DOCSLIB.ORG

Read Peter Mintun's Detailed Filmography of These

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Peter Mintun's Detailed Filmography of These Shorts Warner Archive 1 1 Video Piracy Warning 12/10/2009 2009 Directed by Unidentified 2 Rambling ‘Round Radio Row #1 1932 Directed by Unidentified 1408 Jerry Wald, Syd Gary (hosts), Boswell Sisters, Abe Lyman, Stoopnagle (F. Chase Taylor) & Bud (Budd Hulick), Kate Smith, Nat Brusiloff, Jack Miller (piano) 3 Rambling ‘Round Radio Row (1932/I) 1932 Directed by Jerry Wald 1447 Art Jarrett, Art Jarrett, Jr., Loyce Whiteman, Harry Barris, Burton Lane, Sylvia Froos, Benny Krueger, Rudy Wiedoft 4 Rambling ‘Round Radio Row #4 1932 Directed by Jerry Wald 1452 J.C. Flippen, Howard Lanin’s Orchestra, Aunt Jemima (Tess Gardella) Baby Rose Marie, Johnny Marvin, Four Lombardo Brothers, William Hall 5 Rambling ‘Round Radio Row #5 1933 Directed by Unidentified 1453 Smith Ballew, Frances Langford, Happiness Boys, Funnyboners (trio), Jerry Wald, Reis & Dunn, Arthur Tracy, Jacques Renard, Freddie Rich, Jack Denny, Meyer Davis 6 Rambling ‘Round Radio Row #6 (1933/I) 1934 Directed by Unidentified 1473 Harry Rose (The Broadway Jester), The Three Keys, Lew Conrad & His Orchestra, Don Carney (Uncle Don), Harriet Lee & Her Boyfriends, Charles ‘Buddy’ Rogers, Jerry Wald 7 Rambling Round Radio Row (1933/II) 1933 Directed by Jerry Wald 1474 Ted Pearson (host), Paul Whiteman’s (new) Rhythm Boys, Pickens Sisters, Ann Leaf (piano), Frank Hazard, Tito Guizar 8 Rambling ‘Round Radio Row (1934/I) 1933 Directed by Unidentified 1632 Eddie Bruce, Tito Guizar, Shirley Howard, Men About Town, Alan Reed (as Blubber Bergman, Stutterer) 9 Rambling ‘Round Radio Row (1934/II) 1934 Directed by Unidentified 1662 Bunny Poe, Patsy Flick (mailman), Frank Novak, George Jessel, Vera Van, Shemp Howard, Ramon & Rosita (assisted by Tony Sacco) 10 Rambling ‘Round Radio Row #8 (1934/III) 1934 Directed by Unidentified 1664 Harriet Lee, Baby Rose Marie, Frank Novak, Jr. (one man band), Roy Atwell, Morton Downey 11 Yacht Party, The 9/29/1932 1932 Directed by Roy Mack 1457 Roger Wolfe Kahn, Gertrude Niesen, Melissa Mason (contortionist), Eaton Boys, Chauncey Morehouse (drums), Artie Shaw (clarinet) 12 Audition, The 7/8/1933 1933 Directed by Roy Mack 1494 Phil Emerton, Hannah Williams, Three X Sisters (Pearl Hamilton, Violet Hamilton, Jessie Hamilton), Larry & Larry (tap routine) Shorts Warner Archive 2 1 Yamekraw 1930 Directed by Murray Roth 1009 Jimmy Mordecai, Margaret Simms, Louise Cook, Hugo Mariani & His Mediterraneans 2 Smash Your Baggage 1933 Directed by Roy Mack 1387 Elmer Snowden’s Small’s Paradise Entertainers, Babe Wallace, Rubberlegs Williams, Roy Eldridge, Carrie Marrier, Lew Payton, Doris Rubboton, Mabel Scott 3 That’s The Spirit 4/1/1933 1933 Directed by Roy Mack 1491 Noble Sissle & His Band, Buster Bailey, Clarence Brown, Edward ‘Jelly’ Coles, Wendell Culley, Wilbur de Paris, Cora La Redd, F.E. Miller, Mantan Moreland, Washboard Serenaders 4 Pie Pie Blackbird 