Country Music Special 1979
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Still on the Road 2000 Us Summer Tour
STILL ON THE ROAD 2000 US SUMMER TOUR JUNE 15 Portland, Oregon Roseland Theater 16 Portland, Oregon Portland Meadows 17 George, Washington The Gorge 18 George, Washington The Gorge 20 Medford, Oregon Jackson County Expo Hall 21 Marysville, California Sacramento Valley Amphitheater 23 Concord, California Chronicle Pavilion 24 Mountain View, California Shoreline Amphitheatre 25 Reno, Nevada Reno Hilton Amphitheatre 27 Las Vegas, Nevada House Of Blues, Mandalay Bay Resort & Casino 29 Irvine, California Verizon Wireless Amphitheater 30 Ventura, California Arena, Ventura County Fairgrounds JULY 1 Del Mar, California Grandstand, Del Mar Fairgrounds 3 Albuquerque, New Mexico Mesa Del Sol Amphitheater 6 Oklahoma City, Oklahoma The Zoo Amphitheater 7 Bonner Springs, Kansas Sandstone Amphitheatre 8 Maryland Heights, Missouri Riverport Amphitheater 9 Noblesville, Indiana Deer Creek Music Center 11 Cincinnati, Ohio Riverbend Music Center 12 Moline, Illinois The Mark of the Quad Cities 14 Minneapolis, Minnesota Target Center 15 East Troy, Wisconsin Alpine Valley Music Theater 16 Clarkston, Michigan Pine Knob Music Theater 18 Toronto, Ontario, Canada Molson Amphitheatre 19 Canandaigua, New York Finger Lakes Performing Arts Center 21 Hartford, Connecticut Meadows Music Theatre 22 Mansfield, Massachusetts Tweeter Center for the Performing Arts 23 Saratoga Springs, Saratoga Performing Arts Center 25 Scranton, Pennsylvania Coors Light Amphitheatre 26 Wantagh, New York Jones Beach Amphitheatre 28 Camden, New Jersey E-Centre, Blockbuster-Sony Music Entertainment Centre 29 Columbia, Maryland Marjorie Merriweather Post Pavilion 30 Stanhope, New Jersey Waterloo Village Bob Dylan: Still On The Road – The 2000 US Summer Tour 21820 Roseland Theater Portland, Oregon 15 June 2000 1. Duncan And Brady (trad.) 2. -
Greenup County, You Have a of June in Pike County
J.D. Crowe Table of Contents US23CountryMusicHighway......................4 The Future Stars of Country Music.................5 “More Than Music” US 23 Driving Tour.............8 Billy Ray Cyrus........................................9 Greenbo Lake State Resort Park...................10 Jesse Stuart..........................................11 The Judds.............................................12 Boyd County Tourism.................................13 Ricky Skaggs.........................................15 Lawrence County Tourism............................16 Larry Cordle..........................................18 Loretta Lynn & Crystal Gayle.......................19 US 23: John Boy’s Country .....................20 Hylo Brown...........................................21 Johnson County Tourism..............................22 Dwight Yoakam.......................................23 Map....................................................24 The Jenny Wiley Story.............................27 Presonsburg Tourism..................................28 Elk in Eastern Kentucky..............................30 Patty Loveless.......................................33 Pikeville/Pike County Tourism........................37 The banjo on the cover of this year’s magazine is a Hatfields and McCoys...............................38 Gibson owned by JD Crowe.JDwasbornandraisedin Gary Stewart........................................39 Lexington, Kentucky, and was one of the most influential Marion Sumner.......................................39 bluegrass musicians. -
National Historic Landmark Nomination Ryman Auditorium
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
American Jukebox
Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 3:10 A.P. Carter Can the Circle Be Unbroken (Will The Carter Family BOX: Classic Country Music - DISC 1 Smithsonian 1935 Lead vocal Maybelle Carter BOX ClasCountry 0:04 1/9 9/28/19 02 2:44 A.P. Carter Wthoer rcieirdc leM.a..n) Blues The Carter Family Songs of Faith, Spirit & Life iTunes compilation 1934 CNTYV iTnesComp 7 9/28/19 Covred by the Kingston Trio in 1959 03 3:09 Jimmie Rodgers No Hard Times Jimmie Rodgers Songs of Faith, Spirit & Life iTunes 1934 CNTYV iTunesComp none 6 9/28/19 04 3:06 Patsy Montana I Want To Be A Cowboy's Patsy Montana & The Prairie Ramblers Columbia Country Classics Volume 1: The Golden Columbia 1935 First C&W hit for a female artist. Her yodeling set the standard for other females who CNTYV Country 0:07 5 1990 9/28/19 Age followed. 05 2:48 Jimmie Davis YSowue eAtrhee Maryt Sunshine Jimmie Davis Stardust - Decca Hits & Standards (Disc 1) Decca/MCA 1940 0:09 8 9/28/19 He wrote this. Twice elected as governor of Louisiana. 06 2:38 Tubb Walking The Floor Over You Ernest Tubb Sioux City Sue (Disc 1) 1941 0:16 1/3 9/28/19 07 2:51 Bob WIlls/Tommy Duncan New Spanish Two Step Bob Wills and His Texas Playboys The Essentrail Bob Wills Columbia 1946 0 CD Bob Wills [#1 C&W charts 16 wks] CNTYM W i l l s 15 9/28/19 08 2:45 Hank Williams Honky Tonkin’ Hank Williams Legendar Country Singers - Hank Williams Time-Life 1947 c14 CNTYM Williams 0:05 17 9/28/19 09 2:34 AP Carter Wabash Cannonball Roy Acuff & His Smoky Mountain Boys Columbia Country Classics Volume 1: The Golden Columbia 1947 CNTYV Country 23 1990 9/28/19 Age 10 2:09 Hank Williams Jambalaya (On The Bayou) Brenda Lee Brenda Lee Anthology Volume 1: 1956-1961 MCA 1956 0 Recorded at age 11. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
