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Bibliografie Bibliografie Die Bibliografie listet alle zitierten Quellen auf, darunter neben wissenschaftlicher Literatur auch Internetseiten, Datenbankeinträge, Online-Videoclips und E-Mails sowie die als Epitexte analysierten (Archiv-)Materialien. Bei mehreren Beiträgen des gleichen Autors erfolgt die Listung aufsteigend nach Erscheinungsdatum oder gegebenenfalls aufsteigend nach dem Datum der ursprünglichen Veröffentlichung und zusätzlich nach dem Erscheinungsdatum des Sammelbandes, aus dem zitiert wurde. Die Bibliografie enthält zahlreiche Beiträge ohne einen namentlich genannten Autor beziehungsweise eine namentlich genannte Autorin ([O.V.:]). Diese Quellen werden jeweils zuletzt angegeben und durch eine Leerzeile von den übrigen Bei- trägen abgesetzt sowie aufsteigend nach Jahreszahl der Veröffentlichung geord- net. In seltenen Fällen wurden Ausschnitte aus Zeitungsarchiven ohne vollständige Quellenangaben genutzt. Wenn diese nicht endgültig zugeordnet werden konnten, wurden die entsprechenden Beiträge unter dem Archiv aufgelistet, in dem das Ma- terial gefunden wurde. Monografien und Monografien in Schriftenreihen ABEL, RICHARD: The Red Rooster Scare. Making Cinema American 1900–1910, Berkeley/Los An- geles: University of California Press, 1999. ARNHEIM, RUDOLF: Film als Kunst, Frankfurt a.M.: Fischer, 1979. BALÁZS, BÉLA: Der Geist des Films [1930]. Mit einem Nachwort von Hanno Loewy und zeitgenös- sischen Rezensionen von Siegfried Kracauer und Rudolf Arnheim, Frankfurt a.M.: Suhrkamp, 2001. BALÁZS, BÉLA: Der sichtbare Mensch oder: die Kultur des Films [1924], Frankfurt a.M.: Suhrkamp, 2001. BARON, CYNTHIA/CARNICKE, SHARON MARIE: Reframing Screen Performance, Ann Arbor: University of Michigan Press, 2008. BENJAMIN, WALTER: Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit [1936], Frankfurt a.M.: Suhrkamp, 1977. BERMINGHAM, ANN: Learning to Draw. Studies in the Cultural History of a Polite and Useful Art, New Haven [u.a.]: Yale University Press, 2000. © Springer Fachmedien Wiesbaden GmbH, ein Teil von Springer Nature 2019 A. L. Kiss, Topografie des Laiendarsteller-Diskurses, Film, Fernsehen, Medienkultur, https://doi.org/10.1007/978-3-658-25757-6 490 Bibliografie BLANCHET, ROBERT: Blockbuster. Ästhetik, Ökonomie und Geschichte des postklassischen Holly- woodkinos, Marburg: Schüren, 2003. BLANK, RICHARD: Schauspielkunst in Theater und Film. Strasberg, Brecht, Stanislawski, 2., korr. Aufl., Berlin: Alexander Verlag, 2005. BLOEM, WALTER: Seele des Lichtspiels. Ein Bekenntnis zum Film, Leipzig/Zürich: Grethlein, 1922. BÖHNKE, ALEXANDER: Paratexte des Films. Über die Grenzen des filmischen Universums, Biele- feld: Transcript, 2007. BORDWELL, DAVID/STAIGER, JANET/THOMPSON, KRISTIN: The Classical Hollywood Cinema: Film Style & Mode of Production to 1960, New York/London: Routledge, 1988. BORDWELL, DAVID/THOMPSON, KRISTIN/SMITH, JEFF: Film Art. An introduction, New York: McGraw-Hill Education, 2017. BOWSER, EILEEN: The Transformation of Cinema 1907–1915, Berkeley [u.a.]: University of Califor- nia Press, 1990. BRAUERHOCH, ANNETTE: Acting is a Person? Überlegungen zum Autorschaftsstatus von