6/1/1932 1932 Directed by Roy Mack 1391 Nina Mae McKinney, Eubie Blake, Fayard Nicholas, Harold Nicholas 5 Rufus Jones for President 9/9/1933 1933 Directed by Roy Mack 1553-1554 Ethel Waters, Sammy Davis, Jr., Lindy Hop Dancers, Mabel Scott, Edgar Connor, Hamtree Harrington, Dusty Fletcher, Will Vodery Girls, Russell Wooding’s Jubilee Singers 6 An All - Colored Vaudeville Show 12/1/1934 1934 Directed by Roy Mack 1819 Adelaide Hall, Three Whippets, The Five Racketeers & Eunice Wilson, Nicholas Bros., Eunice Wilson 7 King for a Day [orig., title Black Orchids] 6/30/1934 1934 Directed by Roy Mack 1687-1688 Bill Robinson (Bill Green), Ernest Whitman, Dusty Fletcher, Babe Matthews, Muriel Rahn, Hattie Noel, Limehouse Brown 8 Black Network, The 4/4/1936 1936 Directed by Roy Mack 1945-1946 Babe Wallace, Nina Mae McKinney, Nicholas Bros., Amanda Randolph, Alvin Childress, The Serenaders Shorts Warner Archive 3 1 Eddy Duchin & His Orchestra 11/25/1933 1933 Directed by Unidentified 1558 Eddy Duchin, Sylvia Froos, Jack & Betty Earle, 2 Mills Blue Rhythm Band 1934 Directed by Roy Mack 1586 Fredi Washington, Sally Gooding, Hamtree Harrington, Blues McAllister, The Three Dukes 3 Isham Jones & His Orchestra, with Gypsy Nina & The Boylans (Arthur 5/12/1934 1934 Directed by Roy Mack 1639 and Rose) Isham Jones & His Orchestra, with Gypsy Nina & The Boylans, Eddie Vogt, announcer, Eddie Stone, Joe Martin(?) 1 SPECIAL SERIES DISKS 4 Ben Pollack & His Orchestra 8/4/1934 1934 Directed by Joseph Henabery 1696 Doris Robbins, Ben Pollack, Orchestra members: Ray Bauduc, Gil Bowers, Harry Goodman, Joe Harris, Deane Kincaide, Nappy Lamare, Yank Lawson, Matty Matlock, Eddie Miller, Gil Rodin, Charlie Spivak, unidentified dance team (Minor & Root?) 5 Wishing Stone, The 1935 Directed by Roy Mack 1832 Dave Apollon & Company, Paul Perry, Zeni Vatori 6 Johnny Green and his Orchestra 10/12/1935 1935 Directed by Joseph Henabery 1867 Johnny Green, David Terry, Jimmy Farrell, Marjory Logan, Hill Billy Quartet, Juvenile Tap Dancer, Del Porter (Elmer), Jay Johnson (Marvin) 7 Borrah Minevitch & His Harmonica Rascals [orig. title Minstrel Show] 1935 Directed by Roy Mack 1827 Borrah Minevitch & His Harmonica Rascals, dancer, Jack Goldie, Charlie Olcott 8 Red Nichols & His World Famous Pennies 1/4/1936 1936 Directed by Joseph Henabery 1898 Red Nichols, Wallace Sisters (trio), Bob Carter 9 George Hall Orchestra 1936 Directed by Roy Mack 2056 Dolly Dawn, Johnny McKeever, George Hermann, Eddie Foy, Jr., George Hall & His Orchestra 10 Harry Reser & His Eskimos 9/26/1936 1936 Directed by Roy Mack 1983 Harry Reser, Three Yates Sisters, The Modernaires (What?), Lynn Gordon 11 Little Jack Little & His Orchestra 1936 Directed by Joseph Henabery 1936 Jack Little, Mildred Fenton, Jack Smith, Dot, Donna & Teddy Shorts Warner Archive 4 1 Jimmie Lunceford’s Orchestra 12/19/1936 1936 Directed by Joseph Henabery 2062 Jimmie Lunceford, The Three Brown Jacks, Myra Johnson, Willie Smith (?) 