Book by William Finn and James Lapine with (in alphabetical order) Stephanie J. Block Christian Borle Andrew Rannells Anthony Rosenthal Tracie Thoms Brandon Uranowitz Betsy Wolfe Sets Costumes Lighting Sound David Rockwell Jennifer Caprio Jeff Croiter Dan Moses Schreier Music Direction Orchestrations Vadim Feichtner Michael Starobin Casting Mindich Chair Tara Rubin, CSA Production Stage Manager Musical Theater Associate Producer Eric Woodall, CSA Scott Taylor Rollison Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Choreography Spencer Liff Directed by James Lapine Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production. LCT also thanks these generous contributors to FALSETTOS: The SHS Foundation l The Blanche and Irving Laurie Foundation The Kors Le Pere Foundation l Ted Snowdon The Ted and Mary Jo Shen Charitable Gift Fund American Airlines is the Official Airline of Lincoln Center Theater. Playwrights Horizons, Inc., New York City, produced MARCH OF THE FALSETTOS Off-Broadway in 1981 and FALSETTOLAND Off-Broadway in 1990. TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Story . 2 The Characters . 4 The Writers . 5 Classroom Activities . -
Crimes of the Heart
1/12/2011 Crimes of the Heart Back to Ray Luo's Reviews Crimes of the Heart We've seen Shakespeare's "Measure for Measure" performed with a high tech cast taking place in the future. We've seen Arthur Miller's "Death of a Salesman" staged by high school drama students situated in Medieval Europe. The setting of a play doesn't matter, and nor should the composition of its cast. Leslie Ishii's recent production of Beth Henley's Pulitzer prize winning "Crimes of the Heart" is a testament that Asian Americans can play Southern ladies and gents, imitating not only their looks and expressions, but their attitudes and mentality to perfection. Lenny Magrath (Elizabeth Liang) is a 30 year old virgin who has been spending her birthdays alone with a single candle for a while. Her only birthday gift this time around is a box of old crappy chocolates from her friend Chick Boyle (Hiwa Bourne). Boyle is worried that Meg Magrath (Kimiko Gelman) is coming back to visit Lenny and seeing their father, who has been comatose at the hospital. Boyle never had a good relationship with Meg, who, as the family's most promising child with a singing career, has had many lovers and opportunities. Meg comes home to see Babe Botrelle (Maya Erskine), who has just been released on bail after shooting her husband in the stomach because she claims she "doesn't like his looks." When the three best friends Meg, Babe, and Lenny get together, they reminisce about the past and hope best for the future, even though for Babe, the future could lead to jail time, and she may not be able to take it anymore. -
William & Mary Theatre Main Stage Productions
WILLIAM & MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth -
Educating About the Works of Stephen Sondheim Through Parody
University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2020 How Artists Can Capture Us: Educating About the Works of Stephen Sondheim Through Parody Jarrett Poore University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Poore, Jarrett, "How Artists Can Capture Us: Educating About the Works of Stephen Sondheim Through Parody" (2020). Electronic Theses and Dissertations, 2020-. 117. https://stars.library.ucf.edu/etd2020/117 HOW ARTISTS CAN CAPTURE US: EDUCATING ABOUT THE WORKS OF STEPHEN SONDHEIM THROUGH PARODY By JARRETT POORE B.F.A, University of Central Florida 2017 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2020 © Jarrett Mark Poore 2020 ii ABSTRACT This thesis examined the modern renaissance man and his relationship between musical theatre history and parody; it examined how the modern artist created, produced, and facilitated an original parody in which humor can both influence and enhance an individual’s interest in the art form. In the creation and production of The Complete Works of Stephen Sondheim [abridged], I showcased factual insight on one of the most prolific writers of musical theatre and infused it with comedy in order to educate and create appeal for Stephen Sondheim’s works, especially those lesser known, to a wider theatrical audience.