Schau- spielern und ein Interview mit Maren Kroymann, Siegen: Universität GH-Siegen, 1993. BRESSON, ROBERT: Notizen zum Kinematographen. Aus dem Französischen von Andrea Spinger und Robert Fischer, 2. Aufl., Berlin/Köln: Alexander Verlag, 2013. BYG, BARTON: Landscapes of resistance. The German films of Danièle Huillet and Jean-Marie Straub, Berkeley [u.a.]: University of California Press, 1995. CAMPBELL, JOPSEPH: Der Heros in tausend Gestalten, Frankfurt a.M./Leipzig: Insel Verlag, 1999. CARDULLO, R. J.: André Bazin, the Critic as Thinker. American Cinema from Early Chaplin to the Late 1950s, Rotterdam/Boston/Taipei: Sense Publishers, 2017. CARNICKE, SHARON MARIE: Stanislavsky in Focus. An Acting Master for the twenty-first century, 2. Aufl., London [u.a.]: Routledge, 2009. CHURCHER, MEL: Acting for film. Truth 24 times a second, London: Virgin, 2003. CLARK, DANAE: Negotiating Hollywood. The cultural politics of actors’ labor, Minneapolis: Uni- versity of Minnesota Press, 1995. CREECH, JENNIFER L.: Mothers, Comrades, and Outcasts in East German Women’s Films, Blooming- ton: Indiana University Press, 2016. CUNNEEN, JOSEPH: Robert Bresson. A Spiritual Style in Film, New York/London: Continuum, 2003. DE CORDOVA, RICHARD: Picture personalities. The emergence of the star system in America, Chicago: University of Illinois Press, 2001. DELEUZE, GILLES: Das Zeit-Bild. Kino 2, Frankfurt a.M.: Suhrkamp, 1991. DELEUZE, GILLES: Das Bewegungs-Bild. Kino 1, Frankfurt a.M.: Suhrkamp, 1990. DIEDERICHS, HELMUT H.: Frühgeschichte deutscher Filmtheorie. Ihre Entstehung und Entwick- lung bis zum Ersten Weltkrieg [Habilitationsschrift], Frankfurt a.M., 1996. DOORNS, N.A.J.M. VAN: Digital Spaces, Material Traces: Investigating the Performance of Gender, Sexuality, and Embodiement on Internet Platforms that feature User-Generated Content, Amster- dam School of Communication Research [Dissertation], 2010, S. 99–122, online: https://pure.uva. nl/ws/files/1041657/72912_thesis.pdf [Zugriff am 9.3.2018]. DYER, RICHARD: Stars [1979], London: BFI, 1998. EAGAN, DANIEL: America’s Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, New York/London: Continuum, 2010. EDER, JENS: Die Figur im Film. Grundlagen der Figurenanalyse, 2. Aufl., Marburg: Schüren, 2014. EISENSTEIN, SERGEJ: Eine nicht gleichmütige Natur, herausgegeben von Rosemarie Heise, Berlin: Henschel, 1980. EISENSTEIN, SERGEI: Stationen. Autobiographische Aufzeichnungen. Mit einer Einführung von Sergei Jutkewitsch, Berlin: Henschel, 1967. ELSAESSER, THOMAS: Filmgeschichte und frühes Kino. Archäologie eines Medienwandels, München: Edition Text und Kritik, 2002. FINLER, JOEL W: Hollywood Movie Stills. Art and Technique in the Golden Age of the Studios, 2. Aufl., London: Reynolds und Heran, 2008. Bibliografie 491 FISCHINGER, TIMO: Zur Psychologie des Rhythmus. Präzision und Synchronisation bei Schlagzeu- gern, Kassel: Kassel University Press, 2009. FLEMMING, IRENE: Theater ohne Rollenbuch: Handbuch für kreatives Laienspiel, Mainz: Matthias- Grünewald Verlag, 1994. FOUCAULT, MICHEL: Die Ordnung des Diskurses [L’ordre du discours, 1972]. Mit einem Essay von Ralf Konersmann, 13. Aufl., Frankfurt a.M.: Fischer, 2014. FOUCAULT, MICHEL: Archäologie des Wissens [L’archéologie du savoir, 1969], 8. Aufl., Frankfurt a.M.: Suhrkamp, 1981. FRITZ, ELISABETH: Authentizität, Partizipation, Spektakel. Mediale Experimente mit „echten Men- schen“ in der zeitgenössischen Kunst, Köln/Weimar/Wien: Böhlau, 2014. GARNCARZ, JOSEPH: Filmfassungen. Eine Theorie signifikanter Filmvariation, Frankfurt a.M.: Peter Lang, 1992. GENETTE, GÉRARD: Paratexte. Das Buch vom Beiwerk des Buches, Frankfurt a.M./New York: Campus Verlag, 1992. GESÙ, SEBASTIANO (Hg.): La terra trema. Un film di Luchino Visconti dal romanzo I Malavoglia di Giovanni Verga, Comiso: Salarchi immagini; Lipari: Edizioni del Centro studi, 2006. GLÄSER, JOCHEN/LAUDEL, GRIT: Experteninterviews und Qualitative Inhaltsanalyse, Wiesbaden: Springer VS, 2010. GMÜR, LEONHARD: Ivan Aleksandrovich Pyrjev. Ein Regisseur zwischen Kolchose-Musical und Dostojevskij-Dämonen. Materialien zu seinem Leben und seinen Filmen, Berlin: Epubli, 2012. GOETHE, JOHANN WOLFGANG VON: Wilhelm Meisters Lehrjahre. Goethes Werke, Bd. 10, kritisch durchges. und erläuterte Ausg., herausgegeben von Karl Heinemann, Leipzig/Wien: Bibliographisches Institut, 1904. GOFFMAN, ERVING: Wir alle spielen Theater. Die Selbstdarstellung im Alltag [1956], 14. Aufl., München/Zürich: Piper, 2014. HATCH, KRISTEN: Shirley Temple and the Performance of Girlhood, New Brunswick, NJ [u.a.]: Rutgers University Press, 2015. HEDIGER, VINZENZ: Verführung zum Film. Der amerikanische Kinotrailer 1912–1998, Marburg: Schüren, 2001. HEINZLMEIER, ADOLF/SCHULZ, BERNDT/WITTE, KARSTEN: Die Unsterblichen des Kinos. 2, Glanz und Mythos der Stars der 40er und 50er Jahre, Frankfurt a.M.: Fischer, 1980. HESSE, CHRISTOPH [u.a.]: Filmstile, Wiesbaden: Springer VS, 2016. HICKETHIER, KNUT: Film- und Fernsehanalyse, 5., aktualisierte u. erweiterte Aufl., Stuttgart/Wei- mar: Metzler, 2012. HICKETHIER, KNUT: Geschichte des deutschen Fernsehens. Unter Mitarbeit von Peter Hoff, Stuttgart/Weimar: Metzler, 1998. HICKETHIER, KNUT: Schauspieler und Massenmedien. Ein Forschungsbericht, Frankfurt a.M.: Deutsche Akademie der Darstellenden Künste; Berlin: Institut für Kommunikations-, Medien- und Musikwissenschaft der TU, 1980. HILLER, JENS: Die Leben der Anderen oder die Legitimation ziviler Opfer. Eine Analyse des Kriegs- diskurses in den USA von 2003 bis 2011, Wiesbaden: Springer VS, 2017. HOERNING, H. KONRAD: Repertoireführer für das Laientheater, Leipzig: Zentralhaus für Kultur- arbeit, 1964. ISKIN, RUTH E.: The Poster. Art, Advertising, Design, and Collecting, 1860s–1900s, Hanover, NH: Dartmouth College Press, 2014. JACKSON, LYNNE KATHERINE: Tangled Up in James Blue. A Committed Filmmaker’s Journey Through Independent and Commercial Filmmaking, Propaganda, Documentary, Observational Cinema and Alternative Media, Doktorarbeit am Department of Cinema Studies [Dissertation], New York: New York University, 1992. JENISCH, JAKOB: Handbuch Amateurtheater, Leipzig: Henschel, 2005. JOSSÉ, HARALD: Die Entstehung des Tonfilms. Beitrag zu einer faktenorientierten Mediengeschichts- schreibung, Freiburg [u.a.]: Alber Verlag, 1984. 492 Bibliografie KEEN, ANDREW: Die Stunde der Stümper. 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