2 Off the Record 1934 Directed by Joseph Henabery 1907 B.A. Rolfe, The Music Hall Boys, Sinclair Twins 3 Sin-copation 1/9/1938 1938 Directed by Lloyd French B20 Leon Navara (piano) & His Orchestra, Detmar Poppen, Ruth Brent, Honey & Weldon 4 Hi-De-Ho 2/20/1937 1937 Directed by Roy Mack 2078 Cab Calloway & His Orchestra 5 Freddie Rich & His Orchestra 5/28/1938 1938 Directed by Lloyd French B122 Freddie Rich, Nan Wynn, Joe Sodja [comic guitar], Three Symphonettes 6 Jimmy Dorsey & His Orchestra 10/22/1938 1938 Directed by Lloyd French B144 Jimmy Dorsey, Bob Eberly, Evelyn Oaks, Ray McKinley [drums] 7 Larry Clinton And His Orchestra 9/3/1938 1938 Directed by Lloyd French B139 Larry Clinton Orchestra, Carol Bruce, Bob Robinson, Virginia Martin 8 Ray Kinney & His Royal Hawaiian Orchestra 10/1/1938 1938 Directed by Roy Mack B160 Ray Kinney, The Aloha Maids, Puhwa 9 Swing Cat’s Jamboree 8/6/1938 1938 Directed by Roy Mack B138 Louis Prima, Shirley Lloyd, Ted Gary, Mitzi Dahl 10 Saturday Night Swing Club On The Air 1939 Directed by Lloyd French B213 Leith Stevens, Melvin Allen [announcer], Nan Wynn, Leslie Lieber [penny whistle], Bobby Hackett & Band, Eddie Condon 11 Dipsy Doodler, The 1939 Directed by Lloyd French B247 Larry Clinton & His Orchestra; Bea Wain, Gower [Champion] & Jeanne [Tyler]; The Philharmonicas (sextet) Shorts Warner Archive 5 1 Ozzie Nelson & His Orchestra 1939 Directed by Roy Mack B261 Ozzie Nelson & His Orchestra 2 Symphony of Swing: Artie Shaw & His Orchestra 1939 Directed by Joseph Henabery B235 Helen Forrest, Tony Pastor Artie Shaw, Buddy Rich 3 Vincent Lopez & His Orchestra 9/30/1939 1939 Directed by Joseph Henabery B228 Betty Hutton, Vincent Lopez, Fred Lowery, Johnny Russell 4 Frances Carroll & The Coquettes 2/17/1940 1940 Directed by Roy Mack B220 Frances Carroll, Eunice Healey [dancer], Viola Smith 5 Larry Clinton & His Orchestra with Bea Wain 1939 Directed by Joseph Henabery B221 Larry Clinton, Bea Wain, Ford Leary 6 Rita Rio & Her Orchestra 1939 Directed by Roy Mack B229 Rita Rio, Dona Drake, Emily Adrien, Bill Furrow 7 Artie Shaw & His Orchestra 1939 Directed by Roy Mack B214 Artie Shaw, Helen Forrest, Tony Pastor 8 Henry Busse & His Orchestra 1940 Directed by Jean Negulesco 141A Henry Busse 9 Cliff Edwards & His Buckaroos 3/8/1941 1941 Directed by Jean Negulesco 26A Cliff Edwards (Ukulele Ike), Mildred Coles (Ellen), Vera Lewis (Mrs. Marshall) 2 SPECIAL SERIES DISKS 10 Woody Herman & His Orchestra 5/1/1940 ? Directed by Roy Mack B209 Woody Herman, Hal and Honey Abbott, Marie Hartman, Reed Brown, Jr., Lee Wiley 11 Skinnay Ennis & His Orchestra 1/4/1941 1941 Directed by Jean Negulesco 9935 Skinnay Ennis, Creighton Hale, John Ridegly Shorts Warner Archive 6 1 Hal Kemp & His Orchestra 6/14/1941 1941 Directed by Jean Negulesco 191A Hal Kemp, Robert Allen, Janet Blair, Randy Brooks 2 Glen Gray & The Casa Loma Orchestra 8/15/1942 1942 Directed by Jean Negulesco 479A Glen Gray 3 Six Hits and A Miss 10/24/1942 1942 Directed by Jean Negulesco 1062A Six Hits and A Miss, Paul Draper & Ruby Keeler [archive footage], Dancing