ASLEEP at the WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 Pm
ASLEEP AT THE WHEEL MERRY TEXAS CHRISTMAS Y’ALL! Friday, December 9, 2016, 7:30 pm Photo: Mike Shore OPENING SEASON 2016/2017 Great Artists. Great Audiences. Hancher Performances. Ray Benson lead guitar and vocals Dave Sanger drums Dave Miller bass and vocals Eddie Rivers steel and sax Katie Shore fiddle and vocals Connor Forsyth piano and vocals Jay Reynolds sax and clarinet Dennis Ludiker fiddle and mandolin Program will be announced from the stage Photo: Mike Shore 3 EVENT SPONSORS DEBORAH K. AND IAN E. BULLION DARYL K. AND NANCY J. GRANNER LAMONT D. AND VICKI J. OLSON SEASON SPONSOR WEST MUSIC 4 Photo: Bill Adams Give the gift of music this holiday season! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities ABOUT THE ARTISTS Ray Benson founded Asleep at the Wheel in Paw Paw, West Virginia 46 years ago. Now based in Austin, the band holds 10 Grammy awards, 20 studio albums and 20 singles on the Billboard country charts. The Grammy Award- winning Still The King: Celebrating the Music of Bob Wills and His Texas Playboys is the band’s most recent release (2015) and marks their third full- length Bob Wills tribute album. Featuring 22 acclaimed collaborations, the all-star line up includes legends such as Willie Nelson, Merle Haggard, and George Strait and newcomers like The Avett Brothers, Amos Lee, Old Crow Medicine Show, and many other fine talents. RAY BENSON At a towering 6’7”, the Philadelphia- born Ray Benson is considered a giant in the industry. However, it’s his contributions to music history, not his height, that have made him a dominant figure on the music scene since 1970. -
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary. -
Vernon Dalhart: His Rural Roots and the Beginnings of Commercial Country Music*
VERNON DALHART: HIS RURAL ROOTS AND THE BEGINNINGS OF COMMERCIAL COUNTRY MUSIC* by Walter Darrell Haden English Department University of Tennessee Martin, Tennessee Most country music history fans know of the North American folk songs which launched Vernon Dalhart as the first country music artist of national importance. The Wreck of the Old 97 and The Prisoner's Song were also the beginnings of the commercial country music industry in this country. Before Dalhart recorded these songs, there had been, it is true, an effort to market some country music: Henry Whitter, Riley Puckett, Kelly Harrell, and other country vocalists had begun or were beginning their record ing careers. But there had been no country hit songs and no country singing star to record them. Fiddlers like John Carson and other country instrumentalists had recorded, it is true, and some of these musicians had thrown in a vocal chorus or perhaps even a stanza or so of song lyrics. But before Dalhart there had been no country recording of national importance and certainly no hit. Today knowledge able record collectors and musicologists are making the truth increasingly well known that Dalhart's pairing of The Prisoner's Song with The wreck of the Old 97 on more than 30 different labels sold over 25,000,000 copies. Victor 19427 alone sold close to 6,000,000 copies of this famous pairing of hits. (1) In 1924, Dalhart, dropping his current "pop" music career to take up country music, even more native to his upbringing, stepped before an accoustical recording horn at Thomas A. -
With Over Fteen Years of Touring to Date, the Quebe Sisters Have Delivered Their My Tracks When I Heard Them the Rst Time
“The Quebe Sisters simply stopped me in With over fteen years of touring to date, The Quebe Sisters have delivered their my tracks when I heard them the rst time. authentic triple ddle and three-part harmony sound to the concert halls and festivals Their blend of swing with a dash of of North America and Europe. contemporary color is unique in today’s music world. They project a cannonball of Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band stage presence and man can they play.” of archtop guitar, upright bass, ddles and sibling harmony. The Dallas-based ve-piece JIMMY BUFFETT presents a unique Americana blend of Western Swing, Jazz-in uenced Swing, Country, Texas-Style Fiddling, and Western music. “The Quebe Sisters are some of the most talented people I’ve ever met. They do “We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ Texas proud. They live in Texas, sound because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. like Texas and they’re prettier than Texas “Instead, we continue his vision, playing the style he pioneered in an authentic way by Bluebonnets, and sweeter than sugar cane. I love the Quebe Sisters”. incorporating new genres and songs, interpreting them using our own unique voice RICKY SKAGGS through Country instrumentation.” The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds “I rst heard the Quebe Sisters at the Philly Folk Festival, and was pretty blown away. I begged once found in Texas dance halls and honky-tonks.