Colleens, Rudolph Friml, Jr. (conductor) 4 Borrah Minevitch & His Harmonica School 1942 Directed by Jean Negulesco 1061A Borrah Minevitch, Leo Diamond 5 Ozzie Nelson & His Orchestra 1943 Directed by Jean Negulesco 1089 Ozzie Nelson & His Orchestra 6 Jammin’ the Blues 5/5/1944 1944 Directed by Gjon Mili 1315A Lester Young, Red Callender, Harry Edison, Marlowe Morris, Sidney Catlett, Barnet Kessel, Joe Jones, John Simmons, Illinois Jacquet, Marie Bryant, Archie Savage. 7 Bob Wills & His Texas Playboys 9/2/1944 1944 Directed by LeRoy Prinz 1256A Bob Wills & His Texas Playboys, Brooks Benedict, James Bloodworth, Tommy Duncan 8 Jan Savitt & His Band 3/16/1946 1946 Directed by Jack Scholl 1409A Jan Savitt & His Band, Bob Arthur, Shirley Van, Helen Warren, The Lipham children 9 Spade Cooley, King of Western Swing 9/1/1945 1945 Directed by Jack Scholl 1361A Spade Cooley, Ark and Okie, Knox Manning (narrator) 10 Stan Kenton & His Orchestra 2/6/1947 1947 Directed by Jack Scholl 1429A Stan Kenton, June Christy, Jerry Gale, Knox Manning (Narrator) 11 Desi Arnaz & His Orchestra 10/12/1946 1946 Directed by Jack Scholl 1465A Desi Arnaz, Amanda Lane, Searles & Galian, Knox Manning (narrator) 3.
Load more

Recommended publications
  • Vocal Colour in Blue: Early Twentieth-Century Black Women Singers As Broadway's Voice Teachers
    Document generated on 09/24/2021 8:30 p.m. Performance Matters Vocal Colour in Blue Early Twentieth-Century Black Women Singers as Broadway’s Voice Teachers Masi Asare Sound Acts, Part 1 Article abstract Volume 6, Number 2, 2020 This essay invokes a line of historical singing lessons that locate blues singers Bessie Smith and Ethel Waters in the lineage of Broadway belters. Contesting URI: https://id.erudit.org/iderudit/1075800ar the idea that black women who sang the blues and performed on the musical DOI: https://doi.org/10.7202/1075800ar stage in the early twentieth century possessed “untrained” voices—a pervasive narrative that retains currency in present-day voice pedagogy literature—I See table of contents argue that singing is a sonic citational practice. In the act of producing vocal sound, one implicitly cites the vocal acts of the teacher from whom one has learned the song. And, I suggest, if performance is always “twice-behaved,” then the particular modes of doubleness present in voice point up this Publisher(s) citationality, a condition of vocal sound that I name the “twice-heard.” In Institute for Performance Studies, Simon Fraser University considering how vocal performances replicate and transmit knowledge, the “voice lesson” serves as a key site for analysis. My experiences as a voice coach and composer in New York City over two decades ground my approach of ISSN listening for the body in vocal sound. Foregrounding the perspective and 2369-2537 (digital) embodied experience of voice practitioners of colour, I critique the myth of the “natural belter” that obscures the lessons Broadway performers have drawn Explore this journal from the blueswomen’s sound.
    [Show full text]
  • IF THOSE WALLS COULD ONLY SPEAK by Harry Stein*
    IF THOSE WALLS COULD ONLY SPEAK by Harry Stein* ______________________________________________________________ [This article appeared in the Summer/Autumn 1986 edition of Jazz Magazine.] f those walls at 104 Queensberry Street, North Melbourne, where Australia’s first Jazz Convention was held in 1946, could only speak! What would they say? It I would have to be a mixture of vaudeville tunes, revival hymns, socialist politics and hot jazz licks. The hall was built as a vaudeville theatre in 1874 but before the turn of the century became the home of the first Pentecostal Assembly of Australia. Every weekday and Sunday there were prayer meetings, while on Thursdays they held a “tarrying The Eureka Hall, photographed in October, 1985: its official name was the Betty Sutherland Memorial Hall… _______________________________________________________________ *In 1986 the late Harry Stein was a Sydney journalist. In the 1940s, he was the President of the Eureka Hot Jazz Society, under whose auspices the first Australian Jazz Convention was held in 1946. He was also President of the Convention. He was the initiator of the Graeme Bell Band’s first trip to Europe in 1947 and managed the band until the end of the first World Youth Festival in Prague. 1 meeting” to allow the congregation to receive the baptism of the Holy Spirit. What else could they name it but the Good News Hall! A press article of the day delightfully described their gatherings as “Holy Rolling at the Good News Hall”. When the British socialist Tom Mann arrived in Australia in 1902, he was banned from speaking in every public hall.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Country Music Special 1979
    COUNTRY MUSIC SPECIAL 1979 Songwriters: Unsung Heroes The Future Looks Bright For Are Enjoying New Popularity Country Music Labels, Artists (continued from nage C-22) (continued from page C-20) very little monetary reward for some time," Songwriters Hall of Fame. Founded in 1970, "Television seems to be the primary that area slowing down either. Cavender noted. "It takes tenacity, dedica- the list of Hall of Famers now boasts some market in any country in getting the big "I've always contended that if country tion, hard work and total concentration for a 74 names. Four more songwriters will be word out," Walker said. "Getting the music could be heard more, it would long, thankless period. But the writer does immortalized this week (Oct. 7) when the awards show on would allow us to expose become more popular," said Walker. "That receive something very important - self association announces this year's new country music to a large group of people was the theory behind trying to get more fulfillment. I don't think you can ask for members. who 'may have never heard country music radio stations to program country music. much more of a reward than fulfillment of A nomination list is comprised yearly by before." That was our first goal when the CMA was self." the NSAI board of directors, the past presi- Of the countries the CMA is hoping to organized. I think the figures speak for The NSAI was formed in 1967 to aid the dent of the association and a selected elec- develop, Walker said that Germany would themselves.
    [Show full text]
  • Albanian Catholic Bulletin Buletini Katholik Shqiptar
    ISSN 0272 -7250 ALBANIAN CATHOLIC BULLETIN PUBLISHED PERIODICALLY BY THE ALBANIAN CATHOLIC INFORMATION CENTER Vol.3, No. 1&2 P.O. BOX 1217, SANTA CLARA, CA 95053, U.S.A. 1982 BULETINI d^M. jpu. &CU& #*- <gP KATHOLIK Mother Teresa's message to all Albanians SHQIPTAR San Francisco, June 4, 1982 ALBANIAN CATHOLIC PUBLISHING COUNCIL: ZEF V. NEKAJ, JAK GARDIN, S.J., PJETER PAL VANI, NDOC KELMENDI, S.J., BAR­ BULLETIN BARA KAY (Assoc. Editor), PALOK PLAKU, RAYMOND FROST (Assoc. Editor), GJON SINISHTA (Editor), JULIO FERNANDEZ Volume III No.l&2 1982 (Secretary), and LEO GABRIEL NEAL, O.F.M., CONV. (President). In the past our Bulletin (and other material of information, in­ cluding the book "The Fulfilled Promise" about religious perse­ This issue has been prepared with the help of: STELLA PILGRIM, TENNANT C. cution in Albania) has been sent free to a considerable number WRIGHT, S.J., DAVE PREVITALE, JAMES of people, institutions and organizations in the U.S. and abroad. TORRENS, S.J., Sr. HENRY JOSEPH and Not affiliated with any Church or other religious or political or­ DANIEL GERMANN, S.J. ganization, we depend entirely on your donations and gifts. Please help us to continue this apostolate on behalf of the op­ pressed Albanians. STRANGERS ARE FRIENDS News, articles and photos of general interest, 100-1200 words WE HAVEN'T MET of length, on religious, cultural, historical and political topics about Albania and its people, may be submitted for considera­ tion. No payments are made for the published material. God knows Please enclose self-addressed envelope for return.
    [Show full text]
  • ¶7櫥«Q }欻' / * #376;扎 #732;†
    120825bk Teagarden2 REV 29/3/06 8:46 PM Page 8 Track 14: John Fallstitch, Pokey Carriere, Sid Jack Lantz, trombones; Merton Smith, Vic Rosi, Feller, trumpets; Jack Teagarden, Jose Bob Derry, Bert Noah, Dave Jolley, saxes; Guttierez, Seymour Goldfinger, Joe Ferrall, Norma Teagarden, piano; Charles Gilruth, trombones; Danny Polo, clarinet, alto sax; Tony guitar; Lloyd Springer, bass; Frank Horrington, Antonelli, Joe Ferdinando, alto sax; Art Moore, drums Art Beck, tenor sax; Ernie Hughes, piano; Track 19: Charlie Teagarden, trumpet; Jack Arnold Fishkin, bass; Paul Collins, drums Teagarden, Moe Schneider, trombones; Matty Track 15: John Fallstitch, Pokey Carriere, Matlock, clarinet, tenor sax; Ray Sherman, Truman Quigley, trumpets; Jack Teagarden, piano; Bill Newman, guitar, banjo; Morty Corb, Jose Guttierez, Seymour Goldfinger, Joe Ferrall, bass; Ben Pollack, drums trombones; Danny Polo, clarinet, alto sax; Tony Track 20: Charlie Teagarden, trumpet; Jack Antonelli, Joe Ferdinando, alto sax; Art Moore, Teagarden, trombone; Jay St. John, clarinet; Art Beck, tenor sax; Ernie Hughes, piano; Norma Teagarden, piano; Kass Malone, bass; Arnold Fishkin, bass; Paul Collins, drums Ray Bauduc, drums Track 16: John Fallstitch, Pokey Carriere, Truman Quigley, trumpets; Jack Teagarden, Also available ... Jose Guttierez, Seymour Goldfinger, Joe Ferrall, trombones; Danny Polo, clarinet, alto sax; Tony Antonelli, Joe Ferdinando, alto sax; Art Moore, Art Beck, tenor sax; Ernie Hughes, piano; Perry Botkin, guitar; Arnold Fishkin, bass; Paul Collins, drums Track
    [Show full text]
  • ASLEEP at the WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 Pm
    ASLEEP AT THE WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 pm Photo: Mike Shore OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. Ray Benson lead guitar and vocals Dave Sanger drums Dave Miller bass and vocals Eddie Rivers steel and sax Katie Shore fiddle and vocals Connor Forsyth piano and vocals Jay Reynolds sax and clarinet Dennis Ludiker fiddle and mandolin Program will be announced from the stage Photo: Mike Shore 3 EVENT SPONSORS DEBORAH K. AND IAN E. BULLION DARYL K. AND NANCY J. GRANNER LAMONT D. AND VICKI J. OLSON SEASON SPONSOR WEST MUSIC 4 Photo: Bill Adams Give the gift of music this holiday season! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities ABOUT THE ARTISTS Ray Benson founded Asleep at the Wheel in Paw Paw, West Virginia 46 years ago. Now based in Austin, the band holds 10 Grammy awards, 20 studio albums and 20 singles on the Billboard country charts. The Grammy Award- winning Still The King: Celebrating the Music of Bob Wills and His Texas Playboys is the band’s most recent release (2015) and marks their third full- length Bob Wills tribute album. Featuring 22 acclaimed collaborations, the all-star line up includes legends such as Willie Nelson, Merle Haggard, and George Strait and newcomers like The Avett Brothers, Amos Lee, Old Crow Medicine Show, and many other fine talents. RAY BENSON At a towering 6’7”, the Philadelphia- born Ray Benson is considered a giant in the industry. However, it’s his contributions to music history, not his height, that have made him a dominant figure on the music scene since 1970.
    [Show full text]
  • Billie's Message: an Original Dance-Drama in the Modern Dance Idiom
    UNLV Retrospective Theses & Dissertations 1-1-1990 Billie's Message: An original dance-drama in the modern dance idiom Vicki Lynn Dale University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Dale, Vicki Lynn, "Billie's Message: An original dance-drama in the modern dance idiom" (1990). UNLV Retrospective Theses & Dissertations. 30. http://dx.doi.org/10.25669/f8vl-dzbd This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from.the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • PROTEST POP MUSIC ATTACK! Musicians Not Hearings on Leaders Wire Scarce—Pollack Tea Charges Senators Who Start Feb
    CHICAGO. FEBRUARY IS, PROTEST POP MUSIC ATTACK! Musicians Not Hearings on Leaders Wire Scarce—Pollack Tea Charges Senators Who Start Feb. 16 Sidemen Themselves Took Fast Rap Have Wrong Picture New York—Trial of Pvta. Mike Bryan and George Auld on nar Of True Situation cotic charges, originally scheduled "Good Thing If Ban On for February 4, was «witched to Chicago "Im rearing induction« February 16 by joint agreement Records Wipes Out All nay alter the situation, but there of the government and defense at­ Jive and Jazz," They Say hat- been no serious snortagi of torneys Bryan ha» already been good musicians up to this point,” given u sentence of a year in jail ■aid Ben Pollack, manager of the y a military court on charges of Chicago—Indignant pro­ | Chieo Marx orchestra, during their desertion, this because of his ab­ tests from America’s nam recent engagement at the Oriental sence from a military stockade in theater here. Miami last month. bandleaders flooded the U. S. Two other defendants, Teddy Senate in U aahington last Reig and Rose Reynolds, will prob­ “If you’re talking about the week as a mult of ihe rurtitin- ‘name’ sidemen, chaps who have ably plead guilty to chargee of built reputations with big bandx, evasion of the marijuana tax law. wide publicity drriding popu­ Andrew Weinberger, Auld’a at­ that’s something else again,” add­ lar American mnide stirred up ed the chubby discoverer of more torney, said he thought he would real musical talent than any lead­ fight the ease pointing out that by the senate's investigate« Auld was merely charged with con­ er in the field.
    [Show full text]
  • The Many Faces of “Dinah”: a Prewar American Popular Song and the Lineage of Its Recordings in the U.S
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE The Many Faces of “Dinah” The Many Faces of “Dinah”: A Prewar American Popular Song and the Lineage of its Recordings in the U.S. and Japan Edgar W. Pope 「ダイナ」の多面性 ──戦前アメリカと日本における一つの流行歌とそのレコード── エドガー・Ｗ・ポープ 要 約 1925年にニューヨークで作曲された「ダイナ」は、1920・30年代のアメリ カと日本両国におけるもっとも人気のあるポピュラーソングの一つになり、 数多くのアメリカ人と日本人の演奏家によって録音された。本稿では、1935 年までに両国で録音されたこの曲のレコードのなかで、最も人気があり流 行したもののいくつかを選択して分析し比較する。さらにアメリカの演奏家 たちによって生み出された「ダイナ」の演奏習慣を表示する。そして日本人 の演奏家たちが、自分たちの想像力を通してこの曲の新しい理解を重ねる中 で、レコードを通して日本に伝わった演奏習慣をどのように応用していった かを考察する。 1. Introduction “Dinah,” published in 1925, was one of the leading hit songs to emerge from New York City’s “Tin Pan Alley” music industry during the interwar period, and was recorded in the U.S. by numerous singers and dance bands during the late 1920s and 1930s. It was also one of the most popular songs of the 1930s in Japan, where Japanese composers, arrangers, lyricists and performers, inspired in part by U.S. records, developed and recorded their own versions. In this paper I examine and compare a selection of the American and Japanese recordings of this song with the aim of tracing lines ─ 155 ─ 愛知県立大学外国語学部紀要第43号（言語・文学編） of influence, focusing on the aural evidence of the recordings themselves in relation to their recording and release dates. The analysis will show how American recordings of the song, which resulted from complex interactions of African American and European American artists and musical styles, established certain loose conventions of performance practices that were conveyed to Japan and to Japanese artists. It will then show how these Japanese artists made flexible use of American precedents, while also drawing influences from other Japanese recordings and adding their own individual creative ideas.
    [Show full text]
  • Starring NOBLE SISSLE EUBIE BLAKE
    Starring NOBLE SISSLE • EUBIE BL AKE BROOKLYN ACADEMY OF MUSIC December 15, 1967 8:30 p.m. PROGRAM NOTES Eubie Blake - Eubie Blake I a native of Baltimore I Md. I was christened James Hubert. However I at an early age he was affectionately called "Hubie". This eventually was short­ ened to "Eubie" by which he is now professionally known. At 17 he started playing the piano professionally. In 1915 he and Noble Sissie formed a partnership as lyricist and composer. They wrote the famous "I'm Just Wild About Harry" for the Broadway show "Shuffle Along". In the early 30's Mr. Blake collaborated with Andy Razaf and wrote the musical score for Lew Leslie's "Blackbirds". Out of this association came the still popular song "Memories of You". In the 40's Mr. Blake became musical conductor for the USO Hospital Unit. He retired in 1940. Mter retirement he returned to school and graduated at the age of 66 from New York University having completed a course "The Schillinger System of Composition." He has been honored by many organizations and the City of New York for more than fifty years of contributing to musical entertainment. On February 7 I 19 68 he will be eighty five years old. Noble Sissie - Noble Sissle was born in Indianapolis on July 10 I 1889. His mother was a schoolteacher - his father a Methodist minister. He graduated from Cleveland High School and attended Butler University until the death of his father at which time he left school to assist his mother with his sister 1 Ruth 1 and brother 1 Andrew.
    [Show full text]
  • At Last We Are Able to Offer the 5 Missing Jazz Oracle Titles Again!
    They’re back!!! At last we are able to offer the 5 missing Jazz Oracle titles again! RE-PRESSED! ROGER WOLFE KAHN – Recorded in New York 1925-1928 BDW8013 1 CD £12.99 A selection of the most jazz-oriented recordings by this fine dance orchestra made for Victor, Perfect, Brunswick and Columbia. Features Miff Mole, Arthur Schutt, Joe Venuti, Eddie Lang, Artie Shaw, and Charlie Teagarden. Also includes a previously unissued performance of Rhythm of the Day. RE-PRESSED! DALLAS RHYTHM – Recorded in Dallas and St Louis 1924-1929 BDW8021 1 CD £12.99 Includes the complete recordings of Dallas-based bandleader Jack Gardner, as well as selected recordings by Randolph McCurtain, Phil Baxter and Herman Waldman. The 32-page booklet includes extensive liner notes by researcher Dick Raichelson, as well as previously unpublished information and newly-found details of the activities of these territory bandleaders. RE-PRESSED! DIME STORE HOT DANCE 1927-1930 BDW8023 1 CD £12.99 A selection of hot dance recordings from 1927 to 1930 made for release on the Plaza and Compo stable of labels. Features hot solo work by Tommy Gott, Bob Effros, Tommy Dorsey, Jimmy Dorsey, Arthur Schutt and others. Exhaustive booklet with full band personnel and recording dates. RE-PRESSED! ARCADIA SHUFFLE 1924-1925 BDW8027 1 CD £12.99 The complete recordings of the Arcadian Serenaders and the Original Crescent City Jazzers, and selected recordings by the Arcadia Peacock Orchestra of St. Louis. Includes extensive notes by James K. Williams and many recently- discovered photographs. Plus full recording details, personnel and dates.
    [